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Horace Bristol Papers
http://oac.cdlib.org/findaid/ark:/13030/c8t72jfk No online items Guide to the Horace Bristol papers MS.329MS.329 Finding aid prepared by Finding aid prepared by Mary deVries University of California, Santa Cruz 1156 High Street Santa Cruz, CA, 95064 (831) 459-2547 [email protected] Guide to the Horace Bristol MS.329 1 papers MS.329MS.329 Title: Horace Bristol papers, Identifier/Call Number: MS.329 Contributing Institution: University of California, Santa Cruz Language of Material: English Physical Description: 3.0 Linear feet Date (inclusive): 1935-1997 Abstract: This is a small collection of correspondence, biographical materials, and 5 photographs taken by Horace Bristol in California in the 1930s. Location: Special Collections and Archives General Physical Description note: 2 boxes, 1 framed photograph. Creator: Bristol, Horace Access Collection open for research Publication Rights Property rights reside with the University of California. Literary rights are retained by the creators of the records and their heirs. For permission to publish or to reproduce the material, please contact the Head of Special Collections and Archives. Preferred Citation Horace Bristol Papers. MS 329. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Horace Bristol, 1992-1997 Biography Photographer Horace Bristol is best known for his images of Depression era migrant families that inspired Steinbeck's The Grapes of Wrath, compelling battle scenes of World War II, and portraits of post-war Japan and Southeast Asia. Bristol was born in 1908. He was raised in Whittier, California, attended the Art Center of Los Angeles, and began to teach himself photography while studying architecture in Munich and travelling through Europe with his wife, Virginia. -
UC Santa Cruz Other Recent Work
UC Santa Cruz Other Recent Work Title Robert B. Stevens: UCSC Chancellorship, 1987-1991 Permalink https://escholarship.org/uc/item/95h8k9w0 Authors Stevens, Robert Jarrell, Randall Regional History Project, UCSC Library Publication Date 1999-05-21 Supplemental Material https://escholarship.org/uc/item/95h8k9w0#supplemental eScholarship.org Powered by the California Digital Library University of California Introduction The Regional History Project conducted six interviews with UCSC Chancellor Robert B. Stevens during June and July, 1991, as part of its University History series. Stevens was appointed the campus’s fifth chancellor by UC President David P. Gardner in July, 1987, and served until July, 1991. He was the second UCSC chancellor (following Chancellor Emeritus Robert L. Sinsheimer) recruited from a private institution. Stevens was born in England in 1933 and first came to the United States when he was 23. He was educated at Oxford University (B.A., M.A., B.C.L., and D.C.L.) and at Yale University (L.L.M.) and became an American citizen in 1971. An English barrister, Stevens has strong research interests in legal history and education in the United States and England. He served as chairman of the Research Advisory Committee of the American Bar Foundation, has written a half dozen books on legal history and social legislation, and numerous papers on American legal scholarship and comparative Anglo-American legal history. Prior to his appointment at UCSC he served for almost a decade as president of Haverford College from 1978 until 1987. From 1959 to 1976 he was a professor of law at Yale University. -
Cover Letter for KZSC Advisor Position I'm Writing to Apply for The
Cover Letter for KZSC Advisor Position I'm writing to apply for the job of KZSC advisor. With my passions, experience and skills, I think I would be a great fit for the job. I've worked in and around radio since I started on my college radio station, WEOS FM, as a freshman. I've hosted and produced shows and I've been a nationally-published radio columnist. I had the radio bug from the time I was young. I'm one of the rare breed who love the medium and always have. But I didn't choose it as a full time profession. Instead I focused on journalism and teaching, both of which gave me skills I would bring to UCSC. I've been a reporter and editor for three decades and a teacher for half that time. I worked at the Santa Cruz Mercury News for 22 years and was a radio writer for much of it. I studied the industry and wrote columns critiquing it. During that time I got to know many people at all levels of the business and appeared on media outlets from Howard Stern to Nightline. I've also taught broadcasting at Cabrillo and De Anza Colleges. I am currently the Chairman of the Journalism Department at Cabrillo, where I've gotten experience that would help at KZSC. I've dealt with hiring and firing; I've taught some 200 students a year; I've managed the department's budget; and I've been the advisor to the school's newspaper. I manage a radio course through the school where students produce a show on KSCO-AM in return for time as interns at the station. -
UC Santa Cruz Other Recent Work
UC Santa Cruz Other Recent Work Title Living History Circle (group interview): Out in the Redwoods, Documenting Gay, Lesbian, Bisexual, Transgender History at the University of California, Santa Cruz, 1965-2003 Permalink https://escholarship.org/uc/item/05d2v8nk Author Reti, Irene H. Publication Date 2004-04-01 eScholarship.org Powered by the California Digital Library University of California LIVING HISTORY CIRCLE This group living history circle was conducted on April 20, 2002, as part of the Banana Slug Spring Fair annual event for UCSC alumni and prospective students. The session was organized by Irene Reti, together with Jacquelyn Marie, and UCSC staff person and alum Valerie Jean Chase. The discussion was approximately ninety minutes and included the following participants: Walter Brask, Melissa Barthelemy, Valerie Chase, Cristy Chung, James K. Graham, Linda Rosewood Hooper, Rik Isensee, David Kirk, Stephen Klein, John Laird, Jacquelyn Marie, Robert Philipson, Irene Reti, and John Paul Zimmer. This was also the thirtieth reunion of the Class of 1972, which is why there is a disproportionate number of participants from that period of UCSC history. The interview was taped and transcribed. Where possible, speakers are identified.—Editor. Jacquelyn Marie: We have three basic questions, and they will probably blend together. Please say your name, what college you graduated from, and your year of graduation. Then there should be lots of time to respond to each other. The questions have to do with Living History Circle 159 the overall climate on campus; professors and other role models, and classes; and the impact of UCSC on yourselves as GLBT people in terms of your life, your identity, your work. -
Kenneth Patchen Papers
http://oac.cdlib.org/findaid/ark:/13030/kt3r29q25b No online items Guide to the Kenneth Patchen Papers Processed by UCSC OAC Unit. The University Library Special Collections and Archives University Library University of California, Santa Cruz Santa Cruz, California, 95064 Email: [email protected] URL: http://library.ucsc.edu/speccoll/ © 2004 The Regents of the University of California. All rights reserved. Guide to the Kenneth Patchen MS 160 1 Papers Guide to the Kenneth Patchen Papers Collection number: MS 160 The University Library Special Collections and Archives University of California, Santa Cruz Santa Cruz, California Processed by: UCSC OAC Unit Date Completed: 2004 Encoded by: UCSC OAC Unit © 2004 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Kenneth Patchen papers, Date (bulk): 1929-1989, (bulk 1929-1972) Collection number: MS 160 Creator: Patchen, Kenneth Extent: 35 linear feet and 151 painted poems Repository: University of California, Santa Cruz. University Library. Special Collections and Archives Santa Cruz, California 95064 Abstract: This collection contains biographical material, correspondence, manuscripts, bound first editions, rare silkscreen and painted book editions, painted poems, works of art including illustrations, paintings, papier-mâché sculptures and decorated furniture, scrapbooks, photographs, slides, recordings, musical scores, and clippings documenting the creative work and literary spirit of Kenneth Patchen, as well as personal triumphs and struggles shared with his wife Miriam Patchen. Physical location: Stored in Special Collections & Archives: Advance notice is required for access to the papers. Language: English. Access Collection is open for research. Access to Series 6: Painted Poems is restricted due to physical condition. -
UC Santa Cruz Other Recent Work
UC Santa Cruz Other Recent Work Title Helene Moglen and the Vicissitudes of a Feminist Administrator Permalink https://escholarship.org/uc/item/7fc7q3z8 Authors Moglen, Helene Reti, Irene Regional History Project, UCSC Library Publication Date 2013-06-03 Supplemental Material https://escholarship.org/uc/item/7fc7q3z8#supplemental eScholarship.org Powered by the California Digital Library University of California University of California, Santa Cruz University Library Helene Moglen and the Vicissitudes of a Feminist Administrator Interviewed and Edited by Irene Reti Santa Cruz 2013 This manuscript is covered by copyright agreement between Helene Moglen and the Regents of the University of California dated May 28, 2013. Under “fair use” standards, excerpts of up to six hundred words (per interview) may be quoted without the University Library’s permission as long as the materials are properly cited. Quotations of more than six hundred words require the written permission of the University Librarian and a proper citation and may also require a fee. Under certain circumstances, not-for-profit users may be granted a waiver of the fee. For permission contact: Irene Reti [email protected] or Regional History Project, McHenry Library, UC Santa Cruz, 1156 High Street, Santa Cruz, CA, 95064. Phone: 831-459-2847 TABLE OF CONTENTS Introduction i Early Life 1 Bryn Mawr 6 Marriage and Family 9 Graduate Study at Yale University 12 Sig Moglen 18 Teaching at New York University 19 Teaching at State University of New York [SUNY], Purchase 26 Coming to UC -
Omc Special Offer Modified
The OMC Gallery - NEW website - Special offers for a limited time only Pierre Alechinsky (1927 Belgium) One of the founders of the CoBrA group, whose dedication to primitive form and often violent strokes of color paralleled the American abstract expressionist movement. The group was formed as a reaction to the formal, refined art popular in other European cities immediately after World War II. The artist's style, anguished during the CoBrA period, softened perceptibly as acceptance for his art grew, but it remains strongly expressionistic. He is particularly adept at achieving subtleties and intensities of color in the lithographic process. The recipient of the Andrew Mellon Prize in 1977, Alechinsky is represented in the collections of sixty-five of the world's leading museums, incl. Fine Arts Museums of San Francisco and the Museo Reina Sofía in Madrid. He has also been honored with a permanent room in the Louisiana Museumin Denmark. The winner of the first Andrew W. Mellon Prize for Painting (1977) and the French Grand Prix National for painting in 1984, Alechinsky has been recognized in recent years as one of the most significant living artists. (The art market has also noticed his stature: one of his paintings sold at auction several years ago for over $2,000,000.) Alechinsky was just barely out of his teens when he burst onto the art scene as one of the original members of the COBRA group, and over the years he has emerged as one of the most imaginative and witty artists of our times. Alechinsky fans are everywhere. -
Guide to the Papers of the Summer Seminar of the Arts
Summer Seminar of the Arts Papers Guide to the Papers of The Summer Seminar of the Arts Auburn University at Montgomery Library Archives and Special Collections © AUM Library TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2 Biographical Information 3-4 Scope and Content Note 5 Arrangement 5-6 Inventory 6-24 1 Summer Seminar of the Arts Papers Collection Summary Creator: Jack Mooney Title: Summer Seminar of the Arts Papers Dates: ca. 1969-1983 Quantity: 9 boxes; 6.0 cu. ft. Identification: 2005/02 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Summer Seminar of the Arts Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: Jack Mooney donated the collection to the AUM Library in May 2005. Processing By: Samantha McNeilly, Archives/Special Collections Assistant (2005). Copyright Information: Copyright not assigned to the AUM Library. Restrictions Restrictions on access: There are no restrictions on access to these papers. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. 2 Summer Seminar of the Arts Papers Biographical/Historical Information The Summer Seminar of the Arts was an annual arts and literary festival held in Montgomery from 1969 until 1983. The Seminar was part of the Montgomery Arts Guild, an organization which was active in promoting and sponsoring cultural events. Held during July, the Seminar hosted readings by notable poets, offered creative writing workshops, held creative writing contests, and featured musical performances. -
Imprint: Oregon 1935
Imprint:Oregon 1°A S Fall-Spring 1978-1979 °M z-i William Everson Waldport: an Interview with William Everson Introduction During World War II the problem of what to do with conscientious objectors who refused to engage in certain types of moreor less war-related work was resolved by the establishment of so-called ConscientiousObjectors Camps, more formallyCivilian Public Service Camps. They were sponsored by the "peace churches,"the Brethren, Mennonite and American Friends Service Committee. By 1945 there were more than 110 such camps and sub-camps throughout the United States. The origins and pur- poses of these camps are well described in the interview which follows. There were three such camps in Oregon: No. 21 (Cascade Locks) opened Dec. 5, 1941: No.56 (Waldport) opened Oct. 24, 1942: No.59 (Elkton) opened Nov.?, 1942. All were engaged in forest maintenance directed by the U. S. Forest Service or by the Oregon and California Revested Lands Administration, Such work consisted of tree planting, blister rust control, fire fighting and trail building, a continuation, essenti- ally, of work done formerly by the receniiy defunct Civilian Conservation Corps. In the usual manner of all such camps, the CO camps produced house organs, usual- ly weekly or monthly mimeographed newspapers. These papers were sponsoredand encouraged by the camp administration itself. winch regarded them as a harmless and even useful outlet for expression. There were, however, some exceptions tothis expec- tation. Among Oregon camps, for example, there wasa proliferation of camp newspapers out of Elkton. This may be partially explainedbythe fact that Elkton was operated as aheadquarters camp and sent contingentsto sub-camps located as far south as Kiam. -
Season Announcement Press Release Final
For more information contact: Allie Magee / [email protected] / 314-775-7412 ST. LOUIS SHAKESPEARE FESTIVAL RETURNS TO LIVE PERFORMANCE IN FOREST PARK WITH K I N G L E A R STARRING TONY, EMMY & GRAMMY WINNER ANDRÉ DE SHIELDS JUNE 2 - 27, 2021 PLUS FULL 2021 SEASON LINE UP St. Louis, MO (March 5, 2021) -- The St. Louis Shakespeare Festival (Tom Ridgely, Producing Artistic Director) announced today that Tony, Emmy and Grammy award-winner André De Shields (Broadway: Hadestown, The Wiz, Ain’t Misbehavin) will star in King Lear as part of its 21st summer of free Shakespeare in Forest Park. The production marks the theater’s return to live outdoor performance, one of the first scheduled in the country. King Lear will be directed by Carl Cofield (Associate Artistic Director of the Classical Theatre of Harlem) and begin on Wednesday, June 2, with an opening night set for Friday, June 4 at 8:00 pm, and play through June 27 to strictly limited capacity crowds. The Festival’s 2021 Season will also include a new outdoor touring production of Othello that will visit 24 public parks across the metro area and three outdoor performances of “Shakespeare in the Streets: The Ville” in one of the most historically significant Black communities in America. Also announced, the second Confluence New Play Festival and members of the third Regional Writers Cohort, and a six-month Directors Fellowship now accepting applications. “André is a national treasure and one of the most extraordinary theatrical artists alive,” said producing artistic director Tom Ridgely in a statement. -
2017-2018 Academic Year 02
CELEBRATING THE HUMANITIES 2017-2018 Academic Year 02 LETTER FROM THE DEAN TYLER STOVALL As we come to the end of another academic year, many of us are no doubt grateful for the relative calm we have experienced since last year. National politics remains turbulent, but there have been no new changes or transitions comparable to those of a year ago. If last year was a time of drama, this has been more one of reassessment and new beginnings. It has been my pleasure to welcome new colleagues to the Humanities Division. History of Consciousness has two new faculty, Banu Bargu and Massimiliano Tomba, whose presence has brought new dynamism to the department. Ryan Bennett and Amanda Rysling joined the Linguistics department as assistant professors. I’m also pleased to welcome Literature professor Marlene Tromp, who so wanted to join us she consented to accept an administrative position as Campus Provost/Executive Vice Chancellor! At the same time, I must say farewell to some valued colleagues. Professors Tyrus Miller and Deanna Shemek are moving to faculty positions at UC Irvine, where Tyrus will also serve as Dean of the Humanities. Professors Bettina Aptheker, Jim McCloskey, and Karen Tei Yamashita retired from the university, although I hope they will remain active as emeriti faculty. Finally, I must acknowledge and mourn the passing of professor emeritus Hayden V. White. One of the most renowned and influential faculty members at UC Santa Cruz, Hayden White left a rich legacy to History of Consciousness, the Humanities, and UC Santa Cruz in general. This has also been a year of new initiatives. -
Naval Aviation Photographic Unit - Wikipedia, the Free Encyclopedia 4/23/2014
Naval Aviation Photographic Unit - Wikipedia, the free encyclopedia 4/23/2014 Create account Log in Article Talk Read Edit View history Search Naval Aviation Photographic Unit From Wikipedia, the free encyclopedia Main page The Naval Aviation Photographic Unit[1]:34 was a group of Naval Aviation Photographic Unit Contents military photographers in the United States Navy during the (official: Training Literature Field Unit No. Featured content Second World War, under the command of Edward Steichen. 1) Current events Random article Contents [hide] Donate to Wikipedia 1 History Wikimedia Shop 2 Members Interaction 3 Works Help 4 Gallery About Wikipedia 5 References Community portal Recent changes Contact page History [edit] Tools The Navy had established this special group in early 1942, Print/export shortly after the US entry into the war, to document and publicize Languages its aviation activities and allowed Steichen to recruit the most Čeština talented photographers he could find. Steichen and his unit Edit links initially reported to Capt Arthur W. Radford, and were made part Cmdr Edward Steichen photographed above the deck of the of the Navy's Bureau of Aeronautics.[1]:24 aircraft carrier USS Lexington (CV-16) by Ens Victor Jorgensen, November, 1943. Because Steichen wanted an unusual amount of control over the Active 1942—1945 unit, outside the purview of the Navy's pre-existing photographic Country United States community, and because Radford agreed with him, it was decided Branch United States Navy the unit would operate out of the Bureau of Aeronautics' Training Literature Division, which was under Radford's direct command.[1]:34 This is why the unit's official name was "Training Literature Field Unit No.