Tv Shows, Feature Films & Documentaries
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Programs of Study/Course Descriptions
Yeshiva University Undergraduate Catalog for Women 2016-2018 Programs of Study & Course Descriptions Programs of Study & Course Descriptions 1 ACCOUNTING (ACC) 3 AMERICAN STUDIES (AMST) 4 ART (ARTS) 5 BIBLE (BIBL) 12 BIOLOGY (BIOL) 18 BUSINESS AND MANAGEMENT (BUS) 21 BUSINESS INTELLIGENCE AND MARKETING ANALYTICS (BIMA) 22 BUSINESS LAW (BLW) 22 CHEMISTRY (CHEM) and BIOCHEMISTRY (BC) 23 COMPUTER SCIENCE (COMP) 25 ECONOMICS (ECON) 27 EDUCATION (EDUC) 31 ENGLISH (ENGL) 37 FINANCE (FIN) 45 FRENCH (FREN) 47 HEBREW (HEBR) 48 HEBRAIC STUDIES (HEST) 49 HISTORY (HIST) 50 INFORMATION AND DECISION SCIENCES (IDS) 57 JEWISH EDUCATION (JEDU) 61 JEWISH STUDIES (JST) 62 JEWISH HISTORY (JHIS) 63 JEWISH PHILOSOPHY (JPHI) 66 JUDAIC STUDIES (JUDS) 69 MANAGEMENT (MAN) 74 MARKETING (MAR) 80 MATHEMATICS (MATH) 85 MUSIC (MUSI) 88 OCCUPATIONAL THERAPY 91 PHILOSOPHY (PHIL) 92 PHYSICAL EDUCATION AND ATHLETICS (PEDU) 94 PHYSICAL SCIENCES (PHSC) 95 PHYSICS (PHYS) 95 POLITICAL SCIENCE (POLI) 98 PRE-ENGINEERING 107 PSYCHOLOGY (PSYC) 108 SEMITIC LANGUAGES (SEMI) 114 SHAPED MAJOR 115 SOCIOLOGY (SOCI) 115 SPANISH (SPAN) 119 SPEECH PATHOLOGY/ AUDIOLOGY (SPAU) 119 Page 1 Yeshiva University Undergraduate Catalog for Women 2016-2018 SPEECH AND DRAMA (SPEE) 121 STATISTICS (STAT) 122 TAX (TAX) 122 WRITING (WRIT) 122 WOMEN’S STUDIES (WMNS) 122 Page 2 Yeshiva University Undergraduate Catalog for Women 2016-2018 ACCOUNTING (ACC) MAJOR: Sy Syms School of Business CPA TRACK: ACC 1101, 1102, 2403, 3201, 3601; BLW 2112; TAX 6124, 6125; and any one Sy Syms elective. NON-CPA TRACK: ACC 1101, 1102, 2403, 3201, 3601; one additional ACC/TAX courses and any three additional Sy Syms electives. MINOR: For Sy Syms School of Business students ACC 1101, 1102, and 2403 MINOR: For Stern College Students ACC 1001, 1002, FIN 1001, ACC 1101, 1102, and any other Sy Syms course. -
International Sales Autumn 2017 Tv Shows
INTERNATIONAL SALES AUTUMN 2017 TV SHOWS DOCS FEATURE FILMS THINK GLOBAL, LIVE ITALIAN KIDS&TEEN David Bogi Head of International Distribution Alessandra Sottile Margherita Zocaro Cristina Cavaliere Lucetta Lanfranchi Federica Pazzano FORMATS Marketing and Business Development [email protected] [email protected] [email protected] [email protected] [email protected] [email protected] Mob. +39 3351332189 Mob. +39 3357557907 Mob. +39 3334481036 Mob. +39 3386910519 Mob. +39 3356049456 INDEX INDEX ... And It’s Snowing Outside! 108 As My Father 178 Of Marina Abramovic 157 100 Metres From Paradise 114 As White As Milk, As Red As Blood 94 Border 86 Adriano Olivetti And The Letter 22 46 Assault (The) 66 Borsellino, The 57 Days 68 A Case of Conscience 25 At War for Love 75 Boss In The Kitchen (A) 112 A Good Season 23 Away From Me 111 Boundary (The) 50 Alex&Co 195 Back Home 12 Boyfriend For My Wife (A) 107 Alive Or Preferably Dead 129 Balancing Act (The) 95 Bright Flight 101 All The Girls Want Him 86 Balia 126 Broken Years: The Chief Inspector (The) 47 All The Music Of The Heart 31 Bandit’s Master (The) 53 Broken Years: The Engineer (The) 48 Allonsanfan 134 Bar Sport 118 Broken Years: The Magistrate (The) 48 American Girl 42 Bastards Of Pizzofalcone (The) 15 Bruno And Gina 168 Andrea Camilleri: The Wild Maestro 157 Bawdy Houses 175 Bulletproof Heart (A) 1, 2 18 Angel of Sarajevo (The) 44 Beachcombers 30 Bullying Lesson 176 Anija 173 Beauty And The Beast (The) 54 Call For A Clue 187 Anna 82 Big Racket (The) -
Ecovillaggi: Esperienze Comunitarie Tra Utopia E Realtà
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Electronic Thesis and Dissertation Archive - Università di Pisa UNIVERSITÀ DI PISA DIPARTIMENTO DI SCIENZE POLITICHE E SOCIALI CORSO DI DOTTORATO DI RICERCA IN STORIA E SOCIOLOGIA DELLA MODERNITÀ Ecovillaggi: esperienze comunitarie tra utopia e realtà CANDIDATA Rossana Guidi TUTOR Prof. Mario Aldo Toscano Ciclo 2007-2009 1 L’utopia del futuro costruisce il presente. (Prigogine) 2 Indice: Introduzione…………………………………………………… p. 5. Parte I: Industrializzazione, capitalismo, modernità………...p. 12. 1.1 Nascita della società capitalistica moderna………………...p. 13. Parte II: Le avventure intellettuali e pratiche della comunità. ……………………………………………………………………p. 26. 2.2.1 Dissoluzione e resistenze della comunità………………... p. 26. 2.2.2 Tracce di comunità……………………………………..... p. 36. 2.2.3 Dalla comunità alla società: il pensiero degli autori classici della sociologia…………………………………..p. 41. Parte III: Il pensiero utopico e le sue realizzazioni……………p. 57 3.1 Socialisti utopisti……………………………………………..p. 57. 3.2 Comunitarismo americano…………………………………...p. 69. 3.3 Movimento Hippy……………………………………………p. 82. 3.4 Sviluppo sostenibile e nascita degli ecovillaggi…………….p. 86. Parte IV: Fenomenologia e geopolitica dell’ecovillaggio……p. 100. 4.1 Definizione di ecovillaggio…………………………… p. 100. 4.2 Ecovillaggi a confronto………………………………... p. 110. 4.2.1 Il metodo decisionale…………………………………...p. 113. 4.3.2 Organizzazione economica……………………………..p. 124. 4.3.3 Accorgimenti ecologici………………………………..p. 130. 3 4.3.4 Orientamento religioso………………………………...p. 138. 4.4 Ecovillaggi: tra utopia e realtà………………………....p. 140. 4.5 Contenuto razionalistico degli ecovillaggi…………….p. 151. 4.6 Breve quadro concettuale sulla disuguaglianza sociale..p. 168. Parte V: Punto applicativo e descrizione di un caso specifico: la comune di Bagnaia……………………………………….……p. -
The Pen and the Pennon: Political and Social Comment
THE PEN AND THE PENNON: POLITICAL AND SOCIAL COMMENT INSCRIBED WITHIN CHIVALRIC ROMANCE A DISSERTATION IN English and History Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY by LARRY MICHAEL MCCLOUD B.A., Iowa State University, 1997 MLA, Baker University, 1999 Kansas City, Missouri 2016 © 2016 LARRY MICHAEL MCCLOUD ALL RIGHTS RESERVED THE PEN AND THE PENNON: POLITICAL AND SOCIAL COMMENT INSCRIBED WITHIN CHIVALRIC ROMANCE Larry Michael McCloud, Candidate for the Doctor of Philosophy Degree University of Missouri-Kansas City, 2016 ABSTRACT Study of the Medieval English romance has burgeoned in recent years, with a focus on the world outside of the texts being central to the resurgence. I offer in this dissertation a reading of four of these works (Athelston, Sir Gawain and the Green Knight, Sir Cleges, and Sir Gowther) that considers each of them in the environment in which they are presented. Utilizing the contexts of manuscript placement, contemporary social and legal issues, and sociological changes affecting the audience, this work explores an analytical reading of each work that establishes possible meanings for each romance and possible motivations for their unnamed authors. Each work is ascribed its own chapter, focusing on a particular issue of English knighthood being interrogated. Chapter three suggests that Sir Gawain and the Green Knight repurposes the character of Gawain to observe the importance of oath taking and the bonds formed by knights from the practice of such. Chapter four focuses on the message of Athelston and argues that the work repositions the power of the crown beneath iii that of a regularized judicial system in which knights function as jurists. -
University Microfilms International T U T T L E , V Ir G in Ia G R a C E
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material subm itted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again-beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Clicca Qui Per Scaricare Il Programma Completo
Ripartire dalla cultura e dall’intrattenimento. Il ruolo dei media per un nuovo Rinascimento Milano, 14-18 giugno 2021 14.06.21 Lunedì 11:00-12:30 Teatro alla Scala | Piazza della Scala Cerimonia di inaugurazione Prix Italia Presenta: Barbara Capponi, Giornalista Rai TG1 Maria Elisabetta Alberti Casellati, Presidente del Senato Giuseppe Sala, Sindaco di Milano, Presidente della Fondazione Teatro alla Scala Marcello Foa, Presidente Rai Dominique Meyer, Sovrintendente del Teatro alla Scala Graham Ellis, Presidente Prix Italia Annalisa Bruchi, Segretario Generale Prix Italia Attilio Fontana, Presidente della Regione Lombardia Lingua italiana, lingua dei segni streaming su www.prixitalia.rai.it e su RaiPlay 14:50-15:10 Fondazione Stelline | Corso Magenta, 61 Tgr Speciale Prix Italia 2021 Diretta Rai 3 a cura della Tgr Lombardia Conduce: MariaRosa Monaco 1 Ripartire dalla cultura e dall’intrattenimento. Il ruolo dei media per un nuovo Rinascimento Milano, 14-18 giugno 2021 15.06.21 Martedì 10:30-12:30 Fondazione Stelline, Sala Leonardo | Corso Magenta, 61 La cooperazione internazionale è il futuro delle produzioni multimediali? Panel Nell’era digitale le coproduzioni hanno assunto un’importanza decisiva sia per i broadcaster che per le loro associazioni. Questa è la strategia per essere competitivi nel panorama globale dei media, dove le OTT detengono un potere economico immenso. In questo panel verranno presentate alcune modalità di coproduzione che hanno avuto più successo e saranno discusse le strategie per realizzarle in Europa e altrove. -
Separate and Consolidated Interim Financial Statements As at 30 June 2020
Separate and Consolidated Interim Financial Statements as at 30 June 2020 Separate and Consolidated Interim Financial Statements as at 30 June 2020 Contents 7 Introduction 17 Report on Operations 171 Interim Separate Financial Statements as at 30 June 2020 239 Interim Consolidated Financial Statements as at 30 June 2020 303 Corporate Directory 4 Contents Introduction 7 Corporate Officers 8 Organisational Structure 9 Introduction from the Chairman of the Board of Directors 11 Financial Highlights 12 Report on Operations 17 Mission 18 Market scenario 18 The Rai Group 24 Television 41 Radio 97 RaiPlay and Digital 107 Public broadcasting service function 116 TV production 119 Technological activities 120 Transmission and distribution activities 129 Sales activities 130 Other activities 135 Changes in the regulatory framework 143 Corporate governance 148 Corporate Governance Report - the Rai Control Governance Model and the Internal Control and Risk Management System (SCIGR) 150 Other information 155 Human Resources and Organisation 155 Safety & Security 159 Intercompany Relations 161 Significant events occurring after 30 June 2020 168 Outlook of operations 168 5 Interim Separate Financial Statements as at 30 June 2020 171 Analysis of the results and performance of operating results, financial position and cash flows for the first half of 2020 172 Financial Statements of Rai SpA 186 Notes to the Interim Separate Financial Statements as at 30 June 2020 191 Certification pursuant to article 154-bis of Italian Legislative Decree 58/98 235 Independent -
Tv Shows, Feature Films & Documentaries
TV SHOWS, FEATURE FILMS & DOCUMENTARIES TITLES AVAILABLE DUBBED AND SUBTITLED IN SPANISH. INDEX INDEX TITLES AVAILABLE DUBBED ...And It’s Snowing Outside! 6 Grand Torino (The) 27 Storm (The) 14 Angel Of Sarajevo (The) 6 Hidden Vatican (The) 7 Terra Sancta: Guardians Of Salvation’s Source 25 Assault (The) 10 Imperium: Nero 19 Third Secret Of Fatima (The) 27 Bartali, The Iron Man 16 Imperium: Pompeii 19 Third Truth (The) 28 Borsellino, The 57 Days 12 Imperium: Saint Augustine 20 Turin’s Butterfly 11 Boss In The Kitchen (A) 9 Imperium: Saint Peter 20 Wannabe Widowed 12 Bright Flight 13 Lady Of The Camellias 21 Caravaggio 16 Long Lasting Youth 21 Claire & Francis 17 Maria Goretti 28 Countess Of Castiglione (The) 25 Marriage (A) 8 Curfew - Don Pappagallo (The) 26 Mearshes Intrique (The) 22 Displaced Child (The) 11 My House Is Full Of Mirrors 15 Don Zeno 17 Oro Di Scampia (L’) 7 Fear Of Loving 1, 2 9 Over The Shop 13 Francesco 22 Pompeii, Stories From An Eruption 23 Frederick Barbarossa 15 Resurrection 23 Giovanni Falcone, The Judge 18 Saint Bakhita 24 Girls Of San Frediano (The) 26 Scent Of Love 14 Giuseppe Moscati, 18 Song’e Napule 10 Good Season (A) 8 Star Of Bethlehem 24 Credits not contractual Credits INDEX TITLES AVAILABLE SUBTITLED Anija 36 Lonely Hero (A) 42 Away From Me 33 Smile Of The Leader (The) 35 Balancing Act (The) 37 Song’e Napule 34 Black Souls 31 Triplet (The) 39 Caesar Must Die 36 Viva La Libertà 35 Cardboard Village (The) 40 Chair Of Happiness (The) 34 Darker Than Midnight 31 Dinner (The) 32 Easy 40 Entrepreneur (The) 41 -
96 Pagine Interne Layout 1 16/05/11 12:59 Pagina 3 96 Pagine Interne Layout 1 16/05/11 12:59 Pagina 4
96 pagine interne_Layout 1 16/05/11 12:59 Pagina 3 96 pagine interne_Layout 1 16/05/11 12:59 Pagina 4 ASSOCIAZIONE NAZIONALE INDUSTRIE CINEMATOGRAFICHE AUDIOVISIVE E MULTIMEDIALI - LA PRODUZIONE ITALIANA 2010 LA PRODUZIONE ITALIANA 2010 THE ITALIAN PRODUCTION Edito da ANICA I film compresi nel catalogo sono Associazione Nazionale Industrie lungometraggi di produzione italiana forniti Cinematografiche Audiovisive e Multimediali di visto censura nell’anno 2010 In collaborazione con il cast e crediti non contrattuali Ministero per i Beni e le Attività Culturali Direzione Generale per il Cinema ANICA Viale Regina Margherita, 286 A cura dell’Ufficio Stampa ANICA 00198 Roma (Italia) Tel. +39 06 4425961 Coordinatore Editoriale Fax +39 06 4404128 Paolo Di Reda email: [email protected] Elaborazioni Informatiche Elenco Inserzionisti Gennaro Bruni Alberto Grimaldi Productions p. XVII con la collaborazione di Cinetecnica 73 Romina Coppolecchia Eurolab 74 Kodak 75 Redazione e reperimento dati Medusa 76 Claudia Bonomo Panalight XXI Antonio Dell’Erario Sound Art V Technicolor II-III Progetto Grafico e impaginazione Una vita per il cinema 72 Selegrafica‘80 s.r.l. Stampa Selegrafica‘80 s.r.l. - Guidonia (Rm) www.selegrafica.it [email protected] Concessionaria esclusiva della pubblicità Fotolito e impianti Via Tor dè Schiavi, 355 - 00171 Roma Composit s.r.l. - Guidonia (Roma) Tel. 06 89015166 - fax. 06 89015167 [email protected] [email protected] - www.apsadvertising.it Le schede complete della produzione italiana 2010 sono consultabili al sito www.anica.it IV 96 pagine interne_Layout 1 16/05/11 12:59 Pagina 5 ità 7 g.it 96 pagine interne_Layout 1 16/05/11 12:59 Pagina 6 ASSOCIAZIONE NAZIONALE INDUSTRIE CINEMATOGRAFICHE AUDIOVISIVE E MULTIMEDIALI - LA PRODUZIONE ITALIANA 2010 ELENCO REGISTI LIST OF DIRECTORS A D I Adriatico, Andrea pag. -
4-12 Novembre | Cinema Savoy - Macro
Opera di Zoo Project, dalla serie di grafti "Les Martyrs" 4-12 NOVEMBRE | CINEMA SAVOY - MACRO Direzione Artistica e Organizzativa Redazione Artistic and Executive Management Editorial Staff Ginella Vocca Giulio Casadei Presidente Fondatore MedFilm Festival / MedFilm Francesca Passacantando Festival President and Founder Veronica Flora Mara Valente Giulio Casadei, Responsabile Programmazione Federica Licata / Head of Programming Gianfranco Pannone, Curatore Concorso Catalogo a cura di Documentari / International Documentary Films Catalog Curator Competition Programmer Alessandro Zoppo, Curatore Concorso Alessandro Zoppo Cortometraggi, Coordinamento programmazione / International Short Films Competition Grafca del Catalogo Programmer, Screening Coordinator Graphic Design Francesca Passacantando, Progetto Methexis / Methexis Project Andrea Pergola & Pietro Bindi - Dude Mag Comitato di Selezione Uffcio Stampa Selection Committee Press Offce Giulio Casadei Reggi&Spizzichino Communication Francesca Passacantando Veronica Flora Veronica Flora Natalia La Terza Alessandro Zoppo Giulia De Luca Gabrielli Gianfranco Pannone Visual Communication, Visual Identity, Digital PR Staff Organizzativo General Organization Valerio Innamorati Anthony Ettorre Movimento Copie / Film Shipment Web Design Management Francesca Delise Responsabile Ospitalità / Guest Simone Foti Manager Veronica Flora Responsabile rapporti Università / Foto & Video University Relations Manager Photos & Videos Giulia De Luca Gabrielli Responsabile comunicazione / Projection Coordinator -
I Filmati Dell’Industria E Del Movimento Operaio
Archivio Nazionale Cinema d’Impresa – Centro Sperimentale di Cinematografia Archivio Audiovisivo del Movimento Operaio e Democratico Con il contributo del Ministero dei Beni Culturali e Ambientali - Direzione Cinema Con il patrocinio della Regione Piemonte e del Comune di Ivrea In collaborazione con Archivio Storico Fiat, Archivio Olivetti, Archivio Edison, Fondazione Ansaldo, Archivio Eni, Cinecittà- Luce, Fondazione Musil, Museimpresa, Centro On line di Storia e Cultura dell’Industria, Istituto Gramsci-Torino, Fondazione Vera Nocentini, Archivio del Cinema Industriale e della Comunicazione d’Impresa-Liuc memoria contesa /memoria condivisa Il lavoro nei documenti filmati dell’industria e del movimento operaio a cura di Gabriele D’Autilia e Sergio Toffetti Città di Ivrea Provincia di TORINO MEMORIA CONTESA /MEMORIA CONDIVISA Il lavoro nei documenti filmati dell’industria e del movimento operaio Torino Ivrea Roma 30 novembre – 12 dicembre 2009 a cura di Sergio Toffetti e Gabriele D’Autilia Progetto grafico di Romana Nuzzo (Centro Sperimentale di Cinematografia) Si ringrazia per la collaborazione Laura Argento, Cesare Annibaldi, Enrico Bandiera, Giuseppe Berta, Luciano Gallino, Annamaria Licciardello, Alessandro Lombardo, Mariangela Michieletto, Francesca Magliulo, Lucia Nardi, Eugenio Pacchioli, Alessio Robino, Elena Testa, Maurizio Torchio, Arianna Turci, Mattia Voltaggio Il cinema al lavoro di Sergio Toffetti l cinema d’impresa ha rappresentato per tutto il Novecento un settore importante della politica indu - striale, e ha portato alla produzione di migliaia di documenti filmati che affrontano tutti gli aspetti Idella vita aziendale, dalle opere sociali alle fasi della produzione alla pubblicità. In parallelo vengono realizzati da partiti, sindacati, autori indipendenti, soprattutto a partire dal secondo dopoguerra, film di “controinformazione” sulle condizioni dei lavoratori, le rivendicazioni e le lotte sindacali, i nodi dello svi - luppo. -
Il Papà Di Giovanna Giovanna's Father Is a 2008 Drama Film Written And
Il papà di Giovanna Giovanna’s father is a 2008 drama film written and directed by Pupi Avati. Some of the movies directed by Pupi Avati: La rivincita di Natale (Christmas Rematch, 2004) Ma quando arrivano le ragazze? (2005) La seconda notte di nozze (2005) La cena per farli conoscere (2007) Il nascondiglio (The Hideout, 2007) Il papà di Giovanna (Giovanna’s Father, 2008) Gli amici del bar Margherita (The Friends at Margherita Café, 2009) Il figlio più piccolo (The youngest son, 2010) Una sconfinata giovinezza (A boundless youth, 2011) The Big Heart of the Girls (2011) Il bambino cattivo (2013) A Golden Boy (2014) Il Signor Diavolo (2019) Pupi Avati’s cinema resembles to one of those insects imprisoned in amber, which were often used as ornaments or paperweights in old houses. Like those insects, Pupi Avati's cinema is crystallized, immobilized in an ahistorical present, always equal to itself although it may appear different depending on the visual angle with which the translucent and transparent block of the mineral is approached. Watching a film by Avati brings to mind the entrance into the old great-grandmother’s house, full of laces and crinolines, imbued with the smell of aniseed candies and old and somewhat dusty furniture. The movie Il papà di Giovanna / Giovanna’s father was presented in competition at the 65th Venice International Film Festival where Silvio Orlando won the Volpi Cup for the best male performance. The cast includes Francesca Neri, Alba Rohrwacher and Ezio Greggio. Awards • 2009 - David di Donatello • 2009 - Nastro d'argento o Best non protagonist actor to Ezio Greggio o Best non protagonist actress to Francesca Neri • 2009 - Golden globe o Best revelation actress to Alba Rohrwacher o Special Golden Globe to Ezio Greggio • 2008 - Venice Film Festival o Best male interpretation to Silvio Orlando o Pasinetti Award to Silvio Orlando 1 Storyline In Bologna in the late thirties, Michele Casali is a design professor at the high school.