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UC Santa Cruz Other Recent Work
UC Santa Cruz Other Recent Work Title Robert B. Stevens: UCSC Chancellorship, 1987-1991 Permalink https://escholarship.org/uc/item/95h8k9w0 Authors Stevens, Robert Jarrell, Randall Regional History Project, UCSC Library Publication Date 1999-05-21 Supplemental Material https://escholarship.org/uc/item/95h8k9w0#supplemental eScholarship.org Powered by the California Digital Library University of California Introduction The Regional History Project conducted six interviews with UCSC Chancellor Robert B. Stevens during June and July, 1991, as part of its University History series. Stevens was appointed the campus’s fifth chancellor by UC President David P. Gardner in July, 1987, and served until July, 1991. He was the second UCSC chancellor (following Chancellor Emeritus Robert L. Sinsheimer) recruited from a private institution. Stevens was born in England in 1933 and first came to the United States when he was 23. He was educated at Oxford University (B.A., M.A., B.C.L., and D.C.L.) and at Yale University (L.L.M.) and became an American citizen in 1971. An English barrister, Stevens has strong research interests in legal history and education in the United States and England. He served as chairman of the Research Advisory Committee of the American Bar Foundation, has written a half dozen books on legal history and social legislation, and numerous papers on American legal scholarship and comparative Anglo-American legal history. Prior to his appointment at UCSC he served for almost a decade as president of Haverford College from 1978 until 1987. From 1959 to 1976 he was a professor of law at Yale University. -
Season Announcement Press Release Final
For more information contact: Allie Magee / [email protected] / 314-775-7412 ST. LOUIS SHAKESPEARE FESTIVAL RETURNS TO LIVE PERFORMANCE IN FOREST PARK WITH K I N G L E A R STARRING TONY, EMMY & GRAMMY WINNER ANDRÉ DE SHIELDS JUNE 2 - 27, 2021 PLUS FULL 2021 SEASON LINE UP St. Louis, MO (March 5, 2021) -- The St. Louis Shakespeare Festival (Tom Ridgely, Producing Artistic Director) announced today that Tony, Emmy and Grammy award-winner André De Shields (Broadway: Hadestown, The Wiz, Ain’t Misbehavin) will star in King Lear as part of its 21st summer of free Shakespeare in Forest Park. The production marks the theater’s return to live outdoor performance, one of the first scheduled in the country. King Lear will be directed by Carl Cofield (Associate Artistic Director of the Classical Theatre of Harlem) and begin on Wednesday, June 2, with an opening night set for Friday, June 4 at 8:00 pm, and play through June 27 to strictly limited capacity crowds. The Festival’s 2021 Season will also include a new outdoor touring production of Othello that will visit 24 public parks across the metro area and three outdoor performances of “Shakespeare in the Streets: The Ville” in one of the most historically significant Black communities in America. Also announced, the second Confluence New Play Festival and members of the third Regional Writers Cohort, and a six-month Directors Fellowship now accepting applications. “André is a national treasure and one of the most extraordinary theatrical artists alive,” said producing artistic director Tom Ridgely in a statement. -
City of Watsonville Historic Context Statement (2007)
Historic Context Statement for the City of Watsonville FINAL REPORT Watsonville, California April 2007 Prepared by One Sutter Street Suite 910 San Francisco CA 94104 415.362.7711 ph 415.391.9647 fx Acknowledgements The Historic Context Statement for the City of Watsonville would not have been possible without the coordinated efforts of the City of Watsonville Associate Planner Suzi Aratin, and local historians and volunteers Ann Jenkins and Jane Borg whose vast knowledge and appreciation of Watsonville is paramount. Their work was tireless and dependable, and their company more than pleasant. In addition to hours of research, fact checking and editing their joint effort has become a model for other communities developing a historic context statement. We would like to thank the City of Watsonville Council members and Planning Commission members for supporting the Historic Context Statement project. It is a testimony to their appreciation and protection of local history. Thanks to all of you. Table of Contents Chapter Page 1.0 Background and Objectives 1 1.1 Introduction 1.2 Location and Boundaries of Study 1.3 Context Statement Objective 2.0 Methodology 5 2.1 Context Statement Methodology 2.2 Summary of Resources 3.0 Introduction to Historic Contexts 7 3.1 Summary of Historic Contexts 3.2 Summary of Regional History Before Incorporation 3.3 Summary of regional history from 1868 – 1960 4.0 Historic Context 1 - Municipal Development 17 4.1 Overview 4.2 History 4.2.1 Schools 4.2.2 Civic Institutions 4.2.3 Infrastructure: Water 4.2.4 Infrastructure: -
UA 128 Inventory Photographer Neg Slide Cs Series 8 16
Inventory: UA 128, Public Information Office Records: Photographs. Photographer negatives, slides, contact sheets, 1980-2005 Format(s): negs, slides, transparencies (trn), contact sheets Box Binder Title/Description Date Photographer (cs) 39 1 Campus, faculty and students. Marketing firm: Barton and Gillet. 1980 Robert Llewellyn negatives, cs 39 2 Campus, faculty, students 1984 Paul Schraub negatives, cs 39 2 Set construction; untitled Porter sculpture (aka"Wave"); computer lab; "Flying Weenies"poster 1984 Jim MacKenzie negatives, cs 39 2 Tennis, fencing; classroom 1984 Jim MacKenzie negatives, cs 39 2 Bike path; computers; costumes; sound system; 1984 Jim MacKenzie negatives, cs 39 2 Campus, faculty, students 1984 Jim MacKenzie negatives, cs 39 2 Admissions special programs (2 pages) 1984 Jim MacKenzie negatives, cs 39 3 Downtown family housing 1984 Joe ? negatives, cs 39 3 Student family apartments 1984 Joe ? negatives, cs 39 3 Downtown Santa Cruz 1984 Joe ? negatives, cs 39 3 Special Collections, UCSC Library 1984 Lucas Stang negatives, cs 39 3 Sailing classes, UCSC dock 1984 Dan Zatz cs 39 3 Childcare center 1984 Dan Zatz cs 39 3 Sailing classes, UCSC dock 1984 Dan Zatz cs 39 3 East Field House; Crown College 1985 Joe ? negatives, cs 39 3 Porter College 1985 Joe ? negatives, cs 39 3 Porter College 1985 Joe ? negatives, cs 39 3 Performing Arts; Oakes; Porter sculpture (The Wave) 1985 Joe ? negatives, cs Jack Schaar, professor of politics; Elena Baskin Visual Arts, printmaking studio; undergrad 39 3 chemistry; Computer engineering lab -
Group Sales Tickets
SHAKESPEARE THEATRE COMPANY 21st Annual Table of Contents D.C.’s favorite Feature Letter from Michael Kahn 5 The Two Faces of Capital summer by Drew Lichtenberg 6 Program Synopsis 11 theatre event About the Playwright 13 Title Page 15 Cast 17 is back! Cast Biographies 18 PRESENTED BY Direction and Design Biographies 22 Shakespeare Theatre Company Tickets will be available Board of Trustees 8 online and in line! Shakespeare Theatre Company 26 Individual Support 28 Visit ShakespeareTheatre.org/FFA for more details on how to get your tickets via lottery Corporate Support 40 or at Sidney Harman Hall on the day of the Foundation and performance. Tickets for 2011–2012 Season Government Support 41 subscribers available through the Box Office Academy for Classical Acting 41 beginning July 5, 2011, at 10 a.m. For the Shakespeare Theatre Company 42 Join the Friends of Free Staff 44 JULIUS For All for tickets! Audience Services 50 Free For All would not be possible without Creative Conversations 50 CAESAR the hundreds of individuals who generously donate to support the program each year. “ Only with the help of the Friends of Free For All is STC able to offer free performances, All hail Julius Caesar! making Shakespeare accessible to … One of the best productions of this or any season.” Washington, D.C., area residents every summer. The Washingtonian In appreciation for this support, Friends of Free For All receive exclusive benefits during This Year's Production: the festival such as reserved Free For All tickets, the option to have tickets mailed in August 18–September 4 advance, special event invitations, program recognition and more. -
2012 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University
Illinois State University ISU ReD: Research and eData Illinois Shakespeare Festival Fine Arts Summer 2012 2012 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/isf Part of the Theatre and Performance Studies Commons Recommended Citation School of Theatre and Dance, "2012 Illinois Shakespeare Festival Program" (2012). Illinois Shakespeare Festival. 25. https://ir.library.illinoisstate.edu/isf/25 This Book is brought to you for free and open access by the Fine Arts at ISU ReD: Research and eData. It has been accepted for inclusion in Illinois Shakespeare Festival by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. 'The Snyder Comyanies yresentin3 ponsors of the ... ~ 012 1([inois Shake~eare 'FestivaO ~ g~~ i) (~ JILILINOIS1 Sponsored by SHAKESPEARE (~..- - -..,.-D-ER~) THE SNYDER COMPANIES FIESlflVAL APARTMEITTS I HOTRS I INSURANCE I REAL ESTATE 2012 ·.· ]Jfft JCa,J()f! As You Like It by William Shakespeare June 27, 28,July 1, 6, 8, 12, 14, 20, 27, August 1, 5, 7, 11 Othello by William Shakespeare June 26, 29, 30, July 5, 7, 13, 15, 21, 25, 28, 31, August 3, 9 The Rivals by Richard Brinsley Sheridan July 18, 19, 22, 24, 26, 29, August 2, 4, 8, 10 Comedy of Errors by William Shakespeare (Theatre for Young Audiences) July 11, 14, 18, 21, 22, 25, 28, August I, 4, 8, 11 Three Wills and a Shakespeare (Green Show Performances) Every night of the Festival! DEB ALLEY DICK FOLSE JANET WILSON Artistic Director Managing Director Producer The 2012 Illinois Shakespeare Festival is made possible in part by funding and support provided by individuals, businesses, foundations, government agencies, and organizations. -
Shakespeare Santa Cruz Records UA.041
http://oac.cdlib.org/findaid/ark:/13030/kt938nd6h4 Online items available Guide to the Shakespeare Santa Cruz Records UA.041 Alix Norton, Megan Martenyi, LuLing Osofsky, Alexander Ullman, Maureen Carey University of California, Santa Cruz 2017, 2019 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Digital materials were described and added to the finding aid in 2019. Guide to the Shakespeare Santa UA.041253 1 Cruz Records UA.041 Contributing Institution: University of California, Santa Cruz Title: Shakespeare Santa Cruz records Creator: Shakespeare Santa Cruz (Theatrical company) Identifier/Call Number: UA.041 Identifier/Call Number: 253 Physical Description: 127.5 Linear Feet (84 boxes, 9 flat boxes, 4 roll boxes, and 3 flat file folders) Physical Description: 110.6 GB (9,146 digital files) Date (inclusive): 1980-2013 Language of Material: English https://n2t.net/ark:/38305/f1tt4q3h Access Collection is open for research. Audiovisual media is unavailable until reformatted. Contact Special Collections and Archives in advance to request access to audiovisual media. Digital files are available in the UCSC Special Collections and Archives reading room. Some files require reformatting before they can be accessed. Technical limitations may hinder the Library's ability to provide access to some digital files. Access to digital files on original carriers is prohibited; users must request to view access copies. Contact Special Collections and Archives in advance to request access to digital files. Immediate Source of Acquisition Transferred to University Archives from Shakespeare Santa Cruz offices in 1992, 2013, 2014, and 2015. Materials from Paul Whitworth and Ann Gibb transferred to University Archives in 2016. -
Klimchak Resume2010
KLIMCHAK Composer and Performer 2504 Fernleaf Ct. NW Atlanta, GA. 30318 Phone: 404-350-8847 Email: [email protected] Web: klimchakmusic.com EMPLOYMENT 1991-Present Emory University Dance Department, Composer and Accompanist REPRESENTATIVE PERFORMANCE PIECES (not a complete compilation) June 2010 Percussion Discussion 5x5 5 live percussion duets performed under bridges as part of ART ON THE BELTLINE, Atlanta Feb 2010 Limitless solo music performance at the Bradley Observatory & exhibition of performance video & original musical instruments for Dalton Gallery art show, AGNES SCOTT COLLEGE, Atlanta Jan 2010 Tales of Edgar Allen Poe live musical composition for adaptation of short stories by Poe, CENTER FOR PUPPETRY ARTS, Atl. Feb 2009 The Evolution Project, taped and live musical composition for choreography by Lori Teague, EMORY UNIVERSITY, Atlanta. Sept 2008 Different Skies All-Stars, Group electronic music composers concert, ARCOSANTI, AZ Aug 2008 The Ugly Duckling, taped and live musical score for play adapted by Michael Haverty, CENTER FOR PUPPETRY ARTS, Atlanta. Oct 2007 Macbeth, live musical composition for Shakespeare play directed by Eddie Maise, GEORGIA TECH, Atlanta. July 2007 Pericles, Live musical composition for Shakespeare play directed by Richard Garner, GEORGIA SHAKESPEARE FESTIVAL, Atl. Jan 2006 Doors That Open, Taped score for choreography by Lori Teague, EMORY UNIVERSITY, Atlanta. Oct 2005 Romeo & Juliet, Taped score for Shakespeare play directed by Richard Garner, GEORGIA SHAKESPEARE FESTIVAL, Atlanta Nov 2004 Are We Democracy?, Live musical composition for choreography by Jawole Zolar/ Urban Bush Women, EMORY UNIVERSITY, Atl. July 2003 Cymbeline, Live musical composition for Shakespeare play directed by Nancy Keystone, GEORGIA SHAKESPEARE FESTIVAL. June 2002 Coriolanus, live musical composition for Shakespeare play directed by Kant Gash, SHAKESPEARE SANTA CRUZ, California. -
USA National
USA National Hartselle Enquirer Alabama Independent, The Newspapers Alexander Islander, The City Outlook Andalusia Star Jacksonville News News Anniston Star Lamar Leader Birmingham News Latino News Birmingham Post-Herald Ledger, The Cullman Times, The Daily Marion Times-Standard Home, The Midsouth Newspapers Daily Mountain Eagle Millbrook News Monroe Decatur Daily Dothan Journal, The Montgomery Eagle Enterprise Ledger, Independent Moundville The Florence Times Daily Times Gadsden Times National Inner City, The Huntsville Times North Jefferson News One Mobile Register Voice Montgomery Advertiser Onlooker, The News Courier, The Opelika- Opp News, The Auburn News Scottsboro Over the Mountain Journal Daily Sentinel Selma Times- Pelican, The Journal Times Daily, The Pickens County Herald Troy Messenger Q S T Publications Tuscaloosa News Red Bay News Valley Times-News, The Samson Ledger Weeklies Abbeville Sand Mountain Reporter, The Herald Advertiser Gleam, South Alabamian, The Southern The Atmore Advance Star, The Auburn Plainsman Speakin' Out News St. Baldwin Times, The Clair News-Aegis St. Clair BirminghamWeekly Times Tallassee Tribune, Blount Countian, The The Boone Newspapers Inc. The Bulletin Centreville Press Cherokee The Randolph Leader County Herald Choctaw Thomasville Times Tri Advocate, The City Ledger Tuskegee Clanton Advertiser News, The Union Clarke County Democrat Springs Herald Cleburne News Vernon Lamar Democrat Conecuh Countian, The Washington County News Corner News Weekly Post, The County Reaper West Alabama Gazette Courier -
Exploring the History of Swanton Pacific
UNA LEGUA CUADRADA: EXPLORING THE HISTORY OF SWANTON PACIFIC RANCH AND ENVIRONS A Thesis presented to the Faculty of California Polytechnic State University, San Luis Obispo In Partial Fulfillment of the Requirements for the Degree Master of Arts in History by Jeanine Marie Scaramozzino December 2015 © 2015 Jeanine Marie Scaramozzino ALL RIGHTS RESERVED ii COMMITTEE MEMBERSHIP TITLE: Una Legua Cuadrada: Exploring the History of Swanton Pacific Ranch and Environs AUTHOR: Jeanine Marie Scaramozzino DATE SUBMITTED: December 2015 COMMITTEE CHAIR: Joel Orth, Ph.D. Associate Professor of History COMMITTEE MEMBER: Paul Hiltpold, Ph.D. Professor of History COMMITTEE MEMBER: Matthew Hopper, Ph.D. Associate Professor of History COMMITTEE MEMBER: Kathleen Murphy, Ph.D. Associate Professor of History and Graduate Student Coordinator iii ABSTRACT Una Legua Cuadrada: Exploring the History of Swanton Pacific Ranch and Environs Jeanine Marie Scaramozzino Swanton Pacific Ranch is an educational and research facility owned by the Cal Poly Corporation and managed by the Cal Poly State University (Cal Poly) College of Agriculture, Food and Environmental Sciences. Located about 180 miles north of campus and just 14 miles north of Santa Cruz, California on Highway 1, the property was first leased to and then donated to Cal Poly by the late Albert E. Smith in 1993. The rancho’s original inhabitants included Native Americans, Spaniards, Mexicans, as well as various European immigrants and their descendants; currently, the staff, faculty, and students of Cal Poly occupy the land. Each of these groups used the land’s rich environment for a variety of purposes from subsistence to financial and intellectual pursuits. -
Public Art Program Framework
IMAGINE SANTA CRUZ Public Art Master Plan Santa Cruz City Arts Commission City of Santa Cruz, California September 1998 Submitted by Jerry Allen and Associates 444 Hoover Road • Soquel, CA 95073 831.465.1953 Tel • 831.465.1957 Fax Jerry Allen, Project Director Jack Mackie, Project Associate Virginia Wright, Project Associate Santa Cruz Master Public Art Plan Jerry Allen and Associates Table of Contents 2 Santa Cruz Master Public Art Plan Jerry Allen and Associates Table of Contents Executive Summary................................................................................................... 5 Introduction and Methodology.............................................................................. 12 Recommendations, Framework and Ordinance Public Art Program Framework ............................................................................ 16 Detailed Recommendations.................................................................................... 38 Proposed Public Art Ordinance............................................................................. 51 Guidelines Program Guidelines................................................................................................. 57 Chart: The Public Art Process ................................................................................ 78 Chart: The Public Art Selection Process ............................................................... 79 Policies Policy on Artist’s Rights......................................................................................... -
Cymbeline Directed by Carl Cofield
PRESS CONTACT: [email protected] // 212-539-8666 THE PUBLIC THEATER’S MOBILE UNIT TO TOUR THIS SPRING WITH CYMBELINE DIRECTED BY CARL COFIELD Extended Four-Week Tour Visits Correctional Facilities, Homeless Shelters, Social Service Organizations, and Community Centers in All Five Boroughs April 16 – May 15 Free Performances at The Public Continue Tradition of Access to Shakespeare for All May 18 – June 7 Complete Casting Announced March 5, 2020 – The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) will bring Shakespeare’s CYMBELINE, directed by Carl Cofield, on tour for the first time ever to venues across the city in a free four-week tour (April 16-May 15), as part of The Public’s commitment to bringing free theater to all and deepening its engagement with communities across the five boroughs. The Mobile Unit’s free tours bring Shakespeare and other works to audiences who have limited or no access to the arts by visiting correctional facilities, homeless shelters, social service organizations, and other community organizations. Following the tour to the five boroughs, there will also be a free three-week engagement of CYMBELINE in The Public’s Shiva Theater running Monday, May 18 through Sunday, June 7, with an official press opening on Thursday, May 21. The complete cast of CYMBELINE features Barzin Akhavan (Cymbeline), Danaya Esperanza (Imogen), Stephanie Roth Haberle (Queen/Belarius), Brandon Mendez Homer (Posthumus/Cloten), Paco Lozano (Caius Lucius), Keren Lugo (Arviragus), Daniel José Molina (Iachimo), Reynaldo Piniella (Guiderius), and Simone Recasner (Pisanio). “Carl Cofield has been doing some wonderful work in recent years, perhaps most notably with the indispensable Classical Theatre of Harlem,” said Artistic Director Oskar Eustis.