Divine Images and Human Imaginations in Ancient Greece and Rome
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Greek Art in Motion Studies in Honour of Sir John Boardman On the Occasion of His 90Th Birthday
Greek Art in Motion Studies in honour of Sir John Boardman on the occasion of his 90th birthday edited by Rui Morais, Delfim Leão, Diana Rodríguez Pérez with Daniela Ferreira Archaeopress Archaeology © Archaeopress and the authors, 2019. Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978 1 78969 023 1 ISBN 978 1 78969 024 8 (e-Pdf) © Archaeopress and the individual authors 2019 Cover: Head of Alexander in profile. Tourmaline intaglio, 25 x 25 mm, Ashmolean (1892.1499) G.J. Chester Bequest. Photo: C. Wagner. All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Oxuniprint, Oxford This book is available direct from Archaeopress or from our website www.archaeopress.com © Archaeopress and the authors, 2019. Contents Preface ����������������������������������������������������������������������������������������������������������������������������������������������������������������������������������1 John Boardman and Greek Sculpture �����������������������������������������������������������������������������������������������������������������������������������3 Olga Palagia Sanctuaries and the Hellenistic Polis: An Architectural Approach �����������������������������������������������������������������������������������14 Milena Melfi ‘Even the fragments, however, merit scrutiny’: Ancient -
Athenians and Eleusinians in the West Pediment of the Parthenon
ATHENIANS AND ELEUSINIANS IN THE WEST PEDIMENT OF THE PARTHENON (PLATE 95) T HE IDENTIFICATION of the figuresin the west pedimentof the Parthenonhas long been problematic.I The evidencereadily enables us to reconstructthe composition of the pedimentand to identify its central figures.The subsidiaryfigures, however, are rath- er more difficult to interpret. I propose that those on the left side of the pediment may be identifiedas membersof the Athenian royal family, associatedwith the goddessAthena, and those on the right as membersof the Eleusinian royal family, associatedwith the god Posei- don. This alignment reflects the strife of the two gods on a heroic level, by referringto the legendary war between Athens and Eleusis. The recognition of the disjunctionbetween Athenians and Eleusinians and of parallelism and contrastbetween individualsand groups of figures on the pedimentpermits the identificationof each figure. The referenceto Eleusis in the pediment,moreover, indicates the importanceof that city and its majorcult, the Eleu- sinian Mysteries, to the Athenians. The referencereflects the developmentand exploitation of Athenian control of the Mysteries during the Archaic and Classical periods. This new proposalfor the identificationof the subsidiaryfigures of the west pedimentthus has critical I This article has its origins in a paper I wrote in a graduateseminar directedby ProfessorJohn Pollini at The Johns Hopkins University in 1979. I returned to this paper to revise and expand its ideas during 1986/1987, when I held the Jacob Hirsch Fellowship at the American School of Classical Studies at Athens. In the summer of 1988, I was given a grant by the Committeeon Research of Tulane University to conduct furtherresearch for the article. -
Herodotus' Conception of Foreign Languages
Histos () - HERODOTUS’ CONCEPTION OF FOREIGN LANGUAGES * Introduction In one of the most famous passages in his Histories , Herodotus has the Athe- nians give the reasons why they would never betray Greece (..): first and foremost, the images and temples of the gods, burnt and requiring vengeance, and then ‘the Greek thing’, being of the same blood and the same language, having common shrines and sacrifices and the same way of life. With race or blood, and with religious cult, language appears as one of the chief determinants of Greek identity. This impression is confirmed in Herodotus’ accounts of foreign peoples: language is—with religious customs, dress, hairstyles, sexual habits—one of the key items on Herodotus’ checklist of similarities and differences with foreign peoples. That language was an important element of what, to a Greek, it meant to be a Greek, should not perhaps be thought surprising. As is well known, the Greeks called non- Greeks βάρβαροι , a term usually taken to refer pejoratively to the babble of * This paper has been delivered in a number of different versions at St. Andrews, Newcastle, and at the Classical Association AGM. I should like to express my thanks to all those who took part in the subsequent discussions, and especially to Robert Fowler, Alan Griffiths, Robert Parker, Anna Morpurgo Davies and Stephanie West for their ex- tremely valuable comments on written drafts, to Hubert Petersmann for kindly sending me offprints of his publications, to Adrian Gratwick for his expert advice on a point of detail, and to David Colclough and Lucinda Platt for the repeated hospitality which al- lowed me to undertake the bulk of the research. -
Brill's Companion to Aphrodite / Edited by Amy C
Brill’s Companion to Aphrodite Edited by Amy C. Smith and Sadie Pickup LEIDEN • BOSTON 2010 On the cover:AnAtticblack-!gure amphora, featuring Aphrodite and Poseidon, ca. 520"#. London, British Museum B254. Drawing a$er Lenormant, de Witte, Élite des monuments céramographiques. Matériaux pour l’histoire des religions et des moeurs de l’antiquité (Paris, 1844–1861), 3, pl. 15. %is book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Brill's companion to aphrodite / edited by Amy C. Smith & Sadie Pickup. p. cm. Emerged from a conference at the University of Reading, May 8-10, 2008. Includes bibliographical references and index. ISBN 978-90-04-18003-1 (hardback : alk. paper) 1. Aphrodite (Greek deity)–Congresses. I. Smith, Amy Claire, 1966- II. Title. BL820.V5B74 2010 292.2'114–dc22 2009052569 ISSN 1872-3357 ISBN 978 9004 18003 1 Copyright 2010 by Koninklijke Brill NV,Leiden, %eNetherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijho& Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in aretrievalsystem,ortransmittedinanyformorbyanymeans,electronic,mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Brill has made all reasonable e&orts to trace all right holders to any copyrighted material used in this work. In cases where these e&orts have not been successful the publisher welcomes communications from copyright holders, so that the appropriate acknowledgements can be made in future editions, and to settle other permission matters. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to %eCopyrightClearanceCenter, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
MONEY and the EARLY GREEK MIND: Homer, Philosophy, Tragedy
This page intentionally left blank MONEY AND THE EARLY GREEK MIND How were the Greeks of the sixth century bc able to invent philosophy and tragedy? In this book Richard Seaford argues that a large part of the answer can be found in another momentous development, the invention and rapid spread of coinage, which produced the first ever thoroughly monetised society. By transforming social relations, monetisation contributed to the ideas of the universe as an impersonal system (presocratic philosophy) and of the individual alienated from his own kin and from the gods (in tragedy). Seaford argues that an important precondition for this monetisation was the Greek practice of animal sacrifice, as represented in Homeric epic, which describes a premonetary world on the point of producing money. This book combines social history, economic anthropology, numismatics and the close reading of literary, inscriptional, and philosophical texts. Questioning the origins and shaping force of Greek philosophy, this is a major book with wide appeal. richard seaford is Professor of Greek Literature at the University of Exeter. He is the author of commentaries on Euripides’ Cyclops (1984) and Bacchae (1996) and of Reciprocity and Ritual: Homer and Tragedy in the Developing City-State (1994). MONEY AND THE EARLY GREEK MIND Homer, Philosophy, Tragedy RICHARD SEAFORD cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521832281 © Richard Seaford 2004 This publication is in copyright. -
From Sacrilege to Violence
From Sacrilege to Violence The Rape of Cassandra on Attic Vases c. 575-400 BCE by Janke du Preez Thesis presented in fulfilment of the requirements for the degree of Master of Arts in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr Samantha Masters March 2020 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2020 Copyright © 2020 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Abstract The Sack of Troy or Ilioupersis, is a lost epic of ancient Greek literature which tells of the violent and ruthless Greeks that pillaged the city of Troy. It was a prevalent theme in ancient Attic art, and in the fifth century BCE evolved onto the platform of Athenian drama. The Rape of Cassandra episode is one of the most recurring scenes in Attic vase-painting. The iconography, however, dramatically changes between 575-400 BCE. Both Archaic black-figure and Classical red-figure examples show Cassandra, in a vulnerable position, being attacked by Ajax. However, there are significant differences between the iconography of scenes from these two periods. In Archaic black-figure vase-painting the figure of Cassandra appears small, insignificant and in some instances completely hidden from view as she is obscured by the huge shield of Athena. -
Parthenon 1 Parthenon
Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. -
Tῆς Πάσης Ναυτιλίης Φύλαξ: Aphrodite and the Sea*
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 23 | 2010 Varia Tῆς πάσης ναυτιλίης φύλαξ: Aphrodite and the Sea Denise Demetriou Electronic version URL: http://journals.openedition.org/kernos/1567 DOI: 10.4000/kernos.1567 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2010 Number of pages: 67-89 ISSN: 0776-3824 Electronic reference Denise Demetriou, « Tῆς πάσης ναυτιλίης φύλαξ: Aphrodite and the Sea », Kernos [Online], 23 | 2010, Online since 10 October 2013, connection on 30 April 2019. URL : http://journals.openedition.org/ kernos/1567 ; DOI : 10.4000/kernos.1567 Kernos Kernos 23 (2010), p. .7-A9. T=> ?@AB> CDEFGHIB> JKHDL5 Aphrodite a d the Seau AbstractS This paper offers a co ection of genera y neg ected He enistic epigrams and some iterary and epigraphic e2idence that attest to the worship of Aphrodite as a patron deity of na2igation. The goddess8 temp es were often coasta not 1ecause they were p aces where _sacred prostitution” was practiced, 1ut rather 1ecause of Aphrodite8s association with the sea and her ro e as a patron of seafaring. The protection she offered was to anyone who sai ed, inc uding the na2y and traders, and is attested throughout the Mediterranean, from the Archaic to the He enistic periods. Further, the teLts eLamined here re2ea a metaphorica ink 1etween Aphrodite8s ro e as patron of na2igation and her ro e as a goddess of seLua ity. Résumé S Cet artic e pr sente une s rie d8 pigrammes he nistiques g n ra ement peu tudi es et que ques t moignages itt raires et pigraphiques attestant e cu te d8Aphrodite en tant que protectrice de a na2igation. -
Queen Arsinoë II, the Maritime Aphrodite and Early Ptolemaic Ruler Cult
ΑΡΣΙΝΟΗ ΕΥΠΛΟΙΑ Queen Arsinoë II, the Maritime Aphrodite and Early Ptolemaic Ruler Cult Carlos Francis Robinson Bachelor of Arts (Hons. 1) A thesis submitted for the degree of Master of Philosophy at The University of Queensland in 2019 Historical and Philosophical Inquiry Abstract Queen Arsinoë II, the Maritime Aphrodite and Early Ptolemaic Ruler Cult By the early Hellenistic period a trend was emerging in which royal women were deified as Aphrodite. In a unique innovation, Queen Arsinoë II of Egypt (c. 316 – 270 BC) was deified as the maritime Aphrodite, and was associated with the cult titles Euploia, Akraia, and Galenaië. It was the important study of Robert (1966) which identified that the poets Posidippus and Callimachus were honouring Arsinoë II as the maritime Aphrodite. This thesis examines how this new third-century BC cult of ‘Arsinoë Aphrodite’ adopted aspects of Greek cults of the maritime Aphrodite, creating a new derivative cult. The main historical sources for this cult are the epigrams of Posidippus and Callimachus, including a relatively new epigram (Posidippus AB 39) published in 2001. This thesis demonstrates that the new cult of Arsinoë Aphrodite utilised existing traditions, such as: Aphrodite’s role as patron of fleets, the practice of dedications to Aphrodite by admirals, the use of invocations before sailing, and the practice of marine dedications such as shells. In this way the Ptolemies incorporated existing religious traditions into a new form of ruler cult. This study is the first attempt to trace the direct relationship between Ptolemaic ruler cult and existing traditions of the maritime Aphrodite, and deepens our understanding of the strategies of ruler cult adopted in the early Hellenistic period. -
1 from City-State to Region-State
The Athenian Experiment: Building an Imagined Political Community in Ancient Attica, 508-490 B.C. Greg Anderson http://www.press.umich.edu/titleDetailDesc.do?id=17798 The University of Michigan Press 1 FROM CITY-STATE TO REGION-STATE What exactly do we mean when we say that Attica in the classical period was politically “incorporated” or “uniµed”? If, for the purposes of analysis, we unpack the idea of the polis, we can distinguish three essential levels or sources of political unity in the Attic peninsula. First and most fundamental, the reach of Athenian state institutions ex- tended to the territorial limits of Attica, and this apparatus was recognized as the ultimate locus of political authority for the entire region. Second, all free, native-born, adult males in Attica were eligible to become citizens of Athens, entitling them—even obliging them—to participate in the civil, military, and religious life of the polis. From / on, enrollment took place locally in one of town and village units, or demes, scattered throughout the peninsula and was administered by one’s fellow demesmen. Third, despite the unusually large size of the polis, citizens appear to have been bound to one another by a pow- erful and at times distinctly chauvinistic form of collective consciousness or identity. Each citizen was encouraged to imagine himself a member of a sin- gle, extended, undifferentiated community of “Athenians,” sharing with his fellows a common history, culture, and destiny that set them apart from all other such communities. For most modern authorities, these distinctions will seem artiµcial and per- haps anachronistic, since it is widely felt that, unlike the nation-states of our own times, the Greek polis in general and the Athenian instance in particular 13 The Athenian Experiment: Building an Imagined Political Community in Ancient Attica, 508-490 B.C. -
Politics and Folktale in the Classical World
James S, Ruebel Iowa State University’ Ames Politics and Folktale in the Classical World Abstract The usurpation of myths and folktales for political purposes is a phenomenon that is well attested during classical antiquity. The preservation of heroic legends was probably motivated in part by social or political considerations, and the process continued into historical times. Our focus has now shifted from the question of historicity to the degree to which folktale has embellished history, and to what degree historical figures have exploited folktale and myth for real-life ends. The Peisistratid tyrants in Athens employed myths and religious symbols both in the initial stages of Peisistratus’ rise to power and in the maintenance of the dynasty over several decades. Alexander the Great made special efforts to associate him self with the hero Heracles; the emphasis on Heracles diminished as Alexander’s interests turned toward administration of a united Greek-Persian empire. Scipio Africanus was viewed by contemporary and later Roman authors as a Roman Alexander, a fact that is revealing about his personality but that complicates study of his own image-making efforts. Cato Censorius, on the other hand, created his own conservative Roman image by appealing to distinguished historical Romans and by emphasizing cardinal Roman virtues in his public oratory and literary efforts. Greek myths tend to generalize events, Roman myths make them con crete; Greek legends transcend time and space, Roman legends insist upon his toricity; Greek myths are largely related to Greek religion, Roman myths and folktales are not part of Roman religion, but part of Roman history, and should be examined first of all from that perspective. -
Herodotus and the Origins of Political Philosophy the Beginnings of Western Thought from the Viewpoint of Its Impending End
Herodotus and the Origins of Political Philosophy The Beginnings of Western Thought from the Viewpoint of its Impending End A doctoral thesis by O. H. Linderborg Dissertation presented at Uppsala University to be publicly examined in Engelska Parken, 7-0042, Thunbergsvägen 3H, Uppsala, Monday, 3 September 2018 at 14:00 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Docent Elton Barker (Open University). Abstract Linderborg, O. H. 2018. Herodotus and the Origins of Political Philosophy. The Beginnings of Western Thought from the Viewpoint of its Impending End. 224 pp. Uppsala: Department of Linguistics and Philology, Uppsala University. ISBN 978-91-506-2703-9. This investigation proposes a historical theory of the origins of political philosophy. It is assumed that political philosophy was made possible by a new form of political thinking commencing with the inauguration of the first direct democracies in Ancient Greece. The pristine turn from elite rule to rule of the people – or to δημοκρατία, a term coined after the event – brought with it the first ever political theory, wherein fundamentally different societal orders, or different principles of societal rule, could be argumentatively compared. The inauguration of this alternative-envisioning “secular” political theory is equaled with the beginnings of classical political theory and explained as the outcome of the conjoining of a new form of constitutionalized political thought (cratistic thinking) and a new emphasis brought to the inner consistency of normative reasoning (‘internal critique’). The original form of political philosophy, Classical Political Philosophy, originated when a political thought launched, wherein non-divinely sanctioned visions of transcendence of the prevailing rule, as well as of the full range of alternatives disclosed by Classical Political Theory, first began to be envisioned.