University of Warwick Institutional Repository: a Thesis Submitted for the Degree of Phd at The
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Åsa Elzén Curriculum Vitae Born in Sweden. Lives and Works In
Åsa Elzén Curriculum Vitae Born in Sweden. Lives and works in Stockholm and Berlin Education 2007-08 Whitney Independent Study Program, New York 2003 The Romantic , Art & Architecture, Royal University College of Fine Art, Stockholm, 2000-02 M.F.A. Royal University College of Fine Art, Stockholm 1996 Art History, Stockholm University 1991-96 B.A. 1st Class Honours, Fine Art Sculpture, National College of Art and Design, Dublin, (thesis: To play a language game: Wittgenstein on the inner, rules and private language) Group Shows (selected) 2010 -Second World Congress of Free Artists part of the show Modifications, Aarhus Kunstbygning, Aarhus, Denmark (Förenigen JA!/The YES! Association), initiated by the Camel Collective -THE MODERNA EXHIBITION 2010, Moderna Museet, Stockholm, (Förenigen JA!/The YES! Association) curated by Fredrik Liew with Gertrud Sandqvist and Lisa Rosendahl -Y-Gallery, Minsk, Belarus curated by Martin Schibli -(Dis)Agreements: the utility, effectiveness, and problematics of categories at making ourselves visible:a day-long project in feminist space-making, Elizabeth A.Sackler Center for Feminist Art, Brooklyn Museum, New York, (Förenigen JA!/The YES! Association), initiated by Liz Linden and Jen Kennedy 2009 -Living in a Modern Society , Kaliningrad State Art Gallery, curated by Martin Schibli -Asia Panic, Second Gwangju Art Vision, Gwangju Biennale Exhibition Hall. Gwangju, South Korea, curated by Chang Suk-won and Choi Jae-chang -Lively presence, 7th Biennale of Mercosur, Porto Alegre, Brazil and Galeria Metropolitana, Santiago de Chile, Chile, editorial project curated by Instituto Divorciado -A Space on the Side of the Road, Röda Sten, Gothenburg, Sweden (Föreningen JA!/The YES! Association) curated by Kajsa Dahlberg and Henrik Anderson -Incheon Women Artist!s Biennial, Incheon, South Korea, curated by Heng-Gil Han a.o. -
Jay Bernstein 167 Vi Contents
The new aestheticism The new aestheticism edited by John J. Joughin and Simon Malpas Manchester University Press Manchester and New York distributed exclusively in the USA by Palgrave Copyright © Manchester University Press 2003 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors. This electronic version has been made freely available under a Creative Commons (CC-BY-NC- ND) licence, which permits non-commercial use, distribution and reproduction provided the author(s) and Manchester University Press are fully cited and no modifications or adaptations are made. Details of the licence can be viewed at https://creativecommons.org/licenses/by-nc-nd/3.0/ Published by Manchester University Press Oxford Road, Manchester M13 9NR, UK and Room 400, 175 Fifth Avenue, New York, NY 10010, USA www.manchesteruniversitypress.co.uk British Library Cataloguing-in-Publication Data applied for Library of Congress Cataloging-in-Publication Data applied for ISBN 0 7190 6138 5 hardback 0 7190 6139 3 paperback First published 2003 11 10 09 08 07 06 05 04 03 10987654321 Typeset in Adobe Garamond by Servis Filmsetting Ltd, Manchester Printed in Great Britain by Biddles Ltd, Guildford and King’s Lynn Contents List of contributors page vii The new aestheticism: an introduction John J. Joughin and Simon Malpas 1 Part I Positions 1Aesthetic education and the demise of experience Thomas Docherty 23 2Art in time of war: towards a contemporary aesthetic Jonathan Dollimore 36 3Mimesis in black and white: feminist aesthetics, negativity and semblance Ewa Plonowska Ziarek 51 4 What comes after art? Andrew Bowie 68 5Touching art: aesthetics, fragmentation and community Simon Malpas 83 Part II Readings 6 The Alexandrian aesthetic Howard Caygill 99 7Defending poetry, or, is there an early modern aesthetic? Mark Robson 119 8Shakespeare’s genius: Hamlet, adaptation and the work of following John J. -
There's a Leader in You!: a Critical Mapping Of
THERE’S A LEADER IN YOU!: A CRITICAL MAPPING OF LEADERSHIP DISCOURSE IN THE AMERICAN UNIVERSITY By NICOLE CAPRIEL FERRY A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Department of Teaching and Learning MAY 2018 © Copyright by NICOLE CAPRIEL FERRY, 2018 All Rights Reserved © Copyright by NICOLE CAPRIEL FERRY, 2018 All Rights Reserved To the Faculty of Washington State University: The members of the Committee appointed to examine the dissertation of NICOLE CAPRIEL FERRY find it satisfactory and recommend that it be accepted. Pamela Bettis, Ph.D., Chair John Lupinacci, Ph.D. Pamela Thoma, Ph.D. Nishant Shahani, Ph.D. ii ACKNOWLEDGMENTS I want to thank the members of my dissertation committee, Dr. Pam Bettis, Dr. John Lupinacci, Dr. Pam Thoma, and Dr. Nishant Shahani for their patience, time, knowledge, and constant support. You all continually motivated me to push my thinking further. I am especially indebted to Dr. Bettis, my Dissertation Chair, who was always willing to take the time to listen to my stresses and worries throughout the process. Your emotional labor does not go unappreciated! Thank you to Eric Guthey, as well, for your encouragement and unending belief in the work that I do. I want to thank the Graduate School at Washington State University for awarding me the Dissertation Year Fellowship. This work would not have been possible without the financial support that gave me the time and space to bring this project to its fullest potential. I am also grateful for all my colleagues, friends, and family who have wholeheartedly supported my work and being throughout graduate school. -
The Memory of Things: Walter Benjamin's Modernity
The Memory of Things: Walter Benjamin's Modernity by Melanie M. Brannagan A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirements of the degree of DOCTOR OF PHILOSOPHY Depratment of English, Film, and Theatre University of Manitoba Winnipeg Copyright 2013 by Melanie M. Brannagan The Memory of Things ii Abstract In The Memory of Things, I begin by posing the question, what if memory were not merely a human characteristic but also a thingly one. I aproach this thought through the work of Walter Benjamin, for whom things and memories are often juxtaposed, and whose writing of modernity is concerned particularly with the intersection of material traces and memory. I access these questions by means of various theories, among which are psychoanalysis, object-oriented ontology, thing theory, and phenomenology, and, more briefly, through the history of geological science. At their cores, the questions of modernity, of things and people, of trauma and politics, of aura and its decay, of memory and forgetting, of weight are questions of ethics. I demonstrate in the dissertation to follow, objects bear the weight of human memory and ethics. Furthermore, I demonstrate that Benjamin's eclectic writings, most especially his writings on aura, provide the tools we need to re-think objects and our relations to them. The Memory of Things iii Acknowledgements This project would have been unfathomable without many sources of encouragement, support, and inspiration. I want, first, to thank Dr. Mark Libin for his patience and guidance through the years I was researching and writing this thesis. -
In a Letter to Gershom Scholem Dated 12 June 1938, Walter Benjamin Refines His Position on Franz Kafka in Anticipation of Writi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Directory of Open Access Journals An art history of means: Arendt-Benjamin Jae Emerling I. Notre heritage n’est précédé d’aucun testament. —René Char Is it possible to conceive anew the relation between art history and philosophy, disciplines with indelibly German birthrights, without abandoning the ruins of its aftermath? After philosophy, after art history: this is more than a temporality, it is an orientation, a movement towards and after that which has been forfeited. And yet, only in the aftermath of each, between art history and philosophy, are we granted our inheritance. What has been given is a tradition that, while irreparable, induces a recollection of what remains. What remains, what returns, is neither art history nor philosophy. To read and study this relation between generations and disciplines we must confront two unfinished projects that sought to step beyond the demarcations of philosophy and art history, two projects by forebears who rejected the names ‘philosopher’ and ‘art historian’: Hannah Arendt and Walter Benjamin.1 What comes next is unimaginable if we do not return to this pair of German-Jewish émigrés, who succeeded and failed in crossing borders both physical and conceptual. These proper names have long been bound to one another, and each offers art history and philosophy a lesson that has been difficult to receive. The difficulty arises not only from the incompleteness of their respective projects, but also from a certain reluctance to read Benjamin alongside Arendt, Arendt alongside Benjamin.2 This alongside or neben is at once a preposition of location (beside, next to) and one of exception (against, aside from). -
Hermeneutics, Aesthetics and Gadamer by Nicholas Davey
Crosscurrents Exploring the development of European thought through engagements with the arts, humanities, social sciences and sciences Series Editor Christopher Watkin, Monash University Editorial Advisory Board Andrew Benjamin Martin Crowley Simon Critchley Frederiek Depoortere Oliver Feltham Patrick ffrench Christopher Fynsk Kevin Hart Emma Wilson Titles available in the series: Difficult Atheism: Post-Theological Thinking in Alain Badiou, Jean-Luc Nancy and Quentin Meillassoux by Christopher Watkin Politics of the Gift: Exchanges in Poststructuralism by Gerald Moore The Figure of This World: Agamben and the Question of Political Ontology by Mathew Abbott Unfinished Worlds: Hermeneutics, Aesthetics and Gadamer by Nicholas Davey Forthcoming Titles: Sublime Art: Towards an Aesthetics of the Future by Stephen Zepke Philosophy, Animality and the Life Sciences by Wahida Khandker The Becoming of the Body: Contemporary Women’s Writing in French By Amaleena Damlé Visit the Crosscurrents website at www.euppublishing.com/series/cross UNFINISHED WORLDS Hermeneutics, Aesthetics and Gadamer Nicholas Davey for Barbara © Nicholas Davey, 2013 Edinburgh University Press Ltd 22 George Square, Edinburgh EH8 9LF www.euppublishing.com Typeset in 10.5/13 Sabon by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 8622 3 (hardback) ISBN 978 0 7486 8623 0 (webready PDF) The right of Nicholas Davey to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. Contents Acknowledgements vi Series Editor’s Preface vii Introduction: Images of Movement 1 1. -
Body-And Image-Space: Re-Reading Walter Benjamin
Body-and image-space The last decade has seen renewed interest among philosophers and theorists in the writings of Walter Benjamin. In Body-and Image-Space Sigrid Weigel, one of Germany's leading feminist theorists and a renowned commentator on the work of Walter Benjamin, argues that the reception of his work has so far overlooked a crucial aspect of his thought Ðhis use of images. Weigel argues that it is precisely his practice of thinking in images that holds the key to understanding the full complexity and topicality of Benjamin's theory. Bilddenken, or thinking in images, and its relation to the body are central to Benjamin's work. Weigel illuminates points of contact between this approach and psychoanalytical modes of observation and suggests that there also are affinities between Benjamin's thought and contemporary French theory, notably the work of Foucault and Kristeva. Focusing on those parallels, the author demonstrates the productivity of Benjamin's theoretical approach for contemporary gender studies, cultural theory and philosophy. At the same time, her reading reestablishes the buried links between early Critical Theory and post- structuralism, between German high modernism and French post- modernist theory. Body- and Image-Space will be invaluable to anyone interested in gender theory, post-structuralism, cultural anthropology and philosophy. Sigrid Weigel is Professor of German Literature at the University of Zurich. Warwick Studies in European Philosophy Edited by Andrew Benjamin Senior Lecturer in Philosophy, University of Warwick This series presents the best and most original work being done within the European philosophical tradition. The books included in the series seek not merely to reflect what is taking place within European philosophy, rather they will contribute to the growth and development of that plural tradition. -
Memory and Criticism in Herbert Marcuse Laura Arese Universidad Nacional De Córdoba
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CommonKnowledge Essays in Philosophy ISSN 1526-0569 | Essays in Philosophy is published by the Pacific University Libraries Volume 9, Issue 2 (2018) Doing Justice to the Past: Memory and Criticism in Herbert Marcuse Laura Arese Universidad Nacional de Córdoba Abstract In his inaugural lecture as director of the Institute for Social Research at the University of Frankfurt (1933), Horkheimer points out the need for a new understanding of history that avoids the contemporary versions of the Hegelian Verklärung. He synthesizes this challenge with an imperative: to do justice to past suffering. The result of this appeal can be found in the works of the members of the Frankfurt School in the form of multiple, even divergent, trains of thought that reach with unlike intensities the current debates on memory and its link with history. This paper focuses on three of these trains, which can be traced back to different periods of the work of Herbert Marcuse. It intends to systematize and present what can be considered alternative—although not necessarily contradictory—approaches aroused from the same concern over the critical power of nonreconciliatory memory: first, a genealogy inquiry that de- constructs the reified character of the given; second, a recollection of past images of happiness; and finally, a memory of the limits of all attainable freedom. Exploring these three moments, their shortcomings and tensions, may shed light on the complexity and present importance of the challenge they intend to face. Essays Philos (2018)19:2 | DOI: 10.7710/1526-0569.1615 Correspondence: [email protected] © 2018 Arese. -
Feminist Historiography and the Reconceptualisation of Historical Time
1 Feminist Historiography and the Reconceptualisation of Historical Time Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by Victoria Browne January, 2013 2 ABSTRACT This thesis conducts a reconceptualisation of historical time as a means of reorienting feminist historiography and changing the ways that we construct and approach histories of feminism. Various feminist theorists have argued that feminist theory requires a multilinear, multidirectional model of historical time, to enable productive encounters and exchanges between past and present feminisms, and account for the coexistence of parallel, intersecting feminist trajectories. This is particularly crucial in light of the continuing dominance of the phasic ‘wave’ model of feminist history, which is bound to notions of linear succession and teleological progress, and severely curtails the ways in which diverse feminist histories can be mapped, understood and related to one another. However, whilst alternative, multilinear, multidirectional notions of historical time have been mooted, there is rarely any clarity or elaboration on what exactly what this might mean or how it might work. This, I suggest, is because ‘historical time’ is itself an under-investigated and under-articulated concept. My contribution in this thesis, therefore, is to offer a detailed study of historical time, which makes sense of the idea that historical time is multilinear and multidirectional. In the course of this investigation, I develop a ‘polytemporal’ model of historical time, arguing that historical time is generated through a mix of different temporalities and fields of time, including the ‘time of the trace’, ‘narrative time’, ‘calendar time’ and ‘generational time’. -
CRITICAL SOCIAL HISTORY AS a TRANSATLANTIC ENTERPRISE, 1945-1989 Philipp Stelzel a Dissertatio
RETHINKING MODERN GERMAN HISTORY: CRITICAL SOCIAL HISTORY AS A TRANSATLANTIC ENTERPRISE, 1945-1989 Philipp Stelzel A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of the Doctor of Philosophy in the Department of History Chapel Hill 2010 Approved by: Adviser: Dr. Konrad H. Jarausch Reader: Dr. Dirk Bönker Reader: Dr. Christopher Browning Reader: Dr. Karen Hagemann Reader: Dr. Donald Reid © 2010 Philipp Stelzel ALL RIGHTS RESERVED ii ABSTRACT PHILIPP STELZEL: Rethinking Modern German History: Critical Social History as a Transatlantic Enterprise, 1945-1989 (under the direction of Konrad H. Jarausch) My dissertation “Rethinking Modern German History: Critical Social History as a Transatlantic Enterprise, 1945-1989” analyzes the intellectual exchange between German and American historians from the end of World War II to the 1980s. Several factors fostered the development of this scholarly community: growing American interest in Germany (a result of both National Socialism and the Cold War); a small but increasingly influential cohort of émigré historians researching and teaching in the United States; and the appeal of American academia to West German historians of different generations, but primarily to those born between 1930 and 1940. Within this transatlantic intellectual community, I am particularly concerned with a group of West German social historians known as the “Bielefeld School” who proposed to re-conceptualize history as Historical Social Science (Historische Sozialwissenschaft). Adherents of Historical Social Science in the 1960s and early 1970s also strove for a critical analysis of the roots of National Socialism. Their challenge of the West German historical profession was therefore both interpretive and methodological. -
Introduction 1 Traditional Theories of Style
Notes Introduction 1. Berel Lang, Ed., The Concept of Style (Ithaca and London: Cornell University Press, 1987) 14. 2. ‘style’, accessed at: www.merriam-webster.com (my emphasis). 3. ‘style’, accessed at: www.oxforddictionaries.com (my emphasis). 4. ‘style’, accessed at: www.merriam-webster.com 5. Maurice Merleau-Ponty, ‘Indirect Language and the Voices of Silence’, in Signs, trans. Richard C. McCleary (Illinois: Northwestern University Press, 1964) 39–83 (54). 6. Nelson Goodman, Ways of Worldmaking (Indianapolis, IA: Hackett Pub Co Inc., 1978) 26. 7. George Kubler, ‘Toward a Reductive Theory of Visual Style’, in Berel Lang, Ed., The Concept of Style 119–128 (119). 8. Giuseppe Stellardi, Heidegger and Derrida on Philosophy and Metaphor: Imperfect Thought (Amherst: Humanity Books, 2000) 21. 9. Stellardi, Heidegger and Derrida 21. 10. See, for example, Alain Badiou, Being and Event, trans. Oliver Feltham (London: Bloomsbury Academic, 2013) 11. Michael Marder, The Event of the Thing: Derrida’s Post-Deconstructive Realism (Toronto: University of Toronto Press, 2009) 4. 12. E. D. Hirsch Jr., The Aims of Interpretation (Chicago and London: The University of Chicago Press, 1976) 57. 13. Derek Attridge, The Singularity of Literature (London and New York: Routledge, 2004) 7. 14. Timothy Clark, The Poetics of Singularity: The Counter-Culturalist Turn in Heidegger, Derrida, Blanchot and the later Gadamer (Edinburgh: Edinburgh University Press, 2005) 35. 15. Clark, The Poetics of Singularity 34. 16. Dana Richard Villa, Arendt and Heidegger: The Fate of the Political (Princeton, NJ: Princeton University Press, 1995) 116. 17. Clark, The Poetics of Singularity 8. 18. David R. Olson¸ The World on Paper: The Conceptual and Cognitive Implications of Writing and Reading (Cambridge: Cambridge University Press, 1994). -
Dialogical Memory and Immemorial Poetics: the Ethical Imperatives of Holocaust Literature
humanities Article Dialogical Memory and Immemorial Poetics: The Ethical Imperatives of Holocaust Literature Blake W. Remington Department of English, Belmont University, Nashville, TN 37212, USA; [email protected] Abstract: Drawing from Emmanuel Levinas’s philosophical ethics and Paul Celan’s dialogical poetics, this article interrogates the impossible memorial and ethical demands that literary responses to the Holocaust place upon their readers. While Levinas reveals our position as summoned to radical responsibility, Celan shows us how that responsibility plays out in the form of ethical reading. By attending to the imperative commands found in Celan’s longest poem, “Engführung”, this article demonstrates how Holocaust literature memorializes the Shoah through an invocation of Levinasian ethics and the concept of the immemorial—that which exceeds memory. Following the discussion of Levinas, Celan, and “Engführung”, I turn to Primo Levi’s “Shema”, a paradigmatic text that likewise directly challenges us, calling us into question as readers during the moment of reading and demanding an attentiveness to the text that proves beyond our ability to deliver. Throughout, I aim to show how dialogical memory enables us to better comprehend the ethical burden we encounter in the literary texts of the Holocaust. Keywords: memory; ethics; Holocaust; dialogue; poetry; Paul Celan; Emmanuel Levinas; responsi- bility; immemorial 1. Introduction Citation: Remington, Blake W. 2021. Dialogical Memory and Immemorial Why do we read Holocaust literature? What is it that draws us to these texts that Poetics: The Ethical Imperatives of document the destruction of human beings and the very idea of human being? What Holocaust Literature. Humanities 10: value does this reading bring? In order to fashion an answer, I propose we consider that 42.