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Thalassery Taluk- Details of Flood Affected Families Stayed at Various Camps
THALASSERY FLOOD FAMILIES THALASSERY TALUK- DETAILS OF FLOOD AFFECTED FAMILIES STAYED AT VARIOUS CAMPS Sl No Name Address Village Camp Name 1 2 3 4 6 1 VIJAYALAKSHMI RAMAKRISHNA,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL KUYIMBIL THAZHE 2 VASANTHA KUNIYIL,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL VENGERI THAZHE 3 PANKAJAKSHI KUNIYIL,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL VETTUVATAVIDA THAZHE 4 SASIDHARAN K M KUNIYIL,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL VETTUVATAVIDA THAZHE 5 PAVITHRAN KUNIYIL,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL KELOTH THAZHE 6 MITHRAN OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL PRASANTHI NILAYAM, 7 U K BALAN OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL 8 PREMAN KANAKUNNUMAL THAZHE Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL DAMODARAM,VETTUVAN TAVIDA THAZHE, 9 SUNIL KUMAR OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL KOTTAYIL THAZHE 10 BINOY KUNIYIL,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL VARAKKUL THAZHE 11 BABURAJAN V K KUNIYIL , OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL PATHIKKAL 12 ARUNAN KUNIYIL,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL VETTUVAN THAZHE 13 SAJEEVAN KUNIYIL,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL VETTUVAN THAZHE 14 PRADEEPAN KUNIYIL,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL NADEMMAL THAZHE 15 ABHILASH KUNIYIL OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL 16 SATHI NADEMMAL OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL 17 PREMAN KOROTHU MEETHAL Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL KRISHNA NIVAS, 18 NANU VETTUVA THAZHE KUNI, Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL 19 SUMA KRISHNA KRIPA Chockli 1. -
CII-ITC Sustainability Awards 2008 Chemplast Sanmar Gets Recognition in the Large Business Category Awards
1 Sanmar Holdings Limited Sanmar Chemicals Corporation Sanmar Engineering Corporation Chemplast Sanmar Limited BS&B Safety Systems (India) Limited PVC Flowserve Sanmar Limited Chlorochemicals Sanmar Engineering Services Limited Trubore Piping Systems Fisher Sanmar Limited TCI Sanmar Chemicals LLC (Egypt) Regulator Valves Tyco Sanmar Limited Sanmar Metals Corporation Xomox Sanmar Limited Sanmar Foundries Limited Pacific Valves Division Sand Foundry Investment Foundry Sanmar Speciality Chemicals Limited Machine Shop ProCitius Research Matrix Metals LLC Intec Polymers Keokuk Steel Castings Company (USA) Performance Chemicals Richmond Foundry Company (USA) Bangalore Genei Acerlan Foundry (Mexico) Cabot Sanmar Limited NEPCO International (USA) Sanmar Ferrotech Limited Eisenwerk Erla GmBH (Germany) Sanmar Shipping Limited The Sanmar Group 9, Cathedral Road, Chennai 600 086. Tel.: + 91 44 2812 8500 Fax: + 91 44 2811 1902 2 In this issue... Momentous Moments MNC Flying to the Moon 4 MNC Celebrates 19th Anniversary 28 5th National Workshop on Early Intervention for Cover Story Mental Retardation 29 Sanmar’s Egyptian Sojourn 8 Social Responsibility Guest Column India’s Environment Ambassador Bata by Choice -Thomas G Bata 12 Voyages to the Arctic 30 A New Financial World Order - Arvind Subramanian 15 CII-Tsunami Rehabilitation Scorecard 32 Celebrating Art Chemplast Sanmar Distributes Rice in Hurricane- ravaged Villages in Cuddalore & Karaikal 34 Strumming to Spanish Music 19 Renovation of Park at Karaikal 35 Sruti Magazine Celebrates Silver Jubilee 20 The First Mrs Madhuram Narayanan Endowment Lecture 36 Pristine Settings Around Sanmar 22 Events Awards Sanmar Stands Tall 37 Flowserve Sanmar’s Training Centre 24 Trubore Dealers’ Meet 25 Legends from the South The 9th AIMA-Sanmar National Management Quiz 26 Padmini 42 Matrix can be viewed at www.sanmargroup.com Designed and edited by Kalamkriya Limited, 9, Cathedral Road, Chennai 600 086. -
Chevalior Sivaji Ganesan‟S Tamil Film Songs Not Only Emulated the Quality of the Movie but Also Contains Ethical Imports That
Global Journal of HUMAN-SOCIAL SCIENCE: A Arts & Humanities - Psychology Volume 20 Issue 10 Version 1.0 Year 2020 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Online ISSN: 2249-460x & Print ISSN: 0975-587X Chevalior Sivaji Ganesan‟S Tamil Film Songs Not Only Emulated the Quality of the Movie but also Contains Ethical Imports that can be Compared with the Ethical Theories – A Retrospective Reflection By P.Sarvaharana, Dr. S.Manikandan & Dr. P.Thiyagarajan Tamil Nadu Open University Abstract- This is a research work that discusses the great contributions made by Chevalior Shivaji Ganesan to the Tamil Cinema. It was observed that Chevalior Sivaji film songs reflect the theoretical domain such as (i) equity and social justice and (ii) the practice of virtue in the society. In this research work attention has been made to conceptualize the ethical ideas and compare it with the ethical theories using a novel methodology wherein the ideas contained in the film song are compared with the ethical theory. Few songs with the uncompromising premise of patni (chastity of women) with the four important charateristics of women of Tamil culture i.e. acham, madam, nanam and payirpu that leads to the great concept of chastity practiced by exalting woman like Kannagi has also been dealt with. The ethical ideas that contain in the selection of songs were made out from the selected movies acted by Chevalier Shivaji giving preference to the songs that contain the above unique concept of ethics. GJHSS-A Classification: FOR Code: 190399 ChevaliorSivajiGanesanSTamilFilmSongsNotOnlyEmulatedtheQualityoftheMoviebutalsoContainsEthicalImportsthatcanbeComparedwiththeEthicalTheo riesARetrospectiveReflection Strictly as per the compliance and regulations of: © 2020. -
A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise En Scene Analysis of Selected Movies
Annals of R.S.C.B., ISSN:1583-6258, Vol. 25, Issue 6, 2021, Pages. 9599 - 9606 Received 25 April 2021; Accepted 08 May 2021. A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise en scene Analysis of Selected Movies 1 2 Mena M, Varun Prabha T 1Post Graduate Student, MA JMC,Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India 2Assistant Professor, Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India Abstract Visually representing a story is an art. Mastering that art and capturing human minds into the soul of the characters of the film and mirroring the very own society was part of Mani Ratnam’s life for the past three decades. This research paper points towards some of the techniques employed and experiments conducted in visual storytellingin his various projects by using Miseen scene elements and cinematography in beautiful ways. In Roja what he Sasnthosh Sivan and Mani Ratnam experimented was painting the reflectors green, to look the grass greener than it actually is. In Thapalathy, Mani ratnam projected a yellowish light, like an aura into the protagonist which symbolizes his history and background. In Bombay, he throughout kept a blue tone in order to gives an element of mystery in the film. In Raavanan, he played with shades and light and that too in two different ways at the beginning and at the end of the films. In Alaipayuthe he presented the story more through the movements of camera and through micro expressions and symbolizations.Theglobalization and evolution of Indian Cinematography can be traced out through the works of Mani Ratnam. -
ANNUAL REPORT 01-04-2016 to 31-03-2017
RAMAKRISHNA MISSION STUDENTS’ HOME MYLAPORE, CHENNAI-600 004 (A Branch of the Ramakrishna Mission with its Headquarters at Belur Math (P.O.), Dist. Howrah (W.B.) - 711 202) Established : 17th February, 1905 Affiliated : 1918 ONE HUNDRED AND TWELFTH ANNUAL REPORT 01-04-2016 to 31-03-2017 Issued by : The Secretary, RAMAKRISHNA MISSION STUDENTS’ HOME # 66, P.S. Sivasami Salai, Mylapore, Chennai - 600 004. Phone : 2499 0264 / 4210 7550 / 4231 2830. E-mail : [email protected] Web : www.rkmshome.org CONTENTS Subject Page No. Managing Committee Inside Front Cover Ramakrishna Math & Ramakrishna Mission 4 Ramakrishna Mission Students’ Home : 5 Growth, Sub units, Present Strength, Care of Inmates under 10 Gurukula System of Education Celebrations, Events & Special Activities 12 Chapters of Old Boys’ Association 22 Honorary Workers 23 Ramakrishna Mission Polytechnic 28 College (Residential) Ramakrishna Mission Residential High School 41 Collegiate Section 44 Ramakrishna Centenary Primary School 44 Vocational Training Centre 46 We fondly remember (Obituary) 47 Appendix –“A” List of Donors 2016-17 (General Donation, Special Donation for Deepavali, Annadhanam, Akshaya Tritiya, Home Day & students educational assistance etc) (i) From Old Students of the Home 48 (ii) From Friends and Well-wishers 55 Appendix – “B” Endowments Endowments donations received during 2016-17 (i) From Old Students of the Home 77 (ii) From Friends and Well-wishers 86 2 Appendix – “C” Sponsorship donation under section 35AC for self financed two technical courses -
Moore Leaves ‘Can You Ever Forgive Me’ Ulianne Moore Has Exited Nicole Actual Letters from Library Archives and Jholofcener’S Drama “Can You Ever Sold Them
Lifestyle FRIDAY, JULY 17, 2015 Moore leaves ‘Can You Ever Forgive Me’ ulianne Moore has exited Nicole actual letters from library archives and JHolofcener’s drama “Can You Ever sold them. In 1993, Israel pleaded guilty Forgive Me” due to creative differ- to conspiracy to transport stolen proper- ences, Variety has learned exclusively. ty and served six months under house The Fox Searchlight project, also starring arrest. She died last year. Chris O’Dowd, had been set to start The film would have been Moore’s shooting in about a week and executives first since her best actress Oscar win for have begun seeking a replacement for “Still Alice.” She will be seen next in Moore. Anne Carey is producing. October in the drama “Freeheld” with Holofcener is directing from her own Ellen Page and Steve Carell and in script, based on the 2008 memoir of the November in “The Hunger Games: same name by journalist Mockingjay-Part 2.” Lee Israel. In 1992, Israel had fallen on Moore has also completed production hard times and began selling letters that on romantic comedy “Maggie’s Plan,” she had forged from deceased writers which also stars Greta Gerwig, Ethan and actors. When the forgeries started to Hawke, Bill Hader, Maya Rudolph and raise suspicion, she turned to stealing the Monte Greene. — Reuters Julianne Moore Disney developing live-action ‘Aladdin’ prequel isney is developing “Genies,” a movie for Disney. (Fun fact: Vinson’s Day” with Peter Dinklage starring. Jake Gyllenhaal and Naomi Watts Dlive-action comedy prequel to its bachelor party was true-life inspiration Disney has been mining its library 1992 animated hit for 2009’s “The Hangover.”) of animated movies for live-action “Aladdin.”Tripp Vinson is on board to Shannon and Swift’s credits inspiration, evidenced by recent Gyllenhaal, Watts drama produce “Genies” through his Vinson include 2009’s “Friday the reboots “Cinderella,” “Maleficent,” Films banner. -
The Rhetoric of Masculinity and Machismo in the Telugu Film Industry
TAMING OF THE SHREW: THE RHETORIC OF MASCULINITY AND MACHISMO IN THE TELUGU FILM INDUSTRY By Vishnupriya Bhandaram Submitted to Central European University Department of Sociology and Social Anthropology In partial fulfillment of the requirements for the degree of Master of Arts Supervisors: Vlad Naumescu Dorit Geva CEU eTD Collection Budapest, Hungary 2015 Abstract Common phrases around the discussion of the Telugu Film Industry are that it is sexist and male-centric. This thesis expounds upon the making and meaning of masculinity in the Telugu Film Industry. This thesis identifies and examines the various intangible mechanisms, processes and ideologies that legitimise gender inequality in the industry. By extending the framework of the inequality regimes in the workplace (Acker 2006), gendered organisation theory (Williams et. al 2012) to an informal and creative industry, this thesis establishes the cyclical perpetuation (Bourdieu 2001) of a gender order. Specifically, this research identifies the various ideologies (such as caste and tradition), habituated audiences, and portrayals of ideal masculinity as part of a feedback loop that abet, reify and reproduce gender inequality. CEU eTD Collection i Acknowledgements “It is not that there is no difference between men and women; it is how much difference that difference makes, and how we choose to frame it.” Siri Hustvedt, The Summer Without Men At the outset, I would like to thank my friends old and new, who patiently listened to my rants, fulminations and insecurities; and for being agreeable towards the unreasonable demands that I made of them in the weeks running up to the completion of this document. -
1. THIS IS NOT a FINAL MERIT LIST. 2. Queries
FERGUSSON COLLEGE PUNE F.Y. B.A. Admissions 2013-2014 (GRANTABLE ) F.Y.B.A. (GRANTABLE & NON-GRANT) GENERAL/PROVISIONAL MERIT LIST [2013-14] Note that: - 1. THIS IS NOT A FINAL MERIT LIST. 2. Queries (if any) be submitted in writing in the college office by 19/06/2013 up to 5.00 p.m. 3. First Merit List will be displayed on 20/06/2013 at 5.00 p.m. Prof. Prakash Pawar Dr. R. G. Pardeshi Vice Principal Principal 1 FERGUSSON COLLEGE PUNE F.Y. B.A. Admissions 2013-2014 (GRANTABLE ) General/ Provisional Merit list for MAHARAHTRA students Form Sr.No. Name of the Candidate Category Percent No. 1 68040 SAKSHI SANJEEV SETHI OPEN 94.8 2 74894 ANISHA KASTURI TIWARY OPEN 93.75 3 77443 KUNAL TUKARAM NIKAM OBC 92.83 4 63966 RAHUL MAHADEV KAMBLE SC 92.83 5 65121 PRANJALI RANVIJAY SINGH SINGH OPEN 92.8 6 65428 AKASH SACHIN KOTHARI OPEN 92.25 7 71695 GOVIND GAJANAN SAWAKE OBC 92.2 8 60695 NITI SATISH RATNAPARKHI OPEN 92 9 62657 MEGHA MOHAR SANYAL OPEN 91.8 10 62919 PRANAV NIRANJAN AMBARDEKAR OPEN 91.8 11 64041 CHANDRIMA JAISURYA DAS OPEN 91.75 12 66342 GAYATRI RAJESH DESAI OPEN 91.5 13 68658 AASHNA TAMAL BANERJEE OPEN 91.4 14 64253 RITU NARENDRA KUMAR VERMA VERMA OPEN 91.2 15 60986 SHEETAL DEEPAK KOKATE OPEN 91.2 16 67857 YASH VIRENDRA AHUJA OPEN 91 17 61677 SHYAMOLI SAMAR CHATTERJEE OPEN 90.8 18 61792 ATUL DILIP JADHAO NTB 90.6 19 75673 RADHIKA VITHAL SAPRU OPEN 90.6 20 63700 SUHAS JALINDER JADHAV OBC 90.6 21 63986 VIPUL PRAKASH BARAVKAR OBC 90.3 22 63501 LIYAAN ARSHAD AKKALKOTKAR OPEN 90.25 23 77070 SAMARTH DESHBIR AHLUWALIA OPEN 90.25 24 62801 SHENEILLE -
Bharathanatyam Dancers in Olden Day Cinema
S.B.ABARNA. International Journal of Engineering Research and Applications www.ijera.com ISSN: 2248-9622, Vol. 10, Issue 6, (Series-VI) June 2020, pp. 01-03 RESEARCH ARTICLE OPEN ACCESS Bharathanatyam Dancers in Olden Day Cinema S.B.ABARNA1, Dr. SUJATHA MOHAN2 1Research Scholar Department of music and fine arts,Vels University Vistas, Chennai-600117 2RESEARCH GUIDE: Department of music and fine arts,Vels University, Vistas,Chennai-60017 ABSTRACT: Bharathanatyam is the dance form practiced in Tamil Nadu. A reference to dance in Tamil texts goes back about2000 year ago to the period of sangam literature. Bharathanatyam was earlier performed by the Devadasis and Rajadasis, who performed in the temple and court respectively. Tanjorequartets who were supported by Maratha king, crafted the repertoire known as Margam. The Margam forms the basis of the bharatanatyam performance former even today.In film industry olden film also enlighten with all types of abhinaya. Many famous dancers are success in film industry andgot popularity as well. Few examples are Travancore sisters, Vyjayanthimala, Kumari Kamala, L.Vijayalakshmi, VenniraAadai Nirmala, M.K.Saroja, E.V Saroja ,Rajasulochana, HemaMalini are dancers who got popularity and success in film industry. KEYWORDS: Abhinaya, Bharathanatyam, Cinema, Dancers, Gurus. ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 07-06-2020 Date of Acceptance: 23-06-2020 ----------------------------------------------------------------------------------------------------------------------------- ---------- I. INTRODUCTION: convenient medium for people to understand such Bharathanatyam is a major form of Indian themes. Among the forms of classical dance classical dance that originated in the State of Tamil prevalent in India, bharathanatyam occupies pre- Nadu. It is one of eight forms of dance recognized eminent position. -
Born Kamal Haasan 7 November 1954 (Age 56) Paramakudi, Madras State, India Residence Chennai, Tamil Nadu, India Occupation Film
Kamal Haasan From Wikipedia, the free encyclopedia Kamal Haasan Kamal Haasan Born 7 November 1954 (age 56) Paramakudi, Madras State, India Residence Chennai, Tamil Nadu, India Occupation Film actor, producer, director,screenwriter, songwriter,playback singer, lyricist Years active 1959–present Vani Ganapathy Spouse (1978-1988) Sarika Haasan (1988-2004) Partner Gouthami Tadimalla (2004-present) Shruti Haasan (born 1986) Children Akshara Haasan (born 1991) Kamal Haasan (Tamil: கமலஹாசன்; born 7 November 1954) is an Indian film actor,screenwriter, and director, considered to be one of the leading method actors of Indian cinema. [1] [2] He is widely acclaimed as an actor and is well known for his versatility in acting. [3] [4] [5] Kamal Haasan has won several Indian film awards, including four National Film Awards and numerous Southern Filmfare Awards, and he is known for having starred in the largest number of films submitted by India in contest for the Academy Award for Best Foreign Language Film.[6] In addition to acting and directing, he has also featured in films as ascreenwriter, songwriter, playback singer, choreographer and lyricist.[7] His film production company, Rajkamal International, has produced several of his films. In 2009, he became one of very few actors to have completed 50 years in Indian cinema.[8] After several projects as a child artist, Kamal Haasan's breakthrough into lead acting came with his role in the 1975 drama Apoorva Raagangal, in which he played a rebellious youth in love with an older woman. He secured his second Indian National Film Award for his portrayal of a guileless school teacher who tends a child-like amnesiac in 1982's Moondram Pirai. -
The Case of Tamil Nadu
CINEMATIC CHARISMA AS A POLITICAL GATEWAY IN SOUTH INDIA: THE CASE OF TAMIL NADU Dhamu Pongiyannan, MA Submitted to the Faculty of Humanities and Social Sciences In fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) at The University of Adelaide 2012 Table of Contents Table of Contents ............................................................................................................... i List of Figures .................................................................................................................. iv Abstract............. ............................................................................................................... vi Declaration. ..................................................................................................................... vii Acknowledgements ........................................................................................................ viii Dedication....... ............................................................................................................... viii Situating Tamil Nadu in the Subcontinent ........................................................................ x Preface................ ............................................................................................................. xi Introduction ....................................................................................................................... 1 Ordinary Tamils, extraordinary celebrity devotion ................................................. -
RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE Et
Direction de la communication DOSSIER DE PRESSE VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE et www.centrepompidou.fr VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE 4 FEVRIER – 1er MARS 2004 ET 17 MARS – 19 AVRIL 2004 CINEMA 1 (NIVEAU 1), CINEMA 2 (NIVEAU –1) DDirection sommaire de la communication 75 191 Paris cedex 04 responsable du pôle presse I. COMMUNIQUE DE PRESSE page 2 Carole Rio-Latarjet chargée des relations presse Albane Jouis-Maucherat II. VOUS AVEZ DIT « BOLLYWOOD » ! page 4 téléphone par Nadine Tarbouriech 00 33 (0)1 44 78 13 81 télécopie III PROGRAMMATION ET SYNOPSIS DES FILMS page 6 00 33 (0)1 44 78 13 02 mél IV. CALENDRIER DES PROJECTIONS page 29 albane.jouis-maucherat @cnac-gp.fr V. RENCONTRE ORGANISEE PAR LES FORUMS DE SOCIETE La « résistance » de Bollywood ? page 38 VI. EVENEMENTS AUTOUR DE LA MANIFESTATION page 40 VII. LISTE DES PHOTOS DISPONIBLES POUR LA PRESSE page 48 VIII. REMERCIEMENTS page 52 IX. INFORMATIONS PRATIQUES page 53 VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE 4 FEVRIER – 1er MARS 2004 ET 17 MARS – 19 AVRIL 2004 CINEMA 1 (NIVEAU 1), CINEMA 2 (NIVEAU –1) Direction Pour la première fois en France, une grande rétrospective consacrée à la cinématographie de la communication indienne populaire est proposée par les Cinémas du Centre Pompidou. 75 191 Paris cedex 04 responsable du pôle presse er Carole Rio-Latarjet Pensée en deux temps, la manifestation rend d’abord hommage, du 4 février au 1 mars 2004, chargée des relations presse aux auteurs des grands classiques en noir et blanc des années 50 considérées comme l’âge Albane Jouis-Maucherat d’or des studios indiens : Guru Dutt, Raj Kapoor, Bimal Roy, Mehboob Khan, V.