Jake Heggie – Songfest 2011 Distinguished Faculty Jake Heggie – Composer-In-Residence

Total Page:16

File Type:pdf, Size:1020Kb

Jake Heggie – Songfest 2011 Distinguished Faculty Jake Heggie – Composer-In-Residence PEPPERDINE UNIVERSITY PRESENTS ROSEMARY HYLER RITTER Director MELANIE EMELIO Director, Apprentice Program in Malibu California “Bright is the ring of words when the right man rings them.” – Robert Lewis Stevenson THE COMPLETE RECITALIST JUNE – 1-27, 2011 The Stern Program for Singers and Pianists has generously been funded by The Marc and Eva Stern Foundation. We gratefully acknowledge and thank the Stern family! Welcome to SongFest 2011 “Whatever you can do, or dream you can do, you can. Boldness has a genius, magic and power to it.” – Goethe SongFest 2011 is supported by grants from The Marc and Eva Stern Foundation, The Aaron Copland Fund for Music, The Louise K. Smith Family Foundation and the generosity of many individuals. Photos by Ron Hall Photography ©2010 SongFest is a 501(c)3 non profit corporation. All donations are 100% tax-deductible to the full extent permitted by law. JAKE HEGGIE – SONGFEST 2011 DISTINGUISHED FACULTY JAKE HEGGIE – COMPOSER-IN-RESIDENCE SongFest 2011 • Pepperdine University • Biography Jake Heggie Composer, Pianist JAKE HEGGIE is the Jake Heggie’s operas have been performed to American composer of tremendous acclaim internationally in Australia, the operas Moby-Dick Canada, Denmark, Germany, Sweden, Ireland, Austria, (libretto: Gene Scheer), South Africa and by more than a dozen American opera Dead Man Walking companies. The composer’s numerous songs and cycles, (libretto: Terrence including The Deepest Desire, Statuesque, Here & Gone, McNally), Three Rise & Fall, Songs & Sonnets to Ophelia, Facing Decembers (libretto: Forward/Looking Back, and Friendly Persuasions are Scheer), The End of the featured in recitals around the world by some of the Affair (libretto: Heather world’s most beloved and celebrated singers, including McDonald), To Hell and Joyce DiDonato, Susan Graham, Frederica von Stade, Back (libretto: Scheer), Audra McDonald, Kiri Te Kanawa, Patti LuPone, Ben © Appel Ellen and the stage works For Heppner, Stephen Costello, Paul Groves, Morgan Smith a Look or a Touch (libretto: Scheer) and At the Statue of and Nathan Gunn. Venus (libretto: McNally). He has also composed more An ardent champion of writers, most of Heggie’s than 200 art songs, as well as orchestral, choral and operas and stage works feature libretti written by either chamber music. His recent recording of songs and Terrence McNally or Gene Scheer. Sources for song duets, PASSING BY: Songs by Jake Heggie, (AVIE), texts and poetry have included Maya Angelou, Charlene features performances by Isabel Bayrakdarian, Zheng Baldridge, Raymond Carver, Emily Dickinson, John Cao, Joyce DiDonato, Susan Graham, Paul Groves, Hall, A.E. Housman, Vachel Lindsay, Philip Littell, Keith Phares, and Frederica von Stade. Armistead Maupin, Edna St. Vincent Millay, Sister Helen Heggie was the 2010/11 guest artist-in-residence at Prejean, and Gini Savage, to name a few. The composer the University of North Texas at Denton. Part of that has a close association with the conductor Patrick residency included the commission of his first Summers, who has led the premieres of the composer’s symphony, based on monologues from the novel Moby- four major operas; and the director Leonard Foglia, who Dick. The “Ahab” Symphony will receive its premiere in has directed the premieres of Moby-Dick, Three 2012 with tenor Richard Croft as soloist. Other current Decembers, and The End of the Affair, as well as the projects include Camille Claudel: Into the Fire (libretto: United States national tour of Dead Man Walking. Scheer) a dramatic scene for Joyce DiDonato and the Recordings of Heggie’s music include PASSING BY: Alexander String Quartet commissioned by San Songs by Jake Heggie (Avie), Dead Man Walking (Erato), Francisco Performances; songs to commemorate the Three Decembers (Albany), Flesh and Stone (Americus), 10th anniversary of the 9/11 attacks for the Houston To Hell and Back (Magnatune), The Faces of Love (RCA Grand Opera; a new stage work for Seattle’s Music of Red Seal), The Deepest Desire (Eloquentia), and For a Remembrance; chamber music for pianist Jon Kimura Look or a Touch (Naxos). Heggie was the recipient of a Parker and violinist Aloysia Friedmann; and a one-act 2005/2006 Guggenheim Foundation Fellowship and has opera for the Pacific Chorale. been composer-in-residence for the San Francisco Recent premieres include the song cycle The Breaking Opera, Eos Orchestra, and Vail Valley Music Festival. As Waves (texts by Sister Helen Prejean) sung by mezzo a coach and teacher, he has given classes at universities Joyce DiDonato at Carnegie Hall; A Question of Light throughout the United States and at summer festivals (texts by Gene Scheer) sung by baritone Nathan Gunn such as SongFest in Malibu and the Steans Institute at at The Dallas Opera; and a duet titled The Years Roll By Ravinia. Jake Heggie lives in San Francisco. (text by Charles Hart) sung by Kiri Te Kanawa and www.jakeheggie.com Frederica von Stade in Tulsa. 2 We welcome the faculty, singers and pianists to 2011 at PEPPERDINE UNIVERSITY Janet Loranger and Marcia Brown have been the true angels behind the scenes in so many musician’s lives, but have devoted themselves and their creative energies especially to SongFest, for it is the development of classical singing talent that has been their passion for many years. This is a true wedding of spirits in a joyful endeavor, and we are so grateful for their support and care which has touched so many lives! JANET A. LORANGER & MARCIA J. BROWN 3 4 TABLE OF CONTENTS SongFest 2011 Distinguished Faculty & Composer-in-Residence – Jake Heggie . .2 Marcia Brown & Janet Loranger . .3 The Marc and Eva Stern Fellowship Program . .6 The SongFest Stern Fellows - Biographies . .7 The Complete Recitalist Daily Class Schedule . .10 SongFest 2011 Concerts . .18 SongFest 2011 Performance Forum . .20 Composer-in-Residence – Libby Larsen . .21 Tribute to Marcia Brown & Janet Loranger . .22 Composer-in-Residence – John Musto . .24 Bach Cantata Program . .25 Performance Forum – 2011 SongFest Distinguished Alumna, Victoria Browers & Anne Jennifer Nash . .28 Performance Forum – March and Eva Stern Fellow with John Musto . .30 Performance Forum – March and Eva Stern Fellow with Martin Katz . .32 Performance Forum – March and Eva Stern Fellow with Roger Vignoles . .34 Performance Forum – Katharine Dain & Renate Rohlfing . .36 Panel Forum and Biographies . .38 The Garner Malibu Flute Symposiun . .40 Master Classes . .41 SongFest 2011 Faculty . .115 2011 Distinguished SongFest Alumni - Victoria Browers . .121 2011 Distinguished SongFest Alumni - Anne Jennifer Nash . .122 SongFest Board and Donors . .123 Acknowledgements . .124 SongFest 2011 Participants . .125 “Vocalism, my only setting of Walt Whitman, pays homage to SongFest, the conclave of singers and pianists that gathers each summer under the direction of Rosemary Hyler Ritter at Pepperdine University in California. It is dedicated to Marc Stern, Chairman of the Board of the Los Angeles Opera, and his music-loving family, supporters of SongFest and of good singing. This “grand aria” (so says the title page) celebrates singing. It is about the power of the voice, as pure sound, to move and change hearers.” —John Harbison 5 The Stern Fellowship Program The Marc and Eva Stern Fellowship Program n The Marc and Eva Stern Fellowship Program: SongFest at Pepperdine. SongFest will award a selected number of outstanding singers and pianists merit-based fellowships each summer. This new program has been generously underwritten by The Marc and Eva Stern Foundation. The recipients of this award will be chosen from live auditions held nationwide. Singers demonstrating a commitment for communication of the text, a strong radiant presence and a unique sound will be qualities the panel will look for. The Pepperdine Stotsensberg Recital Series SongFest singer will be chosen from the Stern Fellow Program and presented in recital. n The SongFest 2011 Stern Fellows Kristina Margaret Bachrach, soprano Katharine Dain, soprano David McFerrin, baritone Adam Bonanni, tenor Leroy Davis, bass-baritone Anne Jennifer Nash, soprano Victoria Browers, soprano Eileen Downey, pianist Renate Rohlfing, pianist Julia Bullock, soprano Brent Funderburk, pianist Justin Snyder, pianist Jeongcheol Cha, bass-baritone Sonya Alexandra Knussen, mezzo-soprano Laura Strickling, soprano Tina Chang, pianist Jackline Madegwa, soprano Xiaobo Su, soprano Alyssa Cox, soprano Iris Malkin, mezzo-soprano Nathan Wyatt, baritone n The Martin Katz Fellowship Marc and Eva Stern Encouragement Award Awarded to a pianist chosen by Martin Katz Awarded to a talented YA singer 2011: Justin Snyder 2011: Kendra Dodd The Margo Garrett Fellowship National Assocaition of Teachers of Singing – Awarded to a pianist chosen by Margo Garrett Los Angeles 2011: Brent Funderburk Awarded to the winner and finalist in the Young Artist competition Cincinnati Overture Award 2011: Xiaobo Su Awarded to a semi-finalist in the Overture competition 2011: Sarah Pellington Classical Singer Competition Awarded to the winner and finalist in the Young Artist “Most Promising Young Artist” Scholarship competition Awarded to a finalist in the Young Artist division 2011: TBA 2011: Olivia Betzen Marc and Eva Stern Encouragement Award Awarded to a talented Young Artist singer 2011: Juliana Burdick 6 The SongFest Stern Fellows - Biographies KRISTINA MARGARET BACHRACH, soprano Council Auditions Boston District Winner 2011; SongFest Hometown: Holliston, MA Summer Program-Stern Fellowship 2011; Villecroze Academy,
Recommended publications
  • Mozart Magic Philharmoniker
    THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro).
    [Show full text]
  • The Seven Ages of Musical Theatre: the Life Cycle of the Child Performer
    UNIVERSITY OF SOUTHAMPTON The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook A thesis submitted in partial fulfillment for the degree of Doctor of Philosophy in the Humanities Faculty School of Music April 2016 \A person's a person, no matter how small." Dr. Seuss UNIVERSITY OF SOUTHAMPTON Abstract Humanities Faculty School of Music Doctor of Philosophy The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook The purpose of the research reported here is to explore the part played by children in musical theatre. It aims to do this on two levels. It presents, for the first time, an historical analysis of involvement of children in theatre from its earliest beginnings to the current date. It is clear from this analysis that the role children played in the evolution of theatre has been both substantial and influential, with evidence of a number of recurring themes. Children have invariably made strong contributions in terms of music, dance and spectacle, and have been especially prominent in musical comedy. Playwrights have exploited precocity for comedic purposes, innocence to deliver difficult political messages in a way that is deemed acceptable by theatre audiences, and youth, recognising the emotional leverage to be obtained by appealing to more primitive instincts, notably sentimentality and, more contentiously, prurience. Every age has had its child prodigies and it is they who tend to make the headlines. However the influence of educators and entrepreneurs, artistically and commercially, is often underestimated. Although figures such as Wescott, Henslowe and Harris have been recognised by historians, some of the more recent architects of musical theatre, like Noreen Bush, are largely unheard of outside the theatre community.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Debussy's Pelléas Et Mélisande
    Debussy’s Pelléas et Mélisande - A discographical survey by Ralph Moore Pelléas et Mélisande is a strange, haunting work, typical of the Symbolist movement in that it hints at truths, desires and aspirations just out of reach, yet allied to a longing for transcendence is a tragic, self-destructive element whereby everybody suffers and comes to grief or, as in the case of the lovers, even dies - yet frequent references to fate and Arkel’s ascribing that doleful outcome to ineluctable destiny, rather than human weakness or failing, suggest that they are drawn, powerless, to destruction like moths to the flame. The central enigma of Mélisande’s origin and identity is never revealed; that riddle is reflected in the wispy, amorphous property of the music itself, just as the text, adapted from Maeterlinck’s play, is vague and allusive, rarely open or direct in its expression of the characters’ velleities. The opera was highly innovative and controversial, a gateway to a new style of modern music which discarded and re-invented operatic conventions in a manner which is still arresting and, for some, still unapproachable. It is a work full of light and shade, sunlit clearings in gloomy forest, foetid dungeons and sea-breezes skimming the battlements, sparkling fountains, sunsets and brooding storms - all vividly depicted in the score. Any francophone Francophile will delight in the nuances of the parlando text. There is no ensemble or choral element beyond the brief sailors’ “Hoé! Hisse hoé!” offstage and only once do voices briefly intertwine, at the climax of the lovers' final duet.
    [Show full text]
  • January 20, 2008 2655Th Concert
    For the convenience of concertgoers the Garden Cafe remains open until 6:oo pm. The use of cameras or recording equipment during the performance is not allowed. Please be sure that cell phones, pagers, and other electronic devices are turned off. Please note that late entry or reentry of The Sixty-sixth Season of the West Building after 6:30 pm is not permitted. The William Nelson Cromwell and F. Lammot Belin Concerts National Gallery of Art 2,655th Concert Music Department National Gallery of Art Jeni Slotchiver, pianist Sixth Street and Constitution Avenue nw Washington, DC Mailing address 2000b South Club Drive January 20, 2008 Landover, md 20785 Sunday Evening, 6:30 pm West Building, West Garden Court www.nga.gov Admission free Program Heitor Villa-Lobos (1887-1959) Bachianas brasileiras no. 4 (1930-1941) Preludio (Introdu^ao) (Prelude: Introduction) Coral (Canto do sertao) (Chorale: Song of the Jungle) Aria (Cantiga) (Aria: Song) Dansa (Miudinho) (Dance: Samba Step) Francisco Mignone (1897-1986) Sonatina no. 4 (1949) Allegretto Allegro con umore Carlos Guastavino (1912-2000) Las Ninas (The Girls) (1951) Bailecito (Dance) (1941) Gato (Cat) (1940) Camargo Guarnieri (1907-1993) Dansa negra (1948) Frutuoso de Lima Viana (1896-1976) Coiia-Jaca (Brazilian Folk Dance) (1932) INTERMISSION Ferruccio Busoni (1866-1924) The Musician Indian Diary: Book One (Four Studies on Motifs of the Native American Indians) (1915) Pianist Jeni Slotchiver began her formal musical studies at an early age. A He-Hea Katzina Song (Hopi) recipient of several scholarships, she attended the Interlochen Arts Academy Song of Victory (Cheyenne) and the Aspen Music Festival, before earning her bachelor and master of Blue Bird Song (Pima) and Corn-Grinding Song (Lagunas) music degrees in piano performance at Indiana University.
    [Show full text]
  • Liszt & Chopin in Paris
    LISZT & CHOPIN IN PARIS Major theatrical motion picture based on true story filmed at Europe’s greatest studios released by major U.S. studio accompanied by promotional Tour world-wide featuring 300-years of music live from beginning until present with international music elite on world’s greatest stages. Featuring ultimate peformances in grand piano with the magic of Liszt’s and Chopin’s music and their contemporaries. 300-YEARS OF MUSIC TOUR The magic of Franz Liszt and Frédéric Chopin captured with Dolby Atmos 3D In theaters all over world BUSINESS PLAN Overview: Liszt & Chopin In Paris is a major, international production feature drama centered on the captivating story of two greatest music icons of all time Frédéric Chopin and Franz Liszt in the heart of 19th century Romantic Age in Europe in the culturally-driven, historically rich and accurate context. The film focuses on the celebrated romance between Frédéric Chopin and George Sand, and between Franz Liszt and Marie d’Agoult in the context of social, economic, political and cultural forces that shaped the Romantic Age\ in 19th century Europe. It is a tremendous project, deep, wonderful, a song to the past glory of Europe that captures the essence of art and life and shows audiences how life was then, how beautiful and noble it was and how it can be again with energy that can inspire, revitalize and resensitize the whole continent of Europe and with it the entire world. The film will have tremendous impact on today’s audiences as it is a story of survival and the unconquerable human spirit during the creation of the greatest epoch in history – the Romantic Age that had such profound potential on humanity reaching its summit in the arts, music, literature, excellence and greatness of human spirit.
    [Show full text]
  • Francis Poulenc
    CHAN 3134(2) CCHANHAN 33134134 WWideide bbookook ccover.inddover.indd 1 330/7/060/7/06 112:43:332:43:33 Francis Poulenc © Lebrecht Music & Arts Library Photo Music © Lebrecht The Carmelites Francis Poulenc © Stephen Vaughan © Stephen CCHANHAN 33134(2)134(2) BBook.inddook.indd 22-3-3 330/7/060/7/06 112:44:212:44:21 Francis Poulenc (1899 – 1963) The Carmelites Opera in three acts Libretto by the composer after Georges Bernanos’ play Dialogues des Carmélites, revised English version by Joseph Machlis Marquis de la Force ................................................................................ Ashley Holland baritone First Commissioner ......................................................................................James Edwards tenor Blanche de la Force, his daughter ....................................................... Catrin Wyn-Davies soprano Second Commissioner ...............................................................................Roland Wood baritone Chevalier de la Force, his son ............................................................................. Peter Wedd tenor First Offi cer ......................................................................................Toby Stafford-Allen baritone Thierry, a valet ........................................................................................... Gary Coward baritone Gaoler .................................................................................................David Stephenson baritone Off-stage voice .......................................................................................
    [Show full text]
  • Classical Music Service Program Report
    CLASSICAL MUSIC SERVICE PROGRAM REPORT April 1 through June 30, 2004 April 6 Music@Menlo series is broadcast each Tuesday night in April. The four programs showcase performances from last summer's inaugural season of the Music@Menlo chamber music festival. April 9 Bach: St. John Passion … Monteverdi Choir; English Baroque Solists/John Eliot Gardiner, conductor, and soloists Anthony Rolfe Johnson, Stephen Varcoe, Cornelius Hauptmann, Nancy Argenta and Ruth Holton (Archiv 419324, from the MPR library). April 24 Metropolitan Opera final season performance. May 5 Dale Warland Singers Farewell Series: 30th Anniversary Concert. Recorded April 2003. Each Wednesday evening in May, we present special programs by the Dale Warland Singers in honor of the 30 years of music they've brought to the community. May12 Dale Warland Singers Farewell Series: 2003 Cathedral Classics May 19 Dale Warland Singers Farewell Series: 2004 Cathedral Classics May 26 Dale Warland Singers Farewell Series: A River Journey May 28 Final Broadcast of the Minnesota Orchestra season May 30 Dale Warland Singers: live broadcast of their final concert (repeated on June 20) May 30 Minnesota Opera: Verdi’s Rigoletto (Recorded and produced by MPR) June 2 VocalEssence: broadcast of 35th anniversary concert, and of the world premiere of Tina Davidson’s Hymn of the Universe June 3 and 4 Live broadcast of the final concerto round of the International Piano-e-Competition from Orchestra Hall, Minneapolis June 4 The series of three Schubert Club Performances begins, replacing the Friday evening Minnesota Orchestra broadcasts during June. June 6 Minnesota Opera: Donizetti’s Lucrezia Borgia (Recorded and produced by MPR) June 13 Minnesota Opera: Stephen Sondheim’s Passion (Recorded and produced by MPR) June 27 Minnesota Opera: Mozart’s The Magic Flute (Recorded and produced by MPR) CLASSICAL MUSIC SERVICE PROGRAM REPORT January 1 through March 31, 2004 January 12 The St Paul’s Cathedral Choir, London, concert at the Cathedral of St Paul, MN, recorded by Minnesota Public Radio in October 2003.
    [Show full text]
  • Press Information Eno 2013/14 Season
    PRESS INFORMATION ENO 2013/14 SEASON 1 #ENGLISHENO1314 NATIONAL OPERA Press Information 2013/4 CONTENTS Autumn 2013 4 FIDELIO Beethoven 6 DIE FLEDERMAUS Strauss 8 MADAM BUtteRFLY Puccini 10 THE MAGIC FLUte Mozart 12 SATYAGRAHA Glass Spring 2014 14 PeteR GRIMES Britten 18 RIGOLetto Verdi 20 RoDELINDA Handel 22 POWDER HeR FAce Adès Summer 2014 24 THEBANS Anderson 26 COSI FAN TUtte Mozart 28 BenvenUTO CELLINI Berlioz 30 THE PEARL FISHERS Bizet 32 RIveR OF FUNDAMent Barney & Bepler ENGLISH NATIONAL OPERA Press Information 2013/4 3 FIDELIO NEW PRODUCTION BEETHoven (1770–1827) Opens: 25 September 2013 (7 performances) One of the most sought-after opera and theatre directors of his generation, Calixto Bieito returns to ENO to direct a new production of Beethoven’s only opera, Fidelio. Bieito’s continued association with the company shows ENO’s commitment to highly theatrical and new interpretations of core repertoire. Following the success of his Carmen at ENO in 2012, described by The Guardian as ‘a cogent, gripping piece of work’, Bieito’s production of Fidelio comes to the London Coliseum after its 2010 premiere in Munich. Working with designer Rebecca Ringst, Bieito presents a vast Escher-like labyrinth set, symbolising the powerfully claustrophobic nature of the opera. Edward Gardner, ENO’s highly acclaimed Music Director, 2013 Olivier Award-nominee and recipient of an OBE for services to music, conducts an outstanding cast led by Stuart Skelton singing Florestan and Emma Bell as Leonore. Since his definitive performance of Peter Grimes at ENO, Skelton is now recognised as one of the finest heldentenors of his generation, appearing at the world’s major opera houses, including the Metropolitan Opera, New York, and Opéra National de Paris.
    [Show full text]
  • The Phantom of the Opera Music: Andrew Lloyd Webber Lyrics
    The Phantom of the Opera Music: Andrew Lloyd Webber Lyrics: Charles Hart + Richard Stilgoe Book: Andrew Lloyd Webber + Richard Stilgoe Premiere: Thursday, October 9, 1986 THE STAGE OF THE PARIS OPERA, 1905 (The contents of the opera house is being auctioned off. An AUCTIONEER, PORTERS, BIDDERS, and RAOUL, seventy now, but still bright of eye. The action commences with a blow from the AUCTlONEER's gavel) AUCTIONEER Sold. Your number, sir? Thank you. Lot 663, then, ladies and gentlemen: a poster for this house's production of "Hannibal" by Chalumeau. PORTER Showing here. AUCTIONEER Do I have ten francs? Five then. Five I am bid. Six, seven. Against you, sir, seven. Eight. Eight once. Selling twice. Sold, to Raoul, Vicomte de Chagny. Lot 664: a wooden pistol and three human skulls from the 1831 production of "Robert le Diable" by Meyerbeer. Ten francs for this. Ten, thank you. Ten francs still. Fifteen, thank you, sir Fifteen I am bid. Going at fifteen. Your number, sir? 665, ladies and gentlemen: a papier-mache musical box, in the shape of a barrel-organ. Attached, the figure of a monkey in Persian robes playing the cymbals. This item, discovered in the vaults of the theatre, still in working order. PORTER (holding it up) Showing here. (He sets it in motion) AUCTIONEER My I start at twenty francs? Fifteen, then? Fifteen I am bid. (the bidding continues. RAOUL. eventually buys the box for thirty francs) Sold, for thirty francs to the Vicomte de Chagny. Thank you, sir. (The box is handed across to RAOUL.
    [Show full text]
  • RSTD OPERN Ma Rz April Ok 212X433
    RSTD OPERN_März April_ok_212x433 12.02.13 09:40 Seite 1 Opernprogramm März 2013 März Gaetano Donizetti Anna Bolena 20.00 - 22.55 Anna Bolena: Edita Gruberova, Giovanna Seymour: Delores Ziegler, Enrico VIII.: Stefano Palatchi, Lord Rochefort: Igor Morosow, 2 Lord Riccardo Percy: José Bros, Smeton: Helene Schneiderman, Sir Hervey: José Guadalupe Reyes. Samstag Chor und Orchester des Ungarischen Rundfunks und Fernsehens, Leitung: Elio Boncompagni, 1994. März Richard Wagner Das Liebesverbot 20.00 - 22.40 Friedrich: Hermann Prey, Luzio: Wolfgang Fassler, Claudio: Robert Schunk, Antonio: Friedrich Lenz, Angelo: Kieth Engen, 5 Isabella: Sabine Hass, Mariana: Pamela Coburn, Brighella: Alfred Kuhn. Dienstag Chor der Bayerischen Staatsoper, Bayerisches Staatsorchester, Leitung: Wolfgang Sawallisch, 1983. März Georg Friedrich Händel Alessandro 20.00 - 23.20 Alessandro Magno: Max Emanuel Cencic, Rossane: Julia Lezhneva, Lisaura: Karina Gauvin, Tassile: Xavier Sabata, 7 Leonato: Juan Sancho, Clito: In-Sung Sim, Cleone: Vasily Khoroshev. Donnerstag The City of Athens Choir, Armonia Atenea, Leitung: George Petrou, 2011. März Giuseppe Verdi Aroldo 20.00 - 22.15 Aroldo: Neil Shicoff, Mina: Carol Vaness, Egberto: Anthony Michaels-Moore, Briano: Roberto Scandiuzzi, 9 Godvino: Julian Gavin, Enrico: Sergio Spina, Elena: Marina Comparato. Samstag Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Leitung: Zubin Mehta, 2001. März Wolfgang Amadé Mozart La finta giardiniera 20.00 - 23.10 Sandrina: Sophie Karthäuser, Contino Belfiore: Jeremy Ovenden, Arminda: Alex Penda, 12 Cavaliere Ramiro: Marie-Claude Chappuis, Podestà: Nicolas Rivenq, Serpetta: Sunhae Im, Roberto: Michael Nagy. Dienstag Freiburger Barockorchester, Leitung: René Jacobs, 2011. Der neue Konzertzyklus im Mozarthaus Vienna: mozartakademie 2013 „Magic Moments – Magische Momente in den Werken großer Meister“ 20.03.
    [Show full text]
  • KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
    KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von
    [Show full text]