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Theatres at which ACA graduates have worked since graduation: Broadway, King Lear with Christopher Plummer Broadway, Merchant of Venice with Al Pacino 1st National Broadway Tour: August: Osage County 1st National Broadway Tour: The Graduate 1st National Broadway Tour: Spamalot National Tour: The SantaLand Diaries 34 West Theatre Company (NYC) 59E59 Theater (NYC) Acting Company Actor's Express Actors Shakespeare Company at New Jersey City University Actors Shakespeare Project Actors Theatre of Louisville* Actors Theatre of Minnesota Arden Theatre Adrienne Alabama Shakespeare Festival Alliance Theatre* American Century Theater American Globe Theatre American Players Theatre, Wisconsin American Repertory Theater* American Shakespeare Center American Theater Company A Noise Within Antaeus Theatre Company Arena Stage* Artists Repertory Theatre Arts Alive Theatre Arts Center of Coastal Carolina Arts United DC ArtsWest Arvada Center Atlas Performing Arts Attic Theatre and Film Center, L.A. Austin Playhouse Austin Shakespeare Baltimore Shakespeare Festival Baltimore Symphony Orchestra Barnstormers Barrington Stage (Berkshires) Bay Theatre, Annapolis Beckett Theatre, Theatre Row Berkeley Repertory Theatre* You created this PDF from an application that is not licensed to print to novaPDF printer (http://www.novapdf.com) Black Repertory Company of St. Louis Blue Herron Theatre, NYC Boston Playwrights' Theater Boston Theatre Works Breaking String Theatre Brooklyn Academy of Music (BAM) Outdoor Arts Festival Bunbury Theatre Cadence Theatre Company -
Spring/Summer 2021 Newsletter
Non-Profit Organization U.S. Postage Advancement Office PAID 2112 North Vermilion Street Danville, IL 61832-1798 View from the Hill is published by the Schlarman Academy Advancement Office. Please send corrections and/or address changes to Schlarman Academy Advancement Office, 2112 N. Vermilion St., Danville, IL 61832. All articles are written by staff unless otherwise noted. Articles may be edited for publication space. We also use various Internet sources for information. Letter From The Principal This was one of the most unusual years ever on record! While others were either not in session or were fully remote we tried hard to make the school year as normal as possible. There were, however, some things missing…like athletics for two thirds of the year, dances, and other special events. And I know that a lot of what we had to do to be compliant and still stay in session was not popular with many parents and students. But, we got through it! Are we better for it? Only time will tell! I am not totally sure about how emotionally ready we were for what transpired over the past year. Nor am I totally sure about how we may handle the next year or two. What I am sure about is that after participating in remote learning with all of our students for about six weeks this year, there is no substitution for in-person instruction. Our teachers deserve numerous red apples for their job this year during the remote learning phase we were forced to endure. With all of that behind us, it is time to discuss about what may lie ahead of us. -
The Field Museum 2002 Annual Report to the Board of Trustees Academic Affairs
THE FIELD MUSEUM 2002 ANNUAL REPORT TO THE BOARD OF TRUSTEES ACADEMIC AFFAIRS Office of Academic Affairs, The Field Museum 1400 South Lake Shore Drive Chicago, IL 60605-2496 USA Phone (312) 665-7811 Fax (312) 665-7806 WWW address: http://www.fieldmuseum.org - This Report Printed on Recycled Paper - -1- Revised May 2003 -2- CONTENTS 2002 Annual Report....................................................................................................................................................3 Collections and Research Committee.....................................................................................................................12 Academic Affairs Staff List......................................................................................................................................13 Publications, 2002 .....................................................................................................................................................19 Active Grants, 2002...................................................................................................................................................38 Conferences, Symposia, Workshops and Invited Lectures, 2002 .......................................................................46 Museum and Public Service, 2002 ..........................................................................................................................55 Fieldwork and Research Travel, 2002 ....................................................................................................................65 -
It's a Conspiracy
IT’S A CONSPIRACY! As a Cautionary Remembrance of the JFK Assassination—A Survey of Films With A Paranoid Edge Dan Akira Nishimura with Don Malcolm The only culture to enlist the imagination and change the charac- der. As it snows, he walks the streets of the town that will be forever ter of Americans was the one we had been given by the movies… changed. The banker Mr. Potter (Lionel Barrymore), a scrooge-like No movie star had the mind, courage or force to be national character, practically owns Bedford Falls. As he prepares to reshape leader… So the President nominated himself. He would fill the it in his own image, Potter doesn’t act alone. There’s also a board void. He would be the movie star come to life as President. of directors with identities shielded from the public (think MPAA). Who are these people? And what’s so wonderful about them? —Norman Mailer 3. Ace in the Hole (1951) resident John F. Kennedy was a movie fan. Ironically, one A former big city reporter of his favorites was The Manchurian Candidate (1962), lands a job for an Albu- directed by John Frankenheimer. With the president’s per- querque daily. Chuck Tatum mission, Frankenheimer was able to shoot scenes from (Kirk Douglas) is looking for Seven Days in May (1964) at the White House. Due to a ticket back to “the Apple.” Pthe events of November 1963, both films seem prescient. He thinks he’s found it when Was Lee Harvey Oswald a sleeper agent, a “Manchurian candidate?” Leo Mimosa (Richard Bene- Or was it a military coup as in the latter film? Or both? dict) is trapped in a cave Over the years, many films have dealt with political conspira- collapse. -
I Can Be Changed by What Happens to Me, but I Refuse to Be Reduced by It
ResiliencyI can be changed by what happens to me, but I refuse to be reduced by it. —Maya Angelou Phoenix Magazine is the voice and vision of Saint Joseph Prep Kathleen McCarvill, Co-Head of School Eugene Ward, Co-Head of School Carol Woolston, Asst. Head of School for Community Life Laura Grzbowski, Assistant Director of Advancement damian israel shiner, Creative Director Taya Latham, Communications Associate © 2020 by Saint Joseph Prep IN THIS ISSUE... 4 RESILIENCY: LEARNING IN THE TIME OF COVID The student experience as the School pivoted to Remote Learning 6 RESILIENCY: TEACHING IN THE TIME OF COVID The faculty perspective on teaching in the virtual realm 8 FROM PLAYS TO PODCASTS How the Phoenix Players recreated a classic radio drama 9 A VIRTUAL SHOWCASE The spring STEAM Show posts as an online gallery 10 FOR LOVE OF THE GAME First SJP junior commits to college athletics 11 STRONG AS IRON The five graduates awarded the Iron Phoenix 12 FINDING RESILIENCY IN SERVICE A team of students and faculty members serve in Camden, NJ 14 BLACK HISTORY MATTERS Efforts by students and faculty to educate and to eradicate racial injustice 16 (COMMENCEMENT) Honoring the Class of 2020 as they graduate 18 PLANS INTERRUPTED How an SJP grad found opportunity amid COVID 20 RESILIENCE FOR THE DEAR NEIGHBOR How the CSJs stand up against systemic violence and injustice 22 WE DID IT! The incredible fundraising campaign inspired by Agnes Burns Hughes, MSJA ’48 23 LETTER FROM THE CHAIR 24 ANNUAL REPORT OF GIFTS, 2019-2020 31 FIVE YEAR REUNION Greetings from Saint Joseph Prep! This issue of the Phoenix magazine celebrates the theme of RESILIENCY. -
The Carroll News
John Carroll University Carroll Collected The aC rroll News Student 4-30-1998 The aC rroll News- Vol. 90, No. 23 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 90, No. 23" (1998). The Carroll News. 1093. http://collected.jcu.edu/carrollnews/1093 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. !for You . .9lbout 'You. r.By 'You. Volume 90 • Number 23 John Carroll University • Cleveland, Ohio April 30, 1998 ----~--------------------------- ---- ---·----------------- --- -- JCU A/1-Amercian JCU star signed by NFL London Fletcher Mark Boleky rai e by herself At the age of 12, cided to take up orgamzed foot Sports Editor his Sister wa brutally raped ball That year he earned all-dis headed for NFL Thosearound him have known Fletcher began spendmg more trict and all state honors for years he was too good to play time with a group of f nend > Fletcher followed a basketball here. which could probably have been cholar h1p to the D1vision I St This fact became clear to the con idered a gang. Francis (Pa), but transferred to rest of the football world last He knew he needed an outlet, Carroll after a year. "I began to Thursday, when recent John Car and sports became the easy choice. miss football, and I knew I could roll University graduate London Especially easy con idering ath transfer Ito a DIVISion Ill school! Fletcher made the rare leap from letics come JUSt about a ea y a without s1ttmg out a year," he sa1d Division IJitosigninganNFLcon breathing for fletcher. -
A Midsummer Night's Dream
SUPPORT FOR THE 2021 SEASON OF THE TOM PATTERSON THEATRE IS GENEROUSLY PROVIDED BY PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY THE HARKINS & MANNING FAMILIES IN MEMORY OF SUSAN & JIM HARKINS LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
A Midsummer Night's Dream
Otterbein University Digital Commons @ Otterbein 1983-1984 Season Productions 1981-1990 3-8-1984 A Midsummer Night's Dream Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_1983-1984 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "A Midsummer Night's Dream" (1984). 1983-1984 Season. 6. https://digitalcommons.otterbein.edu/production_1983-1984/6 This Book is brought to you for free and open access by the Productions 1981-1990 at Digital Commons @ Otterbein. It has been accepted for inclusion in 1983-1984 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. A MIDSUMMER NIGHT’S DREAM by William Shakespeare with Professional Guest Artist Marcus Smythe March 8 - 10, 1984 — 8:15 p.m. March 11, 1984 - 2:30 p.m. DIRECTOR - Ed Vaughan SCENE DESIGN - Michael Slane LIGHT DESIGN - Fred J. Thayer COSTUME DESIGN - Lucy Lee Reuther OTTERBEIN COLLEGE THEATRE Dept of Theatre & Dance L1 Center for the Arts^ GUEST ACTOR: MARCUS SMYTHE ... is privileged to have the honor of being the first Otterbein graduate (’72) to perform in the annual winter guest artist production. A native of Berea, Ohio, and later of Sylvania, he too worked in the guest artist programs learning much from the likes of Brock Peters in OTHELLO, George Grizzard in TWELFTH NIGHT, and as Mercutio in ROMEO AND JULIET with John Milligan. He first met Pat Hingle at Otterbein and later work ed with him as Happy in DEATH OF A SALESMAN at Buffalo’s Studio Arena. -
Mfoniso Udofia
oth ello By william shakespeare translated by mfoniso udofia This project is part of Shakespeare in American Communities, a program of the National Endowment for the Arts in partnership with Arts Midwest. play on! othello by William Shakespeare Translated by Mfoniso Udofia directed by Christopher V. Edwards Adele Nadine Traub* — Stage Manager Eunice Woods*— Assistant Stage Manager Kristin Leahey — Dramaturg Emma Foley — Assistant Dramaturg Steve Vieira — Production Manager Colin Fleming — Sound Designer Abraham Joyner-Meyers — Sound Engineer Sanjana Kumar — Editor Jules Talbot — Graphic Designer McKayla Witt — Assistant Director Julia Luisa Lee — Production Assistant Abigayle Scobee — Production Assistant Travis Doughty — Production Assistant *Appearing through an Agreement between Actors’ Shakespeare Project, and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. about Play on! The Oregon Shakespeare Festival commissioned 36 playwrights and paired them with dramaturgs to translate 39 plays attributed to Shakespeare into contemporary modern English between the fall of 2015 and December 31, 2018. Additionally, the program commissioned two exciting Shakespearean adaptations. By seeking out a diverse set of playwrights (more than half writers of color and more than half women), it hoped to bring fresh voices and perspectives to the rigorous work of translation. Each playwright was asked to put the same pressure and rigor on language as Shakespeare did on his, keeping in mind meter, rhythm, metaphor, image, rhyme, rhetoric and emotional content. The hope was to have 39 unique side-by-side companion translations of Shakespeare’s plays that were both performable and extremely useful reference texts for both classrooms and productions. -
1998 ANNUAL REPORT the Abell Foundation, Inc
SINCE ITS THE INCEPTION, ........................................................................ THE ABELL ABELL FOUNDATION ........................................................................ HAS BEEN FOUNDATION DEDICATED ........................................................................ TO THE ANNUAL REPORT 1998 ENHANCEMENT OF THE QUALITY OF LIFE IN BALTIMORE AND MARYLAND A HISTORY OF THE ABELL FOUNDATION The Abell Foundation, formerly known as The A.S. Abell Company Foundation, was established on December 31, 1953, on the initiative of the late Harry C. Black, philanthropist and then chairman of the board of the A.S. Abell Company, publishers of the Baltimore Sunpapers. Since its inception as a private foundation incorporated in Maryland, The Abell Foundation has been dedicated to the enhancement of the quality of life in Maryland. From its beginnings, the Foundation has supported needs across the community spectrum. Early records show gifts to hospitals, educational THE institutions, culture and the arts, and human services—including the Associated Jewish Charities and the United Negro College Fund of Baltimore, Inc. FOUNDATION’S The Foundation’s mission, though shaped early on by Harry C. Black, was given firmer definition over the years by his nephew and successor, CHARGE Gary Black. With the passing of Gary Black in October of 1987, the mantle of leadership was passed to his son, Gary Black, Jr., who had trained a lifetime for TO ITSELF the position. HAS BEEN The Foundation’s leadership over the years has been supported by persons of remarkable dedication and community involvement: William S. TO ACT Abell, Thomas B. Butler, George L. Bunting, Jr., Harrison Garrett, Benjamin Griswold, III, Robert Garrett, William E. McGuirk, Jr., Sally J. Michel, Edwin F. AS AN Morgan, John E. -
Costa-Gavras: a Retrospective
The Museum of Modern Art For Immediate Release March 1990 COSTA-GAVRAS: A RETROSPECTIVE April 13 - 24, 1990 A complete retrospective of twelve feature films by Costa-Gavras, the Greek-born French filmmaker, opens at The Museum of Modern Art on April 13, 1990. Both thought provoking and entertaining, Costa-Gavras's suspenseful mysteries deal with compelling social issues and are often based on actual political incidents. His stories involve the motivations and misuses of power and often explore the concept of trust in personal and public relationships. His films frequently star such popular actors as Fanny Ardant, Jill Clayburgh, Jessica Lange, Jack Lemmon, Yves Montand (who stars in six of the films), Simone Signoret, Sissy Spacek, and Debra Winger. Opening with Z (1969), one of his best-known works, COSTA GAVRAS: A RETROSPECTIVE continues through April 24. New prints of Costa-Gavras's early French films have been made available for this retrospective. These include his first film, The Sleeping Car Murders (1965), a thriller about the hunt for a murderer on an overnight train; the American premiere of the original version of One Man Too Many/Shock Troops (1967), a story of resistance fighters who free a group of political prisoners from a Nazi jail; and Family Business (1986), a drama about the transformation of a family crime ring into the local affiliate of an international syndicate. Also featured are Z (1969), an investigation into the murder of a politician; State of Siege (1972), a fictionalized version of the 1970 kidnapping of an American diplomat in Uruguay; and Special Section -more- 11 West 53 Street, New York, N.Y. -
Bates College Financial Statistics Indicate Sound
Bates College SCARAB The aB tes Student Archives and Special Collections 10-6-1978 The aB tes Student - volume 105 number 14 - October 6, 1978 Bates College Follow this and additional works at: http://scarab.bates.edu/bates_student Recommended Citation Bates College, "The aB tes Student - volume 105 number 14 - October 6, 1978" (1978). The Bates Student. 1780. http://scarab.bates.edu/bates_student/1780 This Newspaper is brought to you for free and open access by the Archives and Special Collections at SCARAB. It has been accepted for inclusion in The aB tes Student by an authorized administrator of SCARAB. For more information, please contact [email protected]. VOLUME 105, NUMBER 14 ESTABLISHED 1873 OCTOBER 6, 1978 ,n,*N <r °u % &w BATES COLLEGE FINANCIAL \ *f V X%^ STATISTICS INDICATE SOUND PRACTICE by Jon Marcus are found in other securities. come of $973,637 was noted, with Senior Reporter Railroad bonds represent over $1 "auxiliary enterprises" earning million of the invested funds; and $1,991,419. Thus. 1977-1978 total foreign bonds comprise $239,515 revenues were $9,450,889. Although this past year's of the assets. The remaining Expenditures totaled annual financial report is $3,574,110 of the endowment $8,104,175. They included an currently in preparation and will funds is invested in public utility educational and general in- not be available until the end of bonds, preferred stocks, bank structional and research budged this month at the earliest, and insurance stocks, real estate, (which contains most professors' comparisons can be made with and separately held investments.