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Continue 2004 film The Phantom of OperaTheatrical release posterDirected Joel SchumacherTheatrical release posterDirected by Joel Schumacher Lloyd Webber Based on The Phantom of the Opera Andrew Lloyd WebberCharles HartRichard Stilgoe Opera Gaston Le Gerard Butler Emmy Rossum Patrick Wilson Miranda Richardson Minnie Driver Music Andrew Lloyd WebberCineMatographyJohn MathiesonEdited byTerry RawlingsProductioncompanies Joel Schumacher Productions Really Useful Movies Scion Films Distributed by Warner Bros. Photos (USA) Odyssey Entertainment (International) Release Date December 22 , 2004 (2004-12-22) The duration of 143 minutes (1)Country United Kingdom of the United States LanguageEnglishBudget $70-80 million which, in turn, is based on the French novel by Gaston Leroux 1910 Fantem de l'Ora. Produced and co-written by Lloyd Webber and directed by Joel Schumacher, it stars Gerard Butler in the title role, Emmy Rossum, Patrick Wilson, Miranda Richardson, Minnie Driver, and Jennifer Ellison. The film was announced in 1989, but production began only in 2002 due to Lloyd Webber's divorce and Schumacher's busy career. It was shot entirely at Pinewood Studios, with decorations created with miniatures and computer graphics. Rossum, Wilson and Driver had singing experience, but Butler had none and was provided with music lessons before filming. The Phantom of the Opera grossed $154.6 million worldwide and received mixed reviews from critics, but was very well received by the public. Critics praised the visuals and acting, especially the performances of Butler and Rossum, but criticized the writing and directing. In 1919, a public auction was held to clear the vaults of an abandoned opera house in Paris. Viscount Raul de Chagney offers an elderly Madame Giri for a music box in the shape of a barrel organ with a monkey figure attached to her, played on a kimbal. The auctioneer presents a broken chandelier, which is connected with the strange case of the Phantom of the Opera. As it is raised up to the roof, the story moves back to 1870. The theatre is preparing to perform the great opera Hannibal led by the soprano Carlotta Giudicelli. The theatre's director, Mr. Lefebvre, plans to retire, leaving the theatre to Richard Firmin and Gilles Andre. Carlotta refuses to perform after three years of tormenting a resident of the Opera Ghost Theatre, a mysterious figure said to live in the catacombs below. Faced with the cancellation of the performance, Madame Geary, a ballet teacher, invites dancer Cristina Daao to act as the lead actress. Christina shows off her singing talent and huge success at the premiere. Christine Geary's daughter, Meg, is coached by a tutor she calls Angel of Music. Christina reunites with Raoul, the new patron of the theater, and her childhood sweetheart, but he rejects her secrets. That night, Christina is presented with the ghost of the Opera in a mask, having stolen it in an underground lair. He confesses his love to Christine, but when she takes off the mask out of curiosity, he reacts furiously. She returns him the mask, and Phantom returns her to the theater unharmed, but orders the managers to make her leader in Il Muto. However, managers choose Carlotta instead. During the performance, Phantom fakes Carlotta's throat spray, forcing her to sing out of sorts, and Christina steps in a phantom meets Joseph Bouquet's scene and hangs him over the stage. Christina and Raoul run to the roof, where they declare their love for each other. The ghost, eavesdropping, swears revenge. Three months later, in 1871, at the New Year's masquerade ball, Christina and Raoul announce their engagement. The ghost drops the ball and orders his own opera, Don Juan Triumph, to be performed. Seeing Christina's wedding ring, Phantom steals it and runs away, pursued by Raoul, but Geary stops him. Geary explains that when she was a teenager, she met Phantom, a deformed boy, billed as the Devil's Child in a freak show and abused by the owner. When Phantom rebelled and strangled the man to death, Geary helped him avoid the crowd and hid him in the opera house. The next day, Christina visits her father's grave with Phantom, posing as his spirit to win her back, but Raoul intervenes. Raoul and the managers plot to capture the Ghost during his opera. The ghost kills Carlotta's lover, Ubaldo Piangi, and takes his place as a male lead to sing opposite Christina. During her passionate duet, Christina exposes the Phantom, revealing her warp to the horror of the audience. He drags her into the catacombs, lowering the chandelier as a crowd is formed to hunt down the Phantom. Geary leads Raoul to the catacombs to save Christina. Meg leads the police to Phantom's lair when they track him down. Phantom has Christina wearing the wedding dress he made for her and offers marriage. Christina admits that she is afraid of Phantom not for his appearance, but for his rage and willingness to kill. Raoul arrives, Phantom threatens to kill him if Christina does not marry him. Christina, sorry for the Phantom, kisses him. Touched by her kindness, the Phantom allows lovers to escape. Finding solace in the music box, Phantom cries alone, and Christina gives him a ring in memory. He disappears as the crowd appears with Meg to find his discarded mask. Back now, the elderly Raoul visits the tombstone of his late wife Christina, placing a music box in front of him. As he leave, he notices a freshly attached rose with Christina's ring attached to her, implying that phantom is still alive and that he will always love her. Starring Gerard Butler as Eric, Emmy Rossum in Christine Daa Patrick Wilson in Raoul de Chagne Miranda Richardson in Madame Gear Minnie Driver in Carlotta Giudicelli Margaret Price as The Singing Voice of Carlotta, with the exception of Simon Callow's Learning to Be Lonely in Jill Andre Sia Ren Hinds as Richard Firmin Victor McGuire as Ubaldo Pianga Jennifer Ellison as Meg Geary Murray Melvin as Mr. Reyer Kevin McNally as Joseph Beech James Fleet as Mr. Lefebvre Ramin Karimlu as Gustave Daash, Production Development Warner Bros. acquired the rights to the film The Phantom of the Opera in early 1989, giving Andrew Lloyd Webber full artistic control. Despite interest from A-list directors, Lloyd Webber and Warner Bros. immediately hired Joel Schumacher to lead; Lloyd Webber was impressed with Schumacher's use of music in The Lost Boys. The duo wrote the script in the same year, while Michael Crawford and Sarah Brightman were cast to reprise their roles from the original production. Filming was due to begin at Pinewood Studios in England in July 1990, with a budget of $25 million. However, the start date was pushed back to November 1990 at Babelsberg Studios in Munich, Germany, and Barrandov Studios in Prague, Czech Republic. The production of The Phantom of the Opera stalled after the divorce of Lloyd Webber and Brightman. Everything came to a head in the settlements, Schumacher mused. Then my career took off and I was very busy. As a result, the Phantom of the Opera languished in limbo for Warner Bros. throughout the 1990s. The studio really wanted to play John Travolta for the title role, but also held talks with Antonio Banderas, who took up vocal training and sang the role of Phantom in andrew Lloyd Webber's special TV film: The Royal Albert Hall Celebration. Schumacher and Lloyd Webber resumed development of The Phantom of the Opera in December 2002. In January 2003, it was announced that Lloyd Webber's Really Useful Group had acquired the rights to the film from Warner Bros. in an attempt to create The Phantom of the Opera on its own. As a result, Lloyd Webber invested $6 million out of his own funds. The Phantom of the Opera was released with a budget of $80 million. Warner Bros. gets its first distribution deal; when the main cast was selected in June 2003, Warner Bros. paid less than $8 million to acquire North American distribution rights. Hugh Jackman's casting was originally cast as Phantom, but he faced scheduling conflicts with Wang They called to ask about my availability, Jackman explained in an April 2003 interview, probably about 20 other actors as well. Unfortunately, I was unavailable. So it was a bummer. We needed someone who had a little bit of a sensitivity to rock 'n' roll, Andrew Lloyd Webber explained. It should be a little rough, a little dangerous; not an ordinary singer. Christina is attracted to the Phantom because he is the right side of danger. Director Joel Schumacher was impressed with Gerard Butler's performance in Dracula 2000. Before listening, Butler had no professional singing experience and took only four voice lessons before singing Music of the Night for Lloyd Webber. Katie Holmes, who started working with a vocal trainer, was the leader of Christine Daae in March 2003. In 2004, she was replaced by Anne Hathaway, a classically trained soprano. However, Hathaway dropped out of the role because the film's production schedule overlapped with The Princess Diaries 2: The Royal Engagement, which she was required to do under contract. Hathaway was replaced by Emmy Rossum. The actress sneered between Phantom and Christina in honor of Suzanne Farrell and George Balanchine. Patrick Wilson was cast as Raoul based on his previous Broadway theatrical career. For the role of Carlotta, Minnie Driver has developed an over-the-top, camp performance as a selfish prima donna. Despite his lack of singing experience, Siaron Hinds was cast by Schumacher as Richard Firmin; they had previously worked together on Veronica Guerin. Ramin Karimloo also briefly appears as a portrait of Gustave Daash, Cristina's father. Later, Karimloo played Phantom, as well as the role of Raoul in London's West End. The main photo was shot from September 15, 2003 to January 15, 2004. The film was shot entirely using eight sound scenes at Pinewood Studios, where, in the back of Pinewood, the lower half of the exterior of the Palais Garnier was built. The top half was implemented using a combination of computer images (CGI) and a large-scale model created by Cinesite. The paris skyline for All I ask you was entirely composed of matte paintings. Cinesite also created a miniature falling chandelier, as the real-life model was too large for a real set. Designer Anthony D. G. Pratt was influenced by the French architect Charles Garnier, designer of the original Paris Opera House, as well as Edgar Degas, John Singer Sargent, Gustave Caybott, the Pre-Raphaelite Brotherhood and Dante Gabriel Rossetti. Schumacher was inspired by Beauty and the Beast (1946), where the corridor is lined with a coat of arms holding candelabras. The cemetery was founded on Per-Lachaise and Montparnasse. Costume designer Alexandra Byrne used a limited black, gold and silver color palette for the Masquerade Ball. The Phantom of the Opera was released in the United States on December 22, 2004. With a limited edition 622 theaters, it opened at number ten at the weekend box office, grossing $6.5 million over five days. After expanding to 907 screens on January 14, 2005, the film was ranked 9th at the box office, which it retained during its wide release on 1,511 screens on January 21, 2005. The total gross domestic gross collection was $51.2 million, with a further $107 million earned internationally, The Phantom of the Opera reached a total of $154.6 million. Both receipts included more than $10 million, including $17.5 million and $11.9 million, respectively. The Anthony Pratt and Celia Bobak Awards were nominated for an Academy Award for Best Fiction Director, as was John Mathieson for Best Cinematography. However, both categories were awarded to The Aviator. Andrew Lloyd Webber and lyricist Charles Hart were nominated for an Academy Award for Best Original Song (Learn to Be Lonely), but lost to Al otro lado del r'o from The Motorcycle Diaries. The song was also nominated for a Golden Globe, but lost to Alfie's Old Habits Die Hard. At the same Emmy ceremony, Rossum was nominated for Best Actress in a Musical or Comedy, losing to Annette Bening in Being Julia. At the Saturn Award, Rossum won Best Actor, while The Phantom of the Opera won Best Action/Adventure/Thriller Film, and Alexandra Byrne won The Costume Design Category. Year Award Category Category Nominated Result 2004 Oscar Best Cinematography John Mathieson Nominated For Best Design Production Anthony Pratt (Artistic Director) Celia Bobak (Decorator) Nominated Best Original Song by Andrew Lloyd Webber (Composer) Charles Hart (Lyric) For Song Learn to Be Lonely Nominated 2004 Golden Globe Best Musical or Comedy - Film Of the Opera Nomination Best Actress - Musical or Comedy Emmy Rossum Nominated Best Original Song by Andrew Lloyd Webber (Music) Charles Hart (Lyric) Song: Learning to Be Lonely Nominated Home Release Movie Soundtrack was released in two separate CD formats on November 23, 2004 as a two-disc deluxe edition that includes dialogue from the film and a single disc highlights edition. The film had its initial release of The North American Video on DVD and VHS on May 3, 2005, following its first digital release on HD-DVD on April 18, 2006 and the Blu-ray edition on October 31, 2006. Critical reception on Rotten Tomatoes film has approval 33% based on reviews from 170 critics, with an average score of 5/10. The music of the night hit something of a sour note: critics called the film adaptation of Andrew Lloyd Webber's popular historical music boring and lacking in both romance and danger, a consensus read. However, some praised the film for its sheer spectacle. On Metacritic, it has a weighted average score of 40 out of 100 based on 39 reviews, which indicates mixed or average reviews. The audience interviewed by CinemaScore gave the film an average A score on a scale from A to F. The film looks and sounds fabulous, and I think it's an extraordinarily beautiful document of a stage show. Although he doesn't deviate much from the stage material, the film gave him an even deeper emotional center. It's not based on theatre visually or directionally, but it still has exactly the same essence. And that's all I could ever hope for. - Andrew Lloyd Webber, despite being impressed by the cast, Jonathan Rosenbaum of the Chicago Reader wrote that Teenage romance and operetta singing replace the elements of horror familiar to moviegoers, and director Joel Schumacher hides any remnants of a classy stage show with the same disco-excess that he brought to Batman forever. Stephanie Sakharek of Salon.com believes that The Phantom of the Opera takes everything that's wrong with Broadway, and puts it on the big screen in a bright splash. In a mixed review for Newsweek, David Ansen praised Rossum's performance, but criticized the filmmakers for their attention to visual design rather than for presenting a cohesive storyline. His kitschy romanticism bored me on Broadway, and it tires me here, I can't be the most reliable witness. However, I can easily imagine a more dashing, charismatic Phantom than Butler'. Rest assured, however, Lloyd Webber's neo-puchin songs reprise and reprised and reprised until you're guaranteed to go out humming. Entertainment Weekly's Owen Gleiberman said Schumacher didn't add enough measurement to the Opera's Phantom adaptation. Schumacher, the man who added nipples to the Batman costume, set the Phantom chastely, as if his work was to stick the audience to every note. Roger Ebert, who gave the film three stars out of four, reasoned that part of the pleasure of the movie is pure spectacle - just sitting there and looking at great things and knowing that it looks amazing. There was not much Schumacher could do with the history or music he was given, but in the areas over which he held power, he triumphed. In contrast to the popularity of the Broadway musical, Michael Dekina of Film Threat explained that it conjures up this inexplicable spell that leaves the audience sad, sentimental, fainting, smiling - in some ways transported and touched. Now, in Schumacher's film, spell lives on. See also The Phantom of the Opera (2004 soundtrack) References to Andrew Lloyd Webber's The Phantom of the Opera (12A). British Board of Film Classification. August 26, 2004. Received on March 4, 2013. a b c d The Phantom of the Opera. Box office Mojo. a b c Harris, Dana (March 6, 2005). The Mavericks are reaping the Oscars. a b Staff (August 10, 2004). Movie Preview: The Phantom of the Opera. Entertainment Weekly. Received on September 25, 2009. a b c d Making The Phantom of the Opera, DVD, 2005, Warner Home Video, b c d DVD Notes, by Susan Heller Anderson (March 31, 1990). Chronicle. The name (help) is missing or empty - Lawrence Van Gelder (August 10, 1990). In the movies. The New York Times. Staff (August 10, 2004). Movie Preview: The Phantom of the Opera. Entertainment Weekly. Received on September 25, 2009. Todd Gilchrist (December 20, 2004). Interview: Joel Schumacher. Ign. Received on September 26, 2009. Michael Fleming (April 1, 2003). 'Phantom' signals Wilson to adapt the tuner. Different. Received on September 20, 2009. Michael Fleming (February 21, 1997). Helmer is third in Beth. Different. Received on September 19, 2009. Michael Fleming (May 15, 1997). The crane takes the bull by the horns. Different. Received on September 19, 2009. a b Michael Fleming (January 9, 2003). Lloyd Webber is back on the Phantom to scour. Different. Received on September 19, 2009. a b Phoebe Hoban (December 24, 2004). In the movie Ghost, the over-the-top goes above. The New York Times. Adam Doutry (June 13, 2003). 'Phantom' PIC announces the latest castings. Different. Received on September 20, 2009. Michel zaromski (April 29, 2003). Interview with Hugh Jackman. Ign. Archive from the original on January 15, 2008. Received on September 25, 2009. Lynn Hirschberg (March 13, 2005). Trade faces. The New York Times. Michael Fleming (March 13, 2003). 'Men' treads carefully in the extension of the territory. Different. Received on September 20, 2009. Anne Hathaway: Biography. TV Guide. Received on October 19, 2009. Production begins on Andrew Lloyd Webber's The Phantom of the Opera. Box office Mojo. October 1, 2003. Received on September 26, 2009. Squarees, Mary Ann (December 22, 2004). The Phantom of the Opera: Classics in Miniature. World Animation Network. Received on December 23, 2009. Missy Schwartz (November 5, 2004). Music. Entertainment Weekly. Received on September 25, 2009. Gentile, Gary (December 28, 2004). Viewers are excited about meeting with Fockers. The Associated Press. Received on February 16, 2011. Gabriel Snyder (January 13, 2005). The Fokers find enemies. Different. Received on February 16, 2011. Empty, Ed (January 18, 2005). 'Coach Carter' tops local, national box office fees on a slow weekend. Pittsburgh Tribune-Review. Archive from the original on December 16, 2012. Received on February 16, 2011. Andrew Hans (January 21, 2005). The The opera opens nationwide on January 21. Poster. Archive from the original on June 29, 2011. Received on February 16, 2011. Weekend box office results for January 21-23, 2005. Box office Mojo. Received on February 16, 2011. Bresnan, Conor (February 2, 2005). Around the World Round Up: 'Fockers' Inheriting the World. Box office Mojo. Archive from the original on July 8, 2011. Received on February 16, 2011. MOVIES WITH GROSS GROSS REVENUES IN EXCESS OF 1 BILLION YEN. Association of Film Producers of Japan. Received on February 16, 2011. 2005 Japan Annual Box Office. Box office Mojo. Received on February 16, 2011. The Phantom of the Opera - International box office results. Box office Mojo. Received on February 16, 2011. The Phantom of the Opera. Academy of Motion Picture Arts and Sciences. Archive from the original on July 14, 2014. Received on October 14, 2009. The Phantom of the Opera, The. Hollywood Foreign Press Association. Archive from the original on December 15, 2009. Received on October 14, 2009. Past saturn awards. Academy of Science Fiction, Fantasy and Horror Movies. Archive from the original on February 7, 2008. Received on October 14, 2009. 2005 Saturn Awards Nominations. Academy of Science Fiction, Fantasy and Horror Movies. Archive from the original on February 28, 2009. Received on October 14, 2009. The Phantom of the Opera. Rotten tomatoes. Received on April 19, 2020. The Phantom of the Opera. Metacritics. Received on September 19, 2009. PLYSTER OPERA, (2004) A. CinemaScor. Archive from the original on December 20, 2018. Jonathan Rosenbaum (December 20, 2004). The Phantom of the Opera. Chicago Reader. Received on October 6, 2009. Stephanie Sakharek (December 22, 2004). The Phantom of the Opera. Beauty. Archive from the original on September 4, 2009. Received on October 6, 2009. David Ansen (December 20, 2004). The Phantom of the Opera: In the night. Newsweek. Received on October 9, 2009. Owen Gleiberman (January 15, 2005). The Phantom of the Opera. Entertainment Weekly. Received on October 9, 2009. Roger Ebert (December 22, 2004). The Phantom of the Opera. Chicago Sun-Times. Received on October 9, 2009. Michael Dequina (December 22, 2004). The Phantom of Andrew Lloyd Webber's Opera. Film Threat. Archive from the original on April 11, 2005. Received on October 9, 2009. Wikiquote's External Links has quotes related to: The Phantom of the Opera (2004 film) The official website of the Phantom of the Opera at IMDb The Phantom of the Opera at the TCM Film Database The Phantom of the Opera at the box office Mojo Ghost Opera's Rotten Tomatoes Phantom Opera on Metacritic Michael Williams; Benedict Carver (April 5, 1998). Banderas turns to the Phantom. Variety.CS1 maint: several names: a list of authors (link) extracted from phantom of the opera movie mobile download

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