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Finding Solutions
Finding Solutions National Council of Women Australia Triennial Conference Program Canberra ACT 17, 18, 19 October 2018 Welcome National President’s Welcome This is a very exciting conference with delegates from NCW Constituent Councils, Associate and Affiliates members from all around Australia including members of the National Council of Young Women of Australia. I am also very happy to welcome members of the public, government representatives and other interested people. The first NCWA conference was held in Melbourne in November 1932 with May Moss as President, after the establishment of the NCWA in 1931. The NCWA had been envisaged as an umbrella organisation to speak to government with one voice on Federal issues on behalf of the women of Australia. I am proud to say we are still doing that today as we agree on our resolutions to take to the Federal Government, along with the outcomes from the conference. This Conference builds on the NCWA Mid Term Conference where we examined the root causes of violence against women and homelessness for older women. This Triennial Conference provides us with the opportunity to take that knowledge further and work towards finding solutions to these very vexed and intractable problems. NCWA is delighted to have some of Australia’s leading experts in the field at the Triennial Conference, including the Minister for Women, other Members of Federal Parliament and academics who will provoke and challenge our thinking. There is a mix of speakers, panels and a Q&A session to inform us. There are breaks where we have time to gather our thoughts and have table discussions about the issues and come forward with ideas for solutions to the problems. -
DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11Am, 18.7.2013
THE NATIONAL ABORIGINAL & TORRES STRAIT ISLANDER MUSIC, SPORT, ENTERTAINMENT & COMMUNITY AWARDS DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11am, 18.7.2013 BC TV’s gripping, award-winning drama Redfern in the NBA finals, Patrick Mills, are finalists in the Male Sportsperson Now is a multiple finalist across the acting and of the Year category, joining two-time world champion boxer Daniel television categories in the 2013 Deadly Awards, Geale, rugby union’s Kurtley Beale and soccer’s Jade North. with award-winning director Ivan Sen’s Mystery Across the arts, Australia’s best Indigenous dancers, artists and ARoad and Satellite Boy starring the iconic David Gulpilil. writers are well represented. Ali Cobby Eckermann, the SA writer These were some of the big names in television and film who brought us the beautiful story Ruby Moonlight in poetry, announced at the launch of the 2013 Deadlys® today, at SBS is a finalist with her haunting memoir Too Afraid to Cry, which headquarters in Sydney, joining plenty of talent, achievement tells her story as a Stolen Generations’ survivor. Pioneering and contribution across all the award categories. Indigenous award-winning writer Bruce Pascoe is also a finalist with his inspiring story for lower primary-school readers, Fog Male Artist of the Year, which recognises the achievement of a Dox – a story about courage, acceptance and respect. Aboriginal and Torres Strait Islander musicians, will be a difficult category for voters to decide on given Archie Roach, Dan Sultan, The Deadly Award categories of Health, Education, Employment, Troy Cassar-Daley, Gurrumul and Frank Yamma are nominated. -
A Nn Ual R Eport 20 17– 18
Powerhouse Museum Sydney Observatory Museums Discovery Centre Annual ReportAnnual 2017–18 The Hon Don Harwin MLC Leader of the Government in the Legislative Council Minister for Resources Minister for Energy and Utilities Minister for the Arts Vice President of the Executive Council Parliament House Sydney NSW 2000 Dear Minister On behalf of the Board of Trustees and in accordance with the Annual Reports (Statutory Bodies) Act 1984 and the Public Finance and Audit Act 1983, we submit for presentation to Parliament the Annual Report of the Museum of Applied Arts and Sciences for the year ending 30 June 2018. Yours sincerely Professor Barney Glover FTSE FRSN Andrew Elliott President Acting Director ISSN: 2209-8836 © Trustees of the Museum of Applied Arts and Sciences 2018 The Museum of Applied Arts and Sciences is an Executive Agency of, and principally funded by the NSW State Government. MAAS Annual Report 1 2017–18 Contents Acknowledgment of country .........................................................................2 Mission, Vision, Values ..................................................................................3 Strategic direction ........................................................................................ 4 President’s foreword ..................................................................................... 6 Director’s foreword ....................................................................................... 8 Future of MAAS ...........................................................................................10 -
Thorragnarok59d97e5bd2b22.Pdf
©2017 Marvel. All Rights Reserved. CAST Thor . .CHRIS HEMSWORTH Loki . TOM HIDDLESTON Hela . CATE BLANCHETT Heimdall . .IDRIS ELBA Grandmaster . JEFF GOLDBLUM MARVEL STUDIOS Valkyrie . TESSA THOMPSON presents Skurge . .KARL URBAN Bruce Banner/Hulk . MARK RUFFALO Odin . .ANTHONY HOPKINS Doctor Strange . BENEDICT CUMBERBATCH Korg . TAIKA WAITITI Topaz . RACHEL HOUSE Surtur . CLANCY BROWN Hogun . TADANOBU ASANO Volstagg . RAY STEVENSON Fandral . ZACHARY LEVI Asgardian Date #1 . GEORGIA BLIZZARD Asgardian Date #2 . AMALI GOLDEN Actor Sif . CHARLOTTE NICDAO Odin’s Assistant . ASHLEY RICARDO College Girl #1 . .SHALOM BRUNE-FRANKLIN Directed by . TAIKA WAITITI College Girl #2 . TAYLOR HEMSWORTH Written by . ERIC PEARSON Lead Scrapper . COHEN HOLLOWAY and CRAIG KYLE Golden Lady #1 . ALIA SEROR O’NEIL & CHRISTOPHER L. YOST Golden Lady #2 . .SOPHIA LARYEA Produced by . KEVIN FEIGE, p.g.a. Cousin Carlo . STEVEN OLIVER Executive Producer . LOUIS D’ESPOSITO Beerbot 5000 . HAMISH PARKINSON Executive Producer . VICTORIA ALONSO Warden . JASPER BAGG Executive Producer . BRAD WINDERBAUM Asgardian Daughter . SKY CASTANHO Executive Producers . THOMAS M. HAMMEL Asgardian Mother . SHARI SEBBENS STAN LEE Asgardian Uncle . RICHARD GREEN Co-Producer . DAVID J. GRANT Asgardian Son . SOL CASTANHO Director of Photography . .JAVIER AGUIRRESAROBE, ASC Valkyrie Sister #1 . JET TRANTER Production Designers . .DAN HENNAH Valkyrie Sister #2 . SAMANTHA HOPPER RA VINCENT Asgardian Woman . .ELOISE WINESTOCK Edited by . .JOEL NEGRON, ACE Asgardian Man . ROB MAYES ZENE BAKER, ACE Costume Designer . MAYES C. RUBEO Second Unit Director & Stunt Coordinator . BEN COOKE Visual Eff ects Supervisor . JAKE MORRISON Stunt Coordinator . .KYLE GARDINER Music by . MARK MOTHERSBAUGH Fight Coordinator . JON VALERA Music Supervisor . DAVE JORDAN Head Stunt Rigger . ANDY OWEN Casting by . SARAH HALLEY FINN, CSA Stunt Department Manager . -
Download the Move It Mob Style Season 3 Press
Season 3 Press Kit MOVE IT MOB STYLE® Series 3 Move It Mob Style® breaks new ground by combining Hip Hop with contemporary Aboriginal and Torres Strait Islander moves to the beats of local Indigenous musicians. Choreographed and presented by young Aboriginal and Torres Strait Islander dancers, Move It Mob Style® gets you up and sweating while connecting with one of the world’s oldest cultures. Hosted by recognisable media personalities Naomi Wenitong and Brothablack, Move It Mob Style® showcases the wealth and diversity of culture, language, role models and good health of Aboriginal and Torres Strait Island peoples from around the country. So get off your couch, put mum’s vases away and get moving - Mob Style! One line Synopsis The Move It Mob Style® crew dance up a storm then break it down, step by step, for you to learn to the beats of the best Aboriginal and Torres Strait Islander Hip Hop. 2 About the Production Company Part of the Deadly Vibe Group, Vibe Australia Pty Ltd (Vibe) is an Aboriginal media and events company with a suite of fully integrated communication products much utilised and enjoyed by Aboriginal and Torres Strait Islander communities across Australia. Vibe has been working at the forefront of Aboriginal communications in the public and private sectors since 1994, specialising in the areas of health, employment, training, cultural awareness, the arts and sport. Vibe understands the manifold health challenges facing Aboriginal and Torres Strait Islander people. Indigenous Australians have higher rates of chronic disease than the non-Indigenous population, as well as a lower life expectancy. -
Reconciliation Australia Annual Review 2013-14
Annual Review 2013-14 Our vision is for everyone to wake to a reconciled, just and equitable Australia. Our aim is to inspire and enable all Australians to contribute to reconciliation and break down stereotypes and discrimination. We inspire and enable all Australians to contribute to reconciliation through various initiatives and programs in schools, communities and workplaces. Contents Co-Chairs’ message 3 CEO report 4 Reconciliation Action Plans 6 National Reconciliation Week 2014 8 Recognise: Constitutional Recognition 11 Narragunnawali: Reconciliation in Schools 12 Indigenous Governance Awards 14 Workplace Ready Program 16 Garma Festival 2013 18 Reconciliation Industry Networking Groups 20 Financial summary 22 Our supporters 24 Attendees of The Long Walk Wellbeing Concert during National Reconciliation Week 2014. Image by Melinda Ogden. 1 Melinda Cilento and Tom Calma AO at the Reconciliation: Leading Together dinner at Old Parliament House. Image by Joseph Mayers. 2 Co-Chairs’ message The past 12 months has been a Any change of government is usually Should that happen, the Australian We also acknowledge the work of Chief particularly productive time for followed by a period of uncertainty as economy (GDP) would be more than 1.15 Executive Leah Armstrong who has promises are met and policies change. per cent larger in real terms by 2031—a decided to step down after four years at Reconciliation Australia. As you However, Prime Minister Tony Abbott’s gain of about $24 billion in 2012/13 the helm. Leah has been instrumental in will read in this annual review, early decision to merge Indigenous Affairs dollar terms. It also found that the larger reinvigorating Reconciliation Australia and our partnerships and programs into his own department is indicative of tax base would increase Government in resetting the organisation’s strategic are making a real difference to his personal pledge to achieve positive revenues across the country by $7.2 focus. -
Annual Report 2016/17
2016 /17 INDIGENOUS LAND CORPORATION annual report INDIGENOUS LAND CORPORATion annual report 2016–17 Indigenous Land Corporation Annual Report 2016–17 ILC SEPTEMBER 2017 © COMMONWEALTH OF AUSTRALIA 2017 ISSN 1325 3395 Information about the ILC can be obtained from: Indigenous Land Corporation GPO Box 652 Adelaide SA 5001 Telephone: (08) 8100 7100 Facsimile: (08) 8180 0489 Email: [email protected] Website: www.ilc.gov.au The ILC’s Annual Reports are available electronically on the Publications page of the ILC’s website. The ILC respects Indigenous cultures and has taken all reasonable steps to ensure that the contents of this publication do not offend Aboriginal and Torres Strait Islander people. Acknowledgements Published by: Indigenous Land Corporation Production: Print Junction, an Indigenous owned and operated company Creative Commons licence With the exception of the Commonwealth Coat of Arms, and where otherwise noted, all material presented on FRONT COVER: The image features the landscape of this site is provided under a http://creativecommons.org/ Kings Run, a cultural acquisition near Arthur River in licenses/by/3.0/au/ licence. The details of the relevant Tasmania, and dancers from the Kwarbah Djookian Dance licence conditions are available on the Creative Commons Group at the opening of the Wooree Miya Women’s website (accessible using the links provided), as is the Refuge, Perth, built on land purchased with ILC assistance. http://creativecommons.org/licenses/by/3.0/au/legalcode. Cover design features graphic elements by Print Junction. The document must be attributed as the Indigenous Land Corporation Annual Report 2016–17. indigenousindigenous LAND CORP LANDORA TCOionRP ORATion ANNUAL REPORT 2016–17 13 September 2017 Senator the Hon Nigel Scullion MP Minister for Indigenous Affairs PO Box 6100, Senate Parliament House Canberra ACT 2600 Dear Minister I am pleased to present the Annual Report of the Indigenous Land Corporation covering the period 1 July 2016 to 30 June 2017. -
Part Five: Appendices
136 national museum of australia annual report 08–09 Part five: Appendices Detail of a needlework sampler depicting Botany Bay in the early years of settlement, acquired by the Museum in 2009. part five: appendices 137 138 national museum of australia annual report 08–09 Professor Andrea Hull ao Appendix 1 : BA Dip Ed (Sydney University) Council and committees MBA (Melbourne Business School) Executive Education AGSM, Harvard of the National Museum Fellow, Australian Institute of Company Directors of Australia Fellow, Australian Institute of Management Director, Victorian College of the Arts (to March 2009) Council members are appointed under Section 13(2) 12 December 2008 – 11 December 2011 of the National Museum of Australia Act 1980. Attended 2/2 meetings executive member Council Mr Craddock Morton members as at 30 june 2009 BA (Hons) (ANU) Mr Daniel Gilbert am (Chair) Director, National Museum of Australia LLB (University of Sydney) Acting Director: 15 December 2003 – 23 June 2004 Managing Partner, Gilbert+Tobin Director: 24 June 2004 – 23 June 2007 Non-Executive Director, National Australia Bank Limited Reappointed: 24 June 2007 – 23 June 2010 Director, Australian Indigenous Minority Supplier Council Attended 4/4 meetings Member, Prime Minister’s National Policy Commission on Indigenous Housing outgoing members in 2008–09 Councillor, Australian Business Arts Foundation The Hon Tony Staley ao (Chair) 27 March 2009 – 26 March 2012 LLB (Melbourne) Attended 1/1 meeting Chair, Cooperative Research Centres Association Dr John Hirst (Deputy -
Marriageability and Indigenous Representation in the White Mainstream Media in Australia
Marriageability and Indigenous Representation in the White Mainstream Media in Australia PhD Thesis 2007 Andrew King BA (Hons) Supervisor: Associate Professor Alan McKee Creative Industries, Queensland University of Technology Abstract By means of a historical analysis of representations, this thesis argues that an increasing sexualisation of Indigenous personalities in popular culture contributes to the reconciliation of non-Indigenous and Indigenous Australia. It considers how sexualised images and narratives of Indigenous people, as they are produced across a range of film, television, advertising, sport and pornographic texts, are connected to a broader politics of liberty and justice in the present postmodern and postcolonial context. By addressing this objective the thesis will identify and evaluate the significance of ‘banal’ or everyday representations of Aboriginal sexuality, which may range from advertising images of kissing, television soap episodes of weddings, sultry film romances through to more evocatively oiled-up representations of the pin- up-calendar variety. This project seeks to explore how such images offer possibilities for creating informal narratives of reconciliation, and engendering understandings of Aboriginality in the media beyond predominant academic concerns for exceptional or fatalistic versions. i Keywords Aboriginality Indigenous Marriageability Reconciliation Popular Culture Sexuality Relationships Interracial Public Sphere Mediasphere Celebrity ii Table of Contents Introduction …………………………………………………………………………. -
Annual Report Sydney Opera House Financial Year 2019-20
Annual Report Sydney Opera House Financial Year 2019-20 2019-20 03 The Sydney Opera House stands on Tubowgule, Gadigal country. We acknowledge the Gadigal, the traditional custodians of this place, also known as Bennelong Point. First Nations readers are advised that this document may contain the names and images of Aboriginal and Torres Strait Islander people who are now deceased. Sydney Opera House. Photo by Hamilton Lund. Front Cover: A single ghost light in the Joan Sutherland Theatre during closure (see page 52). Photo by Daniel Boud. Contents 05 About Us Financials & Reporting Who We Are 08 Our History 12 Financial Overview 100 Vision, Mission and Values 14 Financial Statements 104 Year at a Glance 16 Appendix 160 Message from the Chairman 18 Message from the CEO 20 2019-2020: Context 22 Awards 27 Acknowledgements & Contacts The Year’s Our Partners 190 Activity Our Donors 191 Contact Information 204 Trade Marks 206 Experiences 30 Index 208 Performing Arts 33 Precinct Experiences 55 The Building 60 Renewal 61 Operations & Maintenance 63 Security 64 Heritage 65 People 66 Team and Capability 67 Supporters 73 Inspiring Positive Change 76 Reconciliation Action Plan 78 Sustainability 80 Access 81 Business Excellence 82 Organisation Chart 86 Executive Team 87 Corporate Governance 90 Joan Sutherland Theatre foyers during closure. Photo by Daniel Boud. About Us 07 Sydney Opera House. Photo by by Daria Shevtsova. by by Photo Opera House. Sydney About Us 09 Who We Are The Sydney Opera House occupies The coronavirus pandemic has highlighted the value of the Opera House’s online presence and programming a unique place in the cultural to our artists and communities, and increased the “It stands by landscape. -
Global Media Journal - Australian Edition - Volume 3 Issue 2 2009
Global Media Journal - Australian Edition - Volume 3 Issue 2 2009 ‘Not Wrong for Long’: the Role and Penetration of News Wire Agencies in the 24/7 News Landscape Assoc Prof Jane Johnston – Bond University, Australia Dr Susan Forde – Griffith University, Australia Abstract This paper examines the role of Australia’s single news agency, Australian Associated Press (AAP), in the Australian news media landscape. Specifically, we examine the prevalence of AAP copy in the ‘Breaking News’ sections of two major news websites in an effort to create a preliminary understanding of the impact of AAP on Australian news content. The results suggest an overwhelming reliance on copy from not just AAP, but international news agencies, in major news websites. Increasingly, the need for large volumes of news copy, coupled with the need for that copy to be published online as soon as possible, would appear to be having a significant impact on the type and depth of news covered. The paper and its associated data-gathering techniques form part of a much broader examination of the role of AAP in Australian journalism, and particularly the evolving role of AAP and other wire services as a source or origin for news stories in an increasingly 24/7 news environment where the pressure to be first may be overriding the pressure to be right (Gawenda & Muller, 2009). Introduction It was called an “elaborate hoax” by the Australian Broadcasting Corporation’s Media Watch program: a fake press release which announced that former US president George Bush Snr. would attend an international conference at the Sydney Opera House on September 30, 2005. -
SNAICC Annual Report 2015-16
SNAICC ANNUAL REPORT 2015-16 SNAICC - NATIONAL VOICE FOR OUR CHILDREN SNAICC Annual Report 2015–16 | © SNAICC October 2016 Design by Mazart Design Studio | www.mazartdesignstudio.com Printed by Postscript Printing and Publishing, Eltham, Victoria Photography by Wayne Quilliam and Natasha Gillespie CONTENTS 2 About SNAICC, VISON & MISSION 5 Chairpersons message 9 CEO’s report 11 SNAICC milestones 12 SNAICC Governance 13 SNAICC National Executive STRONG VOICE FOR OUR CHILDREN 14 Our work, the four focus areas and five areas of activity 36 2015 Conference 38 Training and Development OPPORTUNITIES TO THRIVE IN THE EARLY YEARS 39 Communications 16 Journey to Big School 41 Membership 19 A place for culture 42 SNAICC & Sustainability 20 Deadly Futures 22 Early childhood education and care reform process RESPECTING CULTURE 44 Cultural competence STRENGTHENING FAMILIES 45 Supporting carers website 24 Family Matters 46 Children’s Day 26 Family Violence & Permanency 48 Little J & Big Cuz Project 28 NFPAC 31 Stronger Safer Together OTHER ITEMS 49 Survey Overview SELF DETERMINATION IN SERVICE DESIGN AND DELIVERY 50 SNAICC staff (inclusive: July 1 2015- June 30 2016) 32 Creating change through Partnerships Training 52 Independent Audit Report 35 Aboriginal family led decision-making 53 Statement of income and expenditure, 2015-16 financial year 53 Balance Sheet 53 Sources of SNAICC income ABOUT SNAICC SNAICC – National Voice for our Children is the Australian peak body for Aboriginal and Torres Strait Islander children. SNAICC works for the fulfilment