A Study of Political Myth and Political Violence Through the Work of Georges Sorel, Walter Benjamin, and Carl Schmitt

Total Page:16

File Type:pdf, Size:1020Kb

A Study of Political Myth and Political Violence Through the Work of Georges Sorel, Walter Benjamin, and Carl Schmitt A Study of Political Myth and Political Violence through the work of Georges Sorel, Walter Benjamin, and Carl Schmitt Benjamin Chwistek PhD University of York Politics October 2017 Abstract: Political myth and political violence are ignored by a large body of political theory. They are, moreover, not examined as related concepts despite their frequent theoretical interaction. This thesis shows the importance of both concepts to political theory, makes insights into their conceptual nature, and highlights the relationship between the two concepts. To do this, it examines the work of three thinkers who take political myth and political violence to be important concepts within political theory. Georges Sorel, Walter Benjamin, and Carl Schmitt, all utilise political myth and political violence within their theoretical work. While building on each other’s work, the three take distinct theoretical and conceptual approaches to both concepts. This thesis examines myth and violence within each of the three thinkers to gain insights into the thesis’ central issues. The thesis situates the thinkers within their broad and local historical contexts. It situates their work in opposition to much modern political theory, and opposed to Enlightenment views of politics as a myth and violence free sphere. It situates the thinkers, moreover, within the local context of early twentieth century Europe and the crises wracking both political theory and political life. The thesis highlights how violence can be understood as existing both within, and external to, political communities. It shows how myth continues to create meaning for individuals; finally, it highlights how the concepts relate to politics. Conceptually, the thesis argues that myth should be understood outside of the Enlightenment dichotomy of true/false and should not be understood as predetermined. It argues that violence should be understood in non-physical and non-bloody (as well as physical/bloody) ways. In so doing, the thesis shows why political theory should not ignore myth and violence, and how we might think more fruitfully about the two concepts and their relationship to politics. Page 2 of 205 Author’s declaration: I declare that this thesis is a presentation of original work and I am the sole author. This work has not previously been presented for an award at this, or any other, university. All sources are acknowledged as references. Page 3 of 205 Table of Contents Abstract ......................................................................................................................... 2 Author’s declaration ...................................................................................................... 3 Chapter 1 .....................................................................................................7 The Enlightenment Myth and Political Theory ............................................7 Introduction .................................................................................................................. 7 Section 1: The Enlightenment Myth – Reasonable and Pacified Polities ..................... 8 Section 1.1: Kant and the Enlightenment Myth ........................................................ 8 Section 1.2: The Enlightenment Myth in Liberal Political Theory .......................... 11 Section 2: From Enlightenment to the ‘Lamps Going Out’ ......................................... 14 2.1: The Early Twentieth Century and the Crisis of Reason .................................. 14 2.2: Sorel, Benjamin, Schmitt, and the Crisis of Reason ........................................ 16 Section 3: Myth, Violence and Politics ........................................................................ 20 3.1: Myth .................................................................................................................. 20 3.2: Myth and Ideology ........................................................................................... 25 3.3: Violence ............................................................................................................ 27 3.4: Myth, Violence and Politics ............................................................................. 31 Section 4: Limitations, Problems, Difficulties ............................................................ 35 Conclusion ................................................................................................ 37 Chapter 2 ................................................................................................. 39 Conflict and Morality: Georges Sorel on the Psychological Need for Myth 39 Introduction ................................................................................................................ 39 Section 1: Psychology, Morality, Civilisation .............................................................. 41 1.1: Sorel on Civilisation and Human Life .............................................................. 41 Section 2: Myth and Civilisation ................................................................................. 49 2.1: The Nature of Myth: Images beyond Intellect ................................................ 49 2.2: The Myth of the General Strike........................................................................ 53 Section 3: History and Struggle................................................................................... 59 3.1: Emancipation or Agonism? ............................................................................. 59 Conclusion ................................................................................................................... 64 Chapter 3 ..................................................................................................67 In the “Immemorial Interests of Civilisation”: Georges Sorel on Violence 67 Introduction ................................................................................................................ 67 Section 1: Understanding Sorel’s use of Violence ....................................................... 68 Section 2: Sorel’s desire for War – Civilisation and Decline ...................................... 75 Section 3: Constitutive Violence and the Case of Norway .......................................... 82 Conclusion ................................................................................................................... 85 Page 4 of 205 Chapter 4 .................................................................................................. 87 Law, Justice, Hegemony: Benjamin on Myth and Violence ....................... 87 Introduction ................................................................................................................ 87 Section 1: The Context of ‘Critique of Violence’ .......................................................... 89 Section 2: Reading ‘Critique of Violence’: Weber and Benjamin ................................ 94 Section 3: Immanent and Contextual Critique ......................................................... 109 3.1: The Ends of ‘Critique of Violence’ – the problematic nature of Benjamin’s account of the good ............................................................................................... 109 3.2: ‘Critique of Violence’: insights on myth and violence .................................... 112 Conclusion ..................................................................................................................118 Chapter 5 ................................................................................................ 120 The Conflictual Nature of Myth in the Work of Carl Schmitt................... 120 Introduction .............................................................................................................. 120 Section 1: Approaching Schmitt’s work ...................................................................... 121 Section 2: Myth in The Crisis of Parliamentary Democracy ..................................... 126 Case: Russia .......................................................................................................... 132 Section 3: Myth in The Leviathan in the State Theory of Thomas Hobbes .............. 134 Section 4: Myth, Enlightenment, and History .......................................................... 142 Conclusion ................................................................................................................. 146 Chapter 6 ................................................................................................ 148 The Inherent Violence in Carl Schmitt’s Account of Democratic Order .. 148 Introduction .............................................................................................................. 148 Section 1: Concepts, Texts and Terms ....................................................................... 149 Section 2: The Inherent Violence of the Concept of the Political.............................. 153 Section 3: Schmitt contra Hobbes ............................................................................. 163 3.1: Schmitt’s account of the demos ...................................................................... 163 3.2: The Soldier-Citizen as Public Freedom .......................................................... 167 Conclusion .................................................................................................................. 171 Chapter 7 ................................................................................................
Recommended publications
  • Political Ideas and Movements That Created the Modern World
    harri+b.cov 27/5/03 4:15 pm Page 1 UNDERSTANDINGPOLITICS Understanding RITTEN with the A2 component of the GCE WGovernment and Politics A level in mind, this book is a comprehensive introduction to the political ideas and movements that created the modern world. Underpinned by the work of major thinkers such as Hobbes, Locke, Marx, Mill, Weber and others, the first half of the book looks at core political concepts including the British and European political issues state and sovereignty, the nation, democracy, representation and legitimacy, freedom, equality and rights, obligation and citizenship. The role of ideology in modern politics and society is also discussed. The second half of the book addresses established ideologies such as Conservatism, Liberalism, Socialism, Marxism and Nationalism, before moving on to more recent movements such as Environmentalism and Ecologism, Fascism, and Feminism. The subject is covered in a clear, accessible style, including Understanding a number of student-friendly features, such as chapter summaries, key points to consider, definitions and tips for further sources of information. There is a definite need for a text of this kind. It will be invaluable for students of Government and Politics on introductory courses, whether they be A level candidates or undergraduates. political ideas KEVIN HARRISON IS A LECTURER IN POLITICS AND HISTORY AT MANCHESTER COLLEGE OF ARTS AND TECHNOLOGY. HE IS ALSO AN ASSOCIATE McNAUGHTON LECTURER IN SOCIAL SCIENCES WITH THE OPEN UNIVERSITY. HE HAS WRITTEN ARTICLES ON POLITICS AND HISTORY AND IS JOINT AUTHOR, WITH TONY BOYD, OF THE BRITISH CONSTITUTION: EVOLUTION OR REVOLUTION? and TONY BOYD WAS FORMERLY HEAD OF GENERAL STUDIES AT XAVERIAN VI FORM COLLEGE, MANCHESTER, WHERE HE TAUGHT POLITICS AND HISTORY.
    [Show full text]
  • Italian Fascism Between Ideology and Spectacle
    Fast Capitalism ISSN 1930-014X Volume 1 • Issue 2 • 2005 doi:10.32855/fcapital.200502.014 Italian Fascism between Ideology and Spectacle Federico Caprotti In April 1945, a disturbing scene was played out at a petrol station in Piazzale Loreto, in central Milan. Mussolini’s body was displayed for all to see, hanging upside down, together with those of other fascists and of Claretta Petacci, his mistress. Directly, the scene showed the triumph of the partisans, whose efforts against the Nazis had greatly accelerated the liberation of the North of Italy. The Piazzale Loreto scene was both a victory sign and a reprisal. Nazis and fascists had executed various partisans and displayed their bodies in the same place earlier in the war. Indirectly, the scene was a symbolic reversal of what had until then been branded as historical certainty. Piazzale Loreto was a public urban spectacle aimed at showing the Italian people that fascism had ended. The Duce was now displayed as a gruesome symbol of defeat in the city where fascism had first developed. More than two decades of fascism were symbolically overcome through a barbaric catharsis. The concept of spectacle has been applied to Italian fascism (Falasca-Zamponi 2000) in an attempt to conceptualize and understand the relationship between fascist ideology and its external manifestations in the public, symbolic, aesthetic, and urban spheres. This paper aims to further develop the concept of fascism as a society of spectacle by elaborating a geographical understanding of Italian fascism as a material phenomenon within modernity. Fascism is understood as an ideological construct (on which the political movement was based) which was expressed in the symbolic and aesthetic realm; its symbolism and art however are seen as having been rooted in material, historical specificity.
    [Show full text]
  • Philosophy and Critical Theory
    STANFORD UNIVERSITY PRESS PHILOSOPHY AND CRITICAL THEORY 20% DISCOUNT ON ALL TITLES 2021 TABLE OF CONTENTS The Complete Works of Friedrich Nietzsche .......... 2-3 Political Philosophy ................ 3-5 Ethics and Moral Philosophy ..................................5-6 Phenomenology and Critical Theory ..........................6-8 Meridian: Crossing Aesthetics ...................................8-9 Cultural Memory in the Present .................................9-11 Now in Paperback ....................... 11 Examination Copy Policy ........ 11 The Case of Wagner / Unpublished Fragments ORDERING Twilight of the Idols / from the Period of Human, Use code S21PHIL to receive a 20% discount on all ISBNs The Antichrist / Ecce Homo All Too Human I (Winter listed in this catalog. / Dionysus Dithyrambs / 1874/75–Winter 1877/78) Visit sup.org to order online. Visit Nietzsche Contra Wagner Volume 12 sup.org/help/orderingbyphone/ Volume 9 Friedrich Nietzsche for information on phone Translated, with an Afterword, orders. Books not yet published Friedrich Nietzsche Edited by Alan D. Schrift, by Gary Handwerk or temporarily out of stock will be Translated by Adrian Del Caro, Carol charged to your credit card when This volume presents the first English Diethe, Duncan Large, George H. they become available and are in Leiner, Paul S. Loeb, Alan D. Schrift, translations of Nietzsche’s unpublished the process of being shipped. David F. Tinsley, and Mirko Wittwar notebooks from the years in which he developed the mixed aphoristic- The year 1888 marked the last year EXAMINATION COPY POLICY essayistic mode that continued across of Friedrich Nietzsche’s intellectual the rest of his career. These notebooks Examination copies of select titles career and the culmination of his comprise a range of materials, includ- are available on sup.org.
    [Show full text]
  • A Special Supplement: Reflections on Violence by Hannah Arendt | the New York Review of Books
    A Special Supplement: Reflections on Violence by Hannah Arendt | The New York Review of Books EMAIL Tweet Share A Special Supplement: Refections on Violence Hannah Arendt FEBRUARY 27, 1969 ISSUE I These reflections were provoked by the events and debates of the last few years, as seen against the background of the twentieth century. Indeed this century has become, as Lenin predicted, a century of wars and revolutions, hence a century of that violence which is currently believed to be their common denominator. There is, however, another factor in the present situation which, though predicted by nobody, is of at least equal importance. The technical development of implements of violence has now reached the point where no political goal could conceivably correspond to their destructive potential or justify their actual use in armed conflict. Hence, warfare—since times immemorial the final merciless arbiter in international disputes—has lost much of its effectiveness and nearly all of its glamor. “The apocalyptic” chess game between the superpowers, that is, between those that move on the highest plane of our civilization, is being played according to the rule: “if either ‘wins’ it is the end of both.”1 Moreover the game bears no resemblance to whatever war games preceded it. Its “rational” goal is mutual deterrence, not victory. Since violence—as distinct from power, force, or strength—always needs implements (as Engels pointed out long ago),2 the revolution in technology, a revolution in tool-making, was especially marked in warfare. The very substance of violent action is ruled by the question of means and ends, whose chief characteristic, if applied to human affairs, has always been that the end is in danger of being overwhelmed by the means, which it both justifies and needs.
    [Show full text]
  • Bottici, C. Rethinking Political Myth the Clash of Civilizations As a Self
    01 065715 Bottici (bc-t) 29/6/06 1:50 pm Page 315 European Journal of Social Theory 9(3): 315–336 Copyright © 2006 Sage Publications: London, Thousand Oaks, CA and New Delhi Rethinking Political Myth The Clash of Civilizations as a Self-Fulfilling Prophecy Chiara Bottici and Benoît Challand UNIVERSITY OF FLORENCE AND EUROPEAN UNIVERSITY INSTITUTE, FLORENCE, ITALY Abstract This article argues for the need to recover the concept of political myth in order to understand the crucial phenomena of our epoch. By drawing on Blumenberg’s philosophical reflections on myth, it proposes to understand political myth as the continual process of work on a common narrative by which the members of a social group can provide significance to their political conditions and experience. In order to show how this understand- ing of political myth can throw light on important aspects of contemporary politics, the article analyses the work on one of the most conspicuous political myths of our time: the clash of civilizations. By reconstructing the mechanisms through which this myth works, the article shows how a paradigm that has been strongly criticized as too simplistic and scientifically inadequate could have turned into a successful political myth, i.e. into a self- fulfilling prophecy. Key words ■ culturalism ■ medias ■ Orientalism ■ political myth ■ theories of myth Social scientists have long since recognized the role that political myths play in both traditional and modern societies. Historians, sociologists and anthropolo- gists, each in their own way, have devoted an important part of their work to the analysis of these phenomena. While up to a point these studies have mainly focused on ancient societies, in which the influence of myth could still be attributed to the fusion of politics and religion,1 more recently a new series of studies focusing on modern societies has been initiated.
    [Show full text]
  • 1 Violence in Translation: Georges Sorel, Liberalism, and Totalitarianism from Weimar to Woodstock
    Violence in Translation: Georges Sorel, Liberalism, and Totalitarianism from Weimar to Woodstock Eric Brandom1,2 This paper traces readings of Georges Sorel (1847-1922) from Carl Schmitt to Saul Bellow. The image of Sorel that came out of Weimar-era sociological debate around Schmitt and Karl Mannheim was simplified and hardened by émigré scholars in the war years, put to good use in the anti-totalitarian combat of the 1950s, and finally shattered when applied to the unfamiliar situation of the 1960s in the United States. Scholars taken with the problem of the political intellectual and the closely related problem of the relationship between instrumental and critical reason play the central role in this reception history. Sorel’s commingling of left and right justified attempts to replace this organization of political space with one around totalitarian and free societies. 1 Department of History, Kansas State University, Manhattan, KS 66506-1002, USA. Email: [email protected]. 2 Many people have contributed to this work. The author thanks in particular for reading and comment Patricia Meltzer, Eric Hounshell, Daniel Bessner, and Malachi Hacohen, as well as audiences at German Studies Association meetings and the anonymous reviewers. 1 Violence in Translation: Georges Sorel, Liberalism, and Totalitarianism from Weimar to Woodstock Il Heidegger, e accanto a lui quel Carl Schmitt, autore di libri di diritto pubblico et politico, discepolo, fino a un certo punto, di Georges Sorel, si van rivelando come i due disastri intellettuali della nuova Germania. Lo Schmitt mi pare anche più pericoloso. Karl Vossler to Benedetto Croce, August 19333 “In Reflections on Violence (1908), [Georges] Sorel argued that communism was a utopian myth—but a myth that had value in inspiring a morally regenerative revolt against the corruption of bourgeois society.
    [Show full text]
  • Writers of Tales: a Study on National Literary Epic Poetry with a Comparative Analysis of the Albanian and South Slavic Cases
    DOI: 10.14754/CEU.2017.02 WRITERS OF TALES: A STUDY ON NATIONAL LITERARY EPIC POETRY WITH A COMPARATIVE ANALYSIS OF THE ALBANIAN AND SOUTH SLAVIC CASES FRANCESCO LA ROCCA A DISSERTATION IN HISTORY Presented to the Faculties of the Central European University in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy Budapest, Hungary 2016 Supervisor of Dissertation CEU eTD Collection György Endre Szőnyi DOI: 10.14754/CEU.2017.02 COPYRIGHT NOTICE AND STATEMENT OF RESPONSIBILITY Copyright in the text of this dissertation rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European University Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. I hereby declare that this dissertation contains no materials accepted for any other degrees in any other institutions and no materials previously written and/or published by another person unless otherwise noted. CEU eTD Collection DOI: 10.14754/CEU.2017.02 iii ABSTRACT In this dissertation I intend to investigate the history and theory of national literary epic poetry in Europe, paying particular attention to its development among Albanians, Croats, Montenegrins, and Serbs. The first chapters will be devoted to the elaboration of a proper theoretical background and historical framing to the concept of national epic poetry and its role in the cultivation of national thought in Europe.
    [Show full text]
  • Reflections on Violence Today
    REFLECTIONS ON VIOLENCE TODAY HENRY BERNSTEIN, COLIN LEYS AND LEO PANITCH he scale and pervasiveness of violence today calls urgently for serious Tanalysis – from ‘the war on terror’ and counter-insurgencies, involving massive expenditures of troops and weaponry, from terror and counter- terror, suicide bombings and torture, civil wars and anarchy, entailing human tragedies on a scale comparable to those of the two world wars (e.g. an estimated over 4 million deaths in the Democratic Republic of the Congo alone) – not to mention urban gang warfare, or the persistence of chronic violence against women, including in the most affluent countries of the global North. In many parts of the global South, violence has become more or less endemic – and not just in arenas of armed conflict like Iraq, Afghanistan, the Congo, Darfur, Sri Lanka and Chechnya. That the nirvana of global capitalism finds millions of people once again just ‘wishing (a) not to be killed, (b) for a good warm coat’ (as Stendhal is said to have put it in a different era) is, when fully contemplated, appalling. In the so-called advanced capitalist countries of the North, while some forms of violence are much less common, fear of violence – from terrorists, but also from child abductors, carjackers, psychopaths, drug addicts, and the like – has become an increasingly central theme of politics. Surveillance and police powers have been steadily extended, and penal policy has shifted from prevention and rehabilitation to punishing and ‘warehousing’ people convicted of crimes. Media competing for circulation exaggerate the risk, scapegoating immigrants, and even social democratic political parties compete to be seen as ‘tougher’ than their rivals in responding to it.
    [Show full text]
  • Sorel Frontmatter More Information
    Cambridge University Press 052155117X - Reflections on Violence Georges Sorel Frontmatter More information Sorel: Reflections on Violence Georges Sorel’s Reflections on Violence is one of the most contro- versial books of the twentieth century: J. B. Priestley argued that if one could grasp why a retired civil servant had written such a book then the modern age could be understood. It heralded the political turmoil of the decades that were to follow its publication and pro- vided inspiration for Marxists and Fascists alike. Developing the ideas of violence, myth and the general strike, Sorel celebrates the heroic action of the proletariat as a means of saving the modern world from decadence and of reinvigorating the capitalist spirit of a timid bourgeoisie. This new edition of Sorel’s classic text is accompanied by an editor’s introduction by Jeremy Jennings, a lead- ing scholar in political thought, both setting the work in its context and explaining its major themes. A chronology of Sorel’s life and a list of further reading are included. is professor of political theory at the University of Birmingham. He is the author or editor of numerous books and articles, including Georges Sorel: The Character and Development of his Thought (), Syndicalism in France: A Study of Ideas () and Intellectuals in Politics (). © Cambridge University Press www.cambridge.org Cambridge University Press 052155117X - Reflections on Violence Georges Sorel Frontmatter More information CAMBRIDGE TEXTS IN THE HISTORY OF POLITICAL THOUGHT Series editors R G Reader in Philosophy, University of Cambridge Q S Regius Professor of Modern History, University of Cambridge Cambridge Texts in the History of Political Thought is now firmly estab- lished as the major student textbook series in political theory.
    [Show full text]
  • This Item Is the Archived Peer-Reviewed Author-Version Of
    This item is the archived peer-reviewed author-version of: Political myth and sacrifice Reference: De Vriese Herbert.- Political myth and sacrifice History of European ideas - ISSN 0191-6599 - 43:7(2017), p. 808-824 Full text (Publisher's DOI): https://doi.org/10.1080/01916599.2017.1321567 To cite this reference: https://hdl.handle.net/10067/1431160151162165141 Institutional repository IRUA POLITICAL MYTH AND SACRIFICE Herbert De Vriese Philosophy Department University of Antwerp Prinsstraat 13 S.D425 2000 Antwerp Belgium 0032 3 265 43 34 0032 468 134 155 [email protected] POLITICAL MYTH AND SACRIFICE Abstract This article examines the relationship between political myth and sacrifice. In recent years, as a result of theoretical advances as well as practical concern to understand the rapidly changing landscape of contemporary politics, the phenomenon of political myth has attracted increasing scholarly attention. This has led to a refined and robust theory of political myth, with a sharp analytical edge and relevant practical applications. The relationship between political myth and sacrifice, however, has not been convincingly addressed so far. Gathering insights from the works of Hannah Arendt and Hans Blumenberg, it is argued here that while political myths succeed in providing guidance and orientation to people in a world that is significant to them, they may also involve a loss of sense of reality and produce a dangerous logic of sacrifice. Keywords POLITICAL MYTH, SACRIFICE, IDEOLOGY, POLITICAL NARRATIVES, ARENDT, BLUMENBERG
    [Show full text]
  • Schmitt and Oakeshott on Hobbes and the Nature of Political Association
    Re-Imagining Leviathan: Schmitt and Oakeshott on Hobbes and the Nature of Political Association Jan-Werner Müller Princeton University Forthcoming in: Johan Tralau (ed.), Thomas Hobbes and Carl Schmitt: Order, Myth, and the Politics of Concealment ROUGH FIRST DRAFT (Comments and Criticisms are welcome; unauthorized quotation or circulation are not) 1 At first sight, Michael Oakeshott and Carl Schmitt could perhaps not appear more different: Schmitt, a leading Nazi lawyer, often described as the ‘Crown Jurist of the Third Reich’ -- whose best case for relativizing his role from 1933 to 1945 is that he in fact all his life subscribed to a bizarre private crypto-Catholic ‘political theology’, of which his engagement for the Nazis was an unfortunate by-product; Oakeshott, on the other hand, the quintessentially English gentleman scholar, fond of cooking and cricket metaphors, and a self-declared conservative, who famously turned down the honor that Margaret Thatcher had offered him. One a man for whom the political had existential import, the other an aesthete or even a dandy for whom politics appeared variously as ‘vulgar’ or as a ‘necessary evil’; one the jurist of decision, the other the political theorist of conversation. Obviously, the list of such more or less interesting differences could go on and on. And yet: both thinkers have been classified by Perry Anderson as members of what he has called ‘the intransigent right’ (an honor they share with Leo Strauss and Friedrich von Hayek)1 – an inclusion that is at first sight supported by
    [Show full text]
  • The Myth of the State
    The Myth of the State OR THE STATE'S RELIGIOUS LEGITIMATION By CARL-MARTIN EDSMAN When the exiled philosopher E. Cassirer passed away in April 1945, the manuscript later published as The Myth of the State was found on his desk in America. Since he himself was a victim of the race myth used politically under the Third Reich, he had found how important philosophical vigilance was against the malevolent myth in its different guises. Like the chaos monster Tiamat, it had to be subdued continually by "the intellectual, ethical and esthetic powers." The ideologist of National Socialism, A. Rosenberg, used the term myth for the belief or conception of life which was to sustain the new state. The Third Reich's myth was the superiority and glory of the Aryan' race. In addition, Hitler compared the requisite official ideology or philosophy to a religion. It must be intolerant like a religion; it demanded total submission, organization and devotion to struggler' Even Hitler's comrade in arms, Mussolini, used similar language, although the substance was partially different. Thus in a speech at Naples in 1922, Mussolini said: "We have created our myth. The myth is a faith, it is passion. It is not necessary that it shall be a reality. It is a reality by the fact that it is a goad, a hope, a faith, that it is courage. Our myth is the nation, our myth is the greatness of the nation !".3 Both the racial myth and the national myth have survived the defeat of fascism and National Socialism in the Second World War, although in other and new forms, especially within the Third World.
    [Show full text]