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Spring/Summer 2021 Newsletter
Non-Profit Organization U.S. Postage Advancement Office PAID 2112 North Vermilion Street Danville, IL 61832-1798 View from the Hill is published by the Schlarman Academy Advancement Office. Please send corrections and/or address changes to Schlarman Academy Advancement Office, 2112 N. Vermilion St., Danville, IL 61832. All articles are written by staff unless otherwise noted. Articles may be edited for publication space. We also use various Internet sources for information. Letter From The Principal This was one of the most unusual years ever on record! While others were either not in session or were fully remote we tried hard to make the school year as normal as possible. There were, however, some things missing…like athletics for two thirds of the year, dances, and other special events. And I know that a lot of what we had to do to be compliant and still stay in session was not popular with many parents and students. But, we got through it! Are we better for it? Only time will tell! I am not totally sure about how emotionally ready we were for what transpired over the past year. Nor am I totally sure about how we may handle the next year or two. What I am sure about is that after participating in remote learning with all of our students for about six weeks this year, there is no substitution for in-person instruction. Our teachers deserve numerous red apples for their job this year during the remote learning phase we were forced to endure. With all of that behind us, it is time to discuss about what may lie ahead of us. -
The Field Museum 2002 Annual Report to the Board of Trustees Academic Affairs
THE FIELD MUSEUM 2002 ANNUAL REPORT TO THE BOARD OF TRUSTEES ACADEMIC AFFAIRS Office of Academic Affairs, The Field Museum 1400 South Lake Shore Drive Chicago, IL 60605-2496 USA Phone (312) 665-7811 Fax (312) 665-7806 WWW address: http://www.fieldmuseum.org - This Report Printed on Recycled Paper - -1- Revised May 2003 -2- CONTENTS 2002 Annual Report....................................................................................................................................................3 Collections and Research Committee.....................................................................................................................12 Academic Affairs Staff List......................................................................................................................................13 Publications, 2002 .....................................................................................................................................................19 Active Grants, 2002...................................................................................................................................................38 Conferences, Symposia, Workshops and Invited Lectures, 2002 .......................................................................46 Museum and Public Service, 2002 ..........................................................................................................................55 Fieldwork and Research Travel, 2002 ....................................................................................................................65 -
It's a Conspiracy
IT’S A CONSPIRACY! As a Cautionary Remembrance of the JFK Assassination—A Survey of Films With A Paranoid Edge Dan Akira Nishimura with Don Malcolm The only culture to enlist the imagination and change the charac- der. As it snows, he walks the streets of the town that will be forever ter of Americans was the one we had been given by the movies… changed. The banker Mr. Potter (Lionel Barrymore), a scrooge-like No movie star had the mind, courage or force to be national character, practically owns Bedford Falls. As he prepares to reshape leader… So the President nominated himself. He would fill the it in his own image, Potter doesn’t act alone. There’s also a board void. He would be the movie star come to life as President. of directors with identities shielded from the public (think MPAA). Who are these people? And what’s so wonderful about them? —Norman Mailer 3. Ace in the Hole (1951) resident John F. Kennedy was a movie fan. Ironically, one A former big city reporter of his favorites was The Manchurian Candidate (1962), lands a job for an Albu- directed by John Frankenheimer. With the president’s per- querque daily. Chuck Tatum mission, Frankenheimer was able to shoot scenes from (Kirk Douglas) is looking for Seven Days in May (1964) at the White House. Due to a ticket back to “the Apple.” Pthe events of November 1963, both films seem prescient. He thinks he’s found it when Was Lee Harvey Oswald a sleeper agent, a “Manchurian candidate?” Leo Mimosa (Richard Bene- Or was it a military coup as in the latter film? Or both? dict) is trapped in a cave Over the years, many films have dealt with political conspira- collapse. -
Stick Fly Program
theatre.indiana.edu STICK FLY BY LYDIA R. DIAMOND DIRECTED BY LERALDO ANZALDUA A DIGITAL EVENT IU Theatre & Dance wishes to acknowledge and honor the Miami, Delaware, Potawatomi, and Shawnee people, on whose ancestral homelands and resources PRESENTS Indiana University was built. LIVE STICK FLY PERFORMANCE by Lydia R. Diamond The mission of the Department of Theatre, Drama, and Contemporary Dance is to advance the art, scholarship, and appreciation of theatre and dance and its DIRECTOR Leraldo Anzaldua place in society. We pursue this mission collectively STAGE MANAGER Jorie Miller and as individuals through theatrical productions, scholarship and publication, presentation of our work in national and international venues, formal instruction, and individual mentoring. The Department of Theatre, Drama, and Contemporary Dance is accredited by the National Association of Schools of Theatre and is a member of the University/ Stick Fly is presented by arrangement with Concord Theatricals on behalf of Resident Theatre Association Samuel French, Inc. www.concordtheatricals.com and United States Institute for Theatre Technology. Stick Fly was developed in part at Chicago Dramatists, originally produced by Congo Square Theatre and subsequently produced by McCarter Theatre Center. A further developmental production directed by Kenny Leon, was LIVING produced jointly by Arena Stage and the Huntington Theatre Company. IMPACT The video and/or audio recording of this production is strictly prohibited. A DIGITAL EVENT | FEBRUARY 12–13, 2021 3 Cast Production -
I Can Be Changed by What Happens to Me, but I Refuse to Be Reduced by It
ResiliencyI can be changed by what happens to me, but I refuse to be reduced by it. —Maya Angelou Phoenix Magazine is the voice and vision of Saint Joseph Prep Kathleen McCarvill, Co-Head of School Eugene Ward, Co-Head of School Carol Woolston, Asst. Head of School for Community Life Laura Grzbowski, Assistant Director of Advancement damian israel shiner, Creative Director Taya Latham, Communications Associate © 2020 by Saint Joseph Prep IN THIS ISSUE... 4 RESILIENCY: LEARNING IN THE TIME OF COVID The student experience as the School pivoted to Remote Learning 6 RESILIENCY: TEACHING IN THE TIME OF COVID The faculty perspective on teaching in the virtual realm 8 FROM PLAYS TO PODCASTS How the Phoenix Players recreated a classic radio drama 9 A VIRTUAL SHOWCASE The spring STEAM Show posts as an online gallery 10 FOR LOVE OF THE GAME First SJP junior commits to college athletics 11 STRONG AS IRON The five graduates awarded the Iron Phoenix 12 FINDING RESILIENCY IN SERVICE A team of students and faculty members serve in Camden, NJ 14 BLACK HISTORY MATTERS Efforts by students and faculty to educate and to eradicate racial injustice 16 (COMMENCEMENT) Honoring the Class of 2020 as they graduate 18 PLANS INTERRUPTED How an SJP grad found opportunity amid COVID 20 RESILIENCE FOR THE DEAR NEIGHBOR How the CSJs stand up against systemic violence and injustice 22 WE DID IT! The incredible fundraising campaign inspired by Agnes Burns Hughes, MSJA ’48 23 LETTER FROM THE CHAIR 24 ANNUAL REPORT OF GIFTS, 2019-2020 31 FIVE YEAR REUNION Greetings from Saint Joseph Prep! This issue of the Phoenix magazine celebrates the theme of RESILIENCY. -
The Carroll News
John Carroll University Carroll Collected The aC rroll News Student 4-30-1998 The aC rroll News- Vol. 90, No. 23 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 90, No. 23" (1998). The Carroll News. 1093. http://collected.jcu.edu/carrollnews/1093 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. !for You . .9lbout 'You. r.By 'You. Volume 90 • Number 23 John Carroll University • Cleveland, Ohio April 30, 1998 ----~--------------------------- ---- ---·----------------- --- -- JCU A/1-Amercian JCU star signed by NFL London Fletcher Mark Boleky rai e by herself At the age of 12, cided to take up orgamzed foot Sports Editor his Sister wa brutally raped ball That year he earned all-dis headed for NFL Thosearound him have known Fletcher began spendmg more trict and all state honors for years he was too good to play time with a group of f nend > Fletcher followed a basketball here. which could probably have been cholar h1p to the D1vision I St This fact became clear to the con idered a gang. Francis (Pa), but transferred to rest of the football world last He knew he needed an outlet, Carroll after a year. "I began to Thursday, when recent John Car and sports became the easy choice. miss football, and I knew I could roll University graduate London Especially easy con idering ath transfer Ito a DIVISion Ill school! Fletcher made the rare leap from letics come JUSt about a ea y a without s1ttmg out a year," he sa1d Division IJitosigninganNFLcon breathing for fletcher. -
Christensen Brothers by Sheryl Flatow
Christensen Brothers by Sheryl Flatow “Ballet west of the Mississippi is pretty much By the time he was in his early twenties, Willam the creation of the Christensen brothers – was a highly regarded teacher at the school in Willam, Harold, and Lew,” wrote Arlene Croce Ogden. He really wanted to dance ballet, not in 1980 (“Going to the Dance,” p. 311). teach it, but in the early part of the twentieth Separately and together, with passion and century there were no professional ballet ingenuity, tenacity and perseverance, companies in the United States. So, in 1927, he imagination and talent, the Christensen and Lew hit the vaudeville circuit, and a year brothers helped ballet take root in this country, later they were in New York. They swiftly made and their influence reverberates today. it to the prestigious Orpheum circuit with an act for two couples; one of the women, Mignon Willam (1902-2001), as artistic director, Lee, would become Willam’s wife. Despite the choreographer, and teacher, transformed the inclusion of women, the act was really a fledgling San Francisco Ballet from an showcase for male dancing. “Lew and I had to appendage of San Francisco Opera to an be virtuosos,” Willam said. “We had to turn and independent company, and introduced leap like sons-of-guns, and dance fast to keep countless numbers to classical dance in San audiences interested. Because at that time not Francisco and beyond. He then went on to many people knew what we were doing. Were found the ballet department at the University of we gymnasts? Were we acrobats? But Utah – the first of its kind in the country – and 1 audiences liked us.” to establish Ballet West. -
Costa-Gavras: a Retrospective
The Museum of Modern Art For Immediate Release March 1990 COSTA-GAVRAS: A RETROSPECTIVE April 13 - 24, 1990 A complete retrospective of twelve feature films by Costa-Gavras, the Greek-born French filmmaker, opens at The Museum of Modern Art on April 13, 1990. Both thought provoking and entertaining, Costa-Gavras's suspenseful mysteries deal with compelling social issues and are often based on actual political incidents. His stories involve the motivations and misuses of power and often explore the concept of trust in personal and public relationships. His films frequently star such popular actors as Fanny Ardant, Jill Clayburgh, Jessica Lange, Jack Lemmon, Yves Montand (who stars in six of the films), Simone Signoret, Sissy Spacek, and Debra Winger. Opening with Z (1969), one of his best-known works, COSTA GAVRAS: A RETROSPECTIVE continues through April 24. New prints of Costa-Gavras's early French films have been made available for this retrospective. These include his first film, The Sleeping Car Murders (1965), a thriller about the hunt for a murderer on an overnight train; the American premiere of the original version of One Man Too Many/Shock Troops (1967), a story of resistance fighters who free a group of political prisoners from a Nazi jail; and Family Business (1986), a drama about the transformation of a family crime ring into the local affiliate of an international syndicate. Also featured are Z (1969), an investigation into the murder of a politician; State of Siege (1972), a fictionalized version of the 1970 kidnapping of an American diplomat in Uruguay; and Special Section -more- 11 West 53 Street, New York, N.Y. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
Elec Press Kit 10.09.Indd
��������������� ��������� About NDI “They say you can see the universe in a fl ower. In one hour, teaching a jig to a motley crew of students of all ages, Jacques d’Amboise lays bare the essence of all good education: discipline, eff ort, beauty, struggle, joy. In the process, he opens up a universe of possibilities for all who participate and reveals why an education in the arts must be the birthright of every human being.” – Howard Gardner, Director, Harvard University Graduate School of Education, Project Zero National Dance Institute (NDI) was founded in the belief that the arts have a unique power to engage children and motivate them toward excellence. Since it was founded in 1976 by New York City Ballet principal dancer Jacques d’Amboise, NDI has impacted the lives of over 2 million children. Under the artistic direction of Ellen Weinstein and a staff of professional dancer/choreographers and musician/composers, NDI strives to reach every child, transcending barriers of language, culture, and physical challenges. Not one child pays a penny for these programs. • Each year, NDI reaches over 35,000 New York City public elementary school students and their communities through classes, residencies and performances. • All NDI programs are off ered to children free of charge. • Through classes led by professional teaching artists, we provide a full-year program for 4,000 children in our 30 partner schools. • NDI works with mainstream, bilingual, and special education classes. • The majority of NDI dancers come from low-income communities. • Through our Advanced Scholarship Programs, exceptionally motivated children may extend their NDI experience up to the age of 15. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
Oconnellkarenhoffman.Pdf (565Kb)
THE LIBRARY OF JOHN GILMARY SHEA: EXPLORING THE BOOK COLLECTING MIND OF A NINETEENTH-CENTURY HISTORIAN A Thesis submitted to the Faculty of The School of Continuing Studies and of The Graduate School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Studies By Karen H. O’Connell, M.S.L.S. Georgetown University Washington, D.C. April 4, 2011 Copyright © 2011 by Karen H. O’Connell All Rights Reserved ii THE LIBRARY OF JOHN GILMARY SHEA: EXPLORING THE BOOK COLLECTING MIND OF A NINETEENTH-CENTURY HISTORIAN Karen H. O’Connell, M.S.L.S. Mentor: William J. O’Brien, Ph.D. ABSTRACT Since there have been books to collect, there have been book collectors. When Renaissance technology brought about the possibility for a wider distribution of books (i.e., knowledge) with the development of printing using moveable type, books became less unique; however, books remained dear for several hundred years. And beyond their tomes, book collectors have existed to varying heights of fame throughout history. Is it the books collected or the collectors themselves that should be remembered? Perhaps it is both. There have been memorable collectors from the Middle Ages through the nineteenth century, when again, technology changed and expanded the dissemination of knowledge. These include Bishop Richard de Bury, Jean Grolier, Jacques-Auguste de Thou, the Marquesa de Pompadour, Sir John Soane, Thomas Jefferson, James Lenox, and Rush C. Hawkins. John Gilmary Shea was a nineteenth-century book collector of great depth; but who today remembers him as such? Historians go in and out of favor, as historical trends change.