Klimchak Resume2010

Total Page:16

File Type:pdf, Size:1020Kb

Klimchak Resume2010 KLIMCHAK Composer and Performer 2504 Fernleaf Ct. NW Atlanta, GA. 30318 Phone: 404-350-8847 Email: [email protected] Web: klimchakmusic.com EMPLOYMENT 1991-Present Emory University Dance Department, Composer and Accompanist REPRESENTATIVE PERFORMANCE PIECES (not a complete compilation) June 2010 Percussion Discussion 5x5 5 live percussion duets performed under bridges as part of ART ON THE BELTLINE, Atlanta Feb 2010 Limitless solo music performance at the Bradley Observatory & exhibition of performance video & original musical instruments for Dalton Gallery art show, AGNES SCOTT COLLEGE, Atlanta Jan 2010 Tales of Edgar Allen Poe live musical composition for adaptation of short stories by Poe, CENTER FOR PUPPETRY ARTS, Atl. Feb 2009 The Evolution Project, taped and live musical composition for choreography by Lori Teague, EMORY UNIVERSITY, Atlanta. Sept 2008 Different Skies All-Stars, Group electronic music composers concert, ARCOSANTI, AZ Aug 2008 The Ugly Duckling, taped and live musical score for play adapted by Michael Haverty, CENTER FOR PUPPETRY ARTS, Atlanta. Oct 2007 Macbeth, live musical composition for Shakespeare play directed by Eddie Maise, GEORGIA TECH, Atlanta. July 2007 Pericles, Live musical composition for Shakespeare play directed by Richard Garner, GEORGIA SHAKESPEARE FESTIVAL, Atl. Jan 2006 Doors That Open, Taped score for choreography by Lori Teague, EMORY UNIVERSITY, Atlanta. Oct 2005 Romeo & Juliet, Taped score for Shakespeare play directed by Richard Garner, GEORGIA SHAKESPEARE FESTIVAL, Atlanta Nov 2004 Are We Democracy?, Live musical composition for choreography by Jawole Zolar/ Urban Bush Women, EMORY UNIVERSITY, Atl. July 2003 Cymbeline, Live musical composition for Shakespeare play directed by Nancy Keystone, GEORGIA SHAKESPEARE FESTIVAL. June 2002 Coriolanus, live musical composition for Shakespeare play directed by Kant Gash, SHAKESPEARE SANTA CRUZ, California. June 2001 The Pirate Widow Cheng, live musical composition for original play by Puppetmongers of Toronto in collaboration with Jon Ludwig, CENTER FOR PUPPETRY ARTS, Atlanta. June 1999 Hamlet, Live musical composition for Shakespeare play directed by John Dillon, GEORGIA SHAKESPEARE FESTIVAL, Atlanta. Jan-March 1999 Weather Rocks, composed all music for childrenʼs puppet musical with Jon Ludwig, CENTER FOR PUPPETRY ARTS, Atlanta. Feb 1999 States of Shock, live musical composition for play by Sam Shepard, Directed by Joe Chaikin, SEVEN STAGES THEATER, Atlanta. April 1998 The Lion and the Jewel, live composition for play by Wole Soyinka, THEATER EMORY, Atlanta. Dec 1996 Three Bagatelles for the Righteous, taped musical composition for choreography by Jane Comfort & Co, PLAYHOUSE 91, NY. Oct 1996 The Misanthrope, live musical composition for play by Moliere, ACTOR'S EXPRESS, Atlanta. June 1996 Frankenstein, live musical composition for performance by actors & puppeteers in work directed by John Ludwig as part of the Atlanta Cultural Olympiad, CENTER FOR PUPPETRY ARTS, Atlanta. May 1996 The War in Heaven, live musical composition for play by Sam Shepard & Joe Chaikin, performed with Joe Chaikin, 7 STAGES THEATER, Atlanta. May 1995 Malinche, live musical composition for an original dance/theater performance by Henriette Brouwers BOVENZAAL STADSSCHOUWBURG, Amsterdam, Netherlands. Mar 1995 Displaced in the New South, music for film by David Zeiger and Eric Mofford, GEORGIA PUBLIC TELEVISION. Dec. 1994 No Exit, live musical composition for a play by John Paul Sartre (English version), LE NEON FRENCH-AMERICAN THEATER, Washington DC. Dec 1994 Middle Ground, sound design for live accompanist and dance choreographed by Nicole Livieratos and performed by Gardenhouse Dance Company, ALLIANCE STUDIO THEATER, Atlanta. KLIMCHAK - PERFORMANCE PIECES (continued) Mar 1993 Angelworks, live musical composition for plays by Sam Shepard & Joe Chaikin, directed by Joe Chaikin, SEVEN STAGES, Atlanta. June 1992 Timespent, taped musical composition for dance choreographed by Sue Schroeder, DIVERSEWORKS ARTSPACE, Houston, TX. May 1992 Dwelling, taped musical composition for dance choreographed by Dardi Mcginley, OHIO STATE UNIVERSITY, Columbus, Ohio. Nov 1991 Lamb on Fire, taped musical composition for play by Phillip Depoy, PLAYWRIGHT'S PREVIEW PRODUCTIONS, New York. June 1991 Glide/Abrupt, composition for choreography by Nicole Livieratos performed by Terpsichore Dance Co., ALLIANCE THEATER, Atlanta. Aug 1990 Montreux International Jazz Festival, musical performance with Phillip Depoy, 14TH STREET PLAYHOUSE, Atlanta. May 1990 Haiti - A Dream, taped music / sound design for play by Karen Sunde, SEVEN STAGES THEATER, Atlanta. Sept 1989 Klimchak and Co., percussion ensemble performance, ARTS FESTIVAL OF ATLANTA, Atlanta. July 1989 Off The Beaten Path, solo performance, KINGFEST '89, Atlanta. June 1989 Downtown Drummers, organized & supervised performance for 20 percussionists, STATE ARTS COUNCIL CONFERENCE. Sept 1988 Macbeth, musical composition and performance for the Shakespeare play, SEVEN STAGES THEATER, Atlanta. Jan-July 1988 Klimchak's Le Beato Lounge, solo percussion and text performances, various locations , Atlanta . Apr 1988 White Dress in Winter Streets, live music for solo performance by Celeste Miller, DANCER'S COLLECTIVE, Atlanta. Oct 1987 Burnt Offerings, musical performance with electronics, concrete blocks and sculpture by Ward Shelley, Arts Festival of Atlanta, regional site sculptures, Atlanta. Aug 1987 Mistake Haikus, taped music for performance by Celeste Miller and Co., LOS ANGELES FRINGE FESTIVAL, Los Angeles. June 1987 A War Story, revised taped music for performance by Zaron Burnett and Celeste Miller, PICCOLO SPOLETTO THEATER FRINGE FESTIVAL, Charleston S.C. GRANTS AND AWARDS 1994-2011 ASCAP Plus Award, annual cash award for performance of compositions in the non-pop/classical category given by the American Society of Composers and Publishers for ASCAP writer-members. Jan, 2011 Klimchak's Lebeato Lounge, Idea Capital Grant to design & build percussion instruments & compose new works for them. Nov, 2009 Winner Suzy Award, Best sound design for music composed for Titus Andronicus at GEORGIA SHAKESPEARE FESTIVAL. Nov, 2009 Finalist for Suzy Award, Best sound design for music composed for A Midsummer Nightʼs Dream at GEORGIA SHAKESPEARE FESTIVAL. Feb, 2009 Winner Loridans Artist Award, given to "accomplished artists who have made exceptional contributions to the arts life of Atlanta over a long period of time." Nov 2007 Finalist for Suzy Award, Best sound design for music composed for Pericles at GEORGIA SHAKESPEARE FESTIVAL. Nov 2001 Finalist for ABBY Artist Award, Metro Atlanta Chamber of Commerce award for excellence and achievement in the Atlanta Arts. May, 1999 Trust and Go, taped musical composition for dance choreographed by Gardenhouse Dance Company with Individual Artist Grant from the City of Atlanta Bureau of Cultural Affairs, 14TH STREET PLAYHOUSE, Atlanta. May, 1999 Theater Emory Most Valuable Collaborator, annual award given for sustained excellence in work in the Theater, Atlanta April, 1995 Finalist for Helen Hayes Award, nominated by the well-known Washington DC theater organization for the music composed & performed in Sartreʼs No Exit at LE NEON FRENCH-AMERICAN THEATER. June 1994 Cook Notes, Interdisciplinary solo music & theater performance at NEXUS CONTEMPORARY ARTS CENTER, funded with an Individual Artist's Grant from Georgia Council for the Arts, Atlanta. May 1992 Dreams, live music for performance by teenage mothers and their children with dancers Nicole Livieratos, Jerylann Owens, and puppetmaker Stephanie Kaskel, Fulton Co. Art and Human Needs Proposal, FRANK MCLARIN HIGH SCHOOL, Hapeville, GA..
Recommended publications
  • UC Santa Cruz Other Recent Work
    UC Santa Cruz Other Recent Work Title Robert B. Stevens: UCSC Chancellorship, 1987-1991 Permalink https://escholarship.org/uc/item/95h8k9w0 Authors Stevens, Robert Jarrell, Randall Regional History Project, UCSC Library Publication Date 1999-05-21 Supplemental Material https://escholarship.org/uc/item/95h8k9w0#supplemental eScholarship.org Powered by the California Digital Library University of California Introduction The Regional History Project conducted six interviews with UCSC Chancellor Robert B. Stevens during June and July, 1991, as part of its University History series. Stevens was appointed the campus’s fifth chancellor by UC President David P. Gardner in July, 1987, and served until July, 1991. He was the second UCSC chancellor (following Chancellor Emeritus Robert L. Sinsheimer) recruited from a private institution. Stevens was born in England in 1933 and first came to the United States when he was 23. He was educated at Oxford University (B.A., M.A., B.C.L., and D.C.L.) and at Yale University (L.L.M.) and became an American citizen in 1971. An English barrister, Stevens has strong research interests in legal history and education in the United States and England. He served as chairman of the Research Advisory Committee of the American Bar Foundation, has written a half dozen books on legal history and social legislation, and numerous papers on American legal scholarship and comparative Anglo-American legal history. Prior to his appointment at UCSC he served for almost a decade as president of Haverford College from 1978 until 1987. From 1959 to 1976 he was a professor of law at Yale University.
    [Show full text]
  • Smartdraw Document
    Theatres at which ACA graduates have worked since graduation: Broadway, King Lear with Christopher Plummer Broadway, Merchant of Venice with Al Pacino 1st National Broadway Tour: August: Osage County 1st National Broadway Tour: The Graduate 1st National Broadway Tour: Spamalot National Tour: The SantaLand Diaries 34 West Theatre Company (NYC) 59E59 Theater (NYC) Acting Company Actor's Express Actors Shakespeare Company at New Jersey City University Actors Shakespeare Project Actors Theatre of Louisville* Actors Theatre of Minnesota Arden Theatre Adrienne Alabama Shakespeare Festival Alliance Theatre* American Century Theater American Globe Theatre American Players Theatre, Wisconsin American Repertory Theater* American Shakespeare Center American Theater Company A Noise Within Antaeus Theatre Company Arena Stage* Artists Repertory Theatre Arts Alive Theatre Arts Center of Coastal Carolina Arts United DC ArtsWest Arvada Center Atlas Performing Arts Attic Theatre and Film Center, L.A. Austin Playhouse Austin Shakespeare Baltimore Shakespeare Festival Baltimore Symphony Orchestra Barnstormers Barrington Stage (Berkshires) Bay Theatre, Annapolis Beckett Theatre, Theatre Row Berkeley Repertory Theatre* You created this PDF from an application that is not licensed to print to novaPDF printer (http://www.novapdf.com) Black Repertory Company of St. Louis Blue Herron Theatre, NYC Boston Playwrights' Theater Boston Theatre Works Breaking String Theatre Brooklyn Academy of Music (BAM) Outdoor Arts Festival Bunbury Theatre Cadence Theatre Company
    [Show full text]
  • Stick Fly Program
    theatre.indiana.edu STICK FLY BY LYDIA R. DIAMOND DIRECTED BY LERALDO ANZALDUA A DIGITAL EVENT IU Theatre & Dance wishes to acknowledge and honor the Miami, Delaware, Potawatomi, and Shawnee people, on whose ancestral homelands and resources PRESENTS Indiana University was built. LIVE STICK FLY PERFORMANCE by Lydia R. Diamond The mission of the Department of Theatre, Drama, and Contemporary Dance is to advance the art, scholarship, and appreciation of theatre and dance and its DIRECTOR Leraldo Anzaldua place in society. We pursue this mission collectively STAGE MANAGER Jorie Miller and as individuals through theatrical productions, scholarship and publication, presentation of our work in national and international venues, formal instruction, and individual mentoring. The Department of Theatre, Drama, and Contemporary Dance is accredited by the National Association of Schools of Theatre and is a member of the University/ Stick Fly is presented by arrangement with Concord Theatricals on behalf of Resident Theatre Association Samuel French, Inc. www.concordtheatricals.com and United States Institute for Theatre Technology. Stick Fly was developed in part at Chicago Dramatists, originally produced by Congo Square Theatre and subsequently produced by McCarter Theatre Center. A further developmental production directed by Kenny Leon, was LIVING produced jointly by Arena Stage and the Huntington Theatre Company. IMPACT The video and/or audio recording of this production is strictly prohibited. A DIGITAL EVENT | FEBRUARY 12–13, 2021 3 Cast Production
    [Show full text]
  • Season Announcement Press Release Final
    For more information contact: Allie Magee / [email protected] / 314-775-7412 ST. LOUIS SHAKESPEARE FESTIVAL RETURNS TO LIVE PERFORMANCE IN FOREST PARK WITH K I N G L E A R STARRING TONY, EMMY & GRAMMY WINNER ANDRÉ DE SHIELDS JUNE 2 - 27, 2021 PLUS FULL 2021 SEASON LINE UP St. Louis, MO (March 5, 2021) -- The St. Louis Shakespeare Festival (Tom Ridgely, Producing Artistic Director) announced today that Tony, Emmy and Grammy award-winner André De Shields (Broadway: Hadestown, The Wiz, Ain’t Misbehavin) will star in King Lear as part of its 21st summer of free Shakespeare in Forest Park. The production marks the theater’s return to live outdoor performance, one of the first scheduled in the country. King Lear will be directed by Carl Cofield (Associate Artistic Director of the Classical Theatre of Harlem) and begin on Wednesday, June 2, with an opening night set for Friday, June 4 at 8:00 pm, and play through June 27 to strictly limited capacity crowds. The Festival’s 2021 Season will also include a new outdoor touring production of Othello that will visit 24 public parks across the metro area and three outdoor performances of “Shakespeare in the Streets: The Ville” in one of the most historically significant Black communities in America. Also announced, the second Confluence New Play Festival and members of the third Regional Writers Cohort, and a six-month Directors Fellowship now accepting applications. “André is a national treasure and one of the most extraordinary theatrical artists alive,” said producing artistic director Tom Ridgely in a statement.
    [Show full text]
  • A Midsummer Night's Dream
    SUPPORT FOR THE 2021 SEASON OF THE TOM PATTERSON THEATRE IS GENEROUSLY PROVIDED BY PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY THE HARKINS & MANNING FAMILIES IN MEMORY OF SUSAN & JIM HARKINS LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives.
    [Show full text]
  • A Midsummer Night's Dream
    Otterbein University Digital Commons @ Otterbein 1983-1984 Season Productions 1981-1990 3-8-1984 A Midsummer Night's Dream Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_1983-1984 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "A Midsummer Night's Dream" (1984). 1983-1984 Season. 6. https://digitalcommons.otterbein.edu/production_1983-1984/6 This Book is brought to you for free and open access by the Productions 1981-1990 at Digital Commons @ Otterbein. It has been accepted for inclusion in 1983-1984 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. A MIDSUMMER NIGHT’S DREAM by William Shakespeare with Professional Guest Artist Marcus Smythe March 8 - 10, 1984 — 8:15 p.m. March 11, 1984 - 2:30 p.m. DIRECTOR - Ed Vaughan SCENE DESIGN - Michael Slane LIGHT DESIGN - Fred J. Thayer COSTUME DESIGN - Lucy Lee Reuther OTTERBEIN COLLEGE THEATRE Dept of Theatre & Dance L1 Center for the Arts^ GUEST ACTOR: MARCUS SMYTHE ... is privileged to have the honor of being the first Otterbein graduate (’72) to perform in the annual winter guest artist production. A native of Berea, Ohio, and later of Sylvania, he too worked in the guest artist programs learning much from the likes of Brock Peters in OTHELLO, George Grizzard in TWELFTH NIGHT, and as Mercutio in ROMEO AND JULIET with John Milligan. He first met Pat Hingle at Otterbein and later work­ ed with him as Happy in DEATH OF A SALESMAN at Buffalo’s Studio Arena.
    [Show full text]
  • Mfoniso Udofia
    oth ello By william shakespeare translated by mfoniso udofia This project is part of Shakespeare in American Communities, a program of the National Endowment for the Arts in partnership with Arts Midwest. play on! othello by William Shakespeare Translated by Mfoniso Udofia directed by Christopher V. Edwards Adele Nadine Traub* — Stage Manager Eunice Woods*— Assistant Stage Manager Kristin Leahey — Dramaturg Emma Foley — Assistant Dramaturg Steve Vieira — Production Manager Colin Fleming — Sound Designer Abraham Joyner-Meyers — Sound Engineer Sanjana Kumar — Editor Jules Talbot — Graphic Designer McKayla Witt — Assistant Director Julia Luisa Lee — Production Assistant Abigayle Scobee — Production Assistant Travis Doughty — Production Assistant *Appearing through an Agreement between Actors’ Shakespeare Project, and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. about Play on! The Oregon Shakespeare Festival commissioned 36 playwrights and paired them with dramaturgs to translate 39 plays attributed to Shakespeare into contemporary modern English between the fall of 2015 and December 31, 2018. Additionally, the program commissioned two exciting Shakespearean adaptations. By seeking out a diverse set of playwrights (more than half writers of color and more than half women), it hoped to bring fresh voices and perspectives to the rigorous work of translation. Each playwright was asked to put the same pressure and rigor on language as Shakespeare did on his, keeping in mind meter, rhythm, metaphor, image, rhyme, rhetoric and emotional content. The hope was to have 39 unique side-by-side companion translations of Shakespeare’s plays that were both performable and extremely useful reference texts for both classrooms and productions.
    [Show full text]
  • 1998 ANNUAL REPORT the Abell Foundation, Inc
    SINCE ITS THE INCEPTION, ........................................................................ THE ABELL ABELL FOUNDATION ........................................................................ HAS BEEN FOUNDATION DEDICATED ........................................................................ TO THE ANNUAL REPORT 1998 ENHANCEMENT OF THE QUALITY OF LIFE IN BALTIMORE AND MARYLAND A HISTORY OF THE ABELL FOUNDATION The Abell Foundation, formerly known as The A.S. Abell Company Foundation, was established on December 31, 1953, on the initiative of the late Harry C. Black, philanthropist and then chairman of the board of the A.S. Abell Company, publishers of the Baltimore Sunpapers. Since its inception as a private foundation incorporated in Maryland, The Abell Foundation has been dedicated to the enhancement of the quality of life in Maryland. From its beginnings, the Foundation has supported needs across the community spectrum. Early records show gifts to hospitals, educational THE institutions, culture and the arts, and human services—including the Associated Jewish Charities and the United Negro College Fund of Baltimore, Inc. FOUNDATION’S The Foundation’s mission, though shaped early on by Harry C. Black, was given firmer definition over the years by his nephew and successor, CHARGE Gary Black. With the passing of Gary Black in October of 1987, the mantle of leadership was passed to his son, Gary Black, Jr., who had trained a lifetime for TO ITSELF the position. HAS BEEN The Foundation’s leadership over the years has been supported by persons of remarkable dedication and community involvement: William S. TO ACT Abell, Thomas B. Butler, George L. Bunting, Jr., Harrison Garrett, Benjamin Griswold, III, Robert Garrett, William E. McGuirk, Jr., Sally J. Michel, Edwin F. AS AN Morgan, John E.
    [Show full text]
  • Thank You to Our Generous Patrons! We Gratefully Acknowledge Contributions of $250 Or More Here, June 2020- June 2021 Presents
    Thank you to our generous patrons! We gratefully acknowledge contributions of $250 or more here, June 2020- June 2021 presents Anonymous (14) Silas Grossberndt Burt & Adrienne Rosen Actor's Equity Foundation Marlene Burdman Gursey Elana Rosenberg & Greg Central Park | Previews June 24 - June 30, 2021 Bonnie Andersen Newman Halvorson Litt Performances July 1 - July 11, 2021 Janice Arber Maura Harway & Richard Wendy Ruby Brooklyn Commons at MetroTech | July 13 - 18, 2021 Melissa T Astudillo Mark Jeanne Sakata & Tim Carl Schurz Park | July 20 - 25, 2021 Axe-Houghton Foundation Howard & Cindy Hechler Patterson Hugo Barreca The Herman Liebmann Nick Salamone & Clay The Battery | July 27 - August 8, 2021 Audiences are welcome on a frst-come, frst-serve basis on the day of Loretta Belanich Foundation Storseth the performance with necessary Contact Information and Social Distancing. Bloomberg L.P. Anne & Leon Hoffman Lynn & John Salmon FREE & OPEN TO THE PUBLIC for FREE reservations & performance Broadbent Charitable Gift James Holmes Curt & Cheryl Sawyer details: nyclassical.org Fund The JPMorgan Chase Alice Scovell Stephen Burdman & Foundation Christine Shamborsky Adena Abramson Terri Kenworthy Randy Shapiro and Daniel Ellen & Don Byck Andrea Allen Knutson Ripp Andrew Carlon Patricia J KoZu Robin Forman & Hugh ” g Michael Carlon Melissa Kuklin Smyser n i d Chris Carstens & Carol Jill & Martin Lebwohl Sharon & Norbert Soski n e y Meyer Michael and Mary Ellen Robert & Barbara p p a h Jill & Michael Caruso Lehmann Staffaroni “ 81 16 Christopher Cass Diane Lerner Jane Stanicki ’s ate m T Rosina Dixon Fred & Ellen Levine Laura Starr ahu by W with N Eric Drachman Lisa LopeZ Heddy Steinman illiam Shakespeare Donald and Emilie Heather MacMaster Antonia Stolper Englund M&R Capital Management Bruce Taten and Rosa The original source material for King Lear wasn’t a tragedy! Tate’s adaptation—which lets our well-meaning royal live and let live—was performed almost exclusively until the 1840s.
    [Show full text]
  • UA 128 Inventory Photographer Neg Slide Cs Series 8 16
    Inventory: UA 128, Public Information Office Records: Photographs. Photographer negatives, slides, contact sheets, 1980-2005 Format(s): negs, slides, transparencies (trn), contact sheets Box Binder Title/Description Date Photographer (cs) 39 1 Campus, faculty and students. Marketing firm: Barton and Gillet. 1980 Robert Llewellyn negatives, cs 39 2 Campus, faculty, students 1984 Paul Schraub negatives, cs 39 2 Set construction; untitled Porter sculpture (aka"Wave"); computer lab; "Flying Weenies"poster 1984 Jim MacKenzie negatives, cs 39 2 Tennis, fencing; classroom 1984 Jim MacKenzie negatives, cs 39 2 Bike path; computers; costumes; sound system; 1984 Jim MacKenzie negatives, cs 39 2 Campus, faculty, students 1984 Jim MacKenzie negatives, cs 39 2 Admissions special programs (2 pages) 1984 Jim MacKenzie negatives, cs 39 3 Downtown family housing 1984 Joe ? negatives, cs 39 3 Student family apartments 1984 Joe ? negatives, cs 39 3 Downtown Santa Cruz 1984 Joe ? negatives, cs 39 3 Special Collections, UCSC Library 1984 Lucas Stang negatives, cs 39 3 Sailing classes, UCSC dock 1984 Dan Zatz cs 39 3 Childcare center 1984 Dan Zatz cs 39 3 Sailing classes, UCSC dock 1984 Dan Zatz cs 39 3 East Field House; Crown College 1985 Joe ? negatives, cs 39 3 Porter College 1985 Joe ? negatives, cs 39 3 Porter College 1985 Joe ? negatives, cs 39 3 Performing Arts; Oakes; Porter sculpture (The Wave) 1985 Joe ? negatives, cs Jack Schaar, professor of politics; Elena Baskin Visual Arts, printmaking studio; undergrad 39 3 chemistry; Computer engineering lab
    [Show full text]
  • Group Sales Tickets
    SHAKESPEARE THEATRE COMPANY 21st Annual Table of Contents D.C.’s favorite Feature Letter from Michael Kahn 5 The Two Faces of Capital summer by Drew Lichtenberg 6 Program Synopsis 11 theatre event About the Playwright 13 Title Page 15 Cast 17 is back! Cast Biographies 18 PRESENTED BY Direction and Design Biographies 22 Shakespeare Theatre Company Tickets will be available Board of Trustees 8 online and in line! Shakespeare Theatre Company 26 Individual Support 28 Visit ShakespeareTheatre.org/FFA for more details on how to get your tickets via lottery Corporate Support 40 or at Sidney Harman Hall on the day of the Foundation and performance. Tickets for 2011–2012 Season Government Support 41 subscribers available through the Box Office Academy for Classical Acting 41 beginning July 5, 2011, at 10 a.m. For the Shakespeare Theatre Company 42 Join the Friends of Free Staff 44 JULIUS For All for tickets! Audience Services 50 Free For All would not be possible without Creative Conversations 50 CAESAR the hundreds of individuals who generously donate to support the program each year. “ Only with the help of the Friends of Free For All is STC able to offer free performances, All hail Julius Caesar! making Shakespeare accessible to … One of the best productions of this or any season.” Washington, D.C., area residents every summer. The Washingtonian In appreciation for this support, Friends of Free For All receive exclusive benefits during This Year's Production: the festival such as reserved Free For All tickets, the option to have tickets mailed in August 18–September 4 advance, special event invitations, program recognition and more.
    [Show full text]
  • 2012 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University
    Illinois State University ISU ReD: Research and eData Illinois Shakespeare Festival Fine Arts Summer 2012 2012 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/isf Part of the Theatre and Performance Studies Commons Recommended Citation School of Theatre and Dance, "2012 Illinois Shakespeare Festival Program" (2012). Illinois Shakespeare Festival. 25. https://ir.library.illinoisstate.edu/isf/25 This Book is brought to you for free and open access by the Fine Arts at ISU ReD: Research and eData. It has been accepted for inclusion in Illinois Shakespeare Festival by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. 'The Snyder Comyanies yresentin3 ponsors of the ... ~ 012 1([inois Shake~eare 'FestivaO ~ g~~ i) (~ JILILINOIS1 Sponsored by SHAKESPEARE (~..- - -..,.-D-ER~) THE SNYDER COMPANIES FIESlflVAL APARTMEITTS I HOTRS I INSURANCE I REAL ESTATE 2012 ·.· ]Jfft JCa,J()f! As You Like It by William Shakespeare June 27, 28,July 1, 6, 8, 12, 14, 20, 27, August 1, 5, 7, 11 Othello by William Shakespeare June 26, 29, 30, July 5, 7, 13, 15, 21, 25, 28, 31, August 3, 9 The Rivals by Richard Brinsley Sheridan July 18, 19, 22, 24, 26, 29, August 2, 4, 8, 10 Comedy of Errors by William Shakespeare (Theatre for Young Audiences) July 11, 14, 18, 21, 22, 25, 28, August I, 4, 8, 11 Three Wills and a Shakespeare (Green Show Performances) Every night of the Festival! DEB ALLEY DICK FOLSE JANET WILSON Artistic Director Managing Director Producer The 2012 Illinois Shakespeare Festival is made possible in part by funding and support provided by individuals, businesses, foundations, government agencies, and organizations.
    [Show full text]