Norwescon 28 Post Con Report So Easy to Talk to and So Full of Such Interesting Tales from Around the World
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
SFIIA Re"Ie. the Sfrareview (ISSN 1068-395X) Is Published Four Times a Year by the Science Fiction Research As III
#181 Sept/O~t/llorJOOT • Editor: Chrisiine Mains Hanaging Editor: Janice M. Bogsiad Nonfiction Reviews: Ed McKnighi Science Fiction Research fiction Reviews: Association Ed Carmien SFIIA Re"ie. The SFRAReview (ISSN 1068-395X) is published four times a year by the Science Fiction Research As III ... HIS ISSUE: sociation (SFRA) and distributed to SFRA members. Individual issues are not for sale; however, starting with issue #256, all issues will be published to SFRA's website no less than 10 weeks SFRA Business after paper publication. For information Editor's Message 3 about the SFRA and its benefits, see the President's Message 3 description at the back of this issue. For a membership application, contact SFRA Treasurer Donald M. Hassler or get one from the SFRA website: <www.sfra.org>. Non Fiction Reviews SFRA would like to thank the Univer sity of Wisconsin-Eau Claire for its as Counterfeit Worlds 4 sistance in producing the SFRAReview. E. T. Culture 5 Irwin Allen T.V. a SUBMISSIONS The SFRAReviewencourages all submis sions, including essays, review essays that cover several related texts, and inter Fiction Reviews views. If you would like to review non 8 fiction or fiction, please contact the Rash respective editor. Accidental Time Machine 8 Ivory 0 Christine Mains, Editor Box 66024 The Outback Stars 10 Calgary,AB TIN I N4 Futures from Nature II <[email protected]> Merchant's War 12 Janice M. Bogstad, Managing Editor Halting State 14 239 Broadway St. Ragamuffin I 5 Eau Claire WI 54703-5553 <[email protected]> Fiction Review-Essay Ed McKnight, Nonfiction Editor I 13 Cannon Lane Night watch I a Taylors SC 29687 <[email protected]> Ed Carmien, Fiction Editor 29 Sterling Road Princeton NJ 08540 <[email protected]> C~2 ___) ~--------------------~~ News Items: Due to the rapid decline of the U.S. -
Technological Singularity
TECHNOLOGICAL SINGULARITY BY VERNOR VINGE The original version of this article was presented at the VISION-21 Symposium sponsored by NASA Lewis Research Center and the Ohio Aerospace Institute, March 30-31, 1993. It appeared in the winter 1993 Whole Earth Review --Vernor Vinge Except for these annotations (and the correction of a few typographical errors), I have tried not to make any changes in this reprinting of the 1993 WER essay. --Vernor Vinge, January 2003 1. What Is The Singularity? The acceleration of technological progress has been the central feature of this century. We are on the edge of change comparable to the rise of human life on Earth. The precise cause of this change is the imminent creation by technology of entities with greater-than-human intelligence. Science may achieve this breakthrough by several means (and this is another reason for having confidence that the event will occur): * Computers that are awake and superhumanly intelligent may be developed. (To date, there has been much controversy as to whether we can create human equivalence in a machine. But if the answer is yes, then there is little doubt that more intelligent beings can be constructed shortly thereafter.) * Large computer networks (and their associated users) may wake up as superhumanly intelligent entities. * Computer/human interfaces may become so intimate that users may reasonably be considered superhumanly intelligent. * Biological science may provide means to improve natural human intellect. The first three possibilities depend on improvements in computer hardware. Actually, the fourth possibility also depends on improvements in computer hardware, although in an indirect way. -
Teaching Speculative Fiction in College: a Pedagogy for Making English Studies Relevant
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Summer 8-7-2012 Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant James H. Shimkus Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Shimkus, James H., "Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/95 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TEACHING SPECULATIVE FICTION IN COLLEGE: A PEDAGOGY FOR MAKING ENGLISH STUDIES RELEVANT by JAMES HAMMOND SHIMKUS Under the Direction of Dr. Elizabeth Burmester ABSTRACT Speculative fiction (science fiction, fantasy, and horror) has steadily gained popularity both in culture and as a subject for study in college. While many helpful resources on teaching a particular genre or teaching particular texts within a genre exist, college teachers who have not previously taught science fiction, fantasy, or horror will benefit from a broader pedagogical overview of speculative fiction, and that is what this resource provides. Teachers who have previously taught speculative fiction may also benefit from the selection of alternative texts presented here. This resource includes an argument for the consideration of more speculative fiction in college English classes, whether in composition, literature, or creative writing, as well as overviews of the main theoretical discussions and definitions of each genre. -
ALL Code Sheets
Name: _________________________ Code Name: _________________________ Alien Nation® Cursive Alphabet In the science fiction movie “Alien Nation” the Tenctonese people have an alphabet that corresponds to our alphabet. They even have print and cursive versions of their language. The cursive letters should be connected when spelling a word. Use the alphabet to spell 10 of your spelling words. The word “SPELLING” is done for you as an example. LIST WORD WRITTEN IN CODE EX. S P E L L I N G 1. ___________________ __________________________________________ 2. ___________________ __________________________________________ 3. ___________________ __________________________________________ 4. ___________________ __________________________________________ 5. ___________________ __________________________________________ 6. ___________________ __________________________________________ 7. ___________________ __________________________________________ 8. ___________________ __________________________________________ 9. ___________________ __________________________________________ 10. __________________ __________________________________________ Created by K. S. Spencer Name: _________________________ Code Name: _________________________ Alien Nation® Print Alphabet In the science fiction movie “Alien Nation” the Tenctonese people have an alphabet that corresponds to our alphabet. They even have print and cursive versions of their language. Use the alphabet to spell 10 of your spelling words. The word “SPELLING” is done for you as an example. LIST WORD -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
Science Fiction Review 54
SCIENCE FICTION SPRING T)T7"\ / | IjlTIT NUMBER 54 1985 XXEj V J. JL VV $2.50 interview L. NEIL SMITH ALEXIS GILLILAND DAMON KNIGHT HANNAH SHAPERO DARRELL SCHWEITZER GENEDEWEESE ELTON ELLIOTT RICHARD FOSTE: GEIS BRAD SCIENCE FICTION REVIEW (ISSN: 0036-8377) P.O. BOX 11408 PORTLAND, OR 97211 FEBRUARY, 1985 - VOL. 14, NO. 1 PHONE (503) 282-0381 WHOLE NUMBER 54 RICHARD E. GEIS—editor & publisher ALIEN THOUGHTS.A PAULETTE MINARE', ASSOCIATE EDITOR BY RICHARD E. GE1S ALIEN THOUGHTS.4 PUBLISHED QUARTERLY BY RICHARD E, GEIS FEB., MAY, AUG., NOV. interview: L. NEIL SMITH.8 SINGLE COPY - $2.50 CONDUCTED BY NEAL WILGUS THE VIVISECT0R.50 BY DARRELL SCHWEITZER NOISE LEVEL.16 A COLUMN BY JOUV BRUNNER NOT NECESSARILY REVIEWS.54 SUBSCRIPTIONS BY RICHARD E. GEIS SCIENCE FICTION REVIEW ONCE OVER LIGHTLY.18 P.O. BOX 11408 BOOK REVIEWS BY GENE DEWEESE LETTERS I NEVER ANSWERED.57 PORTLAND, OR 97211 BY DAMON KNIGHT LETTERS.20 FOR ONE YEAR AND FOR MAXIMUM 7-ISSUE FORREST J. ACKERMAN SUBSCRIPTIONS AT FOUR-ISSUES-PER- TEN YEARS AGO IN SF- YEAR SCHEDULE. FINAL ISSUE: IYOV■186. BUZZ DIXON WINTER, 1974.57 BUZ BUSBY BY ROBERT SABELLA UNITED STATES: $9.00 One Year DARRELL SCHWEITZER $15.75 Seven Issues KERRY E. DAVIS SMALL PRESS NOTES.58 RONALD L, LAMBERT BY RICHARD E. GEIS ALL FOREIGN: US$9.50 One Year ALAN DEAN FOSTER US$15.75 Seven Issues PETER PINTO RAISING HACKLES.60 NEAL WILGUS BY ELTON T. ELLIOTT All foreign subscriptions must be ROBERT A.Wi LOWNDES paid in US$ cheques or money orders, ROBERT BLOCH except to designated agents below: GENE WOLFE UK: Wm. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Download the Pocket Program
Northwest’s Premier Science Fiction & Fantasy Convention Norwescon Pocket Program & Event Descriptions April 1− 4 2010 Northwest’s Premier Science Fiction & Fantasy Convention ©John Jude Palencar TABLE OF CONTENTS Hours of Operation . 2 Members Rules . 3 WELCOME Convention Hints . 5 The Convention Committee wishes to welcome you to Norwescon 33! This pocket program Guest of Honor Locations . 11 contains information on the location and schedules for events and services that are Autograph Sessions . 13 available throughout the convention. For more information on these events look in our Program Book, or visit the information table located in the convention space lobby. Also Thursday Programming Grids . 14 remember to check out the Dailyzine for announcements, changes and updates to the programming schedule. Thursday Programming by Subject . 22 Again we the Norwescon ConCom hope you have a Great Time! Friday Programming Grids . 32 Friday Programming by Subject . 40 VOLUNTEERS Saturday Programming Grids . 66 Saturday Programming by Subject . 74 Norwescon 33’s volunteers - staff, leads,and assistants - wish to thank those of you who have given so much to make this event possible. From those who made up Norwescon 33’s Sunday Programming Grids . 102 Executive Team, to concom staff and their assistants, to the fellow who walked in the door Sunday Programming by Subject . 106 and asked, “Where do you need me?” You are all gems in the sea of humanity, and for that you deserve a heartfelt THANK YOU. Without you, this event would not have been possible. Gaming Schedule . 114 Gaming by Subject . 115 Brian Pickett Exhibiting Artists . 120 Norwescon 33 Volunteer Services Lead Artists Alley Participants . -
Castlemourn Campaign Setting
Sample file Original Concept: Ed Greenwood Fiction: Ed Greenwood Writing & Design: Jim Butler, Jennifer Brozek, Steve Creech, Darrin Drader, Sean Everette, Ed Greenwood, Brian Gute, Tim Hitchcock, Alex Jacobs, Tom Knauss, Todd R. Laing, Kevin W. Melka, Montgomery Mullen, James M. Ward Editor: Brian Gute Fiction Editor: Peter Archer Proofreader: Christy Everette Project Manager: Sean Everette Layout & Typesetting: Sean Everette Art Director: Renae Chambers Cover Artist: Donato Giancola Interior Artists: Christopher Appel, Drew Baker, Patrick Ballesteros, Joel Beebe, Mike Bielaczyc, Paul Bielaczyc, Bruce Colero, Jason Engle, Toby Hampton, Kristina Knopse, Ron Lemen, Jennifer Meyer, Therese Mitchell, Stefan Moroni, Dzu Nguyen, Jessica Renk, Daniel Roe, Douglas Sirois, Beth Trott, Fabiola Vargas, Gareth Verleyen, Michelle Weber, Fredy Wenzel Cartographer: Sean Macdonald Graphic Designer: Sean Macdonald LEGAL Margaret Weis Productions, the MW logo, Castlemourn, and the Castlemourn logo are trademarks owned by Margaret Weis Productions, Ltd. All rights reserved. © 2006 Margaret Weis Productions, Ltd. All rights reserved. The mention of or reference to any company or product in these pages is not a challenge to the trademark or copyright concerned. This edition of Castlemourn Campaign Settings is produced under version 1.0a, 5.0, and/or draft versions of the Open Game License and the System Reference Document by permission of Wizards of the Coast. Subsequent versions of this product will incorporate later versions of the license, guide, -
Poolside and Tricks Free Swim
Friday 4/19/2019 8 8:30 9 9:30 10 10:30 11 11:30 Noon 12:30 1 1:30 2 2:30 3 3:30 4 4:30 5 5:30 6 6:30 7 7:30 8 8:30 9 9:30 10 10:30 11 11:30 Mid 12:30 1 1:30 Pat Scott Caroline Cascade 3 - Marta Chimedum K.G. Sandra M. Cat Patrick Brenda Audrey Curtis C. Ian Sienna Cheryce Cheryl MacEwa Jon Lasser James M. J.F. High Friends of Bill W Readings Murvosh Ohaegbu Anderson Odell Rambo Swenson Cooper Schulman Chen McDonald Saint-Cyr Clayton Dyson n Magner Yoachim Cascade 4 - POC POC Safer Space Safe Space The Ingenuity of Cosplay, Consent, and Painting a Diverse Pre-Masquerade Sex and Romance with How to Start a Writers Human Evolution: What Avengers Dis- Cascade 5&6 Science Builds! Visual Storytelling The Business of Art Complete Fools Other Convention Scrubbing Fic Picture Meeting Monsters Group Does That Really Mean? assemble Hitchhiker's Guide Vocabulary Trench Coats, Capes Story Starts: In the Catharsis and Fear in Cultural Imperialism in Science Fiction/Future Why Nerd Community Putting Together an Cascade 7&8 A Voltron Panel! Horror as Comfort Femminism in Fandom Getting Paid the New Doctor Who and Wraps Beginning Fantasy Everyday Fandom Now Matters Album The Moral of the Story: Maximizing Your The Movie Year in Fictional Religions in Overcoming GM Evolution of the State Putting the Romance Cascade 9 FOSTA-SESTA Fantasy, Horror Current Pitch Idol Fanfic Rec Party Welcome to Slush Working with Worbla Maspuerade Rehearsal Review Fantasy Anxiety Secret Police Back in Necromancy Events LGBTQIA+ NASA's Unsung Building Costumes & Super Hero -
Thursday, March 24, 2005
Thursday, March 24, 2005 9 OUT OF 10 CULTURES PREFER POLYGAMY Heather Candelaria (M), Susan Stern Grossman, Eris The Unorganized It is an innocuous remark made by an anthropology professor, makes one pause. What is the most natural state of human relationships? What kind of societies, imagined or real, give rise to polygamous relations. ALIEN LINGUISTICS Wolf Lahti (M), Andrew Dolbeck, Robin Ashley Smith Why would someone from light years away sound, or talk like the folks just down the street? Many human cultural assumptions are reinforced by the language used to express them. If a culture is truly alien, what would its language be like? CHANGING YOUR MIND Michelle Garrison (M), Thor Osborn, John P. Alexander Drugs like Prozac are already available to change aspects of brain biology. The next step is genetic manipulation. But how far should we go with mind manipulation? Is it ok to cure a low IQ? Prevent criminal tendencies? Give your child musical talent? CLAY-O-RAMA Betty Bigelow (M) My critter can whip your monster's butt! Come and have fun with Betty Bigelow. COMPUTER HUMOR Chris Nilsson (M), Christopher J. Garcia Come and share scary computer/user tales, 101 things to do when the computer is down, BOFH, and any other computer humor you can think of. CORSETS, BUSTIERS, AND MERRY WIDOWS Lori Edwards (M), Melissa Quinn, Julia Clayton, Lauryn MacGregor, Margo Loes, JoAnne Kirley An overview of the evolution of the corset and a demo on corset/bustier construction techniques, supplies and pattern resources. FANSPEAK 101 David Nasset, Sr. (M), Cheyenne Wright, Savannah Goodwin “What did he just say?” We speak a different language than some of the rest of the population, but what does it all mean? Learn the basics of FanSpeak in just one hour, then go forth and wear your beanie proudly! FANTASY CLOTHES Abranda Icle Sisson-Mudd (M), Heather Hudson, Raven Mimura It’s hard enough to depict a fantasy world that doesn’t just look like “Merry Olde England.” How fantasy artists come up with clothes that are more than Renaissance Festival costumes.