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Bharathanatyam Dancers in Olden Day Cinema S.B.ABARNA. International Journal of Engineering Research and Applications www.ijera.com ISSN: 2248-9622, Vol. 10, Issue 6, (Series-VI) June 2020, pp. 01-03 RESEARCH ARTICLE OPEN ACCESS Bharathanatyam Dancers in Olden Day Cinema S.B.ABARNA1, Dr. SUJATHA MOHAN2 1Research Scholar Department of music and fine arts,Vels University Vistas, Chennai-600117 2RESEARCH GUIDE: Department of music and fine arts,Vels University, Vistas,Chennai-60017 ABSTRACT: Bharathanatyam is the dance form practiced in Tamil Nadu. A reference to dance in Tamil texts goes back about2000 year ago to the period of sangam literature. Bharathanatyam was earlier performed by the Devadasis and Rajadasis, who performed in the temple and court respectively. Tanjorequartets who were supported by Maratha king, crafted the repertoire known as Margam. The Margam forms the basis of the bharatanatyam performance former even today.In film industry olden film also enlighten with all types of abhinaya. Many famous dancers are success in film industry andgot popularity as well. Few examples are Travancore sisters, Vyjayanthimala, Kumari Kamala, L.Vijayalakshmi, VenniraAadai Nirmala, M.K.Saroja, E.V Saroja ,Rajasulochana, HemaMalini are dancers who got popularity and success in film industry. KEYWORDS: Abhinaya, Bharathanatyam, Cinema, Dancers, Gurus. ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 07-06-2020 Date of Acceptance: 23-06-2020 ----------------------------------------------------------------------------------------------------------------------------- ---------- I. INTRODUCTION: convenient medium for people to understand such Bharathanatyam is a major form of Indian themes. Among the forms of classical dance classical dance that originated in the State of Tamil prevalent in India, bharathanatyam occupies pre- Nadu. It is one of eight forms of dance recognized eminent position. It is subtle and sophisticated dance by the Sangeet Natak Academy. Dance is a type of form of the Southern part of India. visual art that involves body movement based on In cinema, dances are very important. expression and rhythm. The movement can be Different dances are performed in cinema in group, expressed along music and Instruments such as duet, solo, in different forms like western, folk, wind, string and percussion. Dance exists classical, etc. For that, they have used different throughout the globe and there are many varieties techniques of dance, costumes, hairstyle, ornament that are influenced by the cultural contexts form etc. to enlighten the dance. In cinema many of the which they originate. actress is very popular because they have learnt Dance is a non–verbal communication. It is bharathanatyam from traditional Gurus. Thus they performed in social interactions involving traditions gained popularity. based on grammar, expressing stories through movement in contemporary style, free style, aerobic, II. TRADITIONAL DANCERS IN exercises, martial arts and gymnastics. Dance can CINEMA: have a particular purpose or can be purely for joy 2.1 Travancore sisters: without any specific objective. The term classical in Travancore sisters refer to the trio of Sanskrit is Shastriya referring to literature art and Lalitha, Padmini and Ragini, who were dancers and culture. In India, dance is performed on all performers in Tamil, Malayalam, Telugu, Kannada auspicious occasions like birth, marriage, harvest and Hindi. They have learned dancing under Guru festival, etc. The different aspects like music, dance Gopinath and Guru T.K Mahalingam. Lalitha was a and other performing arts are interdependent. Indian actress and dancer, she was the eldest of Sculpture has helped us to preserve performing arts Travancore sisters. She enters film before her like dance. The temple carving, the various dance sisters, concentrating more on film. Padmini was an poses on the temple wall, the sculptures, etc. have Indian actress and trained bharathanatyam dancer helped us to preserve these dance forms. who acted in Tamil, Hindi, Malayalam, Telugu, All our Indian classical dancers are inspired Russian language film. She was a popular actress of by bhakti and religion; they performed mainly in her time. Ragini was an Indian danseuse and actress. courtyards and mandapas. They always depicted She was the youngest of the famed Travancore stories from Itihasas, Puranas and other sisters.She started her acting career in the mid mythological accounts. The dancer provided a www.ijera.com DOI: 10.9790/9622-1006060103 1 | P a g e S.B.ABARNA. International Journal of Engineering Research and Applications www.ijera.com ISSN: 2248-9622, Vol. 10, Issue 6, (Series-VI) June 2020, pp. 01-03 1950’s along with her sister Padmini and has acted Debuting through C.V. Sridhar’s venniraaadai in in movies of different Indian language including 1965,she has appeared in over 200 films in Tamil. Hindi, Malayalam, Tamil, Telugu. She acted in She has acted in around 50 films in Malayalam with many dramas also. the screen name Usha Kumari. In addition to her acting career, Nirmala is a trained bharathanatyam 2.2Vyjayanthimala: dancers from Guru Shanmuga Sundaram Pillai. She learnt bharathanatyam from Guru Vazhuvoor Ramiahpillai and Carnatic music from 2.6 M.KSaroja: ManakkalSivarajaIyer. She had her Arangetram at Madras Kadiravelu Saroja,is an Indian the age of 13 and started performing in Tamilnadu classical dancer, known for her expertise, as an later. Vyjayanthimala was regarded as one of the exponent and as a teacher, in the classical dance best actresses in Indian cinema. When director M.V form of bharathanatyam. The Government of India Raman was looking for a new face to cast in AVM honoured her, in 2011,with the PadmaShri, the productions Vazhkai, he saw Vyjayanthimala fourth highest civilian award,for her services to the performing bharathanatyam in Gokhale hall, field of art and culture.She started learning classical Chennai.Vyjayanthimala was known as the lady dance when she was five years old,along with her superstar. sister, under the tutelage of Muthukumaran Pillai a known classical dance teacher and reportedly, the 2.3Kumari kamala: first dance teacher at Rukmini Devi She is an Indian dancer and actress. Arundale’sKalakshetra. M.K Sarojaacted in the Initially featured as a child dancer, Kamala appeared popular mythological movies such as Nallathambi in almost 100 Tamil, Hindi, Telugu, and Kannada and Krishna Bhakthi. She retired from professional films throughout her career. In the 1970s she dance, after 40 active years in 2000.The legacy of became a teacher of the Vazhuvoor style of dance in M.K Saroja remains the purity brought into the which she specialises. At an early age kamala began bharatanatyam and lives through the numerous taking lessons in the kathak dance style from student LachhuMaharaj in Bombay. She also took lessons in Hindustani classical music from Shankar Rao Vyas. 2.7 E.V.Saroja: Her dancing was noticed by other filmmakers and E.V Saroja was a famous Tamil and Telugu she moved to hindi films. She was trained under the actress and dancer. She was born on the third of Bharatanatyam teachers Kattumannarkoil November 1983 as Enganv. Saroja. She belonged to lMuthukumara Pillai and Vazhuvoor B. Engan village of Thiruvarur district, Tamil nadu. RamaiyahPillai She was a disciple of Vazhuvoor Ramaiah Pillai. Her debut film was En Thangai in 1952 M.G 2.4 L.Vijayalakshmi: Ramachandran. She acted in about 70 films with She is an Indian film actress and classical other top-ranking stars of Tamil and Telugu film dancer whose career was in the 1960s and industry like Gemini Ganesan, Akkineni Nageswara 1970s.She appeared in Malayalam,Tamil, Kannada, Rao. Her mother tongue isTamil Telugu,andHindi films. Vijayalakshmi’sFather noticed her talent for dancing and sent her to a 2.8 Sayee-Subbulakshmi: mentor;Sukumara Pillai. Vijayalakshmi’s first Sayee and Subbhulakshmi, were two performance was at a temple in Andhra Pradesh Indian female bharathanatyam dancers,who when she was nine years old. When Vijayalakshmi performed on stage in South Indian and Hindifilms. needed advanced dancing training,she was mentored They were popular during the 1950s and 60s.They by Kamala. Vijayalakshmi met K. J.Sarasa who sent were noted for their synchronised dancing. They her to the dance Teacher, VazhuvoorRamaiah Pillai. alsoperformed Kathakand folk dances in regional Ten months later. Vijaayalakshmi made her debut at languages films and Hindi films. Muthuswamy the RasikaRanjani Sabha. Vijayalashmi was Pillai is a dance teacher who has choreographed introduced by E.KrishnaIyer,a classical artist, to the dances for films since 1938.He trained them for 7 filmmaker,V.Shantaram. Vijayalakshmi’s films years. They were also trained in kathak dance by included the bhangra dance form eg-Aadaludan Gopi Krishna. TheirArangetramwas conducted at paadalai . R.R Sabha hall. Theywere called by N.S Krishnan as PambaraSahodarigal. Subbulakshmi 2.5 Venniraaadainirmala: taughtbharathanatyam to students. She was She was born as A.B.Shanthi in felicitated with the Kalaimamani award in 2000for Kumbakonam .She is a Indian actress who has her services as a teacher. appeared in Tamil, Malayalam and Telugu film. www.ijera.com DOI: 10.9790/9622-1006060103 2 | P a g e S.B.ABARNA. International Journal of Engineering Research and Applications www.ijera.com ISSN: 2248-9622, Vol. 10, Issue 6, (Series-VI) June 2020, pp. 01-03 2.9 Rajasulochana: [5]. Kumar, Divya
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