End of the Mayan Calendar
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Metaphors of Relative Elevation, Position and Ranking in Popol Vuh
METAPHORS OF RELATIVE ELEVATION, POSITION AND RANKING IN POPOL VUH Nathaniel TARN and Martin PRECHTEL Rutgers University This paper is an account of work very much in progress on the textual analysis of Popol V uh, and is one study among others (since this theme is attracting a number of students today) of inter-con nections and mutual illuminations between Popol Vuh and the con temporary ethnographic record in Highland Guatemala and Chiapas. For some considerable time now Popol Vuh has been considered as the major extant text of the Mesoamerican literary traditions, and as one of the most remarkable of all human creation stories, both for its beauty and for the complexity of its cosmological and mythical messages. While it may or may not have had a hieroglyphic original, the present alphabetic version of Po pol V uh wars written down some where between 1545 and 1558 by an anonymous member of the Cavek lineage of the Quiche Maya of Guatemala. This lineage had been a ruling house until it fell to the Spaniards in 1524. The manu script was copied by Francisco de Ximenez, a Spanish priest, some 150 years later. While there are references to Christianity in the text, these are few and it is generally regarded as one of the purest extant accounts of prehispanic Maya world-view. At the end of the hook, what we call mythical history shades into the historical history of the Quiche, so that the hook can serve as an illustration of the extent to which these two kinds of history are not held a,part by Maya generally. -
The Toltec Invasion and Chichen Itza
Other titles of interest published by Thames & Hudson include: Breaking the Maya Code Mexico: From the Olmecs to the Aztecs Angkor and the Khmer Civilization India: A Short History The Incas The Aztecs See our websites www.thamesandhudson.com www.thamesandhudsonusa.com 7 THE POSTCLASSIC By the close of the tenth century AD the destiny of the once proud and independent Maya had, at least in northern Yucatan, fallen into the hands of grim warriors from the highlands of central Mexico, where a new order of men had replaced the supposedly more intellectual rulers of Classic times. We know a good deal about the events that led to the conquest of Yucatan by these foreigners, and the subsequent replacement of their state by a resurgent but already decadent Maya culture, for we have entered into a kind of history, albeit far more shaky than that which was recorded on the monuments of the Classic Period. The traditional annals of the peoples of Yucatan, and also of the Guatemalan highlanders, transcribed into Spanish letters early in Colonial times, apparently reach back as far as the beginning of the Postclassic era and are very important sources. But such annals should be used with much caution, whether they come to us from Bishop Landa himself, from statements made by the native nobility, or from native lawsuits and land claims. These are often confused and often self-contradictory, not least because native lineages seem to have deliberately falsified their own histories for political reasons. Our richest (and most treacherous) sources are the K’atun Prophecies of Yucatan, contained in the “Books of Chilam Balam,” which derive their name from a Maya savant said to have predicted the arrival of the Spaniards from the east. -
Physical Expression of Sacred Space Among the Ancient Maya
Trinity University Digital Commons @ Trinity Sociology & Anthropology Faculty Research Sociology and Anthropology Department 1-2004 Models of Cosmic Order: Physical Expression of Sacred Space Among the Ancient Maya Jennifer P. Mathews Trinity University, [email protected] J. F. Garber Follow this and additional works at: https://digitalcommons.trinity.edu/socanthro_faculty Part of the Anthropology Commons, and the Sociology Commons Repository Citation Mathews, J. P., & Garber, J. F. (2004). Models of cosmic order: Physical expression of sacred space among the ancient Maya. Ancient Mesoamerica, 15(1), 49-59. doi: 10.1017/S0956536104151031 This Article is brought to you for free and open access by the Sociology and Anthropology Department at Digital Commons @ Trinity. It has been accepted for inclusion in Sociology & Anthropology Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Ancient Mesoamerica, 15 (2004), 49–59 Copyright © 2004 Cambridge University Press. Printed in the U.S.A. DOI: 10.1017/S0956536104151031 MODELS OF COSMIC ORDER Physical expression of sacred space among the ancient Maya Jennifer P. Mathewsa and James F. Garberb aDepartment of Sociology and Anthropology, Trinity University, One Trinity Place, San Antonio, TX 78212, USA bDepartment of Anthropology, Texas State University, San Marcos, TX 78666, USA Abstract The archaeological record, as well as written texts, oral traditions, and iconographic representations, express the Maya perception of cosmic order, including the concepts of quadripartite division and layered cosmos. The ritual act of portioning and layering created spatial order and was used to organize everything from the heavens to the layout of altars. -
CRÓNICAS Mesoamericanas Tomo I CRONICAS MESOAMERICANAS (TOMO I) © 2008 Universidad Mesoamericana ISBN: 978-99922-846-9-8 Primera Edición, 2008
CRÓNICAS MESOAMEricanas TOMO I CRONICAS MESOAMERICANAS (TOMO I) © 2008 Universidad Mesoamericana ISBN: 978-99922-846-9-8 Primera Edición, 2008 Consejo Directivo: Félix Javier Serrano Ursúa, Jorge Rubén Calderón González, Claudia María Hernández de Dighero, Carlos Enrique Chian Rodríguez, Ana Cristina Estrada Quintero, Luis Roberto Villalobos Quesada, Emilio Enrique Conde Goicolea. Editor: Horacio Cabezas Carcache. Traducción de textos mayas-quichés: Marlini Son, Candelaria Dominga López Ixcoy, Robert Carmack, James L. Mondloch, Ruud van Akkeren y Hugo Fidel Sacor. Revisor de estilo: Pedro Luis Alonso. Editorial responsable: Editorial Galería Guatemala. Consejo Editorial: Estuardo Cuestas Morales, Egemberto Alvergue Oliveros, Carlos Enrique Zea Flores, María Olga Granai de Zoller, Mario Estuardo Montes Granai. Diseño y diagramación: QUELSA. Ilustraciones en acuarela: Victor Manuel Aragón. Fotografía proporcionada por Fundación Herencia Cultural Guatemalteca, Fototeca de Justin Kerr de su catálogo Maya Vase Database y Fototeca de Fundación G&T Continental (páginas 119,134,140). Impresión: Tinta y Papel Derechos reservados. La reproducción total o parcial de esta obra sólo podrá hacerse con autorización escrita de la Universidad Mesoamericana. http://www.umes.edu.gt 40 Calle, 10-01, Zona 8, Guatemala, C. A. CRÓNICAS MESOAMEricanas TOMO I CONTENIDO PRÓLOGO 9 FÉLIX JAVIER SERRANO URSÚA INTRODUCCIÓN 11 HORACIO CABEZAS CARCACHE CÓDICES mayas Y MEXICANOS 17 TOMÁS BARRIENTOS Y MARION POPENOE DE HATCH Crónicas DE YAXKUKUL Y CHAC Xulub CHEN 31 ERNESTO VARGAS PACHECO CRÓNICA DE CHAC XULUB CHEN 44 TÍTULO DE LOS SEÑORES DE Sacapulas 59 RUUD VAN AKKEREN HISTORIA DE SU ORIGEN Y VENIDA DE SUS PADRES EN LAS TIERRAS DEL QUICHÉ. 78 PARTE I. FRAGMENTO QUIChé [K’iChe’] 88 TÍTULO DE CAGCOH [KAQKOJ] 93 ENNIO BOSSÚ TESTAMENTO Y TÍTULO DE LOS ANTECESORES DE 100 LOS SEÑORES DE CAGCOH SAN CRISTÓBAL VERAPAZ. -
Astronomy and the Iconography of Creation Among the Classic and Colonial Period Maya
Astronomy and the Iconography of Creation Among the Classic and Colonial Period Maya KHRISTAAN D. VILLELA and LINDA SCHELE University of Texas, Austin Westerners have been fascinated by the Period Maya. John Lloyd Stephens and others astronomical knowledge of the ancient Maya published accounts and views of the ruins of since travelers and scholars first reported ruined southern Mexico, Honduras, Guatemala, and cities in the Americas and Precolumbian manu- then British Honduras (Del Río and Cabrera scripts in European libraries. Beginning in the late 1822; Stephens 1841, 1843; Catherwood 1844; nineteenth century, students of the Maya speculat- Norman 1843; Charnay 1863, 1885; Maudslay ed on the astronomical identities of iconographic and Maudslay 1899). At the same time, academ- motifs and characters portrayed in the codices and ics and bibliophiles across the Atlantic discovered on monumental sculptures. In addition to identify- Precolumbian Maya codices and Colonial Spanish ing the signs for the sun, moon, and Venus, they accounts of the Maya. In Germany, Alexander von also produced tentative reconstructions of the Humboldt's account of travels in the New World Maya zodiac and other constellations. Alternate included the first publication of a Maya codex, interpretations of the nature of Maya astronomy five pages of the Dresden manuscript (Humboldt have appeared throughout this century. 1810:Plate 45). Humboldt's folio size work also Based on recent advances in our understand- first reproduced Maya art, a stucco relief from ing of the natural and astronomical foundations of Palenque (Humboldt 1810:Plate 11). In nearby Classic and Post-Classic Period Maya conceptions Paris, the Abbé Brasseur de Bourbourg published of Creation, we present another model of the so- the Quiché Maya Popol Vuh in 1861, and Diego called Maya zodiac. -
The Amazing Twins
1 Table of Contents Table of Contents Themes Page 2 Booklist Page 3 Maya: Ancient and Modern Page 5 Life Among the Maya Page 6 Questions and Activities Page 7 Maya Religion Page 8 Mayan Language Page 10 Go Down in History Page 12 Glyph Chart Page 14 Maya Math Page 16 Document Your Birthday Page 24 Maya Huipiles Page 28 Maya Figurines Page 31 The Maya Ball Game Page 32 Literature and Story Page 33 Popol Wuj: Part One Page 34 Popol Wuj: Part Two Page 36 Popol Wuj: Part Three Page 39 Chilam Balam of Chumayel Page 41 Presented by the Nashville Public Library and Vanderbilt Center for Latin American Studies 2 The Amazing Twins Themes to build on from the story Creation Stories The Ancient Maya Modern Life of the Maya Glyphs and Symbolic Writing Archeology Maya Architecture Clothing and Culture Weaving Class and the Structures of Society History of Food Folktales and Mythology Maya Ball Games Numeration and Maya Math Illustrations/Artwork Storytelling Puppets and Puppetry Presented by the Nashville Public Library and the Vanderbilt Center for Latin American Studies 3 Books from the Nashville Public Library Allan, Tony Gods of Sun and Sacrifice: Aztec & Maya Myth j299.792 A418g Ancona, George Mayeros: A Yucatec Maya Family j972.6 A54m Brill, Marlene Targ Journey for Peace JB M536b Cameron, Ann Colibri Spanish YA Fiction Cameron Coulter, Laurie Secrets in Stone j497.415 C85526s Crandell, Rachel Hands of the Maya: Villagers at Work and Play j972.83 C8912h Crosher, Judith Technology in the Time of the Maya j609.72 C94t Day, Nancy Your Travel Guide to Ancient Maya Civilization j972.81016 D2747y Eboch, Chris Life Among the Maya j972.81 E167L The Well of Sacrifice JUV Fiction Eboch Fisher, Leonard E. -
Universidad De San Carlos De Guatemala Escuela De Historia Area De Arqueologia
UNIVERSIDAD DE SAN CARLOS DE GUATEMALA ESCUELA DE HISTORIA AREA DE ARQUEOLOGIA LOS ARTEFACTOS DE COBRE DE LA COSTA SUR DE GUATEMALA: UN ANÁLISIS DE CASOS ENCONTRADOS EN LOS SITIOS CAROLINA, GOMERA Y LA BLANCA ELISA BEATRIZ MENCOS QUIROA Nueva Guatemala de la Asunción Guatemala, C. A., Septiembre de 2009 UNIVERSIDAD DE SAN CARLOS DE GUATEMALA ESCUELA DE HISTORIA AREA DE ARQUEOLOGIA LOS ARTEFACTOS DE COBRE DE LA COSTA SUR DE GUATEMALA: UN ANÁLISIS DE CASOS ENCONTRADOS EN LOS SITIOS CAROLINA, GOMERA Y LA BLANCA TESIS Presentada por: ELISA BEATRIZ MENCOS QUIROA Previo a conferírsele el grado académico de LICENCIADA EN ARQUEOLOGIA Nueva Guatemala de la Asunción Guatemala, C. A., Septiembre de 2009 UNIVERSIDAD DE SAN CARLOS DE GUATEMALA ESCUELA DE HISTORIA AUTORIDADES UNIVERSITARIAS RECTOR: Dr. Carlos Estuardo Gálvez Barrios SECRETARIO: Dr. Carlos Gullermo Alvarado Cerezo AUTORIDADES DE LA ESCUELA DE HISTORIA DIRECTOR: Mtro. Ricardo Danilo Dardón Flores SECRETARIO: Lic. Oscar Adolfo Haeussler Paredes CONSEJO DIRECTIVO DIRECTOR: Lic. Ricardo Danilo Dardón Flores SECRETARIO: Lic. Oscar Adolfo Haeussler Paredes VOCAL I: Licda. Marlen Judith Garnica Vanegas VOCAL II: Dra. Walda Barrios-Klee VOCAL III: Lic. Julio Galicia Díaz VOCAL IV: Est. Juan Pablo Herrera VOCAL V: Est. Mauricio Chaulón COMITE DE TESIS Doctor Oswaldo Chinchilla Mazariegos Licenciado Juan Carlos Pérez Calderón Maestro Mario Alfredo Ubico Calderón DEDICATORIA A mis padres Alvaro Mencos y Elsa Quiroa de Mencos () A mis abuelos Jesús Hernández () y Francisco Quiroa () A mis queridos -
Function and Meaning in Classic Maya Architecture
The Architectural Context of Caches, Burials, and Other Ritual Activities for the Classic Period Maya (as Reflected at Caracol, Belize) DIANE Z. CHASE and ARLEN F. CHASE university of central florida hat goes inside a Maya building is just as significant in determin- ing its function as a building’s architectural plan and external ap- Wpearance. Structures are not alike in their contents. Some hold in- terments and caches; some contain earlier buildings; others are single or mul- tiple construction efforts with no contents other than fill. Artifacts are found littered on the floors of some buildings, whereas other buildings are found completely clean. Careful consideration of the overall context of Maya architecture, in terms of both its siting and contents, leads to many questions about the associations of architecture and archaeological materials. For example, is there a correlation of ritual offerings with new construction? Do caches, burials, or “termination” rituals reflect the “dedication” of a new building, the final use of the previous construction, or something else altogether? Are changes in a building’s function apparent archaeologically in the final treatment of a given structure? Which buildings contain ritual deposits and which do not? And what other determin- ing factors are there besides structure form and location? Almost by definition, many architectural forms and contents imply specific functions. Function may be manifest in the physical layout or iconographic decoration of a given building, or it may be revealed by associated ritual activity and deposits. Although the concept of temple as funerary construction is sim- plistic in that some temples bear multiple interments, and others contain no interments at all, certain buildings did apparently function as ancestral shrines and were used repeatedly for both interments and ritual offerings. -
Some Postclassic Questions About the Classic Maya Munro S
Some Postclassic Questions About The Classic Maya Munro S. Edmonson Tulane University The Postclassic and Colonial texts of the "Books of Chilam Balam" tell us very little, or so I believe, about the Classic Maya directly. And that little, though very precious, is confined to brief passages in the first three Chronicles, and may have been reshaped to fit the mythological predilections of a later age. The Chronicles being much the best known passages of the Books to Mayanists (Barrera 1948; Roys 1935), and the events they chronicle being as much as a millennium removed from the composition of the surviving versions, I shall eschew here any attempt to interpret their direct relevance to Mayan Classic history in detail. While the Books do not give us direct answers to our questions about the Classic Maya, they do raise some interesting questions about Classic Maya culture to which archaeology, art history and epigraphy may eventually supply answers. It is the object of this paper to isolate some of these questions, primarily social, calendrical and literary. The basis of these queries is my recent translations of the Books of Tizimin (Edmonson n.d. a: completed) and Chumayel (Edmonson n.d. b: in draft). Largely on internal evidence, I con- clude that the extant versions of these two Books date to the period between 1824 and 1837. Even if, as I believe, they contain passages transcribed from pre-Conquest glyphic texts, they are nonetheless separated from the end of the Classic period by nearly a thousand years. They present corresponding problems of interpretation before we use them in the reconstruction of earlier Mayan history. -
Universidad De San Carlos De Guatemala Escuela De Historia Area De Arqueologia
UNIVERSIDAD DE SAN CARLOS DE GUATEMALA ESCUELA DE HISTORIA AREA DE ARQUEOLOGIA LOS ARTEFACTOS DE COBRE DE LA COSTA SUR DE GUATEMALA: UN ANÁLISIS DE CASOS ENCONTRADOS EN LOS SITIOS CAROLINA, GOMERA Y LA BLANCA ELISA BEATRIZ MENCOS QUIROA Nueva Guatemala de la Asunción Guatemala, C. A., Septiembre de 2009 UNIVERSIDAD DE SAN CARLOS DE GUATEMALA ESCUELA DE HISTORIA AREA DE ARQUEOLOGIA LOS ARTEFACTOS DE COBRE DE LA COSTA SUR DE GUATEMALA: UN ANÁLISIS DE CASOS ENCONTRADOS EN LOS SITIOS CAROLINA, GOMERA Y LA BLANCA TESIS Presentada por: ELISA BEATRIZ MENCOS QUIROA Previo a conferírsele el grado académico de LICENCIADA EN ARQUEOLOGIA Nueva Guatemala de la Asunción Guatemala, C. A., Septiembre de 2009 UNIVERSIDAD DE SAN CARLOS DE GUATEMALA ESCUELA DE HISTORIA AUTORIDADES UNIVERSITARIAS RECTOR: Dr. Carlos Estuardo Gálvez Barrios SECRETARIO: Dr. Carlos Gullermo Alvarado Cerezo AUTORIDADES DE LA ESCUELA DE HISTORIA DIRECTOR: Mtro. Ricardo Danilo Dardón Flores SECRETARIO: Lic. Oscar Adolfo Haeussler Paredes CONSEJO DIRECTIVO DIRECTOR: Lic. Ricardo Danilo Dardón Flores SECRETARIO: Lic. Oscar Adolfo Haeussler Paredes VOCAL I: Licda. Marlen Judith Garnica Vanegas VOCAL II: Dra. Walda Barrios-Klee VOCAL III: Lic. Julio Galicia Díaz VOCAL IV: Est. Juan Pablo Herrera VOCAL V: Est. Mauricio Chaulón COMITE DE TESIS Doctor Oswaldo Chinchilla Mazariegos Licenciado Juan Carlos Pérez Calderón Maestro Mario Alfredo Ubico Calderón DEDICATORIA A mis padres Alvaro Mencos y Elsa Quiroa de Mencos () A mis abuelos Jesús Hernández () y Francisco Quiroa () A mis queridos -
The Maya Flood Myth and the Decapitation of the Cosmic Caiman1 ERIK VELÁSQUEZ GARCÍA Instituto De Investigaciones Estéticas, UNAM
PARI Online Publications The Maya Flood Myth and the Decapitation of the Cosmic Caiman1 ERIK VELÁSQUEZ GARCÍA Instituto de Investigaciones Estéticas, UNAM The 1999 discovery of the hieroglyphic platform of suggestively supported by Stela 16 from Dos Pilas Temple XIX at Palenque (Stuart 2000a) opened the and Stela 2 from Aguateca (Figure 2), dedicated in doors to a new understanding of Classic Maya my- AD 736, only two years after the platform of Tem- thology. Dedicated during the reign of K’inich Ahkal ple XIX at Palenque. While this last inscription re- Mo’ Nahb’ III2 in AD 734, it begins with an account fers to the decapitation of a “caiman with a painted of a series of cosmic events that occurred during back,” the collocations on the Dos Pilas (D2-C3) and the final bak’tun of the previous creation. These Aguateca (D1-C2) stelae apparently describe a cut- events include the enthronement of god GI in the ting act performed over a “decorated-back K’awiil,” sky under the supervision of Yax Naah Itzamnaaj on an event that took place under the reign of Dos Pilas March 10, 3309 BC, as well as a decapitation event Ruler 3. The resemblance, chronological proximity of that happened eleven years later. This passage (Fig- the passages, and the syllabic spelling of the word ure 1), partially deciphered thanks to contributions paat (pa-ti) (Figure 2b, c), reinforces the suspicion made by David Stuart (2000a:29, 2005:68-77, 176-180, of a presumed PAT reading for the hunching man 2006:101), narrates the decapitation of a crocodile or logogram. -
Time, Memory, and Resilience Among the Maya
TIME, MEMORY, AND RESILIENCE AMONG THE MAYA Prudence M. Rice Southern Illinois University, Carbondale The conservative transmission of cultural form is particularly likely where people are exposed constantly to highly visible examples of material objects invested with authoritative credibility. (Michael Rowlands 1993: 142) Collapse, far from being an anomaly... presents in dramatic form not the end of social institutions, but almost always the beginning of new ones... (Shmuel N. Eisenstadt 1988: 243) Introduction The lowland Maya are commonly thought to have experienced several collapses during the more than 1,500 years of their civilization’s existence. Maya scholars and the general public alike have been especially captivated by notions of the “mysterious Maya” and their Classic civilization evolving in the tropical forests, followed by their even more mysterious ninth-century “collapse” and Postclassic “decadence.” Although certain institutions and practices ended, and many cities were abandoned through the centuries, overall there is more support for Maya cultural survival and regeneration — albeit with significant transformations — as opposed to collapse. Nonetheless, the idea of cultural resilience — of business as usual — fails to capture the collective imagination in comparison to romantic images of a vibrant civilization inexplicably succumbing to ruination in the steamy tropical jungles of Guatemala. Civilizational resilience, and particularly the millennia of Maya resilience, deserve more investigation, however, and time and memory play key roles in such cultural continuities. Here I discuss three examples: (1) the role of the cycling of time and its passage through Maya calendars, particularly the twenty-year periods known as k’atun; (2) the role of memory in Postclassic architecture in the Petén lakes region; and (3) the persistence of some long-standing symbols of Classic rulership and dynastic authority.