The Piazza Navona Obelisk
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1-Day Rome City Guide a Preplanned Step-By-Step Time Line and City Guide for Rome
1 day 1-day Rome City Guide A preplanned step-by-step time line and city guide for Rome. Follow it and get the best of the city. 1-day Rome City Guide 2 © PromptGuides.com 1-day Rome City Guide Overview of Day 1 LEAVE HOTEL Tested and recommended hotels in Rome > Take Metro Line A to Ottaviano San Pietro station 09:00-10:10 St. Peter's Basilica Largest Christian Page 5 church in the world 10:10-10:40 Piazza di San Pietro One of the best known Page 5 squares in the world Take Metro Line A from Ottaviano San Pietro station to Termini station (Direction: Anagnina) Change to Metro Line B from Termini station to Colosseo station (Direction: Laurentina) - 30’ in all 11:10-12:40 Colosseum Iconic symbol of Page 6 Imperial Rome Take a walk to Arch of Constantine - 5’ 12:45-12:55 Arch of Constantine Majestic monument Page 6 Lunch time Take a walk to Piazza Venezia 14:30-14:50 Piazza Venezia Focal point of modern Page 7 Rome Take a walk to the Pantheon - 15’ 15:05-15:35 Pantheon The world's largest Page 7 unreinforced concrete Take a walk to Piazza Navona - 10’ dome 15:45-16:15 Piazza Navona One of the most Page 7 beautiful squares in Take a walk to Trevi Fountain - 25’ Rome 16:40-17:10 Trevi Fountain One of the most familiar Page 8 sights of Rome Take a walk to Spanish Steps - 20’ 17:30-18:00 Spanish Steps Rome's most beloved Page 8 Rococo monument END OF DAY 1 © PromptGuides.com 3 1-day Rome City Guide Overview of Day 1 4 © PromptGuides.com 1-day Rome City Guide Attraction Details 09:00-10:10 St. -
Pagan-City-And-Christian-Capital-Rome-In-The-Fourth-Century-2000.Pdf
OXFORDCLASSICALMONOGRAPHS Published under the supervision of a Committee of the Faculty of Literae Humaniores in the University of Oxford The aim of the Oxford Classical Monographs series (which replaces the Oxford Classical and Philosophical Monographs) is to publish books based on the best theses on Greek and Latin literature, ancient history, and ancient philosophy examined by the Faculty Board of Literae Humaniores. Pagan City and Christian Capital Rome in the Fourth Century JOHNR.CURRAN CLARENDON PRESS ´ OXFORD 2000 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University's aim of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogota Bombay Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris SaÄo Paulo Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries Published in the United States by Oxford University Press Inc., New York # John Curran 2000 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2000 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same conditions on any acquirer British Library Cataloguing in Publication Data Data applied for Library of Congress Cataloging in Publication Data Curran, John R. -
Lesson Four: Zoom in on Italy Factsheet on Naples
Lesson Four: Zoom in on Italy Factsheet on Naples Name in Italian: Roma Region located in: Lazio Population: 2,840,000 Historical background Rome is known as the Eternal City. This means it has always been a major city in world history. Rome began as an Etruscan City. However, Roman legend tells us that the founders of Rome were the twins Romulus and Remus. Rome City is built around seven hills. The Romans are one of the most famous civilisations in the world and the city grew to its peak under their command. Roman rule lasted nearly 500 years. Most famous tourist sights Rome is the capital city of Italy. It is known as an ancient city and millions of tourists visit the city to see the famous Roman artefacts. The most popular places to visit are the Colosseum, The Forum, Spanish Steps, The Pantheon, St. Peters Basilica, Piazza Navona and Sant’Angelo Castle. The Vatican City is extremely popular, not only because this is where the Pope lives, but because it is its own independent city state. City economics Rome is the capital city. Tourism forms an important part of the economy of the city. However, although it is the capital of the country, most of the businesses and banks in Italy are located in the northern cities. The Comunes in Rome are trying to attract international businesses to the city, such as banking, insurance, printing, publishing and fashion. Italy makes a lot of films, and the offices for these films can be found very close to Rome. Other information The Comunes of Rome want to develop the city. -
9781107013995 Index.Pdf
Cambridge University Press 978-1-107-01399-5 — Rome Rabun Taylor , Katherine Rinne , Spiro Kostof Index More Information INDEX abitato , 209 , 253 , 255 , 264 , 273 , 281 , 286 , 288 , cura(tor) aquarum (et Miniciae) , water 290 , 319 commission later merged with administration, ancient. See also Agrippa ; grain distribution authority, 40 , archives ; banishment and 47 , 97 , 113 , 115 , 116 – 17 , 124 . sequestration ; libraries ; maps ; See also Frontinus, Sextus Julius ; regions ( regiones ) ; taxes, tarif s, water supply ; aqueducts; etc. customs, and fees ; warehouses ; cura(tor) operum maximorum (commission of wharves monumental works), 162 Augustan reorganization of, 40 – 41 , cura(tor) riparum et alvei Tiberis (commission 47 – 48 of the Tiber), 51 censuses and public surveys, 19 , 24 , 82 , cura(tor) viarum (roads commission), 48 114 – 17 , 122 , 125 magistrates of the vici ( vicomagistri ), 48 , 91 codes, laws, and restrictions, 27 , 29 , 47 , Praetorian Prefect and Guard, 60 , 96 , 99 , 63 – 65 , 114 , 162 101 , 115 , 116 , 135 , 139 , 154 . See also against permanent theaters, 57 – 58 Castra Praetoria of burial, 37 , 117 – 20 , 128 , 154 , 187 urban prefect and prefecture, 76 , 116 , 124 , districts and boundaries, 41 , 45 , 49 , 135 , 139 , 163 , 166 , 171 67 – 69 , 116 , 128 . See also vigiles (i re brigade), 66 , 85 , 96 , 116 , pomerium ; regions ( regiones ) ; vici ; 122 , 124 Aurelian Wall ; Leonine Wall ; police and policing, 5 , 100 , 114 – 16 , 122 , wharves 144 , 171 grain, l our, or bread procurement and Severan reorganization of, 96 – 98 distribution, 27 , 89 , 96 – 100 , staf and minor oi cials, 48 , 91 , 116 , 126 , 175 , 215 102 , 115 , 117 , 124 , 166 , 171 , 177 , zones and zoning, 6 , 38 , 84 , 85 , 126 , 127 182 , 184 – 85 administration, medieval frumentationes , 46 , 97 charitable institutions, 158 , 169 , 179 – 87 , 191 , headquarters of administrative oi ces, 81 , 85 , 201 , 299 114 – 17 , 214 Church. -
Borromini and the Cultural Context of Kepler's Harmonices Mundi
Borromini and the Dr Valerie Shrimplin cultural context of [email protected] Kepler’sHarmonices om Mundi • • • • Francesco Borromini, S Carlo alle Quattro Fontane Rome (dome) Harmonices Mundi, Bk II, p. 64 Facsimile, Carnegie-Mellon University Francesco Borromini, S Ivo alla Sapienza Rome (dome) Harmonices Mundi, Bk IV, p. 137 • Vitruvius • Scriptures – cosmology and The Genesis, Isaiah, Psalms) cosmological • Early Christian - dome of heaven view of the • Byzantine - domed architecture universe and • Renaissance revival – religious art/architecture symbolism of centrally planned churches • Baroque (17th century) non-circular domes as related to Kepler’s views* *INSAP II, Malta 1999 Cosmas Indicopleustes, Universe 6th cent Last Judgment 6th century (VatGr699) Celestial domes Monastery at Daphne (Δάφνη) 11th century S Sophia, Constantinople (built 532-37) ‘hanging architecture’ Galla Placidia, 425 St Mark’s Venice, late 11th century Evidence of Michelangelo interests in Art and Cosmology (Last Judgment); Music/proportion and Mathematics Giacomo Vignola (1507-73) St Andrea in Via Flaminia 1550-1553 Church of San Giacomo in Augusta, in Rome, Italy, completed by Carlo Maderno 1600 [painting is 19th century] Sant'Anna dei Palafrenieri, 1620’s (Borromini with Maderno) Leonardo da Vinci, Notebooks (318r Codex Atlanticus c 1510) Amboise Bachot, 1598 Following p. 52 Astronomia Nova Link between architecture and cosmology (as above) Ovals used as standard ellipse approximation Significant change/increase Revival of neoplatonic terms, geometrical bases in early 17th (ellipse, oval, equilateral triangle) century Fundamental in Harmonices Mundi where orbit of every planet is ellipse with sun at one of foci Borromini combined practical skills with scientific learning and culture • Formative years in Milan (stonemason) • ‘Artistic anarchist’ – innovation and disorder. -
Download The
FREE MAP 7 9 8 VISITOR CENTER 7 1 6 ARTE RELIGIOSA CAPRIOTTI SIGHTSEEING CENTER VIA G. AMENDOLA 32 2 5 PanamicOPEN TOUR Hop-on Hop-off TERMINI SANTA MARIA MAGGIORE COLOSSEO 3 BOCCA DELLA VERITÀ/CIRCO MASSIMO PIAZZA VENEZIA/CAMPIDOGLIO VATICANO/MUSEI VATICANI PIAZZA NAVONA/PANTHEON/CASTEL SANT'ANGELO FONTANA DI TREVI/PIAZZA DI SPAGNA VILLA BORGHESE/VIA VENETO PIAZZA BARBERINI 4 bus evy 10 minutes Since 1978 more than 28.000.000 satisfied customers Bk yr tr he! TOUR 9 TOUR 6 Ancient Castelli Ostia Romani AFTERNOON r FRASCATI, CASTELGANDOLFO, GROTTAFERRATA AND t BEAUTY MEDIEVAL VILLAGES OUTSIDE ROME THE PORT OF ANCIENT ROME. PORTA ROMANA, TERME DI NETTUNO, THERMOPOLIUM. ded € 52,00 p.p. Gui € 60,00 p.p. TOUR 1 Excsis Classical Excsis TOUR 7 TOUR 13 TOUR 17 Rome Tivoli Assisi Florence Orvieto MORNING TREVI FOUNTAIN, PANTHEON, PIAZZA NAVONA, CASTEL SANT'ANGELO (no visit), ST. PETER’S BASILICA (WITH PAPAL BLESSING ON SUNDAYS) ST FRANCIS’ BASILICA, SANTA MARIA DEGLI ANGELI, THE CRADLE OF THE RENAISSANCE PERIOD. DAVID BY MICHELANGELO, VILLA ADRIANA, VILLA D’ESTE AND ITS FOUNTAINS € 41,00 p.p. CHAPEL OF PORZIUNCOLA CATHEDRAL OF SANTA MARIA DEL FIORE, GIOTTO’S BELL TOWER AND € 106,00 p.p. PIAZZA DELLA SIGNORIA € 66,00 p.p. CityCity TrTr € 156,00 p.p. TOUR 3 TOUR 10 TOUR 2 Vatican TOUR 15 Illuminated TOUR 12 TOUR 14 Imperial Museums Naples Rome Rome Rome by Capri Pompeii SKIP THE LINE night Blue Grotto* SKIP THE LINE MORNING/ with dinner AFTERNOON AFTERNOON VATICAN MUSEUMS, SISTINE CHAPEL, ST. PETER’S BASILICA COLOSSEUM, ST. -
Rome Tourist Information
Rome As capital of the Roman Empire, the Papal States and Italy, Rome truly is the "Eternal City". One of the world's most elegant capitals the layers of history and the city's sheer excess of beauty can prove overwhelming to the unsuspecting visitor. This is a city best explored on foot, with every corner offering an overlooked treasure or unforgettable panorama. Roman columns soar up aimlessly next to medieval basilicas, the sound of water splashing in fountains fills the air in front of Renaissance palaces and exuberant Romans jostle through multi-coloured markets and winding cobbled streets. Breathe the air of the Caesars in the Roman forum, stroll through the menacing Colosseum, marvel at the splendours of the Vatican Palace - and you will wonder if this can be the capital of a modern industrial nation or whether you have stepped back into the pages of history. But around these relics of history Rome is still evolving. It's at the cutting edge of fashion and cuisine and is one of the most popular shopping destinations on Earth. So prepare to soak up history and modernity in equal measure in one of Europe's most fascinating cities. Sightseeing Rome is a work of art in itself and you'll never tire of wandering its streets and plazas, discovering new and ever greater architectural gems with every turn. Seeing the many treasures the city contains would take a lifetime, but there are several highlights that remain essential on a trip to the Eternal City. The Roma Archeologia Card costs EUR20 and is valid for 7-days. -
The Building of Palazzo Pamphilj
The building of Palazzo Pamphilj Author: Stephanie Leone Persistent link: http://hdl.handle.net/2345/bc-ir:107932 This work is posted on eScholarship@BC, Boston College University Libraries. Published in Palazzo Pamphilj: Embassy of Brazil in Rome, pp. 15-67, 2016 These materials are made available for use in research, teaching and private study, pursuant to U.S. Copyright Law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publicat PALAZZO PAMPHILJ Embassy of Brazil in Rome UMBERTO ALLEMANDI The Building of Palazzo Pamphiij STEPHANIE LEONE he Palazzo Pamphilj overlooks the Piazza Navona, one of the largest and most celebrated public spaces in T Rome that is situated at the heart of the historical centre (fig. I). The monumental palace stretches for eighty ,five metres along the Western flank of the piazza from the Southern corner coward the Northern end. The exceptionally long fapde is organised into a symmetrical sequence of bays with a projecting central section and is buttressed, at the North end, by a distinct fapde with a large serliana win, dow (an arch with crabeaced sides). The exterior boasts a profusion of ornament that enlivens the surface and punctuates the horizontality of the building. Through sheer scale and abundance of form, the Palazzo Pamphilj bespeaks grandeur and authority. Architecture serves the rhetorical functions of communication and persuasion. In the early modem period (ca. 1500-1800), palaces in particular became synonymous with the statm of their owners. Today, the Palazzo Pamphilj houses the Embassy of Brazil in Rome, but until the government ofBrazil purchased the palace in 1960, it had belonged to the Pamphilj family. -
Global Seminar Culture Wars in Rome
Global Seminar Culture Wars in Rome NOTE: The purpose of this presentation is strictly VATICAN CITY informational; finalized plans for the program such By Blake Buchanan as dates, excursions, etc. will be confirmed with participants following admission. Highlights • Numerous excursions around Rome! • Live in Central Rome • Compare Ancient, Renaissance, Baroque, and Modern Rome • 3 credits in 2 weeks ROME by Natalie White Meet the Director Priscilla Craven, a Professor in Italian, will direct the program. She teaches various courses in Italian language, art, art history, literature, and culture. She directed the Culture Wars program from 2014-2016 and has taken students to Italy 10 times. ROME • World heritage site • Mix of ancient and • 2.6 million modern inhabitants • Multicultural and historical ROME By Blake Buchanan Academics • Investigate ancient, Renaissance, Baroque and contemporary Rome • Earn 3 upper-division credits: ENES 3700, Culture Wars in Rome • Fulfills: • Engineering H/SS • Italian Major • CMCI Historical Views & Humanities/Arts ROME by Natalie White Excursions The Roman Forum, Colosseum, St. Peter's Basilica and Castel S. Angelo, Trevi Fountain, Spanish Steps, Piazza del Popolo, the Vatican, including Sistine Chapel, Piazza Navona, Pantheon, Villa Borghese, and Maxxi museum of modern art ITALY By Blake Buchanan Housing • Double rooms in a simple hotel • Located near Piazza Navona ROME By Natalie White Class on- site and presentation Art re-enactment Meals and gelato crawl Dates and Deadline • Deadline: February 1st • -
Lateran Obelisk, Rome
LATERAN OBELISK, http://prev.enea.it ROME In collaboration with: Archaeological Superintendence of Rome, Superintendence of Monuments of Rome, SEA (Società Europont Appalti), ENEA MAT, coord. Prof. M. Diana Years: 2007 - 2008 The Obelisk was built in 15th centu- ry B.C. and brought by Constantius II to Rome in 357 A.D. It was lost and found again in 1587 and on August 3rd, 1588, according to the project of the architect Domenico Fontana, the Obelisk was raised in San Giovanni in Laterano, strategi- cally one of the most important ar- eas in Rome. Measurements of ambient and traf- fic-induced vibrations on the Obe- lisk were carried out, as part of a general study for preservation ef- forts. The recordings were obtained by the installation of velocimetric sensors on the structure, in differ- ent configurations. Data obtained were analyzed in time and frequency do- main, providing the first structural resonances and the corresponding mode shapes of the Obelisk. The experimental results were also compared with those obtained numerically by means of a finite element model. Mode 2 WE Mode 3 NS Mode 4 WE f = 1.27 Hz f = 6.73 Hz f = 6.15 Hz Noise measurements were also carried References out by arranging the sensors to the Buffarini G., Clemente P., Paciello ground at various hours of the day. No A., Rinaldis D. (2008). “Vibra- amplification of motion due to site ef- tion Analysis of the Lateran Obelisk”. Proc., 14th WCEE, Pa- fects was detected but the dynamic re- per S11-055, IAEE & CAEE, Mira sponse at the site was influenced by the Digital Publ., Saint Louis. -
Marble Provenance Unknown Pr
Catalogue of the Portraits 1. Diocletian (?) H. 0,36 m. Date: c. 284-305 (although early is likely) Marble Provenance unknown Private Collection (Michael Miller Collection, New York) Frowning; medium length beard; leaf headband around head (corona civilis ); furrowed brow; grey/ brown unfinished marble base (not attached); iron mounting rod inserted in bottom. Info: Minneapolis Institute of Art description card; Minneapolis, Minnesota, USA. Source Image: http://www.flickr.com/photos/11257308%40N06/3035166868/ 2. Diocletian H. 0,355 m. Date: Stylistically dated between 280-285 (so 284-285?)(Calza 1972: 91 ) Grainy white marble Prov. Nicomedia (Western Turkey) Currently at Archeological Museum, Istanbul, Turkey. Wearing a corona civilis (Calza 1972: 91). Slight frown, distant view towards his left. Realistically depicted crown and hair. Image source: http://www.flickr.com/photos/roger_ulrich/4630182217/ 3. Maximianus H. 2,26m Date: 284-305, most likely 297/8 (Bastet 1979: 51). Marble Prov. Utica (Tunis), near Carthage. Currently at Rijksmuseum voor Oudheden, Leiden. Over life-size statue of which the body is older, probably from the late second century A.D. (Bastet 1979: 51). The head is quite dynamic, probably to fit in with the body. The face is quite heavily damaged but the typical frown, distant look and chipped hair and beard are observable. Although the hair is chipped is it rather full as in some of the portraits with more realistically represented hair. Image source: http://www.livius.org/man-md/maximianus/maximianus.html 4. Maxentius or Constantius (Delbrueck 1933: 125) H. 0,25 m (face; slightly over lifesize) Marble, probably Carrarian. -
Maxentius 3D Project1
Maxentius 3D Project 1 LUCIA MARSICANO, SAVERIO GIULIO MALATESTA, FRANCESCO LELLA, EMANUELA D’IGNAZIO, ELEONORA MASSACCI AND SIMONE ONOFRI Sapienza University, Rome, Italy The aim of the project is to propose a full 3D model of the Circus of Maxentius in Rome encompassing all the aspects of the environment, as well as the architectural system. The circus is part of a complex built by Maxentius at the beginning of the IV century AD. The Maxentian complex is situated on the Via Appia between the second and the third mile; today this area is part of the Parco Regionale dell’Appia Antica, where the need to preserve the ecosystem makes it impossible to remove the vegetation. For this reason a large part of the circus is covered by the vegetation, making the survey of the entire structure impossible for researchers. The starting point was a study of the archaeological data, and then the team carried out a targeted field survey to integrate the published data with new information useful for creating a metrically correct reconstruction of the monument. To model both the landscape and the architectural structures, Blender, an open source software, was utilized, and to model the statues ZBrush, a proprietary software package, was used. Each element was modeled using scientific evidence or, lacking that, by employing analogies. The result is a metrically and scientifically correct 3D model of the Circus of Maxentius useful for studying the monument from a new point of view. By integrating archaeological data and using 3D graphics, it was possible to verify the hypothesis of reconstruction of the monument.