Greg Solomon – Makeup Artist

Total Page:16

File Type:pdf, Size:1020Kb

Greg Solomon – Makeup Artist Greg Solomon – Makeup Artist Makeup Design - Creature Effects - Makeup Effects Member Local 706 - Effects Supervisor / Production Manager / Project Coordinator - SAG Puppeteer Mobile Phone: 818-458-1247 E-mail: [email protected] Website: http://www.clearwaterfx.com IMDb: http://www.imdb.me/gregsolomonmakeup FEATURE FILMS TELEVISION SUPERVISOR / COORDINATOR ON-SET MAKEUP DEPT. HEAD A Million Ways to Die in the West – (2013) Eagleheart – (2009 – 2010) [Series] [Makeup Effects-Ltd] Jo Koy: Alien Nation – (2009) [Pilot] Zombeavers – (2013) [Makeup Effects Supervisor] The Bobby Lee Project – (2008) [Pilot] The Wolfman – (2009) [Coordinator - Reshoots/Cinovation] Flight of the Living Dead – (2007) MAKE-UP FX SUPERVISOR / [Makeup Effects Supervisor] COORDINATOR – (2006) [Makeup Effects – Limited] I Am Legend Rosewood – (2015) [Pilot] – (2006) [Makeup Effects Supervisor] Unrest The Bachelorette – (2014) I’ll Always Know What You Did Last Tool Academy – (2009) Summer – (2005) [Makeup Effects Supervisor] Scrubs – (2004 – 2008) Return of the Living Dead 4 & 5 – (2005) Heroes – (2006) [Makeup Effects Supervisor] Crossing Jordan – (2001 – 2006) Centipede! – (2004) [Creature Effects Supervisor] Frasier – (2004) One of Them – (2003) [Makeup Effects Supervisor] WWE Raw & Smackdown – (2003) ON-SET MAKEUP &/or TECH Roswell – (2000 – 2002) Miss Peregrines’ Home for Peculiar Children Buffy the Vampire Slayer – (1999 – 2000) – (2015) That 70’s Show – (2001) Matador – (2014) Freakylinks – (2000) Insurgent – (2014) Scouts vs Zombies – (2014) ON-SET MAKEUP &/or TECH Goosebumps – (2014) Sleepy Hollow – (2014) Get On Up – (2014) NCIS-LA – (2013-2014) The Kitchen Sink – (2013) [Key MU] True Blood – (2011 & 2014) Beautiful Creatures – (2012) The Neighbors – (2014) Abraham Lincoln: Vampire Hunter – (2011) Teen Wolf – (2013) I Am Legend – (2006) [Limited] Grimm – (2011 – 2014) Batman & Robin – (1997) [FX Tech] Criminal Minds – (2012) Warriors of Virtue – (1996) Castle – (2012 & 2014) Seven – (1995) [Prosthetic Tech] American Horror Story – (2011) The Addams Family – (1991) Body of Proof – (2011 - 2012) Gremlins 2 – (1988) The Craigslist Killer – (2010) [Key MU] The X Files – (2002) IN-SHOP LAB TECH Elvis & the Colonel – (1993) Cabin In The Woods – (2009) Hellboy 2 – (2007) IN-SHOP LAB TECH Fight Club – (1999) Six Feet Under – (2004) Stargate – (1994) Stargate SG1 – (1997) Coneheads – (1993) Poltergeist – (1996) Death Becomes Her – (1992) Cast a Deadly Spell – (1991) Army of Darkness – (1992) Beauty & the Beast – (1988) Alien Nation – (1987) Something's Out There – (1988) .
Recommended publications
  • Models of Time Travel
    MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened.
    [Show full text]
  • ALL Code Sheets
    Name: _________________________ Code Name: _________________________ Alien Nation® Cursive Alphabet In the science fiction movie “Alien Nation” the Tenctonese people have an alphabet that corresponds to our alphabet. They even have print and cursive versions of their language. The cursive letters should be connected when spelling a word. Use the alphabet to spell 10 of your spelling words. The word “SPELLING” is done for you as an example. LIST WORD WRITTEN IN CODE EX. S P E L L I N G 1. ___________________ __________________________________________ 2. ___________________ __________________________________________ 3. ___________________ __________________________________________ 4. ___________________ __________________________________________ 5. ___________________ __________________________________________ 6. ___________________ __________________________________________ 7. ___________________ __________________________________________ 8. ___________________ __________________________________________ 9. ___________________ __________________________________________ 10. __________________ __________________________________________ Created by K. S. Spencer Name: _________________________ Code Name: _________________________ Alien Nation® Print Alphabet In the science fiction movie “Alien Nation” the Tenctonese people have an alphabet that corresponds to our alphabet. They even have print and cursive versions of their language. Use the alphabet to spell 10 of your spelling words. The word “SPELLING” is done for you as an example. LIST WORD
    [Show full text]
  • Table of Contents
    Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D.
    [Show full text]
  • Slayage, Number 20: Blasingame
    Katrina Blasingame “I Can’t Believe I’m Saying It Twice in the Same Century. but ‘Duh . .’”1 The Evolution of Buffy the Vampire Slayer Sub-Culture Language through the Medium of Fanfiction [1] I became interested in the evolution of fan language due to the story from which the title of this article derives, Chocolaty Goodness by Mad Poetess. Mad Poetess appropriates canonical language constructions from the Buffy mythos, changes them into something completely her own yet still recognizably from Buffy. Reading Mad Poetess led me to speculate that fanfiction writers are internalizing Buffy’s language and style for their own ends, their fanfiction, and especially for characterization within their fanfictional worlds. As a fanfiction writer, I find myself applying the playfulness I witnessed in Buffy, and later Angel and Firefly, to non-Whedon texts like Stargate: Atlantis.2 I also find other writers, whether familiar with Whedon-texts or not, who use language with a Whedonesque flair. Fanfiction is copious on the Internet, so I have chosen to illustrate the Buffy influence on fanfiction language from a small and admittedly personal selection. Though not a comprehensive reading of fanfiction language, this article is an introduction, a place to start that can be applied to all Buffy fanfiction and, potentially, further afield and applied to other fanfiction appropriated universes, perhaps even further, in the course of history, to mainstream English. [2] The idea of an evolving fan language is a bit confounding. Admittedly, language constructions in fanfiction are difficult to track from fanfiction’s modern origins in series like Star Trek, Star Wars, and Blake’s 7, to current fan creations related to series like Stargate: SG-1, Andromeda, X-Files, or Buffy the Vampire Slayer.
    [Show full text]
  • Alien Nation M2
    ALIEN NATION "Body and Soul" Diane Frolov & Andrew Schneider Draft No. - Unknown Draft Date - Unknown - '90 ACT ONE FADE IN: EXT. LITTLE TENCTON - NIGHT Deserted. Murky broken by the intermittent pools of light from the street lamps. POUNDING FOOTSTEPS -- SHOUTS! A huge shadow of a running man looms against the wall of a tenement. A NEWCOMER GIANT fully seven feet tall, cradles a Newcomer infant GIRL as he runs. His eyes, full of fear, are the eyes of the hunted. HIS PURSUER are two men -- one a human, JONES; the other a Newcomer, PENN. TWO NEWCOMER TRANSIENTS male and female, stagger from CLANCY'S MILK BAR. They look up startled as the giant lurches toward them. GIANT {Help me...! Help me...!} The male backs away. The woman stares with demented glee, CACKLING. The giant runs from building to building, POUNDING on the doors. GIANT {Help me...!} Windows fly open -- Newcomers appear at them, calling out: HEY, GET AWAY FROM THERE! KEEP IT QUIET! I'M CALLING THE POLICE! The giant lumbers on, coming to: AN OVERPASS spanning a four-lane road. The giant pounds onto the overpass. Reaching the middle, he stops, staring fearfully at: ANOTHER NEWCOMER - HUDSON RIVER Who blocks his path. River holds a syringe. RIVER {No one's going to hurt you...} Terrified, the giant, starts backing away, but he's trapped by the other pursuers approaching from behind. RIVER Come with us... we won't hurt you. In the distance, a SIREN wails. River and his men close in. The giant sets the infant down. Grabbing the newcomer Penn, he hurls him at River.
    [Show full text]
  • Elite Rhetoric, Target Group Positioning, and Policymaking: Immigrant Women and Project 100% in San Diego County
    Claremont Colleges Scholarship @ Claremont CGU Theses & Dissertations CGU Student Scholarship Spring 2021 Elite Rhetoric, Target Group Positioning, and Policymaking: Immigrant Women and Project 100% in San Diego County Amy Nantkes Claremont Graduate University Follow this and additional works at: https://scholarship.claremont.edu/cgu_etd Recommended Citation Nantkes, Amy. (2021). Elite Rhetoric, Target Group Positioning, and Policymaking: Immigrant Women and Project 100% in San Diego County. CGU Theses & Dissertations, 219. https://scholarship.claremont.edu/ cgu_etd/219. doi: 10.5642/cguetd/219 This Open Access Dissertation is brought to you for free and open access by the CGU Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in CGU Theses & Dissertations by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Elite Rhetoric, Target Group Positioning, and Policymaking: Immigrant Women and Project 100% in San Diego County By Amy Nantkes Claremont Graduate University 2021 © Copyright Amy Nantkes, 2021. All rights reserved Approval of the Dissertation Committee This dissertation has been duly read, reviewed, and critiqued by the Committee listed below, which hereby approves the manuscript of Amy Nantkes as fulfilling the scope and quality requirements for meriting the degree of Doctor of Philosophy in Political Science. Dr. Melissa Rogers, Chair Associate Professor of International Studies Claremont Graduate University Dr. Jean Schroedel Professor Emerita of Political Science Claremont Graduate University Dr. Heather Campbell Professor, Department of Politics and Government Claremont Graduate University Abstract Elite Rhetoric, Target Group Positioning, and Policymaking: Immigrant Women and Project 100% in San Diego County By Amy Nantkes Claremont Graduate University: 2021 Thousands of Mexicans are crossing the U.S.
    [Show full text]
  • 229 INDEX © in This Web Service Cambridge
    Cambridge University Press 978-1-107-05246-8 - The Cambridge Companion to: American Science Fiction Edited by Eric Carl Link and Gerry Canavan Index More information INDEX Aarseth, Espen, 139 agency panic, 49 Abbott and Costello Meet Frankenstein (fi lm, Agents of SHIELD (television, 2013–), 55 1948), 113 Alas, Babylon (Frank, 1959), 184 Abbott, Carl, 173 Aldiss, Brian, 32 Abrams, J.J., 48 , 119 Alexie, Sherman, 55 Abyss, The (fi lm, Cameron 1989), 113 Alias (television, 2001–06, 48 Acker, Kathy, 103 Alien (fi lm, Scott 1979), 116 , 175 , 198 Ackerman, Forrest J., 21 alien encounters Adam Strange (comic book), 131 abduction by aliens, 36 Adams, Neal, 132 , 133 Afrofuturism and, 60 Adventures of Superman, The (radio alien abduction narratives, 184 broadcast, 1946), 130 alien invasion narratives, 45–50 , 115 , 184 African American science fi ction. assimilation of human bodies, 115 , 184 See also Afrofuturism ; race assimilation/estrangement dialectic African American utopianism, 59 , 88–90 and, 176 black agency in Hollywood SF, 116 global consciousness and, 1 black genius fi gure in, 59 , 60 , 62 , 64 , indigenous futurism and, 177 65 , 67 internal “Aliens R US” motif, 119 blackness as allegorical SF subtext, 120 natural disasters and, 47 blaxploitation fi lms, 117 post-9/11 reformulation of, 45 1970s revolutionary themes, 118 reverse colonization narratives, 45 , 174 nineteenth century SF and, 60 in space operas, 23 sexuality and, 60 Superman as alien, 128 , 129 Afrofuturism. See also African American sympathetic treatment of aliens, 38 , 39 , science fi ction ; race 50 , 60 overview, 58 War of the Worlds and, 1 , 3 , 143 , 172 , 174 African American utopianism, 59 , 88–90 wars with alien races, 3 , 7 , 23 , 39 , 40 Afrodiasporic magic in, 65 Alien Nation (fi lm, Baker 1988), 119 black racial superiority in, 61 Alien Nation (television, 1989–1990), 120 future race war theme, 62 , 64 , 89 , 95n17 Alien Trespass (fi lm, 2009), 46 near-future focus in, 61 Alien vs.
    [Show full text]
  • Movie Titles List, Genre
    ALLEGHENY COLLEGE GAME ROOM MOVIE LIST SORTED BY GENRE As of December 2020 TITLE TYPE GENRE ACTION 300 DVD Action 12 Years a Slave DVD Action 2 Guns DVD Action 21 Jump Street DVD Action 28 Days Later DVD Action 3 Days to Kill DVD Action Abraham Lincoln Vampire Hunter DVD Action Accountant, The DVD Action Act of Valor DVD Action Aliens DVD Action Allegiant (The Divergent Series) DVD Action Allied DVD Action American Made DVD Action Apocalypse Now Redux DVD Action Army Of Darkness DVD Action Avatar DVD Action Avengers, The DVD Action Avengers, End Game DVD Action Aviator DVD Action Back To The Future I DVD Action Bad Boys DVD Action Bad Boys II DVD Action Batman Begins DVD Action Batman v Superman: Dawn of Justice DVD Action Black Hawk Down DVD Action Black Panther DVD Action Blood Father DVD Action Body of Lies DVD Action Boondock Saints DVD Action Bourne Identity, The DVD Action Bourne Legacy, The DVD Action Bourne Supremacy, The DVD Action Bourne Ultimatum, The DVD Action Braveheart DVD Action Brooklyn's Finest DVD Action Captain America: Civil War DVD Action Captain America: The First Avenger DVD Action Casino Royale DVD Action Catwoman DVD Action Central Intelligence DVD Action Commuter, The DVD Action Dark Knight Rises, The DVD Action Dark Knight, The DVD Action Day After Tomorrow, The DVD Action Deadpool DVD Action Die Hard DVD Action District 9 DVD Action Divergent DVD Action Doctor Strange (Marvel) DVD Action Dragon Blade DVD Action Elysium DVD Action Ender's Game DVD Action Equalizer DVD Action Equalizer 2, The DVD Action Eragon
    [Show full text]
  • Media Manipulation and Disinformation Online Alice Marwick and Rebecca Lewis CONTENTS
    Media Manipulation and Disinformation Online Alice Marwick and Rebecca Lewis CONTENTS Executive Summary ....................................................... 1 What Techniques Do Media Manipulators Use? ....... 33 Understanding Media Manipulation ............................ 2 Participatory Culture ........................................... 33 Who is Manipulating the Media? ................................. 4 Networks ............................................................. 34 Internet Trolls ......................................................... 4 Memes ................................................................. 35 Gamergaters .......................................................... 7 Bots ...................................................................... 36 Hate Groups and Ideologues ............................... 9 Strategic Amplification and Framing ................. 38 The Alt-Right ................................................... 9 Why is the Media Vulnerable? .................................... 40 The Manosphere .......................................... 13 Lack of Trust in Media ......................................... 40 Conspiracy Theorists ........................................... 17 Decline of Local News ........................................ 41 Influencers............................................................ 20 The Attention Economy ...................................... 42 Hyper-Partisan News Outlets ............................. 21 What are the Outcomes? ..........................................
    [Show full text]
  • Norwescon 28 Post Con Report So Easy to Talk to and So Full of Such Interesting Tales from Around the World
    Norwescon 28 Post-Con Report October 2005 Exploring the Language of Science Fiction and Fantasy Twenty-Eight An Annual Regional Science Fiction and Fantasy Convention Chairman Shawn Marier The First Page Vice Chairman Tracy Knoedler Welcome to the Postcon report, I’ll make my part short, well Publications Director Patricia Booze short as I can! Editing Team Betty Claar Here you will find the final thoughts and thanks of the staff of Katrina Marire Norwescon 28, a few announcements and hopefully some other Cathy Sullivan useful information for planning out the life of a Science Fiction Fan, check out the fall event schedule for the SFM. Layout Designer Gayle MacArthur I’d personally like to thank my Publication team for all their hard work and dedication to our first year together, Felice Contributing Writers Patricia Booze, Jeffrey Cornish, Nightengale, Katrina Marier, Betty Claar, Cathy Sullivan, Tracy Knoedler, Elizabeth Fellows, Peggy Stewart, R’ykandar Korra’ti, Judy Suryan, Gayle Cheryl Ferguson, Jeromie Foulger, MacArthur, Don Glover, Angela Suryan and Erica Weiland. Jerry Gieseke, Ali Grieve, Shawn Marier, Jamie “Sunny Jim” Morgan, To Shawn and Tracy for believing I could step into some William Sadorus, Anita Taylor, Eric mighty big shoes and to those members of the executive team Weber, Sally Woehrle and concom who helped my team get there. I’d also like to extend a very special thank you to Stephen Photo Department Angela Suryan, Eric Weiland and Hickman and Michael Whelan for their beautiful art work, and special thanks to Tom Walls their amazing generosity in its use. To all that wrote the words, they were all great words.
    [Show full text]
  • Scholarworks@UNO Dantalion
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Summer 8-2-2012 Dantalion David R. LeBlanc [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Film and Media Studies Commons, and the Fine Arts Commons Recommended Citation LeBlanc, David R., "Dantalion" (2012). University of New Orleans Theses and Dissertations. 1520. https://scholarworks.uno.edu/td/1520 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Dantalion A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Fine Arts in Film Production by David LeBlanc B.A. University of New Orleans, 2008 August, 2012 Copyright 2012, David Ross LeBlanc ii Table of Contents Abstract iv Chapter 1................................................................................................................................1
    [Show full text]
  • The BG News April 16, 1999
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-16-1999 The BG News April 16, 1999 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 16, 1999" (1999). BG News (Student Newspaper). 6485. https://scholarworks.bgsu.edu/bg-news/6485 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. ^* »^B^*B GNews Kosovo teach-in generates debate By BRANDI BARHITE with suggesting the possibility didn't think of before." sufficient for me." "If you can tell me one reason that the U.S. got involved to pro- Terrie has a 19-year-old son During the teach-in, Steve The BG News why the U.S. has economic inter- tect human rights. and is concerned that if NATO Steel, environmental science high: Emotions were running high est in Albania, I'll shut up," said "There is a sense of vital inter- sends in ground troops, a draft instructor, shed light on the envi- when over 130 students and a Emil Levy, senior international est in the Balkans," he said. may be called, which could ronmental effects of war. low: 44 dozen faculty members met to business major. During the less intense por- involve his son being enlisted to "We don't think about the discuss the Yugoslav conflict at David Wall, an ethnic studies tion of the teach-in, many people fight.
    [Show full text]