Arts & Culture

Total Page:16

File Type:pdf, Size:1020Kb

Arts & Culture B2 February 25, 2014 Arts & Culture www.TheEpochTimes.com/Arts COURTESY OF DACIA GALLERY COURTESY OF DACIA GALLERY “Perspec- “Off tive II” by Balance” Victoria by Erin Selbach, Anderson, acrylic on oil on canvas, 51 copper, 9 inches by inches by 35 inches. 12 inches. In a landscape dominated by pop, A Gallery Where Artists abstract, and conceptual art, Dacia is one of a handful of galleries Are the First Priority in the city focusing on contemporary figurative art. Lee Vasu’s unique vision for Dacia Gallery By Christine Lin He actively helps artists get larger percentage off if I can get Epoch Times Staff into other galleries. an artwork into an important “Not many galleries do that— collection because it helps the ‘Why would I give my artists artist in the long run,” he said. NEW YORK—They were sup- away?’—I don’t look at it like The press and auction houses posed to celebrate the open- that,” he said. “I want them to can push a young artist to diz- ing of their group exhibition gain full exposure everywhere. zying heights. But to ensure that Be Seen at Dacia Gallery on Feb. 13, but It doesn’t help me or anyone an artist’s career doesn’t fizzle a snowstorm whited out their else if they just have one solo out with the changing fash- plans for the evening. Gath- show a year.” ions requires a slow and steady in the City’s Most ering instead a week later, the Last year he sent the works approach based on patron- exhibiting artists who attended of 27 artists on a three-month age and building relationships Discerning Arts Section introduced their paintings, tour across France, Germany, between artists and collectors. each one fresh off the easel. and his native Romania. If a Vasu said Dacia has attracted Their audience—mostly painting sold along the way, the a younger group of collectors • Our arts coverage is coveted by serious friends and fellow artists— buyer wasn’t allowed to have it since he started showing art- and sophisticated art lovers spilled out from a white-walled until the whole tour concluded. ists in their 20s and 30s. furnace of a room onto the When it comes to collec- “All these younger people • Place your ad next to vibrant, insightful editorial sidewalk, filling the block with tors, he sometimes finds him- started to come check it out,” • Reach over 150,000 New Yorkers per week excited chatter. As the speeches self turning people down— he said. “Once they’re hooked, began, voices dropped to a hush. not because their offers aren’t people keep coming back. We email [email protected] today. What followed was no exer- good, but because their collec- have a good group of support- cise in customary self-intro- tion might not be the best home ive collectors.” ductions and thank-yous— for an artist’s work. artists launched straight into “I would rather sell it for a See Gallery on B5 sharing their inspirations, musings, unresolved artis- COURTESY OF LEE VASU tic conundrums, and work- ing methods. They were often self-effacing, thinking out loud, backtracking, and drew peals of sympathetic laughter from their listeners. Dacia Gallery is a sliver of a space on Stanton Street on the Lower East Side, where hun- dreds of galleries have sprung up over the last few years. In a landscape dominated by pop, abstract, and conceptual art, Dacia is one of a handful of galleries in the city focusing on contemporary figurative art. The uncommonly collegial atmosphere here is bred from owner and curator Lee Vasu’s distinct vision for his gallery. Watching Artists, Not Markets At the most basic level, art galleries function to connect artists and collectors. How to negotiate between the interests of the two groups is up to each gallery owner. From Dacia’s inception four years ago, Vasu www.TheEpochTimes.com has tipped the balance almost completely toward the artist, and it’s working. Lee Vasu at an exhibit at Dacia Gallery, September 2012. B5 Arts & Culture February 25, 2014 www.TheEpochTimes.com/Arts James Cameron Says ‘Avatar 2’ Is ‘Going Very Well’ AP PHOTO/20TH CENTURY FOX, FILE By Jack Phillips manifests itself in very differ- Epoch Times Staff ent ways.” Sam Worthington, Zoe Sal- dana, and Stephen Lang are Director James Cameron starring in the movie to reprise recently talked about his pro- their roles. gress on “Avatar 2,” saying pro- Cameron added, “That’s the duction is in the “early stages.” great thing about Avatar, it’s “We’re still in the early stages. such a rich world, I can explore Right now we’re developing any theme or any idea that I the software. I’m writing the want. Once you’ve got the char- scripts. We’re designing all the acters that an audience loves, creatures and characters and it’s great to surprise them and the settings, and so on. So, I’m make changes and turns that not actually directing yet, but they don’t expect.” I’m doing all the other creative “And you don’t have to spend processes that lead up to that. so much time of the movie set- It’s going very well. I think it’s ting up all that stuff, because going to be spectacular,” he told the audience will remember Slashfilm. from the previous film. I don’t He added: “You’ll see new get bored. It’s a great world. I worlds, new habitats, new cul- love being in the world of Pan- tures. The primary conflict dora.” between the human view kind The sequel won’t be in theat- of dominating nature and the ers until December 2016, and Na’vi view of being integrated “Avatar 3” and “Avatar 4” will into nature is the same, but it come out in 2017 and 2018. Neytiri (R), voiced by Zoe Saldana and Jake, voiced by Sam Worthington are shown in a scene from, "Avatar." ‘LEGO Movie’ Sequel Set for May 2017 WARNER BROS. ENTERTAINMENT, INC By Larry Ong cost $60 million to produce, Epoch Times Staff passed the $200 million mark in worldwide box office less than 2 weeks after its release. Still enjoying the top place at the The February blockbuster has box office, "The LEGO Movie" helped Warner Bros. stand out sequel is scheduled for May 26, in the animated film industry, 2017, Warner Bros. announced. where it faces stiff competition Jared Stern and Michelle Mor- from Disney, Pixar, and Dream- gan will write the sequel, reports works. The Wrap. Phil Lord and Chris- So far, the sequel is the only Emmet (voiced by topher Miller, who wrote and big animated film slated for Chris Pratt) in the 3D directed the original, return as May 2017. "Despicable Me 3" computer animated producers. and a new Pixar movie are June adventure "The LEGO "The LEGO Movie," which releases. Movie." A Gallery Where Artists Are Stone lithographic advertising poster detail, China, Ca. 1920 the First Priority COURTESY OF DACIA GALLERY Gallery continued from B1 A Learning Culture The next big thing on Vasu’s agenda is a field trip of epic pro- portions. He’s taking applica- tions from artists of all skill lev- els for a monthlong residency in Sibiu, Romania. They will paint and draw fig- ures and landscapes, visit cat- acombs and monasteries, and study ancient frescoes. Vasu bro- kered a deal with the Romanian government to let his group of intrepid artists sleep in Dracu- la’s castle. All participants are expected to break out of their comfort zones, Vasu said. “How many Prussian, Serbian, Turkish, or Greek artists can the average artist in the United States name? There’s a half a continent’s worth of work that we don’t know,” he said. “My idea is to take them out there and show them something dif- A selection from “Becoming” by Thomas Wharton, oil on linen. ferent, inspire them in a differ- ent way.” trend among these artists’ fig- A former art educator, Vasu ural works is bodies and faces has a teacher’s knack at encour- At this moment, turned away from the viewer, an aging people to explore and indirect or obscured gaze, a gen- express their ideas. if there’s one eral sense of emotional distance. Personal and artistic growth thing on the They say something about secret is always on his mind, and pains, isolation, and the modern being an artist himself, Vasu minds of these condition. understands that creative peo- Dacia Gallery’s current ple thrive on constantly push- artists, it’s a group exhibition, Motus in ing the limits of what’s possible. Figuris, closes on Feb. 28 He runs his business the same concern about and features the work of Erin way—staying involved with the problems Anderson, Janet Cook, Ste- questions each artist is grap- phen Early, Thomas Legaspi, Look into the East pling with in his or her artistic Stefano Losi, Osiris Rain, expression. with human Biata Roytburd, Buket Savci, “I don’t like to plan shows too connections. Carol Scavotto, Victoria Sel- At the gallery of Michael Ayervais far ahead because you never bach, Patricia Watwood, and Where Asian art comes to life in a magical setting know what artists will be work- Thomas Wharton. ing on in the meantime,” he said. it’s a concern about human con- At this moment, if there’s one nection, or more specifically, For more information, visit 40 West 25th St. New York #228-229 | 917-623-2571 thing on the minds of this group, the problems therewith.
Recommended publications
  • Annual Report 2019/20
    Annual Report 2019 – 2020 TE TUMU WHAKAATA TAONGA | NEW ZEALAND FILM COMMISSION Annual Report – 2019/20 1 G19 REPORT OF THE NEW ZEALAND FILM COMMISSION for the year ended 30 June 2020 In accordance with Sections 150 to 157 of the Crown Entities Act 2004, on behalf of the New Zealand Film Commission we present the Annual Report covering the activities of the NZFC for the 12 months ended 30 June 2020. Kerry Prendergast David Wright CHAIR BOARD MEMBER Image: Daniel Cover Image: Bellbird TE TUMU WHAKAATA TAONGA | NEW ZEALAND FILM COMMISSION Annual Report – 2019/20 1 NEW ZEALAND FILM COMMISSION ANNUAL REPORT 2019/20 CONTENTS INTRODUCTION COVID-19 Our Year in Review ••••••••••••••••••••••••••••••••••••••••••••••••••••• 4 The screen industry faced unprecedented disruption in 2020 as a result of COVID-19. At the time the country moved to Alert Level 4, 47 New Zealand screen productions were in various stages Chair’s Introduction •••••••••••••••••••••••••••••••••••••••••••••••••••• 6 of production: some were near completion and already scheduled for theatrical release, some in post-production, many in production itself and several with offers of finance gearing up for CEO Report •••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 7 pre-production. Work on these projects was largely suspended during the lockdown. There were also thousands of New Zealand crew working on international productions who found themselves NZFC Objectives/Medium Term Goals •••••••••••••••••••••••••••••••••••••••••• 8 without work while waiting for production to recommence. NZFC's Performance Framework ••••••••••••••••••••••••••••••••••••••• 8 COVID-19 also significantly impacted the domestic box office with cinema closures during Levels Vision, Values and Goals ••••••••••••••••••••••••••••••••••••••••••••• 9 3 and 4 disrupting the release schedule and curtailing the length of time several local features Activate high impact, authentic and culturally significant Screen Stories ••••••••••••• 11 played in cinemas.
    [Show full text]
  • Yahoo! Movies: Brown Sugar
    TWENTIETH CENTURY FOX LINE-UP Date Titre Genre Réalisateur Cast 2019 Matt Bettinelli-Olpin Samara Weaving, Andie MacDowell, Mark O'Brien, Adam 28-août-19 WEDDING NIGHTMARE Horreur Tyler Gillett Brody Thriller Brad Pitt, Tommy Lee Jones, Donald Sutherland, 2-oct.-19 AD ASTRA James Gray Science Fiction Ruth Negga 23-oct.-19 TERMINATOR : DARK FATE Science-Fiction Tim Miller Linda Hamilton, Arnold Schwarzenegger, Gabriel Luna Comédie 30-oct.-19 STUBER Michael Dowse Dave Bautista, Kumail Nanjiani Action LE MANS 66 Action, 13-nov.-19 James Mangold Matt Damon, Christian Bale (FORD V FERRARI) Biographie 27-nov.-19 THE WOMAN IN THE WINDOW Drame/ Thriller Joe Wright Amy Adams, Julianne Moore, Wyatt Russell, Gary Oldman 4-déc.-19 THE ART OF RACING IN THE RAIN Drame Simon Curtis Amanda Seyfield, Milo Ventimiglia, Gary Cole LES INCOGNITOS Nick Bruno 25-déc.-19 Animation (Spies in Disguise) & Troy Quane Date Titre Genre Réalisateur Cast 2020 8-janv.-20 UNDERWATER Action/Drame William Eubank Kristen Stewart, T.J. Miller, Vincent Cassel Roman Griffin Davis, Thomasin McKenzie, Taika Waititi, Sam 22-janv.-20 JOJO RABBIT Drame Taika Waititi Rockwell, Scarlett Johansson 12-févr.-20 KING'S MAN Action/Aventure Matthew Vaughn 19-févr.-20 THE CALL OF THE WILD Aventure/Drame Chris Sanders Harrison Ford, Dan Stevens, Colin Woodell, Omar Sy Blu Hunt, Charlie Heaton, Maisie Williams,Henry Zaga, 1-avr.-20 NEW MUTANTS Action/ Aventure Josh Boone Anya Taylor-Joy 1-juil.-20 FREE GUY Action/ Aventure Shawn Levy Ryan Reynolds 22-juil.-20 BOB'S BURGER Animation 7-oct.-20 DEATH ON THE NILE Drame/Thriller Kenneth Branagh Kenneth Branagh 28-oct.-20 RON'S GONE WRONG Animation 16-déc.-20 WEST SIDE STORY Musical Steven Spielberg Ansel Elgort, Rita Moreno, Corey Stoll 2021 3-mars-21 NIMONA Animation 15-déc.-21 AVATAR 2 - 3D James Cameron 2023 20-déc.-23 AVATAR 3 - 3D James Cameron 2025 17-déc.-25 AVATAR 4 -3D James Cameron 2027 15-déc.-27 AVATAR 5 - 3D James Cameron A DATER A DATER GAMBIT Action/ Aventure Channing Tatum A DATER FOSTER Animation.
    [Show full text]
  • Monitor 1St Quarter 2019
    THE ACADEMY MONITOR VOLUME 13 ISSUE 1 1 GREETINGS FROM THE GREAT HALLS OF LEARNING, S STARFLEET ACADEMY!!! T Q U A R IN THIS ISSUE: T Commandant Article 2 E Academy Information 3-5 Around the Academy R Outstanding Students 6 Academic Excellence Awards 7 Graduates 8-13 Academy Degree Program 14&15 2 Bridge Officers Cert Awards 16 0 Vessel Readiness Cert Program 17 Boothby 18-22 1 Miscellaneous 23-34 Editor Comments 35 9 FROM THE ACTING COMMANDANT The first Quarter of 2019 was insanely busy, as Academy continued to recover from the passing of Glen Diebold on September 26, 2018. We also migrated Academy from its separate server into SFI.org, so that the STARFLEET branding could be applied to Academy, and to eliminate the costs of an extra domain and web hosting. We had to close Glen’s unfinished projects that he left behind, and audit and retire those colleges that were not performing at minimum standards. We were not lacking in volunteers to direct those that were left. Survival Studies (COSS), a favorite among many students, was taken over by myself, the author of the first version of the college. The COSS has gone through a major rewrite and reformat. Long exams were divided into 25-point multiple choice or True and False exams. Three of the four schools are reopened, and the fourth will be open soon, with more exams to be added. Wherever an exam was split into 2 or more exams, the existing graduates was copied over with their grades and completion dates.
    [Show full text]
  • Fílmico Vs Digital
    Fílmico vs digital Guerra estético-tecnológica en el mundo audiovisual Agustín Javier Scarnato 21/12/2018 Diseño de Imagen y Sonido Investigación Historias y tendencias 1 Agradecimientos. Agradezco a todas aquellas personas que me acompañaron a lo largo de la carrera y también durante el desarrollo del Proyecto de Graduación. Su apoyo lo considero como un pilar fundamental para contribuir con la motivación necesaria para cumplir con los objetivos establecidos día a día. Gracias a la profesora Milena Faguagaz por clase a clase leer el proyecto y brindar toda su ayuda para que mejore con cada corrección. Por su paciencia, motivación y apoyo brindado para que haya logrado llegar hasta esta instancia. Por potenciar mi proyecto y sugerir cambios que terminaron siendo favorables y ayudaron al correcto desarrollo del ensayo. Agradezco también al profesor Marcelo Otero por haberme ayudado con la consulta de contenido y brindarme su tiempo, experiencia y sabiduría para enriquecer el proyecto y su contenido. Por último deseo agradecer a mi familia y pareja por ser un apoyo incondicional, por la motivación brindada para terminar la carrera y por haberme acompañado a transitar esta etapa de mi vida. 2 Índice. Introducción…………………………………………………………………………………........5 Capítulo 1. Nacimiento del cine e Industria fílmica….…………………..………...……..12 1.1 Breve historia del cine……………………………………………………….………...……12 1.2 La invención del fílmico………………………………………………………..……………15 1.3 La película cinematográfica: soporte y emulsión………………………….…….……….16 1.3.2 Tipos de cinta fílmica…………………………………………….…………...….19 1.4 Revelado del material……………………………………………………..………………...21 1.5 Formatos de proyección y distribución…………...……………………….………………22 1.6 Efectos especiales y cine de animación………………………………….………………24 Capítulo 2.
    [Show full text]
  • WALT DISNEY STUDIOS MOTION PICTURES RELEASE SCHEDULE (Page 1 of 2)
    WALT DISNEY STUDIOS MOTION PICTURES RELEASE SCHEDULE (page 1 of 2) 2019 Films 11/1/19 FOX TERMINATOR: DARK FATE (Int'l Only) 11/15/19 FOX FORD v. FERRARI 11/22/19 DIS FROZEN 2 12/13/19 FSL HIDDEN LIFE, A 12/20/19 DIS STAR WARS: THE RISE OF SKYWALKER Wed 12/25/19 FOX SPIES IN DISGUISE 2020 Films 1/10/20 FOX UNDERWATER 2/14/20 FOX THE KING'S MAN 2/21/20 FOX CALL OF THE WILD, THE 2/28/20 FSL WENDY 3/6/20 DIS ONWARD 3/27/20 DIS MULAN 4/3/20 FOX NEW MUTANTS, THE 4/17/20 FSL ANTLERS 5/1/20 DIS BLACK WIDOW 5/15/20 FOX WOMAN IN THE WINDOW, THE 5/29/20 DIS ARTEMIS FOWL 6/19/20 DIS SOUL 7/3/20 FOX FREE GUY 7/17/20 FOX BOB'S BURGERS 7/24/20 DIS JUNGLE CRUISE 8/7/20 FOX EMPTY MAN 8/14/20 DIS ONE AND ONLY IVAN, THE 10/9/20 FOX DEATH ON THE NILE 10/23/20 FOX EVERYBODY'S TALKING ABOUT JAMIE 11/6/20 DIS THE ETERNALS 11/6/20 FOX RON'S GONE WRONG Wed 11/25/20 DIS RAYA AND THE LAST DRAGON 12/18/20 FOX WEST SIDE STORY Continued on next page… As Of 10/24/2019 WALT DISNEY STUDIOS MOTION PICTURES RELEASE SCHEDULE (page 2 of 2) 2021 Films 2/12/21 DIS SHANG CHI AND THE LEGEND OF THE TEN RINGS 3/5/21 FOX NIMONA 3/12/21 DIS UNTITLED DISNEY LIVE ACTION 5/7/21 DIS DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS 5/28/21 DIS CRUELLA 6/18/21 DIS UNTITLED PIXAR ANIMATION 7/9/21 DIS UNTITLED INDIANA JONES 7/30/21 DIS UNTITLED DISNEY LIVE ACTION 10/8/21 DIS UNTITLED DISNEY LIVE ACTION 11/5/21 DIS THOR: LOVE AND THUNDER Wed 11/24/21 DIS UNTITLED DISNEY ANIMATION 12/17/21 FOX AVATAR 2 2022 Films 2/18/22 DIS UNTITLED MARVEL 3/18/22 DIS UNTITLED PIXAR ANIMATION 5/6/22 DIS BLACK
    [Show full text]
  • Disney-Release-Schedule 5.7.19.Xlsx
    WALT DISNEY STUDIOS MOTION PICTURES RELEASE SCHEDULE (page 1 of 2) 2019 Films 5/10/19 FSL TOLKIEN 5/24/19 DIS ALADDIN 6/7/19 FOX DARK PHOENIX 6/21/19 DIS TOY STORY 4 7/12/19 FOX STUBER 7/19/19 DIS LION KING, THE 8/9/19 FOX ART OF RACING IN THE RAIN, THE 8/23/19 FSL READY OR NOT 9/20/19 FOX AD ASTRA 10/4/19 FOX WOMAN IN THE WINDOW, THE 10/18/19 DIS MALEFICENT: MISTRESS OF EVIL 11/15/19 FOX FORD v. FERRARI 11/22/19 DIS FROZEN 2 12/20/19 DIS STAR WARS: THE RISE OF SKYWALKER Wed 12/25/19 FOX SPIES IN DISGUISE 2020 Films 1/10/20 FOX UNDERWATER 2/14/20 FOX UNTITLED KINGSMAN MOVIE 2/21/20 FOX CALL OF THE WILD 3/6/20 DIS ONWARD 3/27/20 DIS MULAN 4/3/20 FOX NEW MUTANTS, THE 5/1/20 DIS UNTITLED MARVEL 5/29/20 DIS ARTEMIS FOWL 6/19/20 DIS UNTITLED PIXAR ANIMATION 7/3/20 FOX FREE GUY 7/17/20 FOX BOB'S BURGERS 7/24/20 DIS JUNGLE CRUISE 8/14/20 DIS ONE AND ONLY IVAN, THE 10/9/20 FOX DEATH ON THE NILE 11/6/20 DIS UNTITLED MARVEL 11/6/20 FOX RON'S GONE WRONG Wed 11/25/20 DIS UNTITLED DISNEY ANIMATION 12/18/20 FOX WEST SIDE STORY Wed 12/23/20 DIS CRUELLA Continued on next page… As Of 5/7/2019 WALT DISNEY STUDIOS MOTION PICTURES RELEASE SCHEDULE (page 2 of 2) 2021 Films 2/12/21 DIS UNTITLED MARVEL 3/5/21 FOX NIMONA 3/12/21 DIS UNTITLED DISNEY LIVE ACTION 5/7/21 DIS UNTITLED MARVEL 5/28/21 DIS UNTITLED DISNEY LIVE ACTION 6/18/21 DIS UNTITLED PIXAR ANIMATION 7/9/21 DIS UNTITLED INDIANA JONES 7/30/21 DIS UNTITLED DISNEY LIVE ACTION 10/8/21 DIS UNTITLED DISNEY LIVE ACTION 11/5/21 DIS UNTITLED MARVEL Wed 11/24/21 DIS UNTITLED DISNEY ANIMATION 12/17/21 FOX AVATAR
    [Show full text]
  • Building a Brand Through Transmedia Audience Engagement Strategies : Ava- Tar’S Transmedia Marketing
    Building a Brand Through Transmedia Audience Engagement Strategies : Ava- tar’s Transmedia Marketing Kira KITSOPANIDOU1 RÉSUMÉ : À partir de l’étude d’un cas concret, Avatar, l’épopée 3D de James Cameron sortie en 2009, cet article propose une réflexion économique autour des stratégies dites « transmédiatiques » dans l’univers des franchises audiovisuelles et cinémato- graphiques. Nous nous attacherons à montrer comment dans le cadre de nouveaux usages et de nouvelles pratiques médiatiques, la mise en place d’expériences ludiques, interactives et immersives se déployant sur des plateformes média multiples est deve- nue partie intégrante de la production et de la promotion de franchises médiatiques. L’analyse de la stratégie de lancement multi-plateforme et interactive d’Avatar mettra en relief la manière dont le film et sa campagne de promotion peuvent être considérés comme faisant partie d’un même ensemble narratif, approfondissant l’histoire, enri- chissant l’« expérience Avatar » et brouillant davantage les frontières de plus en plus poreuses entre contenu culturel et promotion. MOTS-CLÉS : CONVERGENCE, FRANCHISE TRANSMÉDIA, MARKETING TRANSMÉDIA, ÉCONOMIE TRANSMÉDIA, ÉCONOMIE DE L’ATTENTION, MÉDIAS SOCIAUX, ADVERGAMING SUMMARY : This paper explores the economic implications of transmedia brand ex- pansions and entertainment, focusing on the detailed investigation of a case study : James Cameron’s 3D epic movie Avatar. Our intention is to describe how in the shifting technological and economic environment of the contemporary entertainment
    [Show full text]
  • “Movies”, Chapter 8 from the Book Mass Communication, Media, and Culture (Index.Html) (V
    This is “Movies”, chapter 8 from the book Mass Communication, Media, and Culture (index.html) (v. 1.0). This book is licensed under a Creative Commons by-nc-sa 3.0 (http://creativecommons.org/licenses/by-nc-sa/ 3.0/) license. See the license for more details, but that basically means you can share this book as long as you credit the author (but see below), don't make money from it, and do make it available to everyone else under the same terms. This content was accessible as of December 29, 2012, and it was downloaded then by Andy Schmitz (http://lardbucket.org) in an effort to preserve the availability of this book. Normally, the author and publisher would be credited here. However, the publisher has asked for the customary Creative Commons attribution to the original publisher, authors, title, and book URI to be removed. Additionally, per the publisher's request, their name has been removed in some passages. More information is available on this project's attribution page (http://2012books.lardbucket.org/attribution.html?utm_source=header). For more information on the source of this book, or why it is available for free, please see the project's home page (http://2012books.lardbucket.org/). You can browse or download additional books there. i Chapter 8 Movies Are 3-D Effects Creating Two-Dimensional Films? In 2009, many moviegoers were amazed by the three- dimensional (3-D) film Avatar. Avatar grossed over $1.8 Figure 8.1 billion in theaters worldwide, $1.35 billion from 3-D sales alone.Brandon Gray, “‘Avatar’ is New King of the World,” Box Office Mojo, January 26, 2010, http://boxofficemojo.com/news/?id=2657.
    [Show full text]
  • Pompton Lakes DVD Title List
    Pompton Lakes DVD Title List Title Call Number MPAA Rating Date Added Release Date 007 A View to A Kill DVD 007 PG 8/4/2016 10/2/2012 007 Diamonds are Forever DVD 007 PG 8/4/2016 10/2/2012 007 Dr. No BLU 007 PG 3/13/2017 8/17/2012 007 For Your Eyes Only BLU 007 PG 3/13/2017 9/15/2015 007 From Russia with Love BLU 007 PG 3/13/2017 8/17/2002 007 James Bond: Licence to Kill DVD 007 PG-13 10/6/2015 9/15/2015 007 James Bond: On Her Majesty's Secret Service DVD 007 PG 10/6/2015 9/15/2015 007 James Bond: The Living Daylights DVD 007 PG 10/6/2015 9/15/2015 007 James Bond: The Pierce Brosnan Collection DVD 007 PG-13 10/6/2015 9/15/2015 007 James Bond: The Roger Moore Collection, vol. 1 DVD 007 PG 10/6/2015 9/15/2015 007 James Bond: The Roger Moore Collection, vol. 2 DVD 007 PG 10/6/2015 9/15/2015 007 James Bond: The Sean Connery Collection, vol. 1 DVD 007 PG 10/6/2015 9/15/2015 007 Live and Let Die BLU 007 PG 3/13/2017 8/17/2012 007 Moonraker BLU 007 PG 3/13/2017 8/17/2012 007 On Her Majesty's Secret Service DVD 007 PG 8/4/2016 5/16/2000 007 The Man with The Golden Gun BLU 007 PG 3/13/2017 8/17/2012 007 The Man with the Golden Gun BLU 007 PG 3/13/2017 8/17/2012 007 The Spy Who Loved Me DVD 007 PG 8/4/2016 10/2/2012 007 Thunderball BLU 007 PG 3/13/2017 12/19/2001 007 You Only Live Twice BLU 007 PG 3/13/2017 9/15/2015 10 Secrets for Success and Inner Peace DVD DYE Not Rated 12/2/2011 3/24/2009 Thursday, June 17, 2021 Page 1 of 231 Title Call Number MPAA Rating Date Added Release Date 10 Things I Hate About You (10th Ann DVD Edition) DVD TEN PG-13
    [Show full text]
  • 1 I Dette Nummer
    Nr. 155 - Pr. 1. august 2018 – 36 sider – Udarbejdet af Brancheforeningen Danske Biografer I DETTE NUMMER: Omtale af SAMTLIGE biograffilm det næste halve år samt HIGHLIGHTS 2019-2025 Fuldstændig premiereliste på side 28 1 Omtaler af samtlige premieresatte biograffilm det næste halve år: 2018: MISSION IMPOSSIBLE - FALLOUT (2:27) (UIP/Universal) DK-premiere: 2/8-2018. (Action/thriller) Hjemmeside: http://www.imdb.com/title/tt4912910/ Med Tom Cruise, Rebecca Ferguson, Michelle Monaghan, Henry Cavill, Simon Pegg, Alec Baldwin, Angela Bassett og Ving Rhames. Instr.: Christopher McQuarrie. (“Jack Reacher” (51.997) og ”Mission: Impossible: Rogue Nation” (175.103)). Tom Cruise tilbage i rollen som IMF-agenten Ethan Hunt. Intet er sluppet ud om filmens handling. De fem foregående i denne franchise blev set at hhv. 275.815, 272.677, 143.426, 186.909 og 175.103. i Danmark. Rotten Tomatoes: 98%. THE DARKEST MINDS (1:45) (Nordisk/Fox) DK-premiere: 2/8-2018. (Sci-fi/thriller) Hjemmeside: http://www.imdb.com/title/tt4073790/ Med Mandy Moore, Gwendoline Christie og Amandla Stenberg. Instr.: Jennifer Yuh Nelson. (”Kung Fu Panda 2” (289.345) og ”Kung Fu Panda 3” (279.712)). Baseret på en roman af Alexandra Bracken. Efter en sygdom slår 98% af Amerikansk børn ihjel, udvikler de resterende 2% superkræfter og placeres i interneringslejre. En 16-årig pige undslipper sin lejr og slutter sig til en gruppe andre teenagere på flugt fra regeringen. Baseret på bestselleren af Alexandra Bracken. FORNÆRMELSEN (”L’insulte”) (1:52) (Scanbox) DK-premiere: 2/8-2018. (Drama) 11 år Hjemmeside: http://www.imdb.com/title/tt7048622/ Med Adel Karam, Kamel El Basha og Camille Salameh.
    [Show full text]
  • Cosmopolitan Struggles in Twenty-First Century Science Fiction Cinema
    2020 110 Pablo Gómez Muñoz A Better World? Cosmopolitan Struggles in Twenty-First Century Science Fiction Cinema Departamento Filología Inglesa y Alemana Director/es Deleyton Alcalá, Celestino © Universidad de Zaragoza Servicio de Publicaciones ISSN 2254-7606 Tesis Doctoral A BETTER WORLD? COSMOPOLITAN STRUGGLES IN TWENTY-FIRST CENTURY SCIENCE FICTION CINEMA Autor Pablo Gómez Muñoz Director/es Deleyton Alcalá, Celestino UNIVERSIDAD DE ZARAGOZA Filología Inglesa y Alemana 2018 Repositorio de la Universidad de Zaragoza – Zaguan http://zaguan.unizar.es Tesis Doctoral A Better World? Cosmopolitan Struggles in Twenty-First Century Science Fiction Cinema Autor Pablo Gómez Muñoz Director Celestino Deleyto Alcalá Facultad de Filosofía y Letras Departamento de Filología Inglesa y Alemana 2018 Repositorio de la Universidad de Zaragoza – Zaguan http://zaguan.unizar.es CONTENTS Acknowledgments vii Abstract/Resumen xi Introduction 1 Chapter 1. Transnational Science Fiction and Discourses on Cosmopolitan Conflicts 11 1.1. Beyond the Nation: New Approaches to the Study of Cinema and Science Fiction 11 1.1.1. Defining Transnational Cinema 13 1.1.2. Transnational Science Fiction Film 15 1.2. Towards a Critical Cosmopolitan Turn in the Study of Science Fiction Cinema 20 1.2.1. Critical Cosmopolitanism: The Methodological and Normative Dimensions 20 1.2.2. Connecting Cosmopolitanism and Science Fiction: The Modern/Colonial Complex 24 1.2.3. Epistemological Borders as Cosmopolitan Method 30 1.3. Approaching and Analyzing Science Fiction Cinema from a Critical Cosmopolitan/Border Perspective 34 1.3.1. Critical Cosmopolitanism and Western(-ized) Films 35 1.3.2. Generic Galaxies: Science Fiction Films as Complex Systems 38 1.3.3.
    [Show full text]
  • Downloaded and Watched on Ever-Changing Screen Sizes, from Television to Mobile Phones
    Kent Academic Repository Full text document (pdf) Citation for published version Kamm, Frances Alice (2015) 'A Mirror Image of Ourself'? The Technological Uncanny and the Representation of the Body in Early and Digital Cinema. Doctor of Philosophy (PhD) thesis, University of Kent. DOI Link to record in KAR http://kar.kent.ac.uk/59386/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html 'A Mirror Image of Ourself'? The Technological Uncanny and the Representation of the Body in Early and Digital Cinema Frances Alice Kamm Submitted in fulfilment of the degree of Doctor of Philosophy Film Studies School of Arts University of Kent September 2015 Word Count: 97,366 ACKNOWLEDGEMENTS There are several people I would like to thank for their help in completing this project. First, a huge thank you goes to my supervisors Dr Tamar Jeffers McDonald and Dr Cecilia Sayad for all their help, support and encouragement with this work.
    [Show full text]