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Get Your Butt Off Bourbon Street, and Cross Over To
Rip up your tourist brochures! Get your butt off Bourbon Street, and cross over to the “other side.” Our no-holds-barred insider’s guide only is the thing you’ll ever need to experience New Orleans—and Mardi Gras—the way the coolest locals do. “NEW ORLEANS WAS a place to hide,” wrote Charles Bukowski, the dive sweeping up the horrors of Hurricane Katrina. That means fresh hell if bard and Barfly author. “I could piss away my life there.” you are in the French Quarter, where mounted police are just waiting for Which is what this most infamous city is for most visitors, especially the opportunity to pounce. during Mardi Gras season: a place to get hammered and stay that way, Why get laid over in Obvious Land, when you could be imbibing and lose your shirt, then your shit, hit the strip clubs and tourist traps of inhaling the spookiest, sexiest, tastiest, most haunted and hedonistic Bourbon Street, spend your cash on countless $9 Hurricane drinks and metropolis in the U.S., perhaps the world? “slippery nipple” shooters, all the while screaming, “Show us your tits!” Hide your wallet in your tighty-whities and follow our A-team of ex- at boozy, floozy coeds gone wild. perts—all seasoned veterans of crawling and brawling through every But is that what you really want to do when you’re in this “strange, dec- inch of the city—taking you, among many other best-kept secrets, to adent city,” as vampire novelist Anne Rice called it, for a long (read: lost) the extended block party of the Faubourg weekend? The entire time? BY STEVE GARBARINO Marigny’s Frenchmen Street, as well as a Mardi Gras this year falls on February 24—Fat Tuesday, as it’s called— PHOTOGRAPHS BY rollicking bar run down Magazine Street. -
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection. -
Faltplan New Orleans 2013
1 cm = 300 m New Orleans, Stadtgebiet 0 600 m © REISE KNOW-HOW 2013 S d 1,5 km t v . l P d Hebrew vd 90 d l a B B ly v A E l ti v l r en l n i l G n i Rest B s y B t a s h d r d LAKEVIEW i F t Cemetery v o a n l r r d L n n E a a v B o GENTILLY l n t y h B u e k s B c v i t e l e s A i 10 n r n Veter TERRACE a a ns Me mori al Blv n d W o DILLARD 3019 a P r d B lv A A d v F V ete v r ans Mt Olivet e Memorial i e e DESIRE l Cemetery d l S a ST. BERNARD s t e n r d AREA a n e v l A l i C n AREA v B A s e M i r v Dillard e e t km 1,5 W 3021 s University a A n v 10 o e m l City P a r k P A 610 a r i ly s til n e G METAIRIE 610 d v l B NAVARRE Ted Gormley A 91 r Lake Lawn Desaix v Blvd Stadium e Park Cem. 611 d d v R l d v r B e l r Botanical e i a B t n e Garden BROAD s M i W é St. -
The Documentation of Nineteenth-Century Gardens: an Examination of the New Orleans Notarial Archives
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1994 The Documentation of Nineteenth-Century Gardens: An Examination of the New Orleans Notarial Archives Stephanie Blythe Lewis University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Lewis, Stephanie Blythe, "The Documentation of Nineteenth-Century Gardens: An Examination of the New Orleans Notarial Archives" (1994). Theses (Historic Preservation). 456. https://repository.upenn.edu/hp_theses/456 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Lewis, Stephanie Blythe (1994). The Documentation of Nineteenth-Century Gardens: An Examination of the New Orleans Notarial Archives. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/456 For more information, please contact [email protected]. The Documentation of Nineteenth-Century Gardens: An Examination of the New Orleans Notarial Archives Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Lewis, Stephanie Blythe (1994). The Documentation of Nineteenth-Century Gardens: An Examination of the New Orleans Notarial -
Electronic Sales Tax Return - General Instructions 1
R-1029Ei (7/18) Electronic Sales Tax Return - General Instructions 1. Who Should File: All persons and dealers who are Revenue (LDR) is assigning business codes to sales tax 5. Paid Preparer: If this return was prepared by a paid subject to the tax levied under Chapter 2 of Subtitle II accounts based upon the North American Industry preparer, he or she must complete the paid preparer of Title 47 of the Louisiana Revised Statutes of 1950 as Classification System (NAICS). If your sales tax account information. That person must enter their name and amended, are required to file a tax return monthly or currently does not have a NAICS code assigned to it, identification number when preparing and filing the quarterly. Returns are due on or before the 20th day of please include this information on your sales tax return. return. If the paid preparer has a PTIN, the PTIN must each month for the preceding calendar month or quarter. NAICS codes may be found on your federal corpo- be provided; otherwise, the FEIN or LDR account num- If the due date falls on a weekend or holiday, the return rate income tax return or on your Louisiana Workforce ber must be provided. If the paid preparer represents a is due the next business day and becomes delinquent the Commission account. NAICS codes may also be found firm, the firm’s FEIN must also be provided. The failure next day thereafter. on the U.S. Census Bureau’s webpage at www.census.gov. of a paid preparer to sign or provide an identification 2. -
New Twists in the KITCHEN | WWL-TV | WUPL
New Twists IN THE KITCHEN | WWL-TV | WUPL Table of Contents Introduction Chef Kevin Belton Frank Davis 8 10 11 Oyster Chowder What is SoFAB? Cheeseburger Soup 13 15 17 ©2018 WWL-TV. All rights reserved. Frank's Healthy & Lasagna Soup Crawfish & Eggs Good for You Chili All recipes appear with permission of WWL-TV, the Frank Davis family, and Kevin Belton, except for photos and recipes on pages 64-73 which appear courtesy of Humana and Chef Nino. Humana logo appears with permission of Humana. Southern Food and Beverage Museum Logo and National Food & Beverage Foundation Culinary Heritage Register logo appear with permission of Southern Food and Beverage Museum. Photos on pages 18, 24, 34, and 58 appear courtesy of Monica Pazmino. 19 21 23 ©2018 WWL-TV. ALL RIGHTS RESERVED. | 3 IN THE KITCHEN | WWL-TV | WUPL IN THE KITCHEN | WWL-TV | WUPL Table of Contents Table of Contents Bacon Wrapped Frank's Sour Cream Frank's Gourmet Frank’s Famous Frank’s N’Awlins Frank’s Toasted Fish Baked Flounder with Quiche Potato Salad Grilled Veggies Shrimp Boiled Butter Shrimp Stuffing 25 27 29 43 45 47 Sauteed Zucchini Cauliflower with Chef Kevin's Frank’s Low-Fat Light & Summery Juilenned with Chicken Fricassee Anchovy Sauce Unwrapped Egg Roll Crispy Baked Catfish Chicken Parmesan Andouille & Shrimp 31 33 35 49 51 53 Guiltless & Innocent- Frank’s Frank’s Lightside Frank’s Low-Fat Oven Peanut Butter to-the-Bone Pasta Gourmet Griddled Praline Bacon Shrimp Ditalini Fried Crispy Chicken Pralines Alfredo Shrimp Po-Boy 37 39 41 55 57 59 4 | ©2018 WWL-TV. -
Pocket Calendar & Stakes Schedule
2020-2021 POCKET SCHEDULE 149th THOROUGHBRED RACING SEASON NOVEMBER 2020 DECEMBER 2020 JANUARY 2021 SS M T W TH F SS SS MM TT WW TH F S S SS M TT WW THTH FF SS * * * * * * * * * 3 4 5 1 2 * * * * * * * 6 * * * 10 11 12 3 * * 6 7 8 9 * * * * * * * 13 * * 16 17 18 19 10 * * * 14 15 16 * * * * 26 27 28 20 * * * * * 26 17 18 * * 21 22 23 29 * 27 28 * * 31 24 * * * 28 29 30 31 FEBRUARY 2021 MARCH 2021 PROGRAMMING S M T W TH F S S M T TH F S NOVEMBER 26 S M T W TH F S S M T W TH F S THANKSGIVING CLASSIC DECEMBER 12 * * 3 4 5 6 * * * 4 5 6 LOUISIANA CHAMPIONS DAY (LA) 7 * * * 11 12 13 7 * * * 11 12 13 DECEMBER 19 SANTA SUPER SATURDAY * 15 16 * 18 19 20 14 * * * 18 19 20 JANUARY 16 ROAD TO THE DERBY KICKOFF DAY 21 * * * 25 26 27 21 * * * 25 26 27 FEBUARY 13 LOUISIANA DERBY PREVIEW DAY 28 28 * * * MARCH 20 LOUISIANA DERBY DAY POST TIME 1PM UNLESS STATED BELOW: POST TIME - 11:00 AM POST TIME - 12:00 PM \ GRADED STAKES DAYS (DEC. 12, JAN. 16, FEB. 13 & MAR. 20) POST TIMES ARE SUBJECT TO CHANGE. 2020-2021 THOROUGHBRED RACING SEASON STAKES SCHEDULE DATE PURSE STAKES RUNNING CONDITIONS DISTANCE / SURFACE NOV 26 125,000 THANKSGIVING CLASSIC 96th 3YO/UP 6 FURLONGS DEC 5 75,000 PAN ZARETA STAKES 55th 3YO/UP FILLIES & MARES 5 1/2 FURLONGS* (T) DEC 11 50,000 THE MAGIC CITY CLASSIC 10th 3YO/UP ONE MILE DEC 12 LOUISIANA CHAMPIONS DAY (LA) 100,000 LA CHAMPIONS DAY QH JUVENILE STAKES - GRADE II 30th 2YO 350 YARDS 100,000 LA CHAMPIONS DAY QH DERBY - GRADE III 30th 3YO 400 YARDS 100,000 LA CHAMPIONS DAY QH CLASSIC - GRADE II 30th 4YO/UP 440 YARDS 100,000 LA CHAMPIONS -
Appraisal of Former Audubon School/ Carrollton Courthouse Property 719 South Carrollton Avenue New Orleans, Louisiana70118
APPRAISAL OF FORMER AUDUBON SCHOOL/ CARROLLTON COURTHOUSE PROPERTY 719 SOUTH CARROLLTON AVENUE NEW ORLEANS, LOUISIANA70118 FOR MR. LESLIE J. REY EXECUTIVE DIRECTOR PURCHASING/ANCILLARY SERVICES & TRANSPORTATION 3520 GENERAL DE GAULLE DRIVE 5TH FLOOR, ROOM 5078 NEW ORLEANS, LOUISIANA 70053 BY HENRY W. TATJE, III ARGOTE, DERBES & TATJE, LLC REPORT DATE 512 N. CAUSEWAY BLVD NOVEMBER 28, 2016 METAIRIE, LA 70001 504.830.3864 DIRECT LINE OUR FILE NUMBER 504.830.3870 FAX 16-296.003 ARGOTE, DERBES & TATJE, LLC. REAL ESTATE APPRAISAL & COUNSELING 512 N. Causeway Boulevard Metairie, Louisiana 70001 Direct Line: (504) 830-3864 Email: [email protected] November 28, 2016 Our File No. 16-0296.003 Mr. Leslie J. Rey Executive Director Purchasing/Ancillary Services & Transportation 3520 General De Gaulle Drive 5th Floor, Room 5078 New Orleans, Louisiana 70114 RE: Appraisal of Former Audubon School/Carrollton Courthouse Property 719 South Carrollton Avenue New Orleans, Louisiana 70118 Owner: Orleans Parish School Board Dear Mr. Rey: In accordance with your request, I have prepared a real property appraisal of the above-referenced property, presented in a summary appraisal report format. This appraisal report sets forth the most pertinent data gathered, the techniques employed, and the reasoning leading to my opinion of the current market value of the Unencumbered Fee Simple Interest in and to the appraised property in current “As Is Condition”. Market Value, as used herein, is defined as: "The most probable price which a property should bring in a competitive and open market under all conditions requisite to a fair sale, the buyer and seller each acting prudently and knowledgeably, and assuming the price is not affected by undue stimulus." The property rights appraised is the Unencumbered Fee Simple Interest which is defined as: “an absolute fee; a fee without limitations to any particular class of heirs or restrictions, but subject to the limitations of eminent domain, escheat, police power, and taxation. -
Bayou Boogaloo Authentic Cajun & Creole Cuisine
120 West Main Street, Norfolk, Virginia 23510 P: 757.441.2345 • W: festevents.org • E: [email protected] Media Release Media Contact: Erin Barclay For Immediate Release [email protected] P: 757.441.2345 x4478 Nationally Known New Orleans Chefs Serve Up Authentic Cajun & Creole Cuisine at 25th Annual Bayou Boogaloo and Cajun Food Festival presented by AT&T Friday, June 20 – Sunday, June 22, 2014 Town Point Park, Downtown Norfolk Waterfront, VA • • • NORFOLK, VA – (May 27, 2014) – Nothing says New Orleans like the uniquely delicious delicacies and distinctive flavor of Cajun & Creole cuisine! Norfolk Festevents is bringing nationally known chefs straight from New Orleans to Norfolk to serve up the heart and soul of Louisiana food dish by dish at the 25th Annual AT&T Bayou Boogaloo & Cajun Food Festival starting Friday, June 20- Sunday, June 22, 2014 in Town Point Park in Downtown Norfolk, VA. Norfolk’s annual “second line” with New Orleans’ unique culture spices it up this year with the addition of multiple New Orleans chefs that are sure to bring that special spirit to life in Town Point Park. Cooking up their famous cajun & creole cuisines are Ms. Linda The Ya-ka-Mein Lady, Chef Curtis Moore from the Praline Connection, Chef Woody Ruiz, New Orleans Crawfish King Chris “Shaggy” Davis, Jacques-Imo’s Restaurant, Edmond Nichols of Direct Select Seafood, Chef Troy Brucato, Cook Me Somethin’ Mister Jambalaya and more! They have been featured on such television shows as Anthony Bourdain’s “No Reservations”, Food Networks highly competitive cooking competition “Chopped”, “Food Paradise” and “The Best Thing I Ever Ate”. -
Music Outside? the Making of the British Jazz Avant-Garde 1968-1973
Banks, M. and Toynbee, J. (2014) Race, consecration and the music outside? The making of the British jazz avant-garde 1968-1973. In: Toynbee, J., Tackley, C. and Doffman, M. (eds.) Black British Jazz. Ashgate: Farnham, pp. 91-110. ISBN 9781472417565 There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/222646/ Deposited on 28 August 2020 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Race, Consecration and the ‘Music Outside’? The making of the British Jazz Avant-Garde: 1968-1973 Introduction: Making British Jazz ... and Race In 1968 the Arts Council of Great Britain (ACGB), the quasi-governmental agency responsible for providing public support for the arts, formed its first ‘Jazz Sub-Committee’. Its main business was to allocate bursaries usually consisting of no more than a few hundred pounds to jazz composers and musicians. The principal stipulation was that awards be used to develop creative activity that might not otherwise attract commercial support. Bassist, composer and bandleader Graham Collier was the first recipient – he received £500 to support his work on what became the Workpoints composition. In the early years of the scheme, further beneficiaries included Ian Carr, Mike Gibbs, Tony Oxley, Keith Tippett, Mike Taylor, Evan Parker and Mike Westbrook – all prominent members of what was seen as a new, emergent and distinctively British avant-garde jazz scene. Our point of departure in this chapter is that what might otherwise be regarded as a bureaucratic footnote in the annals of the ACGB was actually a crucial moment in the history of British jazz. -
Midwest Non-Deal Roadshow
Midwest Non-Deal Roadshow Prepared For: Investor Relations (NASDAQ: CHDN) October 7-8, 2014 Bill Mudd, President and CFO Mike Anderson, VP Finance & IR / Treasurer Forward-Looking Statements This document contains various “forward-looking statements” within the meaning of Section 27A of the Securities Act of 1933 and Section 21E of the Securities Exchange Act of 1934. The Private Securities Litigation Reform Act of 1995 (the “Act”) provides certain “safe harbor” provisions for forward-looking statements. All forward-looking statements are made pursuant to the Act. The reader is cautioned that such forward-looking statements are based on information available at the time and/or management’s good faith belief with respect to future events, and are subject to risks and uncertainties that could cause actual performance or results to differ materially from those expressed in the statements. Forward-looking statements speak only as of the date the statement was made. We assume no obligation to update forward-looking information to reflect actual results, changes in assumptions or changes in other factors affecting forward-looking information. Forward-looking statements are typically identified by the use of terms such as “anticipate,” “believe,” “could,” “estimate,” “expect,” “intend,” “may,” “might,” “plan,” “predict,” “project,” “hope,” “should,” “will,” and similar words, although some forward-looking statements are expressed differently. Although we believe that the expectations reflected in such forward-looking statements are reasonable, -
On the Mighty Mississippi
Tulane University On the mighty Mississippi January 25, 2017 3:00 PM Leslie Carde [email protected] The crescent of the Mississippi River that gave New Orleans its nickname winds into the sunset. (Photo by Jackson Hill) Amble just a stone’s throw downriver of Mardi Gras World, upriver of the Crescent City Connection Bridge, on the East Bank of the mighty Mississippi River in New Orleans, and you’ll note a sleek, modernistic grey building with water-retention gardens in front. Within the interestingly patterned walls of the new Tulane River and Coastal Center, remarkable things are happening: The crème de la crème of scientists are putting their heads together to solve the enormous problems of coastal restoration, in the wake of eroding wetlands and rising seas, in Louisiana. The River and Coastal Center is a new $5.5 million, 5,500-square-foot facility on the riverfront campus. The center is a component of the newly established ByWater Institute, bringing together researchers from across the university to address how to negotiate water’s peril and promise. “There was a poignant silver lining to the catastrophe, not in an environmental sense, but in that it accelerated our efforts to move this project forward.” Mike Blum, director of the ByWater Institute Tulane University | New Orleans | 504-865-5210 | [email protected] Tulane University “The idea [for a riverfront campus initiative] was hatched in the early 2000s,” said Mike Blum, associate professor of ecology and evolutionary biology, Eugenie Schwartz Professor of River and Coastal Studies and director of the ByWater Institute, “when it was referred to as the RiverSphere Initiative, which envisioned a campus dedicated to merging the arts with science and engineering.