Philip Lamantia Papers, 1944-2005
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Radio Transmission Electricity and Surrealist Art in 1950S and '60S San
Journal of Surrealism and the Americas 9:1 (2016), 40-61 40 Radio Transmission Electricity and Surrealist Art in 1950s and ‘60s San Francisco R. Bruce Elder Ryerson University Among the most erudite of the San Francisco Renaissance writers was the poet and Zen Buddhist priest Philip Whalen (1923–2002). In “‘Goldberry is Waiting’; Or, P.W., His Magic Education As A Poet,” Whalen remarks, I saw that poetry didn’t belong to me, it wasn’t my province; it was older and larger and more powerful than I, and it would exist beyond my life-span. And it was, in turn, only one of the means of communicating with those worlds of imagination and vision and magical and religious knowledge which all painters and musicians and inventors and saints and shamans and lunatics and yogis and dope fiends and novelists heard and saw and ‘tuned in’ on. Poetry was not a communication from ME to ALL THOSE OTHERS, but from the invisible magical worlds to me . everybody else, ALL THOSE OTHERS.1 The manner of writing is familiar: it is peculiar to the San Francisco Renaissance, but the ideas expounded are common enough: that art mediates between a higher realm of pure spirituality and consensus reality is a hallmark of theopoetics of any stripe. Likewise, Whalen’s claim that art conveys a magical and religious experience that “all painters and musicians and inventors and saints and shamans and lunatics and yogis and dope fiends and novelists . ‘turned in’ on” is characteristic of the San Francisco Renaissance in its rhetorical manner, but in its substance the assertion could have been made by vanguard artists of diverse allegiances (a fact that suggests much about the prevalence of theopoetics in oppositional poetics). -
André Breton Och Surrealismens Grundprinciper (1977)
Franklin Rosemont André Breton och surrealismens grundprinciper (1977) Översättning Bruno Jacobs (1985) Innehåll Översättarens förord................................................................................................................... 1 Inledande anmärkning................................................................................................................ 2 1.................................................................................................................................................. 3 2.................................................................................................................................................. 8 3................................................................................................................................................ 12 4................................................................................................................................................ 15 5................................................................................................................................................ 21 6................................................................................................................................................ 26 7................................................................................................................................................ 30 8............................................................................................................................................... -
Surrealism-Revolution Against Whiteness
summer 1998 number 9 $5 TREASON TO WHITENESS IS LOYALTY TO HUMANITY Race Traitor Treason to whiteness is loyaltyto humanity NUMBER 9 f SUMMER 1998 editors: John Garvey, Beth Henson, Noel lgnatiev, Adam Sabra contributing editors: Abdul Alkalimat. John Bracey, Kingsley Clarke, Sewlyn Cudjoe, Lorenzo Komboa Ervin.James W. Fraser, Carolyn Karcher, Robin D. G. Kelley, Louis Kushnick , Kathryne V. Lindberg, Kimathi Mohammed, Theresa Perry. Eugene F. Rivers Ill, Phil Rubio, Vron Ware Race Traitor is published by The New Abolitionists, Inc. post office box 603, Cambridge MA 02140-0005. Single copies are $5 ($6 postpaid), subscriptions (four issues) are $20 individual, $40 institutions. Bulk rates available. Website: http://www. postfun. com/racetraitor. Midwest readers can contact RT at (312) 794-2954. For 1nformat1on about the contents and ava1lab1l1ty of back issues & to learn about the New Abol1t1onist Society v1s1t our web page: www.postfun.com/racetraitor PostF un is a full service web design studio offering complete web development and internet marketing. Contact us today for more information or visit our web site: www.postfun.com/services. Post Office Box 1666, Hollywood CA 90078-1666 Email: [email protected] RACE TRAITOR I SURREALIST ISSUE Guest Editor: Franklin Rosemont FEATURES The Chicago Surrealist Group: Introduction ....................................... 3 Surrealists on Whiteness, from 1925 to the Present .............................. 5 Franklin Rosemont: Surrealism-Revolution Against Whiteness ............ 19 J. Allen Fees: Burning the Days ......................................................3 0 Dave Roediger: Plotting Against Eurocentrism ....................................32 Pierre Mabille: The Marvelous-Basis of a Free Society ...................... .40 Philip Lamantia: The Days Fall Asleep with Riddles ........................... .41 The Surrealist Group of Madrid: Beyond Anti-Racism ...................... -
Bern Porter and Four Little Magazines
Colby Quarterly Volume 9 Issue 2 June Article 6 June 1970 The Leaves Fall in the Bay Area: Regarding Bern Porter and Four Little Magazines Harriet S. Blake Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 9, no.2, June 1970, p.85-104 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Blake: The Leaves Fall in the Bay Area: Regarding Bern Porter and Four L Colby Library Quarterly 85 THE LEAVES FALL IN THE BAY AREA: REGARDING BERN' PORTER AND FOUR LITTLE MAGAZINES By HARRIET S. BLAKE OR SEVERAL YEARS Bernard H. Porter, Colby 1932, has been Fcontributing his own work, his source material, and the relevant works of his associates to the Robinson Rare Book Room in the Colby College Library. Porter, a physicist who worked on the atomic bomb project during World War II and left it after Hiroshima, has been active in photography, illustra tion, writing, publishing and printing. He has been particularly interested in combinations of art forms and new and experi mental work. Much of his time during the 1940s and 50s was spent in California, where he contributed considerable material to little magazines and was particularly active in the formation and publication of four. The earliest, The Leaves Fall, was edited in Ohio from 1942-1945 by his friend Fred Lingel, an engineer. This four page leaflet, the only one of the four not published in Cali fornia, offered Porter a vehicle for his poems, essays, aphorisms and drawings, as well as an occasional chance to edit an issue. -
Artaud in Performance: Dissident Surrealism and the Postwar American Avantgarde
Artaud in performance: dissident surrealism and the postwar American avant-garde Article (Published Version) Pawlik, Joanna (2010) Artaud in performance: dissident surrealism and the postwar American avant-garde. Papers of Surrealism (8). pp. 1-25. ISSN 1750-1954 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/56081/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk © Joanna Pawlik, 2010 Artaud in performance: dissident surrealism and the postwar American literary avant-garde Joanna Pawlik Abstract This article seeks to give account of the influence of Antonin Artaud on the postwar American literary avant-garde, paying particular attention to the way in which his work both on and in the theatre informed the Beat and San Francisco writers’ poetics of performance. -
Papers of Surrealism, Issue 8, Spring 2010 1
© Lizzie Thynne, 2010 Indirect Action: Politics and the Subversion of Identity in Claude Cahun and Marcel Moore’s Resistance to the Occupation of Jersey Lizzie Thynne Abstract This article explores how Claude Cahun and Marcel Moore translated the strategies of their artistic practice and pre-war involvement with the Surrealists and revolutionary politics into an ingenious counter-propaganda campaign against the German Occupation. Unlike some of their contemporaries such as Tristan Tzara and Louis Aragon who embraced Communist orthodoxy, the women refused to relinquish the radical relativism of their approach to gender, meaning and identity in resisting totalitarianism. Their campaign built on Cahun’s theorization of the concept of ‘indirect action’ in her 1934 essay, Place your Bets (Les paris sont ouvert), which defended surrealism in opposition to both the instrumentalization of art and myths of transcendence. An examination of Cahun’s post-war letters and the extant leaflets the women distributed in Jersey reveal how they appropriated and inverted Nazi discourse to promote defeatism through carnivalesque montage, black humour and the ludic voice of their adopted persona, the ‘Soldier without a Name.’ It is far from my intention to reproach those who left France at the time of the Occupation. But one must point out that Surrealism was entirely absent from the preoccupations of those who remained because it was no help whatsoever on an emotional or practical level in their struggles against the Nazis.1 Former dadaist and surrealist and close collaborator of André Breton, Tristan Tzara thus dismisses the idea that surrealism had any value in opposing Nazi domination. -
Surrealism Meets Kabbalah : the Place of Semina in Mid-Century California Poetry and Art
Surrealism meets Kabbalah : the place of Semina in mid-century California poetry and art Autor(en): Fredman, Stephen Objekttyp: Article Zeitschrift: SPELL : Swiss papers in English language and literature Band (Jahr): 18 (2006) PDF erstellt am: 10.10.2021 Persistenter Link: http://doi.org/10.5169/seals-100043 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Surrealism Meets Kabbalah: The Place of Semina in Mid-Century California Poetry and Art Stephen Fredman Taking Surrealism and Kabbalah as central features of Semina, a. journal produced by Wallace Berman in California from 1955-1964, this essay first looks at the larger poetics involved in Berman's creation of an artistic context within the California arts scene, then focuses upon the influence of Artaud, who led the Semina poets and artists into Mexico in search of peyote. -
The George Stanley Fonds Was Received in August 2007
George Stanley fonds - MsC 99 Simon Fraser University Special Collections and Rare Books Erin Hanlon, September 2007 Revised by Geoffrey Laurenson, January 2013 George Stanley fonds – MsC 99 Fonds Level Description .................................................................................... 3 Biographical sketch .................................................................................................. 3 Custodial history ....................................................................................................... 4 Scope and content .................................................................................................... 4 Note(s) ........................................................................................................................ 5 Series-level descriptions .................................................................................... 6 Series 1: Correspondence ........................................................................................ 6 Scope and content ................................................................................................... 6 Note(s) .................................................................................................................... 6 Series 2: George Stanley poems and other writings .............................................. 6 Scope and content ................................................................................................... 6 Note(s) ................................................................................................................... -
Incidentally Philip Lamantia : a Study of the Poetics of Surrealism
INCIDENTAWLY PHILIP I&aNTIA: A STUDY OF THE l?cECICS OF SURREALISM Stephen C. ktt B.A., University of Tormto, 1974 THE REQUIREMENTS FOR THE DEGREE OF in the Departzrrent SlNX FRASER UN-ITY October 1976 All rights reserved. This thesis may not be repruduced in whole or in part, by photoropy or other mans, without pedssim of the author. Nm: Stephen C. Bett Degree: Master of Arts (English) Title of Thesis: Incidentally Philip mtia: . A Study of the Poetics of Surrealism. Ekamining Camnittee: Chairrperson: Michael Steig Robin Blaser Senior Supervisor Peter Quartermain =tern& Examiner Associate Professor University of British ColWia I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to usere of the Simon Fraser University Library, and to make partial or single copies only for-such users or in response to a request from the library of any other university, or other educational institution, on its 'own behalf or for one of its users. I further agree that permission for multiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission, Title of Thesis/~issertation: TNCTllFNTAI I Y PHTl TP I AWTA. , Author : / (signature ) Stephen Bett (name ) (date) iii ABSTRACT This thesis attempts to locate and unravel the poetics of Surrealism. The chief cmcern is for the "image," the dynamic center of the poetry, and mst especially for its dialectical and aesthetic properties. -
'Bite Your Tongue: Antonin Artaud and the Neo
‘Bite Your Tongue: Antonin Artaud and the Neo-Avant-Garde’ in: Kelly Baum et al., Delirious: Art at the Limits of Reason, exh. cat. New York: Metropolitcan Museum of Art / New Haven and London: Yale University Press, 2017, pp. 64-75 Lucy Bradnock Then you will have taught him to dance upside down As in the mania of the dancehalls, And this upside down Will be his real place. Antonin Artaud1 According to countercultural legend, at some point in the early 1960s, the French artist and activist Jean-Jacques Lebel broke into the Paris headquarters of the radio station Radiodiffusion Française, emerging with a taped copy of the controversial radio play Pour en finir avec le jugement de dieu by Antonin Artaud (1896–1948). The play had been commissioned from the dissident Surrealist writer in 1947 but censored prior to the scheduled broadcast, its vitriolic criticism of American militarism, decadent bourgeois society, and organized religion apparently proving too controversial in the aftermath of World War II and the era of the Marshall Plan. More than a decade later, the recording retained an aura of transgression. Lebel organized underground gatherings to listen; he shared the tape with poet Allen Ginsberg, who in turn sent copies to poet Michael McClure, radical theatermakers Judith Malina and Julian Beck, poet Jack Hirschman and radio producer Ruth Hirschman (who broadcast it on the West Coast KPFK radio 1 station in 1964), and poet and Civil Rights activist LeRoi Jones (later Amiri Baraka).2 Many were already familiar with the work of the controversial writer, following the publication in translation of a number of his poems, letters, and theatre manifestoes. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Ring around The Rose Permalink https://escholarship.org/uc/item/7426863k Author Ferrell, Elizabeth Allison Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Ring around The Rose: Jay DeFeo and her Circle By Elizabeth Allison Ferrell A dissertation submitted for partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Emerita Anne M. Wagner, Chair Professor Emeritus Timothy Clark Professor Shannon Jackson Professor Darcy Grigsby Fall 2012 Copyright © Elizabeth Allison Ferrell 2012 All Rights Reserved Abstract The Ring around The Rose by Elizabeth Allison Ferrell Doctor of Philosophy in History of Art University of California, Berkeley Professor Emerita Anne M. Wagner, Chair From 1958 to 1966, the San Francisco artist Jay DeFeo (1929-89) worked on one artwork almost exclusively – a monumental oil-on-canvas painting titled The Rose. The painting’s protracted production isolated DeFeo from the mainstream art world and encouraged contemporaries to cast her as Romanticism’s lonely genius. However, during its creation, The Rose also served as an important matrix for collaboration among artists in DeFeo’s bohemian community. Her neighbors – such as Wallace Berman (1926-76) and Bruce Conner (1933-2008) – appropriated the painting in their works, blurring the boundaries of individual authorship and blending production and reception into a single process of exchange. I argue that these simultaneously creative and social interactions opened up the autonomous artwork, cloistered studio, and the concept of the individualistic artist championed in Cold-War America to negotiate more complex relationships between the individual and the collective. -
Surrealism, Occultism and Politics
Surrealism, Occultism and Politics This volume examines the relationship between occultism and Surrealism, specif- ically exploring the reception and appropriation of occult thought, motifs, tropes and techniques by surrealist artists and writers in Europe and the Americas from the 1920s through the 1960s. Its central focus is the specific use of occultism as a site of political and social resistance, ideological contestation, subversion and revolution. Additional focus is placed on the ways occultism was implicated in surrealist dis- courses on identity, gender, sexuality, utopianism and radicalism. Dr. Tessel M. Bauduin is a Postdoctoral Research Associate and Lecturer at the Uni- versity of Amsterdam. Dr. Victoria Ferentinou is an Assistant Professor at the University of Ioannina. Dr. Daniel Zamani is an Assistant Curator at the Städel Museum, Frankfurt am Main. Cover image: Leonora Carrington, Are you really Syrious?, 1953. Oil on three-ply. Collection of Miguel S. Escobedo. © 2017 Estate of Leonora Carrington, c/o Pictoright Amsterdam 2017. This page intentionally left blank Surrealism, Occultism and Politics In Search of the Marvellous Edited by Tessel M. Bauduin, Victoria Ferentinou and Daniel Zamani First published 2018 by Routledge 711 Third Avenue, New York, NY 10017 and by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2018 Taylor & Francis The right of Tessel M. Bauduin, Victoria Ferentinou and Daniel Zamani to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.