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Fall 1999 L'automne
NATIONAL CAPITAL OPERA SOCIETY • SOCIETE D'OPERA DE LA CAPITALE NATIONALE Newsletter • Bulletin Fall 1999 L'Automne P.O. Box 8347, Main Terminal, Ottawa, Ontario K1G 3H8 C.P. 8347, Succursale principale, Ottawa, (Ontario) K1G 3H8 " A Millennium of Opera" Quickly Get Your Tickets and Reservations! Invite All Your Friends and Reserve a Composer Table "A MILLENNIUM OF OPERA", an evening of glorious rays of the genius of Verdi, good food, great music, a fund-raising silent Mozart, Handel, Tchaikovsky, Gounod, auction and door prizes, is hosted by the NA- Donizetti, and Bernstein. TIONAL CAPITAL OPERA SOCIETY on Novem- The evening celebrates the wondrous ber 6th at "The MacDonald Club", Mr. Keith's riches of opera the world has enjoyed over t.he Banquet Centre, 109-1220 Old Innes Road in past six centuries. It also expresses our en- Ottawa. This party is guided by the masterful thusiasm and support for the singers of the hand of CBC Radio's Rob Clipperton as Mas- next millennium, both through the evening's ter of Ceremonies. concert, and through the Society's work with Cocktails (cash bar) begin at 6:30 P.M., the Brian Law Opera Scholarship and the after which a "Theme" dinner pays homage to support of young artists and opera events some of the greatest opera composers of the in the National Capital Region. millennium. Following that is a "Theme" con- Tickets for this special evening are $35 cert presented by emerging singers of the next each, and are available from HMV (Sparks) and millennium; sopranos Stacey Ingrey and Alison Pflug Optical (Merivale); or by calling 225-0124, Smyth, tenor Michael Torontow, and bass- 225-2652 (west) or 741-3290 (east) no later baritone, David Milnes, all from the studio of than November 3rd. -
Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
WSSA NEWS Volume 48, Issue 1 Spring 2016 Volume 46, Issue 2 Featured Article
WSSA NEWS Volume 48, Issue 1 Spring 2016 Volume 46, Issue 2 Featured Article CHILDHOOD HUNGER IS A PROBLEM FOR ALL OF US Michèle Companion University of Colorado - Colorado Springs Hunger is not a game, especially for chil- dren. According to the Food Bank of Northern Nevada, our partner for the an- Come to Reno! nual “WSSA Gives Back” fundraiser, which occurs during the Friday morning Note from the Editor : The article below, written by poster competition and breakfast every then-President-Elect Gil Fowler for the Fall 2009 Newsletter, was so good, and still so timely, that I year, one in every four children in Nevada just had to reprint it (with just a few small updates, is food insecure. This is a problem for all and shortened a bit. Thanks, Gil!!!). of us. While hunger threatens the future of a child, it threatens all of our futures Be Prepared as well, by inhibiting children from reach- TOP 10 Q’s & A’s “WHY” ing their full potential. YOU GOTTA Childhood food insecu- BE IN RENO IN APRIL 2010 rity impacts physical Inside this issue: health, educational at- While many of you may not have been tainment, workforce “boy scouts” or “girl scouts”, “brownies” or ViewingViewing thethe JournalJournal 2 participation, and job “cubs” you have probably heard the scout ElectionElection ResultsResults 5 readiness. Children who motto of “Be Prepared.” And we want to are undernourished are help you “get prepared” for the 58th Western AreAre YouYou FeelingFeeling Lucky?Lucky? 6 more likely to have Social Science Association Convention being WSSA Awards 2016 7 weakened immune sys- held in Reno, Nevada this spring. -
Harveys Lake Tahoe Completes Room Renovation As Part of $41 Million Total Investment
Harveys Lake Tahoe Completes Room Renovation As Part Of $41 Million Total Investment October 5, 2020 The renowned resort now offers 519 redesigned guest rooms in the Tahoe Tower, in addition to the previously remodeled balcony suites in 2018, as well as the new Gordon Ramsay HELL'S KITCHEN Lake Tahoe LAKE TAHOE, Nev., Oct. 5, 2020 /PRNewswire/ -- Harveys Lake Tahoe Hotel & Casino has completed the renovation of all 519 guest rooms in the famed resort's Tahoe Tower as part of a $41 million total property investment over the past two years. The tower's balcony suites, with incredible views of the lake, were also remodeled in 2018. * For high-res images, click here* "First opened in 1944, Harveys Lake Tahoe is an iconic resort on the South Shore and continues to offer enhanced amenities for guests to enjoy, including the newly redesigned rooms," said John Koster, senior vice president and general manager for Harrah's and Harveys Lake Tahoe. "The completion of this major investment demonstrates our ongoing commitment to elevating guest experiences at our resorts and advancing the Lake Tahoe tourism economy." According to Las Vegas-based architect and designer DEZMOTIF Studios, the renovated Tahoe Tower rooms at Harveys provide guests with a comfortable, relaxing environment with a fresh and modern appeal. Inspired by nature and the seasons, the new rooms feature a spacious layout with the use of natural textures in a warm, neutral palette. Wood accents are contrasted by linen textures throughout the room. Additionally, the plush carpeting in a deep blue chevron pattern is reminiscent of the stunning lake waters, creating a sense of calmness to the space. -
Samuel Ramey
welcome to LOS i\Ilgeles upera http://www.losangelesopera.comlproduction/index.asp?... •• PURCHASE TICKETS • 2003/2004 SEASON LA AMNATION DE FAD T La damnation de Faust The damnation of Faust / Hector Berlioz Nicholas and In French with English Supertitles Ticket Information Alexandra Lucia di Samuel Ramey, Synopsis Lammermoor r-----------.., Program Notes Denyce Graves and Photo Gallery Orfeo ed Euridice Paul Groves star in a spectacular new Recital: production by Achim Ask an Expert Hei-Kyung Hong Forward to a Freyer with Kent Friend Recital: Cecilia Nagano conducting. Bartoli Generously Madama Europe's master Underwritten by: Butterfly theatre artist Achim Freyer matches his New production Die Frau ohne made possible by a Schatten painterly visual imagery with Hector generous gift from Mr. and Mrs. Recital: Dmitri Berlioz's vivid musical imagination in the premiere of Hvorostovsky Milan Panic this new production featuring a cast of more than Le nozze di 100 singers and dancers. The legend of Faust, which Figaro tells the story of the man who sold his soul to the II trovatol'"e Devil, has captivated great imaginations for centuries. Marlowe, Goethe, Gounod, Schumann, Liszt, Mahler and Stravinsky all found inspiration in SEASON G!J1]) the Faust tale, which continues to reverberate in SPONSOR Audt today's modern world. Originally conceived as an oratoriO, Hector Berlioz's dramatic La damnation de Faust is now a mainstay of opera houses around the world. Haunting melodies and startling orchestrations flood the score and illustrate the beWitching tale of Faust's desperate struggle for power, riches, youth and, ultimately, redemption. PRODUCTION DATES: Wednesday September 10, 20036:30 p.m. -
MINUTES WAR MEMORIAL BOARD of TRUSTEES PRESENTORS LIAISON COMMITTEE MEETING WAR MEMORIAL BOARD of TRUSTEES SPECIAL MEETING Thursday, May 12, 2016
MINUTES WAR MEMORIAL BOARD OF TRUSTEES PRESENTORS LIAISON COMMITTEE MEETING WAR MEMORIAL BOARD OF TRUSTEES SPECIAL MEETING Thursday, May 12, 2016 The Presentors Liaison Committee of the Board of Trustees of the War Memorial of San Francisco met at 1:00 p.m. on Thursday, May 12, 2016, in the Trustees’ Board Room, War Memorial Opera House, Committee Chair Bechtle presiding. ROLL CALL Present: Chair Bechtle, Trustee Lui, Trustee Moscone, Trustee Wilsey, President Horn, Ex officio Absent: Trustee Shultz Staff Present: Elizabeth Murray, Managing Director; Jennifer Norris, Assistant Managing Director Patina Restaurant Group request for Food and Beverage Price Increases: Chair Bechtle reported that in advance of today’s meeting, Committee members received the February letter from Patina requesting price changes to offset increases to the cost of doing business; a chart of Patina’s food and beverage pricing from 1998 to present; and a chart of beverage pricing comparisons at various San Francisco venues. Chair Bechtle stated that Committee members have today received a letter from the San Francisco Opera, Symphony and Ballet commenting on the proposed price increase and a copy of Patina’s presentation concerning proposed pricing adjustments. She said she was pleased to see so many representatives of the Symphony, Opera and Ballet present at today’s meeting. Chair Bechtle called on Patina representatives Susan Serpanchy, Patina’s General Manager at the War Memorial Complex, and Christian Muniz, Patina Vice President of Operations for Museums and Performing Arts Centers, to review their presentation. Mr. Muniz presented a packet identifying cost factors that contribute to the need for price increases including labor, union health welfare and pension, and costs for food and commodities. -
[Collection Title]
1 New Orleans Opera Association Archives 99 boxes/68 linear ft Special Collections & Archives J. Edgar & Louise S. Monroe Library Loyola University New Orleans Collection 74 2 Contents Collection Summary ....................................................................................................................... 3 Series Description .......................................................................................................................... 7 Container List ................................................................................................................................. 8 Series I: Administrative Files ..................................................................................................... 8 Subseries I-A: Artist Fees ...................................................................................................... 8 Subseries I-B: Awards and Grants ......................................................................................... 8 Subseries I-C: Board of Directors 1943-1999 ........................................................................ 9 Subseries I-D: Budgets ........................................................................................................ 10 Subseries I-E: Clubs and Guilds .......................................................................................... 10 Subseries I-F: Correspondence ............................................................................................ 10 Subseries I-G: Facilities and Sets ........................................................................................ -
Richard Strauss's Ariadne Auf Naxos
Richard Strauss’s Ariadne auf Naxos - A survey of the major recordings by Ralph Moore Ariadne auf Naxos is less frequently encountered on stage than Der Rosenkavalier or Salome, but it is something of favourite among those who fancy themselves connoisseurs, insofar as its plot revolves around a conceit typical of Hofmannsthal’s libretti, whereby two worlds clash: the merits of populist entertainment, personified by characters from the burlesque Commedia dell’arte tradition enacting Viennese operetta, are uneasily juxtaposed with the claims of high art to elevate and refine the observer as embodied in the opera seria to be performed by another company of singers, its plot derived from classical myth. The tale of Ariadne’s desertion by Theseus is performed in the second half of the evening and is in effect an opera within an opera. The fun starts when the major-domo conveys the instructions from “the richest man in Vienna” that in order to save time and avoid delaying the fireworks, both entertainments must be performed simultaneously. Both genres are parodied and a further contrast is made between Zerbinetta’s pragmatic attitude towards love and life and Ariadne’s morbid, death-oriented idealism – “Todgeweihtes Herz!”, Tristan und Isolde-style. Strauss’ scoring is interesting and innovative; the orchestra numbers only forty or so players: strings and brass are reduced to chamber-music scale and the orchestration heavily weighted towards woodwind and percussion, with the result that it is far less grand and Romantic in scale than is usual in Strauss and a peculiarly spare ad spiky mood frequently prevails. -
Hilde Zadek (1917-2019) Den Sista Stora Sopranen I Den Österrikiska Efterkrigsgenerationen, Hilde Zadek, Har Gått Ur Tiden, 101 År Gammal
In memoriam: Hilde Zadek (1917-2019) Den sista stora sopranen i den österrikiska efterkrigsgenerationen, Hilde Zadek, har gått ur tiden, 101 år gammal. Zadek föddes i polska Bydgoszcz 1917 och växte upp i Stettin och Wien. 1934 tvingades hon på grund av sin judiska härkomst lämna Tyskland och utvandrade till Palestina där hon arbetade som sjuksköterska på en barnklinik i Jerusalem. Hon studerade för Rose Pauly där och för Ria Ginster i Zürich där hon även deltog i uruppförandet av Max Ettingers ortatorium Die Königin Esther. 1947 gjorde Zadek sensationell debut som Aida på Wiener Staatsoper. Zadek kom att tillhöra ensemblen på Staatsoper i över tjugo år. Gästspel över hela världen gav henne stora framgångar. Hon sjöng på festivalerna i Salzburg och Edinburgh, 1948 som Brangäne i Frank Martins Le Vin herbé och året därpå i sopransolot i Verdis Requiem under Herbert von Karajan. 1950 sjöng hon titelrollen i Ariadne på Naxos och Vitellia i Mozarts La clemenza di Tito. Hon sjöng i uruppförandet av Carl Orffs Antigonae 1949 och gestaltade Magda Sorel i Wien-premiären på Gian Carlo Menottis Konsuln. Hon sjöng Donna Anna och Ariadne i Edinburgh och Glyndebourne, Aida i Florens, Lisa iSpader dam och Tosca på Covent Garden. Zadek sjöng även i bl.a. Buenos Aires, Lissabon, Paris, Bryssel, Amsterdam, Rom, San Francisco och München. Säsongen 1952-53 uppträdde hon på Metropolitan som Donna Anna, Aida, Eva i Mästersångarna, Elsa i Lohengrin och Salome. 1957 gästspelade hon i titelrollen i Glucks Ifigenia på Tauris på Staatsoper i Berlin. Hon hade också stora framgångar på Bolsjoj i Moskva och i Rio de Janeiro. -
Civic C Enter/UN Plaza High-End 2 S Tory Priv a Te Offic E
oneCivic Center/UN Plaza High-End 2 story Private Office UN PLAZA This unique 667 Square Footage office space is centrally located in the UN PLAZA heart of Civic Center’s UN Plaza and right above Civic Center BART sta- one tion. Complete with hardwood floors and large front-facing windows, the location and space present an attrac- tive option for smaller legal offices, start-ups, professional services, or design professionals. • 667 SF separated out on 2 floors • Private Entrance • Attractive architectural features FEATURES • Private Bathroom with Shower • Natural Light • Hardwood finishes • Only steps away from Civic Center BART, The Orpheum, City Hall and much more one UN PLAZA The UC Hastings Warfield College of The Law 1 UN PLAZA With Proximity to: Asian Art Market St. • San Francisco City Hall Museum • Bill Gramham Auditorium San Francisco City Hall The War Memorial • San Francisco Symphony Opera House Civic Center • San Francisco Opera 7th St. 7th San Francisco • Orpheum Theater Symphony Bill Graham • Asian Art Museum Van Ness Ave. Van Auditorium Nourse • SF Jazz Theater Market St. SF Jazz Mission St. 7th St. 7th 9th St. 9th Folsom St. Van Ness Ave. Ness Van NEIGHBORHOOD UN PLAZA SF JAZZ SAN FRANCISCO CITY HALL one SAN FRANCISCO SYMPHONY ORPHEUM THEATER WAR MEMORIAL OPERA HOUSE BILL GRAMHAM AUDITORIUM NOURSE THEATER one UN PLAZA DOMINIC MORBIDELLI SANTINO DEROSE office 415.404.7314 office 415.404.7337 [email protected] [email protected] BRE # 02024348 BRE #01338326 NOTICE: This information has been secured from sources we believe to be reliable but we make no representations, warranties, express or implied, as to the accuracy of the information. -
A Season of Thrilling Intrigue and Grand Spectacle –
A Season of Thrilling Intrigue and Grand Spectacle – Angel Blue as MimÌ in La bohème Fidelio Rigoletto Love fuels a revolution in Beethoven’s The revenger becomes the revenged in Verdi’s monumental masterpiece. captivating drama. Greetings and welcome to our 2020–2021 season, which we are so excited to present. We always begin our planning process with our dreams, which you might say is a uniquely American Nixon in China Così fan tutte way of thinking. This season, our dreams have come true in Step behind “the week that changed the world” in Fidelity is frivolous—or is it?—in Mozart’s what we’re able to offer: John Adams’s opera ripped from the headlines. rom-com. Fidelio, to celebrate the 250th anniversary of Beethoven’s birth. Nixon in China by John Adams—the first time WNO is producing an opera by one of America’s foremost composers. A return to Russian music with Musorgsky’s epic, sweeping, spectacular Boris Godunov. Mozart’s gorgeous, complex, and Boris Godunov La bohème spiky view of love with Così fan tutte. Verdi’s masterpiece of The tapestry of Russia's history unfurls in Puccini’s tribute to young love soars with joy a family drama and revenge gone wrong in Rigoletto. And an Musorgsky’s tale of a tsar plagued by guilt. and heartbreak. audience favorite in our lavish production of La bohème, with two tremendous casts. Alongside all of this will continue our American Opera Initiative 20-minute operas in its 9th year. Our lineup of artists includes major stars, some of whom SPECIAL PRESENTATIONS we’re thrilled to bring to Washington for the first time, as well as emerging talents. -
Takte 1-09.Pmd
[t]akte Das Bärenreiter-Magazin Wundersame Mischungen Ernst und komisch zugleich: Haydns „La fedeltà premiata” 1I2009 Das geheime Leben Informationen für Miroslav Srnka auf Entdeckungstour Bühne und Orchester Plädoyer für ein großartiges Repertoire Marc Minkowski über die französische Oper des 19. Jahrhunderts [t]akte 481018 „Unheilvolle Aktualität“ Abendzauber Das geheime Leben Telemann in Hamburg Ján Cikkers Opernschaffen Neue Werke von Thomas Miroslav Srnka begibt sich auf Zwei geschichtsträchtige Daniel Schlee Entdeckungstour Richtung Opern in Neueditionen Die Werke des slowakischen Stimme Komponisten J n Cikker (1911– Für Konstanz, Wien und Stutt- Am Hamburger Gänsemarkt 1989) wurden diesseits und gart komponiert Thomas Miroslav Srnka ist Förderpreis- feierte Telemann mit „Der Sieg jenseits des Eisernen Vorhangs Daniel Schlee drei gewichtige träger der Ernst von Siemens der Schönheit“ seinen erfolg- aufgeführt. Der 20. Todestag neue Werke: ein Klavierkon- Musikstiftung 2009. Bei der reichen Einstand, an den er bietet den Anlass zu einer neu- zert, das Ensemblestück „En- Preisverleihung im Mai wird wenig später mit seiner en Betrachtung seines um- chantement vespéral“ und eine Komposition für Blechblä- Händel-Adaption „Richardus I.“ fangreichen Opernschaffens. schließlich „Spes unica“ für ser und Schlagzeug uraufge- anknüpfen konnte. Verwickelte großes Orchester. Ein Inter- führt. Darüber hinaus arbeitet Liebesgeschichten waren view mit dem Komponisten. er an einer Kammeroper nach damals beliebt, egal ob sie im Isabel Coixets Film