Critique of Violence Plus General Articles
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Philosophy and Critical Theory
STANFORD UNIVERSITY PRESS PHILOSOPHY AND CRITICAL THEORY 20% DISCOUNT ON ALL TITLES 2021 TABLE OF CONTENTS The Complete Works of Friedrich Nietzsche .......... 2-3 Political Philosophy ................ 3-5 Ethics and Moral Philosophy ..................................5-6 Phenomenology and Critical Theory ..........................6-8 Meridian: Crossing Aesthetics ...................................8-9 Cultural Memory in the Present .................................9-11 Now in Paperback ....................... 11 Examination Copy Policy ........ 11 The Case of Wagner / Unpublished Fragments ORDERING Twilight of the Idols / from the Period of Human, Use code S21PHIL to receive a 20% discount on all ISBNs The Antichrist / Ecce Homo All Too Human I (Winter listed in this catalog. / Dionysus Dithyrambs / 1874/75–Winter 1877/78) Visit sup.org to order online. Visit Nietzsche Contra Wagner Volume 12 sup.org/help/orderingbyphone/ Volume 9 Friedrich Nietzsche for information on phone Translated, with an Afterword, orders. Books not yet published Friedrich Nietzsche Edited by Alan D. Schrift, by Gary Handwerk or temporarily out of stock will be Translated by Adrian Del Caro, Carol charged to your credit card when This volume presents the first English Diethe, Duncan Large, George H. they become available and are in Leiner, Paul S. Loeb, Alan D. Schrift, translations of Nietzsche’s unpublished the process of being shipped. David F. Tinsley, and Mirko Wittwar notebooks from the years in which he developed the mixed aphoristic- The year 1888 marked the last year EXAMINATION COPY POLICY essayistic mode that continued across of Friedrich Nietzsche’s intellectual the rest of his career. These notebooks Examination copies of select titles career and the culmination of his comprise a range of materials, includ- are available on sup.org. -
A Special Supplement: Reflections on Violence by Hannah Arendt | the New York Review of Books
A Special Supplement: Reflections on Violence by Hannah Arendt | The New York Review of Books EMAIL Tweet Share A Special Supplement: Refections on Violence Hannah Arendt FEBRUARY 27, 1969 ISSUE I These reflections were provoked by the events and debates of the last few years, as seen against the background of the twentieth century. Indeed this century has become, as Lenin predicted, a century of wars and revolutions, hence a century of that violence which is currently believed to be their common denominator. There is, however, another factor in the present situation which, though predicted by nobody, is of at least equal importance. The technical development of implements of violence has now reached the point where no political goal could conceivably correspond to their destructive potential or justify their actual use in armed conflict. Hence, warfare—since times immemorial the final merciless arbiter in international disputes—has lost much of its effectiveness and nearly all of its glamor. “The apocalyptic” chess game between the superpowers, that is, between those that move on the highest plane of our civilization, is being played according to the rule: “if either ‘wins’ it is the end of both.”1 Moreover the game bears no resemblance to whatever war games preceded it. Its “rational” goal is mutual deterrence, not victory. Since violence—as distinct from power, force, or strength—always needs implements (as Engels pointed out long ago),2 the revolution in technology, a revolution in tool-making, was especially marked in warfare. The very substance of violent action is ruled by the question of means and ends, whose chief characteristic, if applied to human affairs, has always been that the end is in danger of being overwhelmed by the means, which it both justifies and needs. -
Jay Bernstein 167 Vi Contents
The new aestheticism The new aestheticism edited by John J. Joughin and Simon Malpas Manchester University Press Manchester and New York distributed exclusively in the USA by Palgrave Copyright © Manchester University Press 2003 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors. This electronic version has been made freely available under a Creative Commons (CC-BY-NC- ND) licence, which permits non-commercial use, distribution and reproduction provided the author(s) and Manchester University Press are fully cited and no modifications or adaptations are made. Details of the licence can be viewed at https://creativecommons.org/licenses/by-nc-nd/3.0/ Published by Manchester University Press Oxford Road, Manchester M13 9NR, UK and Room 400, 175 Fifth Avenue, New York, NY 10010, USA www.manchesteruniversitypress.co.uk British Library Cataloguing-in-Publication Data applied for Library of Congress Cataloging-in-Publication Data applied for ISBN 0 7190 6138 5 hardback 0 7190 6139 3 paperback First published 2003 11 10 09 08 07 06 05 04 03 10987654321 Typeset in Adobe Garamond by Servis Filmsetting Ltd, Manchester Printed in Great Britain by Biddles Ltd, Guildford and King’s Lynn Contents List of contributors page vii The new aestheticism: an introduction John J. Joughin and Simon Malpas 1 Part I Positions 1Aesthetic education and the demise of experience Thomas Docherty 23 2Art in time of war: towards a contemporary aesthetic Jonathan Dollimore 36 3Mimesis in black and white: feminist aesthetics, negativity and semblance Ewa Plonowska Ziarek 51 4 What comes after art? Andrew Bowie 68 5Touching art: aesthetics, fragmentation and community Simon Malpas 83 Part II Readings 6 The Alexandrian aesthetic Howard Caygill 99 7Defending poetry, or, is there an early modern aesthetic? Mark Robson 119 8Shakespeare’s genius: Hamlet, adaptation and the work of following John J. -
The Memory of Things: Walter Benjamin's Modernity
The Memory of Things: Walter Benjamin's Modernity by Melanie M. Brannagan A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirements of the degree of DOCTOR OF PHILOSOPHY Depratment of English, Film, and Theatre University of Manitoba Winnipeg Copyright 2013 by Melanie M. Brannagan The Memory of Things ii Abstract In The Memory of Things, I begin by posing the question, what if memory were not merely a human characteristic but also a thingly one. I aproach this thought through the work of Walter Benjamin, for whom things and memories are often juxtaposed, and whose writing of modernity is concerned particularly with the intersection of material traces and memory. I access these questions by means of various theories, among which are psychoanalysis, object-oriented ontology, thing theory, and phenomenology, and, more briefly, through the history of geological science. At their cores, the questions of modernity, of things and people, of trauma and politics, of aura and its decay, of memory and forgetting, of weight are questions of ethics. I demonstrate in the dissertation to follow, objects bear the weight of human memory and ethics. Furthermore, I demonstrate that Benjamin's eclectic writings, most especially his writings on aura, provide the tools we need to re-think objects and our relations to them. The Memory of Things iii Acknowledgements This project would have been unfathomable without many sources of encouragement, support, and inspiration. I want, first, to thank Dr. Mark Libin for his patience and guidance through the years I was researching and writing this thesis. -
1 Violence in Translation: Georges Sorel, Liberalism, and Totalitarianism from Weimar to Woodstock
Violence in Translation: Georges Sorel, Liberalism, and Totalitarianism from Weimar to Woodstock Eric Brandom1,2 This paper traces readings of Georges Sorel (1847-1922) from Carl Schmitt to Saul Bellow. The image of Sorel that came out of Weimar-era sociological debate around Schmitt and Karl Mannheim was simplified and hardened by émigré scholars in the war years, put to good use in the anti-totalitarian combat of the 1950s, and finally shattered when applied to the unfamiliar situation of the 1960s in the United States. Scholars taken with the problem of the political intellectual and the closely related problem of the relationship between instrumental and critical reason play the central role in this reception history. Sorel’s commingling of left and right justified attempts to replace this organization of political space with one around totalitarian and free societies. 1 Department of History, Kansas State University, Manhattan, KS 66506-1002, USA. Email: [email protected]. 2 Many people have contributed to this work. The author thanks in particular for reading and comment Patricia Meltzer, Eric Hounshell, Daniel Bessner, and Malachi Hacohen, as well as audiences at German Studies Association meetings and the anonymous reviewers. 1 Violence in Translation: Georges Sorel, Liberalism, and Totalitarianism from Weimar to Woodstock Il Heidegger, e accanto a lui quel Carl Schmitt, autore di libri di diritto pubblico et politico, discepolo, fino a un certo punto, di Georges Sorel, si van rivelando come i due disastri intellettuali della nuova Germania. Lo Schmitt mi pare anche più pericoloso. Karl Vossler to Benedetto Croce, August 19333 “In Reflections on Violence (1908), [Georges] Sorel argued that communism was a utopian myth—but a myth that had value in inspiring a morally regenerative revolt against the corruption of bourgeois society. -
In a Letter to Gershom Scholem Dated 12 June 1938, Walter Benjamin Refines His Position on Franz Kafka in Anticipation of Writi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Directory of Open Access Journals An art history of means: Arendt-Benjamin Jae Emerling I. Notre heritage n’est précédé d’aucun testament. —René Char Is it possible to conceive anew the relation between art history and philosophy, disciplines with indelibly German birthrights, without abandoning the ruins of its aftermath? After philosophy, after art history: this is more than a temporality, it is an orientation, a movement towards and after that which has been forfeited. And yet, only in the aftermath of each, between art history and philosophy, are we granted our inheritance. What has been given is a tradition that, while irreparable, induces a recollection of what remains. What remains, what returns, is neither art history nor philosophy. To read and study this relation between generations and disciplines we must confront two unfinished projects that sought to step beyond the demarcations of philosophy and art history, two projects by forebears who rejected the names ‘philosopher’ and ‘art historian’: Hannah Arendt and Walter Benjamin.1 What comes next is unimaginable if we do not return to this pair of German-Jewish émigrés, who succeeded and failed in crossing borders both physical and conceptual. These proper names have long been bound to one another, and each offers art history and philosophy a lesson that has been difficult to receive. The difficulty arises not only from the incompleteness of their respective projects, but also from a certain reluctance to read Benjamin alongside Arendt, Arendt alongside Benjamin.2 This alongside or neben is at once a preposition of location (beside, next to) and one of exception (against, aside from). -
Hermeneutics, Aesthetics and Gadamer by Nicholas Davey
Crosscurrents Exploring the development of European thought through engagements with the arts, humanities, social sciences and sciences Series Editor Christopher Watkin, Monash University Editorial Advisory Board Andrew Benjamin Martin Crowley Simon Critchley Frederiek Depoortere Oliver Feltham Patrick ffrench Christopher Fynsk Kevin Hart Emma Wilson Titles available in the series: Difficult Atheism: Post-Theological Thinking in Alain Badiou, Jean-Luc Nancy and Quentin Meillassoux by Christopher Watkin Politics of the Gift: Exchanges in Poststructuralism by Gerald Moore The Figure of This World: Agamben and the Question of Political Ontology by Mathew Abbott Unfinished Worlds: Hermeneutics, Aesthetics and Gadamer by Nicholas Davey Forthcoming Titles: Sublime Art: Towards an Aesthetics of the Future by Stephen Zepke Philosophy, Animality and the Life Sciences by Wahida Khandker The Becoming of the Body: Contemporary Women’s Writing in French By Amaleena Damlé Visit the Crosscurrents website at www.euppublishing.com/series/cross UNFINISHED WORLDS Hermeneutics, Aesthetics and Gadamer Nicholas Davey for Barbara © Nicholas Davey, 2013 Edinburgh University Press Ltd 22 George Square, Edinburgh EH8 9LF www.euppublishing.com Typeset in 10.5/13 Sabon by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 8622 3 (hardback) ISBN 978 0 7486 8623 0 (webready PDF) The right of Nicholas Davey to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. Contents Acknowledgements vi Series Editor’s Preface vii Introduction: Images of Movement 1 1. -
Body-And Image-Space: Re-Reading Walter Benjamin
Body-and image-space The last decade has seen renewed interest among philosophers and theorists in the writings of Walter Benjamin. In Body-and Image-Space Sigrid Weigel, one of Germany's leading feminist theorists and a renowned commentator on the work of Walter Benjamin, argues that the reception of his work has so far overlooked a crucial aspect of his thought Ðhis use of images. Weigel argues that it is precisely his practice of thinking in images that holds the key to understanding the full complexity and topicality of Benjamin's theory. Bilddenken, or thinking in images, and its relation to the body are central to Benjamin's work. Weigel illuminates points of contact between this approach and psychoanalytical modes of observation and suggests that there also are affinities between Benjamin's thought and contemporary French theory, notably the work of Foucault and Kristeva. Focusing on those parallels, the author demonstrates the productivity of Benjamin's theoretical approach for contemporary gender studies, cultural theory and philosophy. At the same time, her reading reestablishes the buried links between early Critical Theory and post- structuralism, between German high modernism and French post- modernist theory. Body- and Image-Space will be invaluable to anyone interested in gender theory, post-structuralism, cultural anthropology and philosophy. Sigrid Weigel is Professor of German Literature at the University of Zurich. Warwick Studies in European Philosophy Edited by Andrew Benjamin Senior Lecturer in Philosophy, University of Warwick This series presents the best and most original work being done within the European philosophical tradition. The books included in the series seek not merely to reflect what is taking place within European philosophy, rather they will contribute to the growth and development of that plural tradition. -
Reflections on Violence Today
REFLECTIONS ON VIOLENCE TODAY HENRY BERNSTEIN, COLIN LEYS AND LEO PANITCH he scale and pervasiveness of violence today calls urgently for serious Tanalysis – from ‘the war on terror’ and counter-insurgencies, involving massive expenditures of troops and weaponry, from terror and counter- terror, suicide bombings and torture, civil wars and anarchy, entailing human tragedies on a scale comparable to those of the two world wars (e.g. an estimated over 4 million deaths in the Democratic Republic of the Congo alone) – not to mention urban gang warfare, or the persistence of chronic violence against women, including in the most affluent countries of the global North. In many parts of the global South, violence has become more or less endemic – and not just in arenas of armed conflict like Iraq, Afghanistan, the Congo, Darfur, Sri Lanka and Chechnya. That the nirvana of global capitalism finds millions of people once again just ‘wishing (a) not to be killed, (b) for a good warm coat’ (as Stendhal is said to have put it in a different era) is, when fully contemplated, appalling. In the so-called advanced capitalist countries of the North, while some forms of violence are much less common, fear of violence – from terrorists, but also from child abductors, carjackers, psychopaths, drug addicts, and the like – has become an increasingly central theme of politics. Surveillance and police powers have been steadily extended, and penal policy has shifted from prevention and rehabilitation to punishing and ‘warehousing’ people convicted of crimes. Media competing for circulation exaggerate the risk, scapegoating immigrants, and even social democratic political parties compete to be seen as ‘tougher’ than their rivals in responding to it. -
Sorel Frontmatter More Information
Cambridge University Press 052155117X - Reflections on Violence Georges Sorel Frontmatter More information Sorel: Reflections on Violence Georges Sorel’s Reflections on Violence is one of the most contro- versial books of the twentieth century: J. B. Priestley argued that if one could grasp why a retired civil servant had written such a book then the modern age could be understood. It heralded the political turmoil of the decades that were to follow its publication and pro- vided inspiration for Marxists and Fascists alike. Developing the ideas of violence, myth and the general strike, Sorel celebrates the heroic action of the proletariat as a means of saving the modern world from decadence and of reinvigorating the capitalist spirit of a timid bourgeoisie. This new edition of Sorel’s classic text is accompanied by an editor’s introduction by Jeremy Jennings, a lead- ing scholar in political thought, both setting the work in its context and explaining its major themes. A chronology of Sorel’s life and a list of further reading are included. is professor of political theory at the University of Birmingham. He is the author or editor of numerous books and articles, including Georges Sorel: The Character and Development of his Thought (), Syndicalism in France: A Study of Ideas () and Intellectuals in Politics (). © Cambridge University Press www.cambridge.org Cambridge University Press 052155117X - Reflections on Violence Georges Sorel Frontmatter More information CAMBRIDGE TEXTS IN THE HISTORY OF POLITICAL THOUGHT Series editors R G Reader in Philosophy, University of Cambridge Q S Regius Professor of Modern History, University of Cambridge Cambridge Texts in the History of Political Thought is now firmly estab- lished as the major student textbook series in political theory. -
This Item Is the Archived Peer-Reviewed Author-Version Of
This item is the archived peer-reviewed author-version of: Political myth and sacrifice Reference: De Vriese Herbert.- Political myth and sacrifice History of European ideas - ISSN 0191-6599 - 43:7(2017), p. 808-824 Full text (Publisher's DOI): https://doi.org/10.1080/01916599.2017.1321567 To cite this reference: https://hdl.handle.net/10067/1431160151162165141 Institutional repository IRUA POLITICAL MYTH AND SACRIFICE Herbert De Vriese Philosophy Department University of Antwerp Prinsstraat 13 S.D425 2000 Antwerp Belgium 0032 3 265 43 34 0032 468 134 155 [email protected] POLITICAL MYTH AND SACRIFICE Abstract This article examines the relationship between political myth and sacrifice. In recent years, as a result of theoretical advances as well as practical concern to understand the rapidly changing landscape of contemporary politics, the phenomenon of political myth has attracted increasing scholarly attention. This has led to a refined and robust theory of political myth, with a sharp analytical edge and relevant practical applications. The relationship between political myth and sacrifice, however, has not been convincingly addressed so far. Gathering insights from the works of Hannah Arendt and Hans Blumenberg, it is argued here that while political myths succeed in providing guidance and orientation to people in a world that is significant to them, they may also involve a loss of sense of reality and produce a dangerous logic of sacrifice. Keywords POLITICAL MYTH, SACRIFICE, IDEOLOGY, POLITICAL NARRATIVES, ARENDT, BLUMENBERG -
A Study of Political Myth and Political Violence Through the Work of Georges Sorel, Walter Benjamin, and Carl Schmitt
A Study of Political Myth and Political Violence through the work of Georges Sorel, Walter Benjamin, and Carl Schmitt Benjamin Chwistek PhD University of York Politics October 2017 Abstract: Political myth and political violence are ignored by a large body of political theory. They are, moreover, not examined as related concepts despite their frequent theoretical interaction. This thesis shows the importance of both concepts to political theory, makes insights into their conceptual nature, and highlights the relationship between the two concepts. To do this, it examines the work of three thinkers who take political myth and political violence to be important concepts within political theory. Georges Sorel, Walter Benjamin, and Carl Schmitt, all utilise political myth and political violence within their theoretical work. While building on each other’s work, the three take distinct theoretical and conceptual approaches to both concepts. This thesis examines myth and violence within each of the three thinkers to gain insights into the thesis’ central issues. The thesis situates the thinkers within their broad and local historical contexts. It situates their work in opposition to much modern political theory, and opposed to Enlightenment views of politics as a myth and violence free sphere. It situates the thinkers, moreover, within the local context of early twentieth century Europe and the crises wracking both political theory and political life. The thesis highlights how violence can be understood as existing both within, and external to, political communities. It shows how myth continues to create meaning for individuals; finally, it highlights how the concepts relate to politics. Conceptually, the thesis argues that myth should be understood outside of the Enlightenment dichotomy of true/false and should not be understood as predetermined.