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Fusion Without Confusion Raga Basics Indian
Fusion Without Confusion Raga Basics Indian Rhythm Basics Solkattu, also known as konnakol is the art of performing percussion syllables vocally. It comes from the Carnatic music tradition of South India and is mostly used in conjunction with instrumental music and dance instruction, although it has been widely adopted throughout the world as a modern composition and performance tool. Similarly, the music of North India has its own system of rhythm vocalization that is based on Bols, which are the vocalization of specific sounds that correspond to specific sounds that are made on the drums of North India, most notably the Tabla drums. Like in the south, the bols are used in musical training, as well as composition and performance. In addition, solkattu sounds are often referred to as bols, and the practice of reciting bols in the north is sometimes referred to as solkattu, so the distinction between the two practices is blurred a bit. The exercises and compositions we will discuss contain bols that are found in both North and South India, however they come from the tradition of the North Indian tabla drums. Furthermore, the theoretical aspect of the compositions is distinctly from the Hindustani, (north Indian) tradition. Hence, for the purpose of this presentation, the use of the term Solkattu refers to the broader, more general practice of Indian rhythmic language. South Indian Percussion Mridangam Dolak Kanjira Gattam North Indian Percussion Tabla Baya (a.k.a. Tabla) Pakhawaj Indian Rhythm Terms Tal (also tala, taal, or taala) – The Indian system of rhythm. Tal literally means "clap". -
List of Candidates
KARNATAK UNIVERSITY, DHARWAD P. G. DEPARTMENT OF STUDIES IN COMMERCE M.COM ENTRANCE TEST 2020 Date : 16-10-2020 Time: 1.00pm to 2.15pm List of Candidates Exam Name of the Candidate Seat No 20200001 PUSHPA S NAVALGUND 20200002 SHILPA S BIDAVE 20200003 AISHWARYA D PATIL 20200004 RASHMI S GADAGI 20200005 GAYATRI HALLUR 20200006 SWATI P MANAGOLI 20200007 PAVITRA B KOYAPPANAVAP 20200008 PRIYANKA G KARAKALI 20200009 POOJA M BADIGER 20200010 SAVITA P KURUGUND 20200011 VIJAY H HIREMATH 20200012 ASHWATH V CHIKKARADDI 20200013 ANITA A BELAGATTI 20200014 PARVATI N KURUVATTIGOUDRA 20200015 ANNAPOORNA B JAMADAR 20200016 MANOJ M NEERALAKATTI 20200017 HARSHA S SHALAVADI 20200018 ARUNA A LALAGE 20200019 MAHANTESH M HAVALDAR 20200020 AKSHATA R HIREKUMBI 20200021 KAVITA V BELAVADI 20200022 JAYASHREE S REVANNAVAR 20200023 AMBIKA P BADDI 20200024 AKSHAY A GOULI 20200025 ANUKUMARA S BHOVI 20200026 PRERANA G NAYAK 20200027 PREETI R SATAPPAGOL 20200028 TIMMAYYA M DODDAGERA 20200029 SHABEENABANU M BEEDI 20200030 SHWETA S MADALLI 20200031 SANGEETA M KAREGOUDRA 20200032 PALLAVI U KAREGOUDRA 20200033 LAKSHMI B NINGARADDER 20200034 DEEPA N KEMAGIMATH 20200035 ANNAPOORNA B ROTTI 20200036 SACHIN S KANAL 20200037 ANITA G HOSAMANI 20200038 PADMASHRI A SARDESHMUKH 20200039 ASHWINI A KATHOTE 20200040 SHAMBHAVI N NADIGER 20200041 VANDANA R JOSHI 20200042 RACHANA N PATIL 20200043 SHRUSHTI C KANAMESHWAR 20200044 AKSHATA V MULLUR 20200045 CHAITRA N BHAT 20200046 VIJAYALAXMI P GANJIGATTI 20200047 AISHWARYA S KADAM 20200048 HIMABINDU V 20200049 SANGEETHA G HIREMATH 20200050 -
2008 President-Elect - S
52 SRUTI BOARD OF DIRECTORS SRUTI DAY President - C. Nataraj December 2008 President-elect - S. Vidyasankar Treasurer - Venkat Kilambi Director of Resources & Development - Ramaa Nathan Director of Publications & Outreach - Vijaya Viswanathan Director of Marketing & Publicity - Srinivas Pothukuchi Director 1 - Revathi Sivakumar Director 2 Seetha Ayyalasomayajula Resource Committee - Ramaa Nathan, Uma Prabhakar, C. Nataraj, Vidyashankar Sundaresan, and Venkat Kilambi Sruti web site managed by V V Raman S R U T I The India Music & Dance Society Philadelphia, PA 2 51 Editor’s Note Welcome to our year end event, Sruti Day. This is- sue of Sruti Ranjani carries articles by some of our young- Solution to Jumble sters, who have achieved certain significant milestones in their journeys as performing artists of classical music and dance. Apart from this, our adult members have contrib- uted interesting articles that you are certain to enjoy along C O P with some puzzles and a couple of reviews of past Sruti concerts. Again, many thanks to all for taking the time to V E R S E write for this issue. H A P P Y Thanks, O D O R D E M O N S Vijaya Viswanathan 610-640-5375 C O M P O S E R’S CONTENTS DAY 1. Program - 3 2. About the Artists 3 3. Articles by members of the community 4 4. Puzzles 48 50 3 PROGRAM 2:00 PM General Body Meeting and Elections to 2009- 2010 Board (open to Sruti members only) 3:30 PM Snack Break 4:00 PM Carnatic Flute Concert by Shri V. -
Raga (Melodic Mode) Raga This Article Is About Melodic Modes in Indian Music
FREE SAMPLES FREE VST RESOURCES EFFECTS BLOG VIRTUAL INSTRUMENTS Raga (Melodic Mode) Raga This article is about melodic modes in Indian music. For subgenre of reggae music, see Ragga. For similar terms, see Ragini (actress), Raga (disambiguation), and Ragam (disambiguation). A Raga performance at Collège des Bernardins, France Indian classical music Carnatic music · Hindustani music · Concepts Shruti · Svara · Alankara · Raga · Rasa · Tala · A Raga (IAST: rāga), Raag or Ragam, literally means "coloring, tingeing, dyeing".[1][2] The term also refers to a concept close to melodic mode in Indian classical music.[3] Raga is a remarkable and central feature of classical Indian music tradition, but has no direct translation to concepts in the classical European music tradition.[4][5] Each raga is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "color the mind" and affect the emotions of the audience.[1][2][5] A raga consists of at least five notes, and each raga provides the musician with a musical framework.[3][6][7] The specific notes within a raga can be reordered and improvised by the musician, but a specific raga is either ascending or descending. Each raga has an emotional significance and symbolic associations such as with season, time and mood.[3] The raga is considered a means in Indian musical tradition to evoke certain feelings in an audience. Hundreds of raga are recognized in the classical Indian tradition, of which about 30 are common.[3][7] Each raga, state Dorothea -
Music Appreciation Offered As a Minor/ Certificate Programme. Course
Music Appreciation Offered as a Minor/ Certificate Programme. Course Category Minor Sub Category Skill Development Minor Stream Kalayoga Course Code Maximum intake 25 Schedule of Offering Semester Course Credits 3 Contact Hours per week 3 Theory 1 hr/week x 8 weeks Practical NIL Tutorial 2 hrs/week x 8 weeks 3hrs/week x 7 weeks Course Facilitator: Prabhavathy P N 1. Introduction The Music Appreciation Course aims to enable students to raise their level of understanding and appreciation of selected 5 ragas by giving them a few steps of initiation into the basic facets of music like sruti, laya, swaras etc and the application of musical scales, raga etc in compositions and other popular musical streams. 2. Course Objectives Familiarize the concept of Sruti, laya Introduction to Saptaswaras, Scales, Ragas Converging this knowledge into understanding simple raga To learn simple compositions in selected 5 ragas Learn to identify 5 common ragas from film songs or light music 3. Pre-requisites Basic Musical aptitude 4. Module-wise Time split up No Theory Module Hours 01 Swaras 01 02 Tala 01 03 Raga 04 04 Lyrics 02 Total hours 08 No Tutorial Hours 01 Learning songs in 5 Ragas – Mohanam, 24 Hamsadhwani, Revati, Sankarabharanam, Arabhi 02 Application of these ragas in Film songs with 13 respect to the situation of the song Total hours 37 5. Module-wise content split up Theory Module-01 (Swaras) No of Hours - 01 Topics: Introduction to Saptaswaras Understanding of Sruti concept Types of Swaras Learning outcome: Students get familiarized -
A Comparison of Concert Patterns in Carnatic and Hindustani Music Sakuntala Narasimhan — 134
THE JOURNAL OF THE MUSIC ACADEMY MADRAS: DEVOTED TO m ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC V ol. L IV 1983 R 3 P E I r j t nrcfri gsr fiigiPi n “ I dwell not in Vaiknntka, nor in tlie hearts of Togihs nor in the Sun: (but) where my bhaktas sing, there be I, Narada!" Edited by T. S. FARTHASARATHY 1983 The Music Academy Madras 306, T. T. K. Road, M adras -600 014 Annual Subscription - Inland - Rs. 15: Foreign $ 3.00 OURSELVES This Journal is published as an'Annual. • ; i '■■■ \V All correspondence relating to the Journal should be addressed and all books etc., intended for it should be sent to The Editor, Journal of the Music Academy, 306, Mowbray’s Road, Madras-600014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, type* written (double-spaced and on one side of the paper only) and should be signed by the writer (giving his or her address in full). The Editor of the Journal is not responsible for the views ex pressed by contributors in their articles. JOURNAL COMMITTEE OF THE MUSIC ACADEMY 1. Sri T. S. Parthasarathy — Editor (and Secretary, Music Academy) 2. „ T. V. Rajagopalan — Trustee 3. „ S. Ramaswamy — Executive Trustee 4. „ Sandhyavandanam Sreenivasa Rao — Member 5. „ S. Ramanathan — Member 6. „ NS. Natarajan Secretaries of the Music 7. „ R. Santhanam > Academy,-Ex-officio 8. ,, T. S. Rangarajan ' members. C ^ N T E N I S . -
Pallavi of Thecapital District Presents
Write to us: [email protected] Visit us: http://www.pallaviny.org/ Follow us: https://www.facebook.com/Pallavi-484735931675430/ Pallavi of theCa pital District presents th 4 PYO Annual Day Click here to watch on Facebook Live th Saturday, June 27 , 2020 Morning Session: 10:30 AM – 12:30 PM Afternoon Session: 3:00 – 5:00 PM Special Guest concert by Ms. Keerthana Sivaramakrishnan Program Details 10. Hrithik Shenbahasan Presenters: Lavanya Chandramouli & Lavanya Subramaniam ➢ KAncheesha & PAhimAm jAnaki - ShankarAbharanam - Eka MORNING SESSION : 10:30 AM – 12:30 PM 11. Vidhur Kannan ➢ Shyamale Meenakshi & Aanjaneyam - ShankarAbharanam - Eka Welcome Address 12. Girish Balakrishnan Mrs. Jayashree Ganesh - President, PALLAVI ➢ Shara Shara Samaraika - Kuntala VarAli - Aadi 13. Samanvita Nalladega List of Performances ➢ GOvardhana Giridhara - HindOlam - Aadi 14. Kalaimagal Govindaraj 1. Kirthish Sivakumaran ➢ SArasa netrA pAragunA - ShankarAbharanam - Eka ➢ ShrI GananAtham Bhajare - EeshamanOhari - Roopakam 15. Kavin Ilavarasu 2. Aarav Vishwanath ➢ SOmAskantham & HEmaye - ShankarAbharanam - Eka ➢ Pankaja mukha & VarashivabAlam - ShankarAbharanam - Eka 16. Sinchana Keshavan 3. Vainavi Kannan ➢ Purahara nandana - Hameer KalyAni - Aadi ➢ VandE Meenakshi - ShankarAbharanam - Eka 17. Maanasa Vijayaraghavan 4. Samathmika Diwakar ➢ Janani Janani JananI - REvati - Aadi ➢ Jagadeesha & PIta Varnam - ShankarAbharanam - Eka 18. Srinidhi Thattai, Surabhi Iyer & Priya Pillai 5. Aariyan Surendar ➢ SaraswatI VidiyuvatI - HindOlam - Roopakam ➢ Shankaravara -
Ragas Are There? — P
THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LXII 1991 mimumHHmMjUUMmBimMlIBBBBBBBlIBBBBUIlllIHlBW" ■■nBBBBBBBBBBBflBBBBBBBflBBBBBBBBBBBBM 5n? * jiffitfro to* i tr^TT to nrafci to firoiftr n “I dwell not in Vaikuntha, nor in the hearts of Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!” Edited by T. S. PARTHASARATHY The Music Academy, Madras 306, T.T.K. Road, Madras-600 014 Annual Subscription - Inland Rs.40: Foreign $ 3-00 V OURSELVES This Journal is published as an Annual. All correspondence relating to the Journal should be addressed and all books etc., intended for it should be sent to The Editor Journal of the Music Academy, 306, T.T.K. Road, Madras - 600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, typewritten (double-spaced and on one side of the paper only) and should be signed by the writter (giving his or her address in full.) The Editor of the Journal is not responsiblev«r for the views expressed by contributors in their articles. CONTENTS . PAGE y The 64th Madras Music Conference - Official Report — 1 Advisory Committee Meetings — 19 The Sadas — 52 Margadarsi Whom Swati Tirunal Followed — T.S. Parthasarathy — 72 Compositions of Ettayapuram Rulers -—Dr. Gowri Kuppuswamy & Dr. M. Hariharan — 82 Development of the Repertoire in Modern Bharata Natyam —-Annie-Marie Gaston (Anjali) — 95 Tana Varnam - Its Identity and Significance -—Lalita Ramakrishna — 135 How many Janya Ragas are there? — P. -
1.3.2:Average Percentage of Courses That Include Experiential
SYLLABUS DETAILS OF COURSES INCLUDE PROJECT WORK/FIELD WORK/INTERNSHIP-PG University of Kerala M.Com Degree Programme (under Semester Pattern in the Affiliated Colleges) w.e.f 2018 onwards 1 GUIDELINES FOR PROJECT FOR M.COM Project work to commence at the beginning of the third semester Every student shall work on a project related to Commerce and more closely associated to the area of specialization. Project Report to be submitted at the end of the last semester. There could be linkage between the summer internship and the topic of the project. Project work should be done under the supervision and guidance of regular faculty. Students who submit a project shall justify the following: Relevance of the study Problem identified Objectives and the Methodology Outcome envisaged and the possible application of the same. Identifying a topic which is live from the environment/industry is possible through establishing linkages with industry/ policy making bodies. Two copies of the project report in English (Printed or typed in A4 size paper) should be submitted by the student at the end of the last semester Structure of the Report Title Page Certificate from the guide Name of the Student, Name and Designation of the supervisingTeacher Acknowledgements Contents Executive Summary Chapter I:Introduction 122 M.Sc. HOME SCIENCE BRANCH X-C EXTENSION EDUCATION SEMESTER SYSTEM 2018 ONWARDS 49 COURSE STRUCTURE & MARK DISTRIBUTION M.Sc. HOME SCIENCE Branch XC Annexure EXTENSION EDUCATION Course & Mark distribution Distri Instruction Seme Paper -
Ustad Amir Khan, S
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’, Mumbai ------------------------------------------------------------------------ ISSN 0971-7942 Volume - Annual: TRN 2006 ------------------------------------------------------------------------------------------------------------ S.I.R.C. Branches: Mumbai, Pune, Solapur, Nanded, Tuljapur, Baroda, Amravati ============================================================= Feature Article in this Issue: Gramophone Celebrities Master Ashraf Khan Gauhar Jan of Calcutta (C.1870-1930) Keshavrao Bhosle & Bal Gandharva Other articles: Ustad Amir Khan, S. D. Burman, Smt. Saraswati Rane 1 ‘The Record News’ - Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1000 Overseas US $ 100 Life Membership Rs. 10000 Overseas US $ 1000 Annual term: July to June Members joining -
December 2013.P65
Vol.18 No.2 BULLETIN December2, 2013 OF THE CENTRE FOR POLICY STUDIES (GAYATRI VIDYA PARISHAD) THE NEXT SIX MONTHS… IDEAL TIME FOR COURSE CORRECTION In more ways than one the next 180 days are the judiciary while the hyperactive electronic media crucial for the nation. With the completion of elections daily enacts the roles of the prosecutor and judge as in five states the countdown has begun for the general well, on issues big and small. elections to be held in May 2014. The successful 'The continuous coexistence of democracy and conduct of sixteen general elections from 1952 to 2014 poverty’ bodes ill for the future of Indian democracy. and all other polls during the last sixty one years is a The conclusion is inescapable, if not harsh, that State testimony to the faith of the people in the democratic and society appear to have become functional allies process and to the integrity and efficiency with which in perpetuating poverty through acts of omission and every election has been conducted by the Election commission. The causal relationship between poverty, Commission of India and state election commissions. corruption and violence is a serious affliction that No ordinary achievement it is to manage smoothly and needs to be rectified with firmness and urgency. successfully such gigantic democratic exercises. Poverty at birth triggers a vicious chain reaction India’s democracy, now in its 67th year, has resulting in backwardness in education, employment ceased to be ‘the role model for Asia and third world and life in general. countries’ it was in the first decade of independence. -
The Journal of the Music Academy
ISSN 0970 - 3101 THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LXXII 2001 «T£tGT qsr ftfqfal fagTfa ^ n “I dwell not in Vaikunta, nor in the hearts o f Yogins nor in the Sun; (but) where my bhaktas sing, there be 1, Narada!” - Naradiya Bhakti Sutra Edited by T.T. VASU The Music Academy, Madras 306, T.T.K. Road, Madras - 600 014. Annual Subscription - Inland Rs. 70/- Foreign : $3 JOURNAL COMMITTEE TT. Vasu Chairman N. Kumar Co-Chairman Dr. V.V. Srivatsa Member Maithreyi Ramadurai Ex-Officio N. Ramji Ex-Officio Nandini Ramani Ex-Officio M.S. Venkataraman Ex-Officio EDITORIAL BOARD S.R. Janakiraman Sulochana Pattabhiraman Lakshmi Viswanathan ff ' 1 " ■ 111 — .......... ......... ................- ..........M\ All correspondence relating to the journal should be addressed and all books etc., intended for it should be sent in duplicate to the Editor, The Journal of the Music Academy, 306, T.T.K. Road, Chennai - 600 014. Articles on music and dance are accepted for publication on the recommendatioh of the Editorial Board. The Board reserves the right to accept or reject any articles without assigning reasons. Manuscripts should be legibly written or preferably, type written (double spaced and on one side of the paper only) and should be signed by the writer (giving his or her address in lull). The Editor of the Journal is not responsible for the views expressed by contributors in their articles. ... ............. " ' ' ......... — ^ r \ Statement about ownership and other particulars regarding THE JOURNAL OF THE MUSIC ACADEMY CHENNAI FORM IV (See Rule 8) Place of Publication The Music Academy, Chennai - 14.