Re-Erection of the Vatican Obelisk, Record of All Egyptian
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Nilotic Livestock Transport in Ancient Egypt
NILOTIC LIVESTOCK TRANSPORT IN ANCIENT EGYPT A Thesis by MEGAN CHRISTINE HAGSETH Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Chair of Committee, Shelley Wachsmann Committee Members, Deborah Carlson Kevin Glowacki Head of Department, Cynthia Werner December 2015 Major Subject: Anthropology Copyright 2015 Megan Christine Hagseth ABSTRACT Cattle in ancient Egypt were a measure of wealth and prestige, and as such figured prominently in tomb art, inscriptions, and even literature. Elite titles and roles such as “Overseer of Cattle” were granted to high ranking officials or nobility during the New Kingdom, and large numbers of cattle were collected as tribute throughout the Pharaonic period. The movement of these animals along the Nile, whether for secular or sacred reasons, required the development of specialized vessels. The cattle ferries of ancient Egypt provide a unique opportunity to understand facets of the Egyptian maritime community. A comparison of cattle barges with other Egyptian ship types from these same periods leads to a better understand how these vessels fit into the larger maritime paradigm, and also serves to test the plausibility of aspects such as vessel size and design, composition of crew, and lading strategies. Examples of cargo vessels similar to the cattle barge have been found and excavated, such as ships from Thonis-Heracleion, Ayn Sukhna, Alexandria, and Mersa/Wadi Gawasis. This type of cross analysis allows for the tentative reconstruction of a vessel type which has not been identified previously in the archaeological record. -
Pagan-City-And-Christian-Capital-Rome-In-The-Fourth-Century-2000.Pdf
OXFORDCLASSICALMONOGRAPHS Published under the supervision of a Committee of the Faculty of Literae Humaniores in the University of Oxford The aim of the Oxford Classical Monographs series (which replaces the Oxford Classical and Philosophical Monographs) is to publish books based on the best theses on Greek and Latin literature, ancient history, and ancient philosophy examined by the Faculty Board of Literae Humaniores. Pagan City and Christian Capital Rome in the Fourth Century JOHNR.CURRAN CLARENDON PRESS ´ OXFORD 2000 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University's aim of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogota Bombay Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris SaÄo Paulo Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries Published in the United States by Oxford University Press Inc., New York # John Curran 2000 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2000 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same conditions on any acquirer British Library Cataloguing in Publication Data Data applied for Library of Congress Cataloging in Publication Data Curran, John R. -
Extraction and Use of Greywacke in Ancient Egypt Ahmed Ibrahim Othman
JFTH, Vol. 14, Issue 1 (2017) ISSN: 2314-7024 Extraction and Use of Greywacke in Ancient Egypt Ahmed Ibrahim Othman 1 Lecturer – Tourism Guidance Department Hotel Management and Restoration Institute, Abu Qir. [ Introduction The Quseir – Qift road was the only practical route in the Central Easter Desert as it was the shortest and easiest road from the Nile Valley to the Red Sea, in addition to the richness of the Bekhen stone quarries and the gold mines. Therefore, it was the preferred road by the merchants, quarrymen and miners. The Bekhen stone quarries of Wadi Hammamat forms an archaeological cluster of inscriptions, unfinished manufactures, settlements, workshops and remaining tools. It seems clear that the state was responsible for the Bekhen stone exploitation, given the vast amount of resources that had to be invested in the organization of a quarrying expedition. Unlike the other marginal areas, the officials leading the missions to Wadi Hammamat show different affiliations in terms of administrative branches. This is probably because Bekhen stone procurement was not the responsibility of the treasury, but these expeditions were entrusted to separate competent officials, graded in a specific hierarchy, forming well – organized missions with different workers for different duties and established wages and functionaries in charge of the administrative tasks. The greywacke quarries were not constantly or intensively exploited. The fact that the stone was used in private or royal statuary and not as a building stone could have caused its demand to be less than that of other materials such as granite, limestone or sandstone. Inscriptions indicated the time lapse between expeditions suggesting that this stone was only quarried when it was needed, which was not on a regular basis. -
Bulletin De L'institut Français D'archéologie Orientale
MINISTÈRE DE L'ÉDUCATION NATIONALE, DE L'ENSEIGNEMENT SUPÉRIEUR ET DE LA RECHERCHE BULLETIN DE L’INSTITUT FRANÇAIS D’ARCHÉOLOGIE ORIENTALE en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne BIFAO 109 (2009), p. 280-310 David Klotz The Statue of the dioikêtês Harchebi/Archibios. Nelson-Atkins Museum of Art 47-12 Conditions d’utilisation L’utilisation du contenu de ce site est limitée à un usage personnel et non commercial. Toute autre utilisation du site et de son contenu est soumise à une autorisation préalable de l’éditeur (contact AT ifao.egnet.net). Le copyright est conservé par l’éditeur (Ifao). Conditions of Use You may use content in this website only for your personal, noncommercial use. Any further use of this website and its content is forbidden, unless you have obtained prior permission from the publisher (contact AT ifao.egnet.net). The copyright is retained by the publisher (Ifao). Dernières publications 9782724707885 Wa??’iq mu?a??a??t al-?aramayn al-šar?fayn Jehan Omran bi-si?ill?t al-D?w?n al-??l? 9782724708288 BIFAO 121 9782724708424 Bulletin archéologique des Écoles françaises à l'étranger (BAEFE) 9782724707878 Questionner le sphinx Philippe Collombert (éd.), Laurent Coulon (éd.), Ivan Guermeur (éd.), Christophe Thiers (éd.) 9782724708295 Bulletin de liaison de la céramique égyptienne 30 Sylvie Marchand (éd.) 9782724708356 Dendara. La Porte d'Horus Sylvie Cauville 9782724707953 Dendara. La Porte d’Horus Sylvie Cauville 9782724708394 Dendara. La Porte d'Hathor Sylvie Cauville © Institut français d’archéologie orientale - Le Caire Powered by TCPDF (www.tcpdf.org) 1 / 1 The Statue of thedioikêtês Harchebi/Archibios Nelson-Atkins Museum of Art 47-12 david klotz he statue of Harchebi ranks among the finest works of Egyptian art in the Nelson-Atkins Museum of Art in Kansas City, Missouri (Inv. -
Egypt's Hieroglyphs Contain a Cultural Memory of Creation and Noah's Flood
The Proceedings of the International Conference on Creationism Volume 7 Article 36 2013 Egypt's Hieroglyphs Contain a Cultural Memory of Creation and Noah's Flood Gavin M. Cox Follow this and additional works at: https://digitalcommons.cedarville.edu/icc_proceedings DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to [email protected]. Browse the contents of this volume of The Proceedings of the International Conference on Creationism. Recommended Citation Cox, Gavin M. (2013) "Egypt's Hieroglyphs Contain a Cultural Memory of Creation and Noah's Flood," The Proceedings of the International Conference on Creationism: Vol. 7 , Article 36. Available at: https://digitalcommons.cedarville.edu/icc_proceedings/vol7/iss1/36 Proceedings of the Seventh International Conference on Creationism. Pittsburgh, PA: Creation Science Fellowship EGYPT'S HIEROGLYPHS CONTAIN CULTURAL MEMORIES OF CREATION AND NOAH'S FLOOD Gavin M. Cox, BA Hons (Theology, LBC). 26 The Firs Park, Bakers Hill, Exeter, Devon, UK, EX2 9TD. KEYWORDS: Flood, onomatology, eponym, Hermopolitan Ogdoad, Edfu, Heliopolis, Memphis, Hermopolis, Ennead, determinative, ideograph, hieroglyphic, Documentary Hypothesis (DH). ABSTRACT A survey of standard Egyptian Encyclopedias and earliest mythology demonstrates Egyptian knowledge of Creation and the Flood consistent with the Genesis account. -
Lateran Obelisk, Rome
LATERAN OBELISK, http://prev.enea.it ROME In collaboration with: Archaeological Superintendence of Rome, Superintendence of Monuments of Rome, SEA (Società Europont Appalti), ENEA MAT, coord. Prof. M. Diana Years: 2007 - 2008 The Obelisk was built in 15th centu- ry B.C. and brought by Constantius II to Rome in 357 A.D. It was lost and found again in 1587 and on August 3rd, 1588, according to the project of the architect Domenico Fontana, the Obelisk was raised in San Giovanni in Laterano, strategi- cally one of the most important ar- eas in Rome. Measurements of ambient and traf- fic-induced vibrations on the Obe- lisk were carried out, as part of a general study for preservation ef- forts. The recordings were obtained by the installation of velocimetric sensors on the structure, in differ- ent configurations. Data obtained were analyzed in time and frequency do- main, providing the first structural resonances and the corresponding mode shapes of the Obelisk. The experimental results were also compared with those obtained numerically by means of a finite element model. Mode 2 WE Mode 3 NS Mode 4 WE f = 1.27 Hz f = 6.73 Hz f = 6.15 Hz Noise measurements were also carried References out by arranging the sensors to the Buffarini G., Clemente P., Paciello ground at various hours of the day. No A., Rinaldis D. (2008). “Vibra- amplification of motion due to site ef- tion Analysis of the Lateran Obelisk”. Proc., 14th WCEE, Pa- fects was detected but the dynamic re- per S11-055, IAEE & CAEE, Mira sponse at the site was influenced by the Digital Publ., Saint Louis. -
Rome Architecture Guide 2020
WHAT Architect WHERE Notes Zone 1: Ancient Rome The Flavium Amphitheatre was built in 80 AD of concrete and stone as the largest amphitheatre in the world. The Colosseum could hold, it is estimated, between 50,000 and 80,000 spectators, and was used The Colosseum or for gladiatorial contests and public spectacles such as mock sea Amphitheatrum ***** Unknown Piazza del Colosseo battles, animal hunts, executions, re-enactments of famous battles, Flavium and dramas based on Classical mythology. General Admission €14, Students €7,5 (includes Colosseum, Foro Romano + Palatino). Hypogeum can be visited with previous reservation (+8€). Mon-Sun (8.30am-1h before sunset) On the western side of the Colosseum, this monumental triple arch was built in AD 315 to celebrate the emperor Constantine's victory over his rival Maxentius at the Battle of the Milvian Bridge (AD 312). Rising to a height of 25m, it's the largest of Rome's surviving ***** Arch of Constantine Unknown Piazza del Colosseo triumphal arches. Above the archways is placed the attic, composed of brickwork revetted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The arch served as the finish line for the marathon athletic event for the 1960 Summer Olympics. The Domus Aurea was a vast landscaped palace built by the Emperor Nero in the heart of ancient Rome after the great fire in 64 AD had destroyed a large part of the city and the aristocratic villas on the Palatine Hill. -
The Piazza Navona Obelisk
04 Parker.QXD 27/1/04 12:01 PM Page 193 Journal of Mediterranean Archaeology 16.2 (2003) 193-215 ISSN 0952-7648 Narrating Monumentality: The Piazza Navona Obelisk Grant Parker Department of Classical Studies, Duke University, 236 Allen Building, PO Box 90103, Durham, NC 27708-0103, USA. E-mail: [email protected] Abstract The Egyptian obelisks at Rome are monuments par excellence: as sites of memory they have been dis- tinctive, but over time also prone to appropriation and recontextualization. Owing to their bulk, ancient (and modern) attempts to transport them have attracted much attention. This paper begins with a biog- raphy of the obelisk now at Piazza Navona and proceeds to a broader consideration of the qualities that constitute a monument. In particular, its physical transportation is examined in relation to transmuta- tions of context and audience in time and space. The social processes within which they have been impli- cated suggest reconsideration of the nature, and indeed direction, of biographic narrative. To what extent can narrative, in this biographic form, adequately represent monumentality? in such a life-story by critically examining its Introduction workings and assumptions. One issue that the The obelisk now standing at the center of obelisk brings to the forefront is that of mon- Piazza Navona in Rome (Figure 1) has had an umentality: If we make the working assump- eventful life: quarried in Egypt, inscribed and tion that this is a monument, what are the shipped to the heart of Rome in the first cen- distinctive features -
Gaia Bencini Mphil Thesis Copia
University of Oxford Master of Philosophy in Egyptology Thesis The fascination for ancient Egypt and the interpretation of hieroglyphs in 18th century Rome: Pietro Bracci’s unpublished manuscript ‘I Geroglifici ed Obelischi Eggizzi’ Trinity Term 2018 Gaia Bencini Bencini Gaia © Preface This is a Master thesis completed on the 18th May 2018 for the degree of Master of Philosophy in Egyptology at the University of Oxford. Bencini Gaia © © Gaia Bencini 1 Acknowledgements My deepest gratitude goes to all the Griffith Institute’s staff and especially to Dr. Francisco Bosch-Puche for allowing me to work on the Bracci manuscript and for always supporting and helping me with infinite kindness and invaluable research advice. I would like to express my sincere gratitude to Prof. Elizabeth Frood and Prof. Richard B. Parkinson, who through their teachings and support have been an example of academic and human integrity and virtue. I thank them and Dr. Andreas Winkler for patiently correcting my work and allowing me to constantly improve through their feedback and motivation. I would also like to thank the Academy of San Luca, the Archivio Storico Diocesano of Civita Castellana, and the Archivio Capitolino di Roma for allowing me to consult the documents concerning Bracci and the members of his family. Last but not least, I am forever thankful to my family Roberto Bencini, Marina Carcea and Gemma Bencini, and to my friends Hwei Ru BenciniOng and Arianna Manzini for their continuous encouragement and unconditional support in all aspects of life. This research would not have been possible without them. Gaia Thank you. -
Exegesis and Dissimulation in Visual Treatises
Political Art of the Papacy: Visual Representations of the Donation of Constantine in the Early Modern Period by Silvia Tita A dissertation submitted in partial fulfillment on the requirements for the degree of Doctor of Philosophy (History of Art) in the University of Michigan 2013 Doctoral Committee: Professor Megan L. Holmes, Co-Chair Lecturer Thomas C. Willette, Co-Chair Professor Celeste A. Brusati Professor Louise K. Stein Associate Professor Achim Timmermann © Silvia Tita 2013 Acknowledgments The research period of this project brought me great intellectual joy. This would not have happened without the assistance of many professionals to whom I am much indebted. My deep gratitude to the staffs of the Biblioteca Apostolica Vaticana (with special thanks to Dott. Paolo Vian), the Archivio Segreto Vaticano, the Archivio di Stato Roma, the Biblioteca Angelica, the Biblioteca Casanatense, the Biblioteca Centrale di Roma, the Bibliotheca Hertziana, the Biblioteca di Storia dell'Arte et Archeologia, the Istituto Nazionale per la Grafica in Rome, the Biblioteca Marucelliana in Florence, Bibliothèque Nationale de France in Paris, the Departement des Arts Graphique and the Departement des Objets d'Art of the Louvre. I would also like to thank to the curators of the Kunstkammer Department of the Kunsthistorisches Museum in Vienna, especially to Dr. Konrad Schlegel who generously informed me on the file of the Constantine Cabinet. The project was born and completed as it is in Michigan. I would like to thank all members of my committee. Tom Willette deeply believed in the project and my ideas from the very beginning and offered great advice during our long conversations. -
The Story of Rome Digna Locus Roma Est Quo Deus Omnis Eat
The Story of Rome Digna locus Roma est quo Deus omnis eat. Ovid. Ail rights reserved .^•-' V '^K*/ 1 fefe^BBQEIMGtBWfflSlIM <;s*///S//> Kac The Story of ROME by Norwood Young Illustrated by Nelly Erich<sen London: / M. I hilt CT Co. Aldine House, 29 and 30 Bedford Street Covent Garden W.C. * * 1901 1) i'v PREFACE THE story of Rome covers an area so vast that it would be pedantic on my part to apologise for the omissions which will be observed on every page of this little book. It is, of necessity, an abridgment of the work of many authors and many volumes. The small space at my disposal has made it impossible to add to the story of Christianity in Rome any adequate consideration of Roman churches, museums and ruins. I have devoted one chapter, the second, to a slight sketch of the remains lying in the neighbourhood of the Colosseum and Forum Romanum, and I have mentioned the more important of the recent sensational discoveries, but it is too early yet to dogmatise as to their exact significance. Ex- cavation is still being keenly pursued, and new finds may at any moment negative the opinions already formed. Such other topographical references as the book contains will be found in the last chapter, and in the Appendix, which has a few practical suggestions as to hotels, etc., an itinerary for the hurried visitor, a short list of books, and a very brief statement of the more interesting objects to be found in some of the most important churches. -
The Functions and Toposyntax of Ancient Egyptian Hieroglyphs Exploring the Iconicity and Spatiality of Pictorial Graphemes
Signata Annales des sémiotiques / Annals of Semiotics 9 | 2018 Signatures - (Essais en) Sémiotique de l’écriture The Functions and Toposyntax of Ancient Egyptian Hieroglyphs Exploring the Iconicity and Spatiality of Pictorial Graphemes Stéphane Polis Electronic version URL: http://journals.openedition.org/signata/1920 DOI: 10.4000/signata.1920 ISSN: 2565-7097 Publisher Presses universitaires de Liège (PULg) Printed version Date of publication: 31 December 2018 Number of pages: 291-363 ISBN: 978-2-87562-165-8 ISSN: 2032-9806 Electronic reference Stéphane Polis, « The Functions and Toposyntax of Ancient Egyptian Hieroglyphs », Signata [Online], 9 | 2018, Online since 17 December 2018, connection on 01 May 2019. URL : http:// journals.openedition.org/signata/1920 ; DOI : 10.4000/signata.1920 Signata - PULg he Functions and Toposyntax of Ancient Egyptian Hieroglyphs: Exploring the Iconicity and Spatiality of Pictorial Graphemes* Stéphane Polis F.R.S.-FNRS – ULiège he hieroglyphic writing system igures prominently in many general descriptions of world writing systems 1 for at least three main reasons. First, it is one of few original (and one of the most ancient) writing systems, and its origin and development can be described quite precisely based on a sizeable quantity of written evidence. 2 Second, there is a ‘unity of art and writing’ 3 in ancient Egypt, and the igurative dimension of the hieroglyphic signs as well as the essential relationship between the pictorial and linguistic forms of expression are of paramount interest for linguists, art historians, and semioticians alike. 4 Finally, the functions of the hieroglyphic * I am very grateful to Orly Goldwasser (Jerusalem), Eitan Grossman (Jerusalem), Jean-Marie Klinkenberg (Liège), Mark-Jan Nederhof (St Andrews), François Provenzano (Liège), Serge Rosmorduc (Paris), and Jean Winand (Liège) for their insightful comments on earlier drats of this paper.