Civic C Enter/UN Plaza High-End 2 S Tory Priv a Te Offic E

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oneCivic Center/UN Plaza High-End 2 story Private Office UN PLAZA This unique 667 Square Footage office space is centrally located in the UN PLAZA heart of Civic Center’s UN Plaza and right above Civic Center BART sta- one tion. Complete with hardwood floors and large front-facing windows, the location and space present an attractive option for smaller legal offices, start-ups, professional services, or design professionals. • 667 SF separated out on 2 floors • Private Entrance • Attractive architectural features FEATURES • Private Bathroom with Shower • Natural Light • Hardwood finishes • Only steps away from Civic Center BART, The Orpheum, City Hall and much more one UN PLAZA The UC Hastings Warfield College of The Law 1 UN PLAZA With Proximity to: Asian Art Market St. • San Francisco City Hall Museum • Bill Gramham Auditorium San Francisco City Hall The War Memorial • San Francisco Symphony Opera House Civic Center • San Francisco Opera 7th St. 7th San Francisco • Orpheum Theater Symphony Bill Graham • Asian Art Museum Van Ness Ave. Van Auditorium Nourse • SF Jazz Theater Market St. SF Jazz Mission St. 7th St. 7th 9th St. 9th Folsom St. Van Ness Ave. Ness Van NEIGHBORHOOD UN PLAZA SF JAZZ SAN FRANCISCO CITY HALL one SAN FRANCISCO SYMPHONY ORPHEUM THEATER WAR MEMORIAL OPERA HOUSE BILL GRAMHAM AUDITORIUM NOURSE THEATER one UN PLAZA DOMINIC MORBIDELLI SANTINO DEROSE office 415.404.7314 office 415.404.7337 [email protected] [email protected] BRE # 02024348 BRE #01338326 NOTICE: This information has been secured from sources we believe to be reliable but we make no representations, warranties, express or implied, as to the accuracy of the information. Listing broker has been given enough information to provide only a preliminary interest in the property. The materials are not to be considered fact. The information contained herein is not a substitute for thorough due diligence investigation. References to square footage, zoning, use, or age are approximate. Please contact the San Francisco Planning Department to verify zoning at (415) 558-6378, as neither broker or landlord represent that this space is suitable for your use. Tenant or Buyer must verify the information at their own expense and bears all the risk for any inaccuracies. By receiving these materials you are agreeing to the disclaimers set forth herein. BRE#01878802 466 Green Street Suite #203 | San Francisco, CA 94133 | 415.781.7700.

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MINUTES WAR MEMORIAL BOARD of TRUSTEES PRESENTORS LIAISON COMMITTEE MEETING WAR MEMORIAL BOARD of TRUSTEES SPECIAL MEETING Thursday, May 12, 2016
MINUTES WAR MEMORIAL BOARD OF TRUSTEES PRESENTORS LIAISON COMMITTEE MEETING WAR MEMORIAL BOARD OF TRUSTEES SPECIAL MEETING Thursday, May 12, 2016 The Presentors Liaison Committee of the Board of Trustees of the War Memorial of San Francisco met at 1:00 p.m. on Thursday, May 12, 2016, in the Trustees’ Board Room, War Memorial Opera House, Committee Chair Bechtle presiding. ROLL CALL Present: Chair Bechtle, Trustee Lui, Trustee Moscone, Trustee Wilsey, President Horn, Ex officio Absent: Trustee Shultz Staff Present: Elizabeth Murray, Managing Director; Jennifer Norris, Assistant Managing Director Patina Restaurant Group request for Food and Beverage Price Increases: Chair Bechtle reported that in advance of today’s meeting, Committee members received the February letter from Patina requesting price changes to offset increases to the cost of doing business; a chart of Patina’s food and beverage pricing from 1998 to present; and a chart of beverage pricing comparisons at various San Francisco venues. Chair Bechtle stated that Committee members have today received a letter from the San Francisco Opera, Symphony and Ballet commenting on the proposed price increase and a copy of Patina’s presentation concerning proposed pricing adjustments. She said she was pleased to see so many representatives of the Symphony, Opera and Ballet present at today’s meeting. Chair Bechtle called on Patina representatives Susan Serpanchy, Patina’s General Manager at the War Memorial Complex, and Christian Muniz, Patina Vice President of Operations for Museums and Performing Arts Centers, to review their presentation. Mr. Muniz presented a packet identifying cost factors that contribute to the need for price increases including labor, union health welfare and pension, and costs for food and commodities.
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David Justin CV 2014 Pennsylvania Ballet
David Justin 4603 Charles Ave Austin TX 787846 Tel: 512-576-2609 Email: [email protected] Web site: http://www.davidjustin.net CURRICULUM VITAE ACADEMIC EDUCATION • University of Birmingham, United Kingdom, Master of Arts in Dance in Education and the Community, May 2000. Thesis: Exploring the collaboration of imagination, creativity, technique and people across art forms, Advisor: Tansin Benn • Royal Academy of Dramatic Arts, Edward Kemp, Artistic Director, London, United Kingdom, 2003. Certificate, 285 hours training, ‘Acting Shakespeare.’ • International Dance Course for Professional Choreographers and Composers, Robert Cohen, Director, Bretton College, United Kingdom, 1996, full scholarship DANCE EDUCATION • School of American Ballet, 1987, full scholarship • San Francisco Ballet School, 1986, full scholarship • Ballet West Summer Program, 1985, full scholarship • Dallas Metropolitan Ballet School, 1975 – 1985, full scholarship PROFESSIONAL EXPERIENCE Choreographer, 1991 to present See full list of choreographic works beginning on page 6. Artistic Director, American Repertory Ensemble, Founder and Artistic Director, 2005 to present $125,000 annual budget, 21 contract employees, 9 board members11 principal dancers from the major companies in the US, 7 chamber musicians, 16 performances a year. McCullough Theater, Austin, TX; Florence Gould Hall, New York, NY; Demarco Roxy Art House, Edinburgh, Scotland; Montenegrin National Theatre, Podgorica, Montenegro; Miller Outdoor Theatre, Houston, TX, Long Center for the Performing Arts,
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Herbst Theatre
Herbst Theatre CONTENT 3 Introduction 4 Capacity & Floor Plan 5 Seating Chart 6 Rental Rates 7 Fees & Expenses 8 Technical Specifications 9 Equipment 10 Booking Instructions 11 Food & Beverage 12 Film & Photography 13 Frequently Asked Questions 15 Rules & Regulations 17 Directions & Parking 18 Contact Information ABOUT SFWMPAC Home to many of the Bay Area’s most dynamic performing arts presenters, the San Francisco War Memorial and Performing Arts Center (SF WMPAC) is a landmark cultural institution owned and operated by the City and County of San Francisco. SAN FRANCISCO WAR MEMORIAL & PERFORMING ARTS CENTER | HERBST THEATRE 2 he Herbst Theatre is a cornerstone of San Francisco T performing arts, with more than 200 shows presented on its stage every year. Distinguished as the historic site of the United Nations Charter signing in 1945, it is now the primary venue for many of the Bay Area’s premier cultural organizations, including San Francisco Performances, Philharmonia Baroque Orchestra, New Century Chamber Orchestra and Chamber Music SF. The Herbst Theatre is housed in the Veterans Building, which echoes the Beaux-Arts design of the War Memorial Opera House and is also home to The Green Room. Adorned by a series of stunning Frank Brangwyn murals originally painted for the 1915 Panama-Pacific International Exposition, this 892-seat auditorium has been fully renovated and the venue now features new stage-level dressing rooms, a dedicated rehearsal space and a modern performer lounge. SAN FRANCISCO WAR MEMORIAL & PERFORMING ARTS CENTER
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San Francisco Civic Center Historic District Cultural Landscape Inventory SITE HISTORY EXISTING CONDITIONS ANALYSIS & EVALUATION
San Francisco Civic Center Historic District Cultural Landscape Inventory SITE HISTORY EXISTING CONDITIONS ANALYSIS & EVALUATION AUGUST 2014 815 SW 2ND AVENUE SUITE 200 | PORTLAND OR 97204 503.297.1005 | WWW.MIGCOM.COM IN ASSOCIATION WITH A+H ARCHITECTURE + PLANNING, LLC SAN FRANCISCO CIVIC CENTER HISTORIC DISTRICT CULTURAL LANDSCAPE INVENTORY CIVIC CENTER HISTORIC DISTRICT CULTURAL LANDSCAPE INVENTORY SAN FRANCISCO, CALIFORNIA PUBLICATION CREDITS COVER PHOTOS FOR MORE INFORMATION AUGUST 2014 Information in this report may be copied and used with the Clockwise from top left: c. 1945 Aerial of Civic Center (University San Francisco Planning Department Prepared by: Laurie Matthews, Rachel Edmonds, Heather condition that credit is given to authors and other contributors. of California Berkeley, WBE Collection, College of Environmental 1650 Mission Street #400 San Francisco, California 94103 Buczek & Steve Leathers, MIG, Inc., and The primary authors meet the criteria set by The Secretary of Design Library), 1945 War Memorial Court (San Francisco sfplanning.org | 415-558-6378 the Interior’s Guidelines for the Treatment of Historic Properties History Center, San Francisco Public Library), 1964 Aerial of Bridget Maley, a+h architecture + history, llc, MIG, Inc. | 815 SW 2nd Avenue, #200, Portland, Oregon 97204 for qualified professionals, as outlined in Appendix A of the Civic Center (University of California Berkeley, WBE Collection, migcom.com | 503-297-1005 with assistance from Dr. Jeffrey T. Tilman, University of Cincinnati Guide to Cultural
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Mitigated Negative Declaration
Mitigated Negative Declaration Date: December 27, 2017; amended January 23, 2018 (Amendments to the Initial Study/Preliminary Mitigated Negative Declaration are shown as deletions in strikethrough and additions to the PMND are shown in double underline) Case No.: 2015‐012994ENV Project Title: 200‐214 Van Ness Avenue (San Francisco Conservatory of Music Mixed‐Use Project) Zoning: C‐3‐G (Downtown‐General Commercial) 96‐X Height and Bulk District Block/Lot: 0811/011 and 012 Lot Size: 13,077 square feet Project Sponsor San Francisco Conservatory of Music Lawrence Badiner, Project Sponsor’s Representative, (415) 865‐9985 Lead Agency: San Francisco Planning Department Staff Contact: Tania Sheyner – (415) 575‐9127 [email protected] PROJECT DESCRIPTION: The project site is located on Van Ness Avenue, extending from Hayes Street to Dr. Tom Waddell Place (a mid‐block alley), in the Civic Center neighborhood of San Francisco. The project block is bounded by Van Ness Avenue to the west, Grove Street to the north, Polk Street to the east, and Hayes Street to the south. The site currently contains two buildings: 200 Van Ness Avenue, which is three stories in height and contains 27 dwelling units, and 214 Van Ness Avenue, which is two stories in height and contains approximately 12,360 gross square feet (gsf) of presently vacant office space previously occupied by the Lighthouse for the Blind. The proposed project would demolish these two existing buildings, merge the two parcels into one, and construct a 12‐story mixed‐use building to provide housing and other facilities for the San Francisco Conservatory of Music.
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Supporting European Art Forms, Oftentimes to the Exclusion of Other Art Forms, Artists, Arts Organizations, and Their Patrons, in Particular Peopl~: of Color
SAN FRANCISCO WAR MEMORIAL AND PERFORMING ARTS CENTER RENTAL REQUESTS: Jul 82 2021 DAVIES SYMPHONY HALL San Francisco Symphony Sep 17, 2021-Jan 31, 2022 $207,780.00 VS 10% 2021-22 Season Partial $222,280.00.00 max. WAR MEMORIAL OPERA HOUSE San Francisco Opera Jul 26, 2021-Dec 4, 2021 $192,480.00 Fall 2021 Season HERBST THEATRE American Bach Soloists August 3 & 5, 2021 $2,750.00 Summer Festival Concerts Wharton School, University of Pennsylvania August 15, 2021 $1,375.00 Graduation Ceremony San Francisco Performances $2,750.00 Alexander String Quartet w/ R. Greenberg September 12 & 19, 2021 Equal Justice Society September 20, 2021 $1,375.00 Film Screening & Pre-Reception Twirling Princess Inc. $5,500.00 Student Dance Recitals November 21, 2021 Student Dance Recitals June 25, 2022 French American International School May 26, 2022 $1,375.00 Spring Concert WILSEY CENTER San Francisco Opera DEC Workshops June 14-17 & 21-25 $1,620.00 Rehearsals, Workshops & Meetings July 5-August 15, 2021 $25,800.00 Rehearsals, Workshops & Meetings October 4-19, 2021 $7,775.00 Opera Parallele July 15, 2021 $1,075.00 Film Screening & Reception Julliard February 5 - 8, 2022 $4,300.00 Drama Auditions Philharmonia Baroque Orchestra . $2,900.00 Vocal Concert January 22, 2022 Gala Activities February 4, 2022 *Based on current rental rates as rates for 2022-23 Season are not yet set. Page I of! San Francisco War Memorial FY 2020-21 Revenue Report - June 30, 2021 REF. JUNE REVENUE YEAR TO DATE LAST YEAR TO DATE FACILITY RENTAL $ 7,075.00 $ 122,225.00 435511 iOpera
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San Francisco Opera 2021-22 Season Announcement Updated 8.13.21.Pdf
SAN FRANCISCO OPERA RETURNS TO THE WAR MEMORIAL OPERA HOUSE STAGE Eun Sun Kim Opens 2021–22 Season and Music Directorship Tenure with Puccini’s Tosca Starring Ailyn Pérez, Michael Fabiano and Alfred Walker Eun Sun Kim (Photos: Marc Olivier Le Blanc; Daniel Delang) Kim Leads Beethoven’s Fidelio in a Bold New Production by Director Matthew Ozawa Featuring Elza van den Heever and Russell Thomas Along with Homecoming Concert, Adler Fellows Concert and Verdi Tribute Company’s Multi-Year Mozart-Da Ponte Trilogy Continues with New Productions of Così fan tutte and Don Giovanni Set in Different Eras of an American House Season Highlights Also Include Bright Sheng and David Henry Hwang’s Dream of the Red Chamber, Livestreaming, Free Opera at the Ballpark Simulcast Tickets Now on Sale – Visit sfopera.com or call (415) 864-3330 Puccini’s Tosca; Beethoven’s Fidelio set rendering by Alexander V. Nichols; Sheng’s Dream of the Red Chamber (Photos: Cory Weaver) 1 San Francisco, CA (June 22, 2021; updated August 13, 2021) — San Francisco Opera announced today repertory, casting and reopening plans for its 99th season. Commencing with a performance of Giacomo Puccini’s Tosca on Saturday, August 21, the 2021–22 Season marks the inauguration of Eun Sun Kim’s tenure as Caroline H. Hume Music Director and a reemergence of opera at the War Memorial Opera House, which reopens with newly installed custom seats and accessibility enhancements. For this transitional year, the Company unveils three new productions: Ludwig van Beethoven’s Fidelio and, continuing the Company’s Mozart-Da Ponte Trilogy, Così fan tutte and Don Giovanni.
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Civic Center Plaza Flagpoles Historical Background
Civic Center Plaza Flagpoles Historical Background Preceeding Events The flagpoles were installed during a period of great nationalism, especially in San Francisco. The Charter of the United Nations was signed in 1945 in the War Memorial Hall Building (Herbst Theatre); while the War Memorial Opera House, and other local venues were host to the two-month-long gathering of global unity. There were some 3500 delegation attendees from 50 nations, and more than 2500 press, radio and newsreel representatives also in attendance. (United Nations Plaza was dedicated later, in 1975, on the east side of the plaza as the symbolic leagcy of that event.) World War II was still in the minds of many, but a more recent event was the statehood of both Alaska and Hawaii during 1959, which brought thoughts of the newly designed flag to the fore, especially to school children who saluted the flag each morning. With two new stars, it looked different. And finally, John F. Kennedy was elected preident in November 1960; he was the youngest president ever elected bringing a new optimism and energy to the country. The Pavilion of American Flags Although all of the flagpoles seen today were in the original design, there does not seem to have been a specific theme for what the many staffs would display. The central two parallel rows containing a total of 18 flagpoles, known as The Pavilion of American Flags, flank the east-facing view of the Civic Center Plaza from the mayor’s office. An idea was presented that would feature flags which played an important role in the nation’s history.
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Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN VOLUME 18, NUMBER 4 INDEX NEW OPERAS AND PREMIERES 1 MORE BICENTENNIAL OPERAS 1 POSTPONEMENTS AND CANCELLATIONS 3 AMERICAN PREMIERES 3 FOREIGN PREMIERES 4 NEW COMPANIES 6 OPERA ECONOMICS 7 OPERA COMPANIES: DEVELOPMENTS 9 NEW ARTS CENTERS 10 COS INSIDE INFORMATION 11 TRANSLATIONS 11 SETS AND COSTUMES FOR RENT 12 PERFORMANCE LISTING, 1975-76 conk 14 PERFORMANCE LISTING, Summer 1976 25 FIRST PERFORMANCE LISTING, 1976-77 33 ADDENDA TO 1976 DIRECTORY 45 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, N.Y. 10023 • (212) 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera .Service • Lincoln Center • Metropolitan Opera • New York, N.Y, 10023 • (212) 799-3467 CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT Honorary National Chairman ROBERT L. B. TOBIN National Chairman EUHU M. HYNDMAN National Co-Chairmen MRS. NORRIS DARRELL GEORGE HOWERTON Professional Committee KURT HERBERT ADLER DAVID GOCKLEY San Francisco Opera Houston Grand Opera PETER HERMAN ADLER BORIS GOLDOVSKY American Opera Center Goldovsky Opera Theatre VICTOR ALESSANDRO RICHARD KARP San Antonio Symphony Pittsburgh Opera ROBERT G. ANDERSON JOHN M. LUDWIG Tulsa Opera Spring Opera, San Francisco WILFRED C. BAIN GLADYS MATHEW Community Opera Indiana University RUSSELL D. PATTERSON GRANT BEGLARIAN Kansas City Lyric Theater University of So. California MRS. JOHN DEWITT PELTZ MORITZ BOMHARD Metropolitan Opera Kentucky Opera Association JAN POPPER SARAH CALDWELL University of California, L. A. Opera Company of Boston GLYNN ROSS TITO CAPOBIANCO Seattle Opera Association San Diego Opera JULIUS RUDEL ROBERT J. COLLINGE New York City Opera Baltimore Opera Company GEORGE SCHICK JOHN CROSBY Manhattan School of Music Santa Fe Opera MARK SCHUBART WALTER DUCLOUX Lincoln Center University of Texas ROGER L.
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Connect with Van Ness
BUSINESS DIRECTORY (NORTH OF FERN) OPEN FOR BUSINESS FRANCISCO 1 First Cup Café 57 Van Ness Inn 2 Amro Market 58 Comfort Inn 1 3 Café Le 59 da Vinci Villa 2 4 60 Black Magic Voodoo Lounge Inn on Broadway CHESTNUT 3 57 5 61 Dim Sum Club (Inside da Vinci Villa) HOTELS Holiday Inn 74 6 The Silver Platter Liquor & Groceries 62 Calista Hotel 4 7 Helmand Palace 63 St. Clare Hotel 8 Ho’s Bootleg Tavern LOMBARD 58 84 9 Notes From Underground Café 10 The Matterhorn Swiss Restaurant 64 Alioto’s Garage 11 Van Ness Vallejo Grocery 65 Avenue Body Shop GREENWICH 12 Wasabi & Ginger 66 Toyota 13 Peter D’s Restaurant 67 Toyota Service Center AUTO 14 Oh La La Cake Creations 68 San Francisco Motors 15 Harris’ Restaurant 69 Chevron FILBERT 80 16 Happy Donut 70 Nissan Infiniti San Francisco 59 17 75 5 FOOD + DRINK Subway 18 House of Prime Rib 6 19 Van Ness Liquors 71 Holy Trinity Cathedral UNION 20 Ruth’s Chris Steak House 72 Fo Guang Shan San Bao 47 21 Temple & Bookstore Starbucks Coffee 7 73 71 22 (Inside Holiday Inn) Old First Presbyterian Church ROH Bar & Restaurant COMMUNITY 23 GREEN Dolce Amore 9 8 CONNECT 76 24 Enoteca Vino Nostro 10 30 74 11 25 Marina Cleaners Sushi Bar Wayo 31 77 WITH 75 26 Peet’s Coffee & Tea Big Bubble Laundromat 32 76 VALLEJO 27 Starbucks Coffee Greeness Cleaners 12 33 34 VAN NESS 77 28 The Van Ness Food Company Launderette 13 LAUNDRY 78 35 29 Route 101 Bar Laundry Locker 60 79 Pacific French Cleaner BROADWAY 37 36 38 81 30 39 Lu Lu Beauty Bar 14 78 80 Basecamp Fitness NESS VAN 15 31 Atlas Massage Center 48 16 81 32 Magnolia Wellness
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Jesuits, Students Urge Pro-Life Funding
Inside . Bronx Decay this week's . ADayWithMrs.Liddy . The New Porno Scene Stablings • f^S Saucers? . Women for Careers . Women Against Women . The TV Debates . ROTC Satire Tony Norris VOL. 58 THURSDAY, NOVEMBER 11,1976 FORDHAM UNIVERSITY, NEW YORK Jesuits, Students Urge Pro-Life Funding by Neil Grealy Co-Director of COPE Tom Mclntyre clarified the operation of that activity in reply A petition signed by 112 Jesuits and to the description offered in Glynn's letter. about twice as many students was presented He stated "Abortion referrals make up only to the Student Activities Budget Committee 2'/2 of the total calls we've handled this ""(SABC)last Tuesday, urging the committee semester. Last year, referrals to abortion to fund an on-campus pro-life group, agencies and to Birthright (A pro-life service) according to John Glynn, president of the made up 92'/2 of the total calls. We refer Fordham Pro-Life Alliance. people either way: to abortion agencies or to The petition was forwarded as part of an adoption services. We are non-partisan." oral appeal given by Glynn before the The petition and appeal did COPE an committee. In the text, the SABC's funding injustice, according to Jeane Smirka, a "of abortion-referral clubs, such as COPE," COPE co-director. "The pro-life people was used as an argument for the allocation gave us a political stand. We're not a political of monies to a pro-life activity. In a written group." appeal given to the SABC earlier, the same Rev. Gerard Reedy, the only Jesuit on argument was advanced more strongly: the SABC.
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Van Ness Avenue Bus Rapid Transit Project Final Environmental Impact
Van Ness Avenue Bus Rapid Transit Project Chapter 4: Affected Environment, Final Environmental Impact Statement/ Environmental Consequences, and Environmental Impact Report Avoidance, Minimization, and/or Mitigation Measures CHAPTER SUMMARY: This chapter summarizes how the No Build and the three build alternatives (including the LPA, with or without the Vallejo Northbound Station Variant) are expected to affect the environment, both positively and adversely, and also proposes avoidance, minimization, and mitigation measures for any adverse impacts. Topics covered in this chapter include Land Use, Growth Inducement, Community Impacts, Utilities, Visual/Aesthetics, Cultural Resources, Hydrology and Floodplain, Water Quality and Storm Water Runoff, Geology/Soils/Seismic/Topography, Hazardous Waste/Materials, Air Quality, Noise and Vibration, Energy, Biological Environment, and Construction Impacts. CHAPTER 4 Affected5B Environment, Environmental Consequences, and Avoidance, Minimization, and/or Mitigation Measures Environmental analyses presented in this chapter are primarily based on a series of technical studies prepared for the Van Ness Avenue BRT Project. These studies consist of the following: Tree Removal Evaluation and Planting Opportunity Analysis (BMS Design Group, 2013) Air Quality Technical Report and Addendum (Terry A. Hayes Associates Inc., 2013) Natural Resources Technical Memorandum (Garcia and Associates, 2009) Historic Property Survey (Parsons, 2010) Archaeological and Native American Cultural Resources Sensitivity Assessment
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