Jesuits, Students Urge Pro-Life Funding
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Samuel Ramey
welcome to LOS i\Ilgeles upera http://www.losangelesopera.comlproduction/index.asp?... •• PURCHASE TICKETS • 2003/2004 SEASON LA AMNATION DE FAD T La damnation de Faust The damnation of Faust / Hector Berlioz Nicholas and In French with English Supertitles Ticket Information Alexandra Lucia di Samuel Ramey, Synopsis Lammermoor r-----------.., Program Notes Denyce Graves and Photo Gallery Orfeo ed Euridice Paul Groves star in a spectacular new Recital: production by Achim Ask an Expert Hei-Kyung Hong Forward to a Freyer with Kent Friend Recital: Cecilia Nagano conducting. Bartoli Generously Madama Europe's master Underwritten by: Butterfly theatre artist Achim Freyer matches his New production Die Frau ohne made possible by a Schatten painterly visual imagery with Hector generous gift from Mr. and Mrs. Recital: Dmitri Berlioz's vivid musical imagination in the premiere of Hvorostovsky Milan Panic this new production featuring a cast of more than Le nozze di 100 singers and dancers. The legend of Faust, which Figaro tells the story of the man who sold his soul to the II trovatol'"e Devil, has captivated great imaginations for centuries. Marlowe, Goethe, Gounod, Schumann, Liszt, Mahler and Stravinsky all found inspiration in SEASON G!J1]) the Faust tale, which continues to reverberate in SPONSOR Audt today's modern world. Originally conceived as an oratoriO, Hector Berlioz's dramatic La damnation de Faust is now a mainstay of opera houses around the world. Haunting melodies and startling orchestrations flood the score and illustrate the beWitching tale of Faust's desperate struggle for power, riches, youth and, ultimately, redemption. PRODUCTION DATES: Wednesday September 10, 20036:30 p.m. -
MINUTES WAR MEMORIAL BOARD of TRUSTEES PRESENTORS LIAISON COMMITTEE MEETING WAR MEMORIAL BOARD of TRUSTEES SPECIAL MEETING Thursday, May 12, 2016
MINUTES WAR MEMORIAL BOARD OF TRUSTEES PRESENTORS LIAISON COMMITTEE MEETING WAR MEMORIAL BOARD OF TRUSTEES SPECIAL MEETING Thursday, May 12, 2016 The Presentors Liaison Committee of the Board of Trustees of the War Memorial of San Francisco met at 1:00 p.m. on Thursday, May 12, 2016, in the Trustees’ Board Room, War Memorial Opera House, Committee Chair Bechtle presiding. ROLL CALL Present: Chair Bechtle, Trustee Lui, Trustee Moscone, Trustee Wilsey, President Horn, Ex officio Absent: Trustee Shultz Staff Present: Elizabeth Murray, Managing Director; Jennifer Norris, Assistant Managing Director Patina Restaurant Group request for Food and Beverage Price Increases: Chair Bechtle reported that in advance of today’s meeting, Committee members received the February letter from Patina requesting price changes to offset increases to the cost of doing business; a chart of Patina’s food and beverage pricing from 1998 to present; and a chart of beverage pricing comparisons at various San Francisco venues. Chair Bechtle stated that Committee members have today received a letter from the San Francisco Opera, Symphony and Ballet commenting on the proposed price increase and a copy of Patina’s presentation concerning proposed pricing adjustments. She said she was pleased to see so many representatives of the Symphony, Opera and Ballet present at today’s meeting. Chair Bechtle called on Patina representatives Susan Serpanchy, Patina’s General Manager at the War Memorial Complex, and Christian Muniz, Patina Vice President of Operations for Museums and Performing Arts Centers, to review their presentation. Mr. Muniz presented a packet identifying cost factors that contribute to the need for price increases including labor, union health welfare and pension, and costs for food and commodities. -
Civic C Enter/UN Plaza High-End 2 S Tory Priv a Te Offic E
oneCivic Center/UN Plaza High-End 2 story Private Office UN PLAZA This unique 667 Square Footage office space is centrally located in the UN PLAZA heart of Civic Center’s UN Plaza and right above Civic Center BART sta- one tion. Complete with hardwood floors and large front-facing windows, the location and space present an attrac- tive option for smaller legal offices, start-ups, professional services, or design professionals. • 667 SF separated out on 2 floors • Private Entrance • Attractive architectural features FEATURES • Private Bathroom with Shower • Natural Light • Hardwood finishes • Only steps away from Civic Center BART, The Orpheum, City Hall and much more one UN PLAZA The UC Hastings Warfield College of The Law 1 UN PLAZA With Proximity to: Asian Art Market St. • San Francisco City Hall Museum • Bill Gramham Auditorium San Francisco City Hall The War Memorial • San Francisco Symphony Opera House Civic Center • San Francisco Opera 7th St. 7th San Francisco • Orpheum Theater Symphony Bill Graham • Asian Art Museum Van Ness Ave. Van Auditorium Nourse • SF Jazz Theater Market St. SF Jazz Mission St. 7th St. 7th 9th St. 9th Folsom St. Van Ness Ave. Ness Van NEIGHBORHOOD UN PLAZA SF JAZZ SAN FRANCISCO CITY HALL one SAN FRANCISCO SYMPHONY ORPHEUM THEATER WAR MEMORIAL OPERA HOUSE BILL GRAMHAM AUDITORIUM NOURSE THEATER one UN PLAZA DOMINIC MORBIDELLI SANTINO DEROSE office 415.404.7314 office 415.404.7337 [email protected] [email protected] BRE # 02024348 BRE #01338326 NOTICE: This information has been secured from sources we believe to be reliable but we make no representations, warranties, express or implied, as to the accuracy of the information. -
The American Opera Series May 16 – November 28, 2015
The American Opera Series May 16 – November 28, 2015 The WFMT Radio Network is proud to make the American Opera Series available to our affiliates. The American Opera Series is designed to complement the Metropolitan Opera Broadcasts, filling in the schedule to complete the year. This year the American Opera Series features great performances by the Lyric Opera of Chicago, LA Opera, San Francisco Opera, Glimmerglass Festival and Opera Southwest. The American Opera Series for 2015 will bring distinction to your station’s schedule, and unmatched enjoyment to your listeners. Highlights of the American Opera Series include: • The American Opera Series celebrates the Fourth of July (which falls on a Saturday) with Lyric Opera of Chicago’s stellar production of George Gershwin’s Porgy and Bess. • LA Opera brings us The Figaro Trilogy, including Mozart’s The Marriage of Figaro, Rossini’s The Barber of Seville, and John Corigliano’s The Ghosts of Versailles. • The world premiere of Marco Tutino’s Two Women (La Ciociara) starring Anna Caterina Antonacci, based on the novel by Alberto Moravia that became a classic film, staged by San Francisco Opera. • Opera Southwest’s notable reconstruction of Franco Faccio’s 1865 opera Amleto (Hamlet), believed lost for over 135 years, in its American premiere. In addition, this season we’re pleased to announce that we are now including multimedia assets for use on your station’s website and publications! You can find the supplemental materials at the following link: American Opera Series Supplemental Materials Please note: If you have trouble accessing the supplemental materials, please send me an email at [email protected] Program Hours* Weeks Code Start Date Lyric Opera of Chicago 3 - 5 9 LOC 5/16/15 LA Opera 2 ½ - 3 ¼ 6 LAO 7/18/15 San Francisco Opera 1 ¾ - 4 ¾ 10 SFO 8/29/15 Glimmerglass Festival 3 - 3 ½ 3 GLI 11/7/15 Opera Southwest Presents: Amleto 3 1 OSW 11/28/15 Los Angeles Opera’s Production of The Ghosts of Versailles Credit: Craig Henry *Please note: all timings are approximate, and actual times will vary. -
DER ROSENI(AVALIER Bv Richardstrauss
4ry"fi"A DER ROSENI(AVALIER bv RichardStrauss Our 201'1Season Sponsor is the ViterbiFamily. This production of Der Rosenkavalierisdedicated 'ln LovingMemory of Muriel S. Gluck'TitleSponsorship, and to TitleCo-Sponsors Carol Lazier and FayeWilson, Producers' Circle Sponsors Merle and TeresaFischlowitz and Ruthand Ron Leonardi. SanDiego Opera is pleasedto recognizeAmerican Express as our CorporateProducing partner. *A$-: .Til_-i-fii.i* : (in orderof vocalappearance) ACT I Octavian Anke Vondung- The Bedroomof the Marschallin The Marschallin Twyla Robinson. The Marschallin'sMajor-Domo John Duykers - 2O Minute lntermission - BaronOchs auf Lerchenau Andrew Greenan ACT ThreeNoble Orphans NatalieMann II Ava Baker Liss The GrandHall at HerrVon Faninal,s Cherylyn Larson - 2A Minute A lVilliner TiffanyCarmel lntermission - An AnimalTrainer Manuel PazCastillo ACT ill Valzacchi Joel Sorensen A PrivateRoom at an Inn A Singer Stephen Costello A Notary KevinLangan Annina HeleneSchneiderman. Therunning time is approximately 4 hours and g minutes, Herrvon Faninal l-{ans-Joachim Ketelsen. includingtwo 20-mlnuteintermissions. lVlarianneLeitmetzerin StephanieWeiss. Sceneryconslruction and painting \,ronFan inal's Major-Domo bythe San Francisco Simeon Esper OperaScenic Shop. Sophievon Faninal PatriziaCiofi. Costumes An lnnkeeper fabricatedby the San Francisco Opera Costume Simeon Esper Shop Footmenof the . Libretto Marschallin,/FourWaiters Andrew Bennett- by Hugovon Hofmannsthai. StephenBranch. Firstperformance was held in Dresdenon January Anthony Ballard 26,1911. MichaelBlinco. Castsubject to change. A PoliceCommissioner KevinLangan Leopold Matthew Roehl. Specialthanks to San Diego Museum of Art and Torrey Mohamet FrancisGoonan. PinesChristian Church and La Jolla CountryDay School,our 2011 CommunityConversation parrners Conductor Christof Perick for Der Rosenkavalier. Director Lotfi Mansouri ScenicDesigner ThierryBosquet CostumeDesigner ThierryBosquet ri:ftt- *fr Ltt\lt* il l].:*1il5 LightrngDesigner MichaelWhitfield Sunday April 3,2011 2pm Wig and MakeupDesigner StevenW. -
And Then One Night… the Making of DEAD MAN WALKING
And Then One Night… The Making of DEAD MAN WALKING Complete program transcript Prologue: Sister Helen and Joe Confession scene. SISTER HELEN I got an invitation to write to somebody on death row and then I walked with him to the electric chair on the night of April the fifth, 1984. And once your boat gets in those waters, then I became a witness. Louisiana TV footage of Sister Helen at Hope House NARRATION: “Dead Man Walking” follows the journey of a Louisiana nun, Sister Helen Prejean, to the heart of the death penalty controversy. We see Sister Helen visiting with prisoners at Angola. NARRATION: Her groundbreaking work with death row inmates inspired her to write a book she called “Dead Man Walking.” Her story inspired a powerful feature film… Clip of the film: Dead Man Walking NARRATION: …and now, an opera…. Clip from the opera “Dead Man Walking” SISTER HELEN I never dreamed I was going to get with death row inmates. I got involved with poor people and then learned there was a direct track from being poor in this country and going to prison and going to death row. NARRATION: As the opera began to take shape, the death penalty debate claimed center stage in the news. Gov. George Ryan, IL: I now favor a moratorium because I have grave concerns about our state’s shameful record of convicting innocent people and putting them on death row. Gov. George W. Bush, TX: I’ve been asked this question a lot ever since Governor Ryan declared a moratorium in Illinois. -
David Justin CV 2014 Pennsylvania Ballet
David Justin 4603 Charles Ave Austin TX 787846 Tel: 512-576-2609 Email: [email protected] Web site: http://www.davidjustin.net CURRICULUM VITAE ACADEMIC EDUCATION • University of Birmingham, United Kingdom, Master of Arts in Dance in Education and the Community, May 2000. Thesis: Exploring the collaboration of imagination, creativity, technique and people across art forms, Advisor: Tansin Benn • Royal Academy of Dramatic Arts, Edward Kemp, Artistic Director, London, United Kingdom, 2003. Certificate, 285 hours training, ‘Acting Shakespeare.’ • International Dance Course for Professional Choreographers and Composers, Robert Cohen, Director, Bretton College, United Kingdom, 1996, full scholarship DANCE EDUCATION • School of American Ballet, 1987, full scholarship • San Francisco Ballet School, 1986, full scholarship • Ballet West Summer Program, 1985, full scholarship • Dallas Metropolitan Ballet School, 1975 – 1985, full scholarship PROFESSIONAL EXPERIENCE Choreographer, 1991 to present See full list of choreographic works beginning on page 6. Artistic Director, American Repertory Ensemble, Founder and Artistic Director, 2005 to present $125,000 annual budget, 21 contract employees, 9 board members11 principal dancers from the major companies in the US, 7 chamber musicians, 16 performances a year. McCullough Theater, Austin, TX; Florence Gould Hall, New York, NY; Demarco Roxy Art House, Edinburgh, Scotland; Montenegrin National Theatre, Podgorica, Montenegro; Miller Outdoor Theatre, Houston, TX, Long Center for the Performing Arts, -
John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens
2011 NATIONAL ENDOWMENT FOR THE ARTS 1100 Pennsylvania Avenue, NW Washington, DC 20506-0001 John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens Robert Ward Robert Ward NATIONAL ENDOWMENT FOR THE ARTS 2011 John Conklin’s set design sketch for San Francisco Opera’s production of The Ring Cycle. Image courtesy of John Conklin ii 2011 NEA OPERA HONORS Contents 1 Welcome from the NEA Chairman 2 Greetings from NEA Director of Music and Opera 3 Greetings from OPERA America President/CEO 4 Opera in America by Patrick J. Smith 2011 NEA OPERA HONORS RECIPIENTS 12 John Conklin Scenic and Costume Designer 16 Speight Jenkins General Director 20 Risë Stevens Mezzo-soprano 24 Robert Ward Composer PREVIOUS NEA OPERA HONORS RECIPIENTS 2010 30 Martina Arroyo Soprano 32 David DiChiera General Director 34 Philip Glass Composer 36 Eve Queler Music Director 2009 38 John Adams Composer 40 Frank Corsaro Stage Director/Librettist 42 Marilyn Horne Mezzo-soprano 44 Lotfi Mansouri General Director 46 Julius Rudel Conductor 2008 48 Carlisle Floyd Composer/Librettist 50 Richard Gaddes General Director 52 James Levine Music Director/Conductor 54 Leontyne Price Soprano 56 NEA Support of Opera 59 Acknowledgments 60 Credits 2011 NEA OPERA HONORS iii iv 2011 NEA OPERA HONORS Welcome from the NEA Chairman ot long ago, opera was considered American opera exists thanks in no to reside within an ivory tower, the small part to this year’s honorees, each of mainstay of those with European whom has made the art form accessible to N tastes and a sizable bankroll. -
Central Opera Service Bulletin • Vol
CENTRAL OPERA SERVICE CONFERENCE/BULLETIN Volume 27, Number 1 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM la The MetropotttM Opera GaiM'* Fiftieth AwUveray New York - NoTfber Iud2, 015 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, NY. 10023 • (212) 799-3467 I i ; i Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, N.Y. 10023 • (212)799-346? CENTRAL OPERA SERVICE Volume 27, Number 1 Spring/Summer 1986 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM In Collaboration With "Opera News" Celebrating The Metropolitan Opera Guild's Fiftieth Anniversary New York - November 1 and 2,1985 This is the special COS Conference issue. The next number will be again a regular news issue with the customary variety of subjects and a performance listing. CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BEL MONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. B1NDHARDT National Vice Chairman MRS. MARY H. DARRELL Central Opera Service Bulletin • Vol. 27, No. 1 • Spring/Summer 1986 Editor: MARIA F. RICH Assistant Editor: CHERYL KEMPLER Editorial Assistants: LISA VOLPE-REISSIG FRITZI BICKHARDT NORMA LITTON The COS Bulletin is published quarterly for its members by Central Opera Service. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $12.00 Regular news issues: $3.00 ISSN 0008-9508 TABLE OF CONTENTS Friday, November 1, 1985 WELCOME 1 Margo H. -
Herbst Theatre
Herbst Theatre CONTENT 3 Introduction 4 Capacity & Floor Plan 5 Seating Chart 6 Rental Rates 7 Fees & Expenses 8 Technical Specifications 9 Equipment 10 Booking Instructions 11 Food & Beverage 12 Film & Photography 13 Frequently Asked Questions 15 Rules & Regulations 17 Directions & Parking 18 Contact Information ABOUT SFWMPAC Home to many of the Bay Area’s most dynamic performing arts presenters, the San Francisco War Memorial and Performing Arts Center (SF WMPAC) is a landmark cultural institution owned and operated by the City and County of San Francisco. SAN FRANCISCO WAR MEMORIAL & PERFORMING ARTS CENTER | HERBST THEATRE 2 he Herbst Theatre is a cornerstone of San Francisco T performing arts, with more than 200 shows presented on its stage every year. Distinguished as the historic site of the United Nations Charter signing in 1945, it is now the primary venue for many of the Bay Area’s premier cultural organizations, including San Francisco Performances, Philharmonia Baroque Orchestra, New Century Chamber Orchestra and Chamber Music SF. The Herbst Theatre is housed in the Veterans Building, which echoes the Beaux-Arts design of the War Memorial Opera House and is also home to The Green Room. Adorned by a series of stunning Frank Brangwyn murals originally painted for the 1915 Panama-Pacific International Exposition, this 892-seat auditorium has been fully renovated and the venue now features new stage-level dressing rooms, a dedicated rehearsal space and a modern performer lounge. SAN FRANCISCO WAR MEMORIAL & PERFORMING ARTS CENTER -
San Francisco Civic Center Historic District Cultural Landscape Inventory SITE HISTORY EXISTING CONDITIONS ANALYSIS & EVALUATION
San Francisco Civic Center Historic District Cultural Landscape Inventory SITE HISTORY EXISTING CONDITIONS ANALYSIS & EVALUATION AUGUST 2014 815 SW 2ND AVENUE SUITE 200 | PORTLAND OR 97204 503.297.1005 | WWW.MIGCOM.COM IN ASSOCIATION WITH A+H ARCHITECTURE + PLANNING, LLC SAN FRANCISCO CIVIC CENTER HISTORIC DISTRICT CULTURAL LANDSCAPE INVENTORY CIVIC CENTER HISTORIC DISTRICT CULTURAL LANDSCAPE INVENTORY SAN FRANCISCO, CALIFORNIA PUBLICATION CREDITS COVER PHOTOS FOR MORE INFORMATION AUGUST 2014 Information in this report may be copied and used with the Clockwise from top left: c. 1945 Aerial of Civic Center (University San Francisco Planning Department Prepared by: Laurie Matthews, Rachel Edmonds, Heather condition that credit is given to authors and other contributors. of California Berkeley, WBE Collection, College of Environmental 1650 Mission Street #400 San Francisco, California 94103 Buczek & Steve Leathers, MIG, Inc., and The primary authors meet the criteria set by The Secretary of Design Library), 1945 War Memorial Court (San Francisco sfplanning.org | 415-558-6378 the Interior’s Guidelines for the Treatment of Historic Properties History Center, San Francisco Public Library), 1964 Aerial of Bridget Maley, a+h architecture + history, llc, MIG, Inc. | 815 SW 2nd Avenue, #200, Portland, Oregon 97204 for qualified professionals, as outlined in Appendix A of the Civic Center (University of California Berkeley, WBE Collection, migcom.com | 503-297-1005 with assistance from Dr. Jeffrey T. Tilman, University of Cincinnati Guide to Cultural -
Mitigated Negative Declaration
Mitigated Negative Declaration Date: December 27, 2017; amended January 23, 2018 (Amendments to the Initial Study/Preliminary Mitigated Negative Declaration are shown as deletions in strikethrough and additions to the PMND are shown in double underline) Case No.: 2015‐012994ENV Project Title: 200‐214 Van Ness Avenue (San Francisco Conservatory of Music Mixed‐Use Project) Zoning: C‐3‐G (Downtown‐General Commercial) 96‐X Height and Bulk District Block/Lot: 0811/011 and 012 Lot Size: 13,077 square feet Project Sponsor San Francisco Conservatory of Music Lawrence Badiner, Project Sponsor’s Representative, (415) 865‐9985 Lead Agency: San Francisco Planning Department Staff Contact: Tania Sheyner – (415) 575‐9127 [email protected] PROJECT DESCRIPTION: The project site is located on Van Ness Avenue, extending from Hayes Street to Dr. Tom Waddell Place (a mid‐block alley), in the Civic Center neighborhood of San Francisco. The project block is bounded by Van Ness Avenue to the west, Grove Street to the north, Polk Street to the east, and Hayes Street to the south. The site currently contains two buildings: 200 Van Ness Avenue, which is three stories in height and contains 27 dwelling units, and 214 Van Ness Avenue, which is two stories in height and contains approximately 12,360 gross square feet (gsf) of presently vacant office space previously occupied by the Lighthouse for the Blind. The proposed project would demolish these two existing buildings, merge the two parcels into one, and construct a 12‐story mixed‐use building to provide housing and other facilities for the San Francisco Conservatory of Music.