DOCSLIB.ORG

Aboriginal and Torres Strait Islander Healing Programs

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Aboriginal and Torres Strait Islander Healing Programs Aboriginal and Torres Strait Islander Healing Programs A Literature Review Authors Jane McKendrick, Robert Brooks, Jeffrey Hudson, Marjorie Thorpe, Pamela Bennett Acknowledgements Kelleigh Ryan, Alma Thorpe, Britt Romani, Regina Jagiello page 1 Defining our healing: a literature review Executive Summary This review summarises existing research on healing internationally and nationally, highlighting what constitutes an effective Aboriginal and Torres Strait Islander healing process. This evidence enables the identification of what constitutes an effective healing program and the gaps in our knowledge that can inform future evaluation and research priorities. The literature revealed that to be successful, a healing program needs to be created within the local context; respond to needs identified by local community members and be supported by the local community. Sustainability needs to be multi-level and include development and transfer of knowledge and resources. This includes strong evaluation frameworks that are consistent with an Aboriginal and Torres Strait Islander world view. The literature review has provided an inter-country context for healing that clearly demonstrates what constitutes an effective healing program; the interface between healing and health and the need for quality evaluations that incorporate Aboriginal knowledge systems. The depth of this material enables the Healing Foundation to identify a clear pathway to building and developing the evidence of healing into the future. Background Colonisation has had a profound impact on Aboriginal and Torres Strait Islander peoples resulting in unresolved trauma, which continues to be passed down through the generations. This is seen in community through lives marked by poverty, lack of educational opportunity, unemployment, poor health, shorter life expectancy, lack of access to services, racial discrimination, and ongoing marginalisation. Aboriginal and Torres Strait Islander communities are healing themselves through the incorporation of traditional practices and aspects of western methodologies in healing programs. Effective healing programs Effective healing programs show positive impacts on individuals, families and communities in terms of self-worth and identity. The evidence in this review demonstrates that these have had a positive impact on health status and health disparities (Wallerstein 2006). There are also positive impacts in terms of knowledge and skills acquisition by community members and the development of individual, family and community capacity. To be most effective healing programs must be sustainable from the beginning. This is achieved by ensuring there is intra- and extra-community capacity, that intra- and extra- community networks are in place, and that there are adequate resources and funding provided to enable long term support. Consistent evidence of the characteristics that result in effective healing programs are those: ♦ developed to address issues in their local community ♦ driven by local leadership ♦ based upon well-developed evidence and theory base ♦ combining both western methodologies and traditional healing in their treatment theory base ♦ informed about and understand the impact of colonisation and intergenerational trauma and grief ♦ building upon individual, family and community capacity through the acquisition of knowledge and skills ♦ incorporating strong evaluation frameworks ♦ With a proactive rather than reactive focus page 2 ATSI Literature Review Healing programs and Aboriginal and Torres Strait Islander systems of health Achieving optimal conditions for Aboriginal and Torres Strait Islander health and wellbeing requires a holistic and whole-of- life view. This must consider the social, emotional, cultural, spiritual and physical wellbeing of the whole community. This is in contrast to Western medical systems which have a focus on the individual and are disease focused. Indigenous healing programs from the United States of America, Canada and New Zealand have more in common with each other than with western health programs. All draw on elements of their Indigenous cultures including the underpinning values and concepts, traditional Indigenous healing practices and the essence of what it means to live a ‘good’ life. Common aims of the healing programs include increasing social and cultural identity and self-esteem, cultural knowledge and skills and cultural connectedness. The focus of the programs is not limited to the individual but extends more widely to the family and the community, with community ownership of programs and building of community capacity. Evaluation of the efficacy of Aboriginal and Torres Strait Islander healing programs Theorists and practitioners agree that current clinical and biomedical methods are not appropriate for the evaluation of community based healing programs, and this is supported by the literature pertaining to community based primary prevention programs. The most common method used is participatory action research (PAR) which values the knowledge systems of the community in which the program is conducted. Unfortunately rejection of the biomedical model and case control studies of efficacy raises some issues around acceptance of the findings of the PAR evaluations. Despite the debate about methodology of evaluation, the findings of evaluations using methods grounded in local Indigenous knowledge together with participatory action research and other qualitative methods are remarkably consistent across programs, tribal groups and countries, making them difficult to reject. Similarly the factors found to be associated with successful healing programs are similarly consistent across contexts. There is still a need for ongoing development of new methods for the assessment of the efficacy of healing programs. It is recommended that innovative methods of evaluation be developed to assess early and intermediate success of healing. These methods should incorporate: ♦ a range of definitions of efficacy ♦ a range of methodological approaches ♦ local social and cultural processes of decision making ♦ communities developing their own indicators of success ♦ sensitive measures of efficacy such as subjective attitudinal and behavioural changes. Such changes are subtle and occur over time and are not be detected by the relatively coarse clinical measures of efficacy currently available. If Aboriginal and Torres Strait Islander people are to have access to best practice healing programs further research is imperative. This is evident in the areas of the sustainability of the programs, the transferability of knowledge, and the adaption of programs successful in one locality to other regions. Methodological development is also urgently required using both Aboriginal and Torres Strait Islander and Western knowledge. The future The development of healing centres is emerging as an important approach towards addressing the healing needs of Aboriginal and Torres Strait Islander communities. In the evaluation of the Canadian Aboriginal Healing Foundation, healing centres were shown as one of the most effective investments towards positive outcomes for those suffering from the impact of intergenerational trauma and grief. Experts in the field of mental health and wellbeing are calling for an investment in healing centres in Australia. These investments would seek to address the social and emotional wellbeing needs of Aboriginal and Torres Strait Islander peoples. page 3 The evidence presented in this critical review of the literature pertaining to Indigenous healing and healing programs indicates that the establishment of community based Indigenous healing programs/centres established according to the principles discussed would have positive outcomes for Aboriginal and Torres Strait islander people, families and communities. Aboriginal and Torres Strait Islander communities are looking for ways to facilitate individual and community healing. At present there is insufficient infrastructure and investment in programmatic design to allow communities to establish effective long- term programs/centres. The emergence of adequately resourced healing centres within the Australian context would enable communities to develop healing and social emotional well being responses driven from Aboriginal and Torres Strait Islander world views. Conclusion This review points to: ♦ the importance of long term sustainable funding for healing ♦ the development of effective evaluation strategies and methodologies as critical to understanding what works and the long term impact of healing ♦ the need for quality programmatic design and theories to guide and develop healing work nationally This review creates a framework for change by contributing to: 1) the evidence base for healing; 2) program logic development; 3) principles and resources needed to establish viable healing programs; 4) guidelines for business development of healing programs and 5) the development of methods of evaluation to assist communities across Australia to build on their knowledge base in this area and use this knowledge to address issues pertaining to program operation. This work will assist the Healing Foundation and others to assist communities create quality healing environments that achieve long term change for individuals, families and communities, including quality systems required to support healing activities. page 4 ATSI Literature Review Aboriginal and Torres Strait Islander Healing Programs A Literature Review Contents Authors ................................................................................................................................................................................................................................................1
Load more

Recommended publications
  • Outback Meets the Beach SUNDAY 10 MARCH – MONDAY 18 MARCH 2011
    Elimatta asgmwp.net Winter 2011 Aboriginal Support Group – Manly Warringah Pittwater ASG acknowledges the Guringai People, the traditional owners of the lands and the waters of this area. Outback Meets the Beach SUNDAY 10 MARCH – MONDAY 18 MARCH 2011 In 2007, North Palm Beach SLSC launched a Following a lot of planning the very first group Jawoyn reconciliation and cultural exchange programme group taking part in Outback Meets the Beach were titled Outback meets the Beach. The objective of the flying from Darwin to Sydney on February 13, 2008, programme was to promote iconic young groups of while Australia’s then Prime Minister, Kevin Rudd, was Australians from the beaches with those of Outback apologising to the Stolen Generations on behalf of all Australia to travel to each other’s communities and spend Australians in Parliament. invaluable time learning and living in the vastly different While staying with members of the Surf Club at North environments that each has to offer. Palm Beach the Jawoyn mob are given the opportunity Each year young Indigenous youths between the to learn how to surf and gain instruction in swift water ages of 14 to 20 travel to Sydney’s Northern Beaches rescue techniques, as well as receive basic training from the remote Jawoyn communities of Burunga, in first aid and resuscitation. They also meet with and Manyallaluk, Bulman and Wugularr – from south west receive mentoring from Indigenous people working in Arnhem Land, near the heritage listed Kakadu National sport and the arts. Park in the Northern Territory of Australia. During their stay our Jawoyn visitors are taken on “It’s not just a holiday,” North Palm Beach SLSC behind the scenes tours to Taronga Zoo and the Sydney representative Terry Kirkpatrick said.
    [Show full text]
  • DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11Am, 18.7.2013
    THE NATIONAL ABORIGINAL & TORRES STRAIT ISLANDER MUSIC, SPORT, ENTERTAINMENT & COMMUNITY AWARDS DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11am, 18.7.2013 BC TV’s gripping, award-winning drama Redfern in the NBA finals, Patrick Mills, are finalists in the Male Sportsperson Now is a multiple finalist across the acting and of the Year category, joining two-time world champion boxer Daniel television categories in the 2013 Deadly Awards, Geale, rugby union’s Kurtley Beale and soccer’s Jade North. with award-winning director Ivan Sen’s Mystery Across the arts, Australia’s best Indigenous dancers, artists and ARoad and Satellite Boy starring the iconic David Gulpilil. writers are well represented. Ali Cobby Eckermann, the SA writer These were some of the big names in television and film who brought us the beautiful story Ruby Moonlight in poetry, announced at the launch of the 2013 Deadlys® today, at SBS is a finalist with her haunting memoir Too Afraid to Cry, which headquarters in Sydney, joining plenty of talent, achievement tells her story as a Stolen Generations’ survivor. Pioneering and contribution across all the award categories. Indigenous award-winning writer Bruce Pascoe is also a finalist with his inspiring story for lower primary-school readers, Fog Male Artist of the Year, which recognises the achievement of a Dox – a story about courage, acceptance and respect. Aboriginal and Torres Strait Islander musicians, will be a difficult category for voters to decide on given Archie Roach, Dan Sultan, The Deadly Award categories of Health, Education, Employment, Troy Cassar-Daley, Gurrumul and Frank Yamma are nominated.
    [Show full text]
  • Māori and Aboriginal Women in the Public Eye
    MĀORI AND ABORIGINAL WOMEN IN THE PUBLIC EYE REPRESENTING DIFFERENCE, 1950–2000 MĀORI AND ABORIGINAL WOMEN IN THE PUBLIC EYE REPRESENTING DIFFERENCE, 1950–2000 KAREN FOX THE AUSTRALIAN NATIONAL UNIVERSITY E PRESS E PRESS Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Fox, Karen. Title: Māori and Aboriginal women in the public eye : representing difference, 1950-2000 / Karen Fox. ISBN: 9781921862618 (pbk.) 9781921862625 (ebook) Notes: Includes bibliographical references and index. Subjects: Women, Māori--New Zealand--History. Women, Aboriginal Australian--Australia--History. Women, Māori--New Zealand--Social conditions. Women, Aboriginal Australian--Australia--Social conditions. Indigenous women--New Zealand--Public opinion. Indigenous women--Australia--Public opinion. Women in popular culture--New Zealand. Women in popular culture--Australia. Indigenous peoples in popular culture--New Zealand. Indigenous peoples in popular culture--Australia. Dewey Number: 305.4880099442 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover image: ‘Maori guide Rangi at Whakarewarewa, New Zealand, 1935’, PIC/8725/635 LOC Album 1056/D. National Library of Australia, Canberra. Cover design and layout by ANU E Press Printed by Griffin Press This edition © 2011 ANU E Press Contents Acknowledgements . vii Abbreviations . ix Illustrations . xi Glossary of Māori Words . xiii Note on Usage . xv Introduction . 1 Chapter One .
    [Show full text]
  • Zfa | ASJ 26 2012
    Zeitschrift für Australienstudien / Australian Studies Journal ZfA 26/2012 Seite | 5 From the editors of the issue he editors invite readers to a new and exciting issue of the TZeitschrift für Australienstudien: Australian Studies are becoming increasingly transnational not merely in relation to the background of its scholars but also in terms of academic themes. Like other settler societies, Australia has never been an isolated island. Rather, it has been shaped by diversity and global discourses. This diversity has been of geopolitical, cultural as much as literary influence. Despite this highly heterogeneous background, Australian Studies have nonetheless often been practised within national frameworks. Comparisons, let alone transnational approaches, have been relatively rare - at least from the perspective of systematic research. Today, Australian Studies scholars are experiencing an innovative shift in their various fields of research: translation studies, comparative historical and literary studies and transnational Indigenous Studies are starting to appear, complementing established research. This volume of the Zeitschrift für Australienstudien clearly reflects this new and intellectually highly promising change. Adi Wimmer has transnational structures of analysis in mind as he pursues a comparative approach in his biographically orientated article on Elizabeth Jolley. In his essay “’Don’t Forget About Electra!’ Elizabeth Jolley’s Life and its Reflection in her Works” Wimmer retraces parts of Jolley’s family history and also elaborates on the impact this biographical research exerts on the understanding of Jolly’s writings. Aside from this innovative approach to literary studies, this article is of great transnational importance. Elizabeth Jolly was born in Austria: her writing reflected Australian contexts as much as Central European discourses.
    [Show full text]
  • Day Break Teachers Notes
    DAY BREAK TEACHERS NOTES Written by Amy McQuire Illustrated by Matt Chun Published in January 2021 by Little Hare, an imprint of Hardie Grant Children’s Publishing SYNOPSIS In this moving picture book a young Indigenous girl describes her family’s journey back to Country, on Australia Day. Theirs is not a day for picnics and celebration. It is a day for remembering and for visiting Country. In both text and image, readers observe this family sharing stories and drawing strength from each other. This story interrogates the various narratives about ‘Australia Day’ and presents the Indigenous view of this national day of celebration, which in their history represents not a celebration, but a day of mourning. Nevertheless, this is not a story which encourages sadness. It is a book which celebrates Indigenous survival and resistance. It honours the past, while looking forward to a brighter future. This is a quietly confronting, honest and important story. It is designed to engage young readers in a crucial conversation about the true history of our country. It will encourage them to acknowledge the traditional owners of this land and to begin to engage in a meaningful reconciliation process with them. ABOUT THE AUTHOR Amy McQuire is a Darumbal and South Sea Islander woman from Rockhampton in Central Queensland. Amy is a freelance writer and journalist, and is currently completing a PhD at the University of Queensland into media representations of violence against Aboriginal women. Amy began her career straight out of high school, completing a cadetship at the National Indigenous Times (NIT) newspaper.
    [Show full text]
  • Vibe Activity 111 5-6.Indd
    Issue 111 Years 5-6 getndigenous artistsar tiststhe convergeconverge messageIndigenous culture,culture, held atat the ThisThis year’syear’s festivalfestival featuresfeatures on SydneySydney OperaOpera House this SydneySydney OperaOpera House.House. some innovativeinnovative newnew crcreations,eations, Imonth for the 2006 Message The festival combines as well as established Indigenous Sticks Festival. fi lm, theatre, music and art artists of world renown. The Message Sticks to showcase the talents of For more information Indigenous Arts Festival is Aboriginal Australians and or to book, head to www. an annual celebration of Indigenous artists from across sydneyoperahouse.com, or call contemporary Australian the globe. (02) 9250 7111. Two years ago, Ruby Hunter and uby Hunter and Archie Roach are the legendary Archie Roach wowed audiences duo of Aboriginal music. These talented singer/ Rsongwriters have inspired and uplifted us all with with their stage show, Ruby’s their wordswords and music.music. Story. Now, theatregoers have another chance to catch this TwoTwo yearsyears ago,ago, ArchieArchie and RubyRuby decided toto brbringing their ststoryory toto the stage afterafter meeting ccomposeromposer PaulPaul GrabowskyGrabowsky while inspiring story. on a traintrain toto WOMADelaide.WOMADelaide. TheThe resultresult of this fortuitousfortuitous meeting waswas Ruby’s Story. In the production, both Ruby and Archie perform alongside some of Australia’s leading jazz musicians and members of the Australian Art Orchestra. Together they recount Ruby’s early life by the banks of the Murray River in South Australia. With songs and stories they chart her search for identity and return to the place of her birth, this time with Archie, to build a new life and mend the wounds of the past.
    [Show full text]
  • Download the Move It Mob Style Season 3 Press
    Season 3 Press Kit MOVE IT MOB STYLE® Series 3 Move It Mob Style® breaks new ground by combining Hip Hop with contemporary Aboriginal and Torres Strait Islander moves to the beats of local Indigenous musicians. Choreographed and presented by young Aboriginal and Torres Strait Islander dancers, Move It Mob Style® gets you up and sweating while connecting with one of the world’s oldest cultures. Hosted by recognisable media personalities Naomi Wenitong and Brothablack, Move It Mob Style® showcases the wealth and diversity of culture, language, role models and good health of Aboriginal and Torres Strait Island peoples from around the country. So get off your couch, put mum’s vases away and get moving - Mob Style! One line Synopsis The Move It Mob Style® crew dance up a storm then break it down, step by step, for you to learn to the beats of the best Aboriginal and Torres Strait Islander Hip Hop. 2 About the Production Company Part of the Deadly Vibe Group, Vibe Australia Pty Ltd (Vibe) is an Aboriginal media and events company with a suite of fully integrated communication products much utilised and enjoyed by Aboriginal and Torres Strait Islander communities across Australia. Vibe has been working at the forefront of Aboriginal communications in the public and private sectors since 1994, specialising in the areas of health, employment, training, cultural awareness, the arts and sport. Vibe understands the manifold health challenges facing Aboriginal and Torres Strait Islander people. Indigenous Australians have higher rates of chronic disease than the non-Indigenous population, as well as a lower life expectancy.
    [Show full text]
  • Aboriginal History Journal: Volume 21
    Aboriginal History Volume twenty-one 1997 Aboriginal History Incorporated The Committee of Management and the Editorial Board Peter Read (Chair), Rob Paton (Secretary), Peter Grimshaw (Treasurer/Public Officer), Neil Andrews, Richard Baker, Ann Curthoys, Brian Egloff, Geoff Gray, Niel Gunson, Luise Hercus, Bill Humes, Ian Keen, David Johnston, Harold Koch, Isabel McBryde, Diane Smith, Elspeth Young. Correspondents Jeremy Beckett, Valerie Chapman, Ian Clark, Eve Fesl, Fay Gale, Ronald Lampert, Campbell Macknight, Ewan Morris, John Mulvaney, Andrew Markus, Bob Reece, Henry Reynolds, Shirley Roser, Lyndall Ryan, Bruce Shaw, Tom Stannage, Robert Tonkinson, James Urry. Aboriginal History aims to present articles and information in the field of Australian ethnohistory, particularly in the post-contact history of the Aborigines and Torres Strait Islanders. Historical studies based on anthropological, archaeological, linguistic and sociological research, including comparative studies of other ethnic groups such as Pacific Islanders in Australia will be welcomed. Issues include recorded oral traditions and biographies, narratives in local languages with translations, previously unpublished manuscript accounts, resumes of current events, archival and bibliographical articles, and book reviews. Editors 1997 Rob Paton and Di Smith, Editors, Luise Hercus, Review Editor and Ian Howie Willis, Managing Editor. Aboriginal History Monograph Series Published occasionally, the monographs present longer discussions or a series of articles on single subjects of contemporary interest. Previous monograph titles are D. Barwick, M. Mace and T. Stannage (eds), Handbook of Aboriginal and Islander History; Diane Bell and Pam Ditton, Law: the old the nexo; Peter Sutton, Country: Aboriginal boundaries and land ownership in Australia; Link-Up (NSW) and Tikka Wilson, In the Best Interest of the Child? Stolen children: Aboriginal pain/white shame, Jane Simpson and Luise Hercus, History in Portraits: biographies of nineteenth century South Australian Aboriginal people.
    [Show full text]
  • Marriageability and Indigenous Representation in the White Mainstream Media in Australia
    Marriageability and Indigenous Representation in the White Mainstream Media in Australia PhD Thesis 2007 Andrew King BA (Hons) Supervisor: Associate Professor Alan McKee Creative Industries, Queensland University of Technology Abstract By means of a historical analysis of representations, this thesis argues that an increasing sexualisation of Indigenous personalities in popular culture contributes to the reconciliation of non-Indigenous and Indigenous Australia. It considers how sexualised images and narratives of Indigenous people, as they are produced across a range of film, television, advertising, sport and pornographic texts, are connected to a broader politics of liberty and justice in the present postmodern and postcolonial context. By addressing this objective the thesis will identify and evaluate the significance of ‘banal’ or everyday representations of Aboriginal sexuality, which may range from advertising images of kissing, television soap episodes of weddings, sultry film romances through to more evocatively oiled-up representations of the pin- up-calendar variety. This project seeks to explore how such images offer possibilities for creating informal narratives of reconciliation, and engendering understandings of Aboriginality in the media beyond predominant academic concerns for exceptional or fatalistic versions. i Keywords Aboriginality Indigenous Marriageability Reconciliation Popular Culture Sexuality Relationships Interracial Public Sphere Mediasphere Celebrity ii Table of Contents Introduction ………………………………………………………………………….
    [Show full text]
  • The Black Arm Band Hidden Republic
    BIOGRAPHIES David Arden Sally Dastey Bevan Gabanbulu Ruby Hunter Rachael Maza Long Steven Richardson NEW AUSTRALIAN WORK Artist, Repertoire Adviser Artist (Gapanbulu Yunupingu) Artist Artist, Stage Direction, Spoken Word Script Conception, Direction World Artist Premiere David Arden has worked with many Aboriginal As one-third of Tiddas, Sally Dastey released Ruby Hunter is an Aboriginal woman of the Originally from the Torres Strait Islands, Rachael Steven Richardson has broad experience in the artists, from Hard Time Band and Koori Youth two acclaimed albums and four singles with Gapanbulu Yunupingu (Bevan Gabanbulu’s Ngarrindjeri clan of South Australia and was the Maza Long comes from a family of actors that arts spanning 20 years in a variety of artistic, Band to Bart Willoughby and Mixed Relations. accompanying videos, and was awarded an ARIA stage name) is the grandson of Yothu Yindi lead first Aboriginal woman to record her own album. spans three generations. A graduate of the producing and programming roles. He holds a As a guitarist with Archie Roach, he has toured Award. She launched her solo career with Secrets singer Mandawuy Yunupingu, and current yidaki She has recorded two albums, Thoughts Within Western Australian Academy of Performing Arts, Fine Arts degree in visual arts and also studied extensively both nationally and internationally. To Keep (2002) and has performed at numerous (didjeridu) player with Yothu Yindi. Gapanbulu and Feeling Good, and has toured extensively in she has had an impressive career in theatre, film, contemporary dance at Victorian College of the He has also written and performed songs for festivals while working on a range of projects Yunupingu has performed everywhere from Australia and overseas.
    [Show full text]
  • Oxford Big Ideas Humanities
    FILE NAME: SAL_OBI_HUMS10_VIC_07479_CVR SIZE: 217 x 280 SPINE: 24.6 mm COLOUR: FULL/CMYK 10 SAMPLE Mark Easton | Bernie Howitt | Joanne Wilson oxford Geraldine Carrodus | Tim Delany | Annie Wilson big ideas humanities VICTORIAN CURRICULUM OBI_HUMS10_VIC_07479_CVR_SI.indd 1 cyan magenta yellow black 16/09/2016 3:45 pm 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trademark of Oxford University Press in the UK and in certain other countries. Published in Australia by Oxford University Press 253 Normanby Road, South Melbourne, Victoria 3205, Australia © Mark Easton, Bernie Howitt, Joanne Wilson, Geraldine Carrodus, Tim Delany, Annie Wilson 2016 The moral rights of the author have been asserted First published 2016 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence, or under terms agreed with the appropriate reprographics rights organisation. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. National Library of Australia Cataloguing-in-Publication data Easton, Mark Gerald, author Humanities 10 Victorian curriculum / Mark Easton, Bernie Howitt, Joanne Wilson, Geraldine Carrodus, Tim Delany, Annie Wilson. ISBN: 9780190307479 (paperback) Series: Oxford big ideas.
    [Show full text]
  • NOTES for TEACHERS TELL ME WHY for YOUNG ADULTS By
    NOTES FOR TEACHERS TELL ME WHY FOR YOUNG ADULTS by ARCHIE ROACH SYNOPSIS Tell Me Why for Young Adults is an abridged version of Archie Roach AM’s highly acclaimed adult memoir, Tell Me Why, the Story of My Life and My Music, first published in 2019. Intimate, moving and utterly compelling, Archie’s life story traces the enormous odds he overcomes and his experiences of family and community, love and heartbreak, survival and renewal – and the healing power of music. The book also contains a playlist for young people curated by Archie, and the lyrics of many of his songs – in themselves powerful historical testimonies. Through a series of conversations, facilitated online during COVID-19, Archie connected with Elders and young people, enabling them to record their thoughts, memories and song lyrics. Some of their powerful words are included in the book. To view the conversations and to access an extensive suite of lesson plans and videos, please visit the Archie Roach Stolen Generations Resources, freely available on ABC Education. Created using song, books and stories to promote critical conversations across the country, the Resources are the result of a unique collaboration between the Archie Roach Foundation and Culture is Life. The focus was Archie’s iconic single ‘Took the Children Away’ from his multi-award-winning 1990 debut album Charcoal Lane, celebrating its 30th anniversary this year. After the pandemic shut down what was to be his final Australian tour, Roach re-recorded the Songs of Charcoal Lane at his kitchen table, on his mother’s ancestral homelands, Gunditjmara country, in south-western Victoria.
    [Show full text]