Thailand: History & Culture
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1 the Master Plan for Conservation
0 State of Conservation Report on the Historic City of Ayutthaya World Heritage Property Thailand Submitted to the World Heritage Centre by 1 December 2018 CONTENTS page Executive Summary 1 Details of Thailand’s Implementation of the World Heritage Committee Decision 2 41 COM 7B.98, 41st session of the Committee (Kraków, 2017) Annex 1: Executive Summary of draft updated Master Plan for Conservation and 18 Development of Historic City of Ayutthaya (2018-2027) Annex 2: Notification on Rules and Procedure in Pursuing Permission of Building 32 Construction within Ayutthaya City Island’s Archaeological Area (1997) Annex 3: Notification on Rules and Procedure in Pursuing Permission of Building 36 Construction within Ayutthaya City Island’s Archaeological Area (updated edition) compared with the 1997 Notification Summary The Fine Arts Department, Ministry of Culture of Thailand has actively undertaken conservation and management measures at the Historic City of Ayutthaya in line with the recommendations from the World Heritage Committee in Decision 41 COM 7B.98. Capacity building activities in monument conservation have been conducted with the development of a curriculum and on-site training based on scientific conservation principles and the use of traditional materials and skills. The comprehensive revision of the Master Plan for Conservation and Development (2018-2027) has been finalized. The updated Master Plan provides a comprehensive and over-arching framework to address the World Heritage Committee’s concerns regarding conservation and utilization, which includes sub-plans specifically related to a conservation and utilization within the Historic City of Ayutthaya such as, a systematic strategy for disaster risk reduction and the additional updated regulations to control development within the property. -
The Impact of Religious Tourism on Buddhist Monasteries: an Examination of Nine Temples in Ang Thong
THE IMPACT OF RELIGIOUS TOURISM ON BUDDHIST MONASTERIES: AN EXAMINATION OF NINE TEMPLES IN ANG THONG By Mr. Panot Asawachai A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Doctor Of Philosophy Program in Architectural Heritage Management and Tourism International Program Graduate School, Silpakorn University Academic Year 2016 Copyright of Graduate School, Silpakorn University THE IMPACT OF RELIGIOUS TOURISM ON BUDDHIST MONASTERIES: AN EXAMINATION OF NINE TEMPLES IN ANG THONG By Mr. Panot Asawachai A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Doctor Of Philosophy Program in Architectural Heritage Management and Tourism International Program Graduate School, Silpakorn University Academic Year 2016 Copyright of Graduate School, Silpakorn University 55056953 : MAJOR : ARCHITECTURAL HERITAGE MANAGEMENT AND TOURISM KEY WORD : TOURISM IMPACT/RELIGIOUS TOURISM/BUDDHIST MONASTERY PANOT ASAWACHAI : THE IMPACT OF RELIGIOUS TOURISM ON BUDDHIST MONASTERIES: AN EXAMINATION OF NINE TEMPLES IN ANG THONG. THESIS ADVISOR: DONALD ELLSMORE, DPhilFAPT. 180 pp. In this dissertation, the impact of religious tourism development on the cultural heritage of sacred Buddhist places is explored through an examination of nine temples in Ang Thong and their communities. The research considers strategies that might permit religious tourism development while conserving the cultural heritage significance of the places. A review of the evolution of tourism development and evaluation of tourism impacts by assessing and studying nine sacred temples’ cultural heritage was undertaken to develop a practicable approach to promoting and managing tourism sustainably. The research reveals that the development and promotion of the nine temples in Ang Thong occurs in two important stages. The first is the emergence of royal monasteries and common temples that reflect the relationship between the religion and society. -
The Influence of Buddhism in Historical Thai Art Lertsiri Bovornkitti*
«“√ “√√“™∫—≥±‘µ¬ ∂“π ªï∑’Ë Û ©∫—∫∑’Ë Ú ‡¡.¬.-¡‘.¬. ÚıÙ¯ The Influence of Buddhism in Historical Thai Art Lertsiri Bovornkitti* Abstract There is a historical relationship between Buddhism and indigenous Thai art; Buddhism has had an immense influence on Thai art and culture. The emergence of Thai art reflects the integration of Buddhist components into cultural, political and societal Thai systems, and mostly in the way that Buddhism has been represented from generation to generation and in the way people have shown devotion; Buddhist components such as Buddha images, Buddhist monks, and Buddhist activities (e.g., festivals and ceremonies) have been acknowledged as significant components of Thai culture. The influence of Buddhism on Thai art and culture has been systematic and direct from the beginning of the Sukhothai Kingdom at the beginning of the thirteenth century. Subsequently, the indigenous art forms and styles engaged in the representation of Buddhism were integrated into the Thai cultural mainstream during the early Rattanakosin era, creating aesthetic art forms, which have been classified into “classical Thai art”, such as mural painting, sculpture and Chang-sip-moo, and “folk art”. Such influence of Buddhism on historical Thai art is relevant in the context of scrutinizing the relationship between Buddhism and Thai art. This communication is aimed at pointing out the long-standing role of Buddhism in the development of Thai art in the past, especially the integration of the Buddhist context, which has led to the creation and the birth of indigenous Thai arts with the styles of “classical Thai art” and “folk art”, both of which are genuinely Thai. -
24/7 Emergency Operation Center for Flood, Storms and Landslide
No. 68/2011, Wednesday, November 2, 2011, 11:00 AM 24/7 Emergency Operation Center for Flood, Storms and Landslide DATE: Wednesday, November 2, 2011 TIME: 09.00 LOCATION: Disaster Relief Operation Center at Energy Complex CHAIRPERSON: Mr. Pranai Suwannarat, Permanent Secretary for Interior 1. CURRENT SITUATION 1.1 Current flooded provinces: there are 26 recent flooded provinces: North; (Phichit, Phitsanulok, Nakhon Sawan, and Uthai Thani); Central (Chai Nat, Sing Buri, Ang Thong, Phra Nakhon Si Ayutthaya, Lopburi, Saraburi, Suphan Buri, Nakhon Pathom, Pathumthani, Nonthaburi, Samutsakhon and Bangkok) Northeast ; (Ubon Ratchathani, Khon Kaen, Srisaket, Roi-et, Surin, Mahasarakham and Kalasin); Eastern (Chacheongsao, Nakhon Nayok and Prachinburi) The total of 147 Districts, 1,133 Sub-Districts, 8,327 Villages, 720,145 families and/or 2,125,175,152 people are affected by the flood. The total fatalities are 427 deaths and 2 missing. (Missing: 1 in Mae Hong Son, and 1 in Uttaradit) 1.2 Amount of Rainfall: The heaviest rainfall in the past 24 hours is in Chumpol Sub-District, Si Nakarin District, Phutthalung Province at 37.5 mm. 1.3 Estimate Losses and Damages: 1.3.1 Agricultural impact : Farming areas which would be affected are estimated at 10,986,252 rai; 194,012 rai of fish/shrimp ponds and over 13.28 million livestock (source: Ministry of Agriculture and Cooperatives). 1.3.2 Transportation Routes : Highway: 70 main highways in 13 provinces are flooded and cannot be passed. For more information, contact 1568 or DDPM Hotline 1784. Rural roads: 223 rural roads in 30 provinces are not passable. -
Tradition and Transformation of Thai Classical Dance: Nation, (Re) Invention and Pedagogy
Tradition and Transformation of Thai Classical Dance: Nation, (Re) invention and Pedagogy Submitted by Pawinee Boonserm to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Drama In October 2016 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. 1 Abstract This research aims to analyse the role and consequence of state patronage and promotion of Thai classical dance after the revolution of 1932, when the patronage of court dance changed from royal to state support. This research examines connections between the authority of the state, nationalism, Thai identity, and the invention of tradition, by focussing on the reconstruction of Thai classical dance, the promotion of spirituality in the Wai Khru ceremony, and dance pedagogy. This study uses historical research and ethnography through participant-observation, and interviews with senior dance teachers, national artists, masters of the Wai Khru ceremony, and dance artists in the Fine Arts Department, and also draws on the researcher’s personal experience in dance training as a dancer and dance teacher for several years. The thesis offers a detailed analysis of the socio-political context and cultural policy in relation to the establishment of the Fine Arts Department and the Dramatic Arts College; the national institutions whose main roles were to preserve, perform and offer training in traditional dance. -
The Origin and Significance of the Emerald Buddha
The Origin and Significance of the Emerald Buddha Explorations in Southeast Asian Studies A Journal of the Southeast Asian Studies Student Association Vol 3 Fall 1999 Contents Article 1 Article 2 Article 3 Article 4 The Origin and Significance of the Emerald Buddha Eric Roeder >Eric Roeder is an M.A. candidate in the department of Asian Studies at the University of Hawaii at Manoa. he is spending the 1999-2000 academic year examining the educational opportunities for the physical handicapped within Thailand Notes The Emerald Buddha is known as 'the palladium of Thai society'. Located on the grounds of the Grand Palace and situated within Wat Phra Keo, The Emerald Buddha watches over the Thai nation. Yet the image's history continues to reveal very little. Fable, myth, legend and fact intermingle, creating a morass for those who study the Emerald Buddha. While the Buddha is often mentioned in texts about Thailand, surprisingly little is written about it in great length. Beyond the image's origins in documented history, the Emerald Buddha has traveled widely. This paper will look at the mythical origins of the Emerald Buddha as recorded in The Chronicle of the Emerald Buddha and other sources, then trace its history in Thailand beginning from its first appearance in the town of Chieng Rai. Upon its discovery in Chieng Rai, the Emerald Buddha became much coveted. The image moved throughout the region, from Chieng Rai to Lampang, Chieng Mai, Luang Prabang, Vientiane, Thonburi, and finally, to its present location in Bangkok. More than just a spoil of battle, the Emerald Buddha was believed to bring legitimacy and prosperity to all those who possess it. -
Needs of Thai Youth on the Cultural Knowledge of the Countries in The
Volume 11, Number 4, Pages 66 - 73 Needs of Thai youth on the cultural knowledge of the countries in the ASEAN Community ความต้องการของเยาวชนไทยด้านความรู้ทางวัฒนธรรม ของประเทศในประชาคมอาเซียน Sirintip Denduang1,*, Chamnan Rodhetbhai1 and Ying Keeratiburana1 1Faculty of Cultural Science, Mahasarakham University Abstract This qualitative research is the first part of the thesis, namely: The innovative development of an electronic book on cultural uniqueness of ASEAN countries for Thai youth. The purposes of the research were: 1) to study the cultural knowledge of Thai youth about the ASEAN countries, and 2) to study the needs of youth on the knowledge about the cultures of the countries in the ASEAN Community. The study areas comprised 12 educational institutions in Bangkok and its vicinity. The sampling groups totaled 72 informants, comprised 12 teachers and 60 Thai youths. Surveys, observations, interviews, focus group discussions, and workshops were used as research instruments. The researcher found that majority of Thai youth wanted to have information on Singapore, Brunei, Malaysia, Laos, Myanmar, and Cambodia, respectively. The information about Vietnam, Philippines, and Indonesia was less interesting. Their interested areas in order of priority were: 1) social etiquette, 2) food, 3) religions, 4) language and literature, 5) clothing, 6) housing, 7) population 8) performances, and 9) festivals. In conclusion, Thai youth still lack awareness of ASEAN countries as well as their own country and the Thai cultural uniqueness of which they should be proud. Most were superficial and did not know as much as they should. There should be jointly campaigning before Thai people would lose their chances and interests in ASEAN Community. -
05 Chalong 111-28 111 2/25/04, 1:54 PM CHALONG SOONTRAVANICH
CONTESTING VISIONS OF THE LAO PAST i 00 Prelims i-xxix 1 2/25/04, 4:48 PM NORDIC INSTITUTE OF ASIAN STUDIES NIAS Studies in Asian Topics 15. Renegotiating Local Values Merete Lie and Ragnhild Lund 16. Leadership on Java Hans Antlöv and Sven Cederroth (eds) 17. Vietnam in a Changing World Irene Nørlund, Carolyn Gates and Vu Cao Dam (eds) 18. Asian Perceptions of Nature Ole Bruun and Arne Kalland (eds) 19. Imperial Policy and Southeast Asian Nationalism Hans Antlöv and Stein Tønnesson (eds) 20. The Village Concept in the Transformation of Rural Southeast Asia Mason C. Hoadley and Christer Gunnarsson (eds) 21. Identity in Asian Literature Lisbeth Littrup (ed.) 22. Mongolia in Transition Ole Bruun and Ole Odgaard (eds) 23. Asian Forms of the Nation Stein Tønnesson and Hans Antlöv (eds) 24. The Eternal Storyteller Vibeke Børdahl (ed.) 25. Japanese Influences and Presences in Asia Marie Söderberg and Ian Reader (eds) 26. Muslim Diversity Leif Manger (ed.) 27. Women and Households in Indonesia Juliette Koning, Marleen Nolten, Janet Rodenburg and Ratna Saptari (eds) 28. The House in Southeast Asia Stephen Sparkes and Signe Howell (eds) 29. Rethinking Development in East Asia Pietro P. Masina (ed.) 30. Coming of Age in South and Southeast Asia Lenore Manderson and Pranee Liamputtong (eds) 31. Imperial Japan and National Identities in Asia, 1895–1945 Li Narangoa and Robert Cribb (eds) 32. Contesting Visions of the Lao Past Christopher E. Goscha and Søren Ivarsson (eds) ii 00 Prelims i-xxix 2 2/25/04, 4:48 PM CONTESTING VISIONS OF THE LAO PAST LAO HISTORIOGRAPHY AT THE CROSSROADS EDITED BY CHRISTOPHER E. -
The Yak of Thailand: Folk Icons Transcending Culture, Religion, and Media David M
World Academy of Science, Engineering and Technology International Journal of Humanities and Social Sciences Vol:8, No:11, 2014 The Yak of Thailand: Folk Icons Transcending Culture, Religion, and Media David M. Lucas, Charles W. Jarrett and religious faithful alike as they enter and exit the temple Abstract—In the culture of Thailand, the Yak serve as a mediated area. In the international airport at Bangkok, twelve Yak icon representing strength, power, and mystical protection not only vigilantly stand guard to protect the people of Thailand from for the Buddha, but for population of worshipers. Originating from evil, while also blessing those who venture from the country the forests of China, the Yak continues to stand guard at the gates of [2]. Buddhist temples. The Yak represents Thai culture in the hearts of Thai people. This paper presents a qualitative study regarding the The origin of the Yak, however, cannot be necessarily curious mix of media, culture, and religion that projects the Yak of ascribed to any particular group in Thailand [3]. In Buddhism, Thailand as a larger than life message throughout the political, the imagery of waging war or serving as a warrior provides a cultural, and religious spheres. The gate guardians, or gods as they powerful, spiritual metaphor representing the battle one must are sometimes called, appear throughout the religious temples of engage in order to destroy the kleshas (delusions), thought to Asian cultures. However, the Asian cultures demonstrate differences create negative karma, such as anger, attachment, ignorance, in artistic renditions (or presentations) of such sentinels. Thailand gate guards (the Yak) stand in front of many Buddhist temples, and and non-virtuous attitudes [4]. -
Rice, the Grain of Culture
RICE, THE GRAIN OF CULTURE Presented by Dr. Kwanchai A. Gomez, Board Member and Secretary of the Thai Rice Foundation, at the Siam Society Lecture Series, The Siam Society, Bangkok, Thailand, 20 September 2001. Introduction For more than half of humanity, rice is life. It is the grain that has shaped the history, culture, diet, and economy of billions of people of Asia. Many of them sleep on rice straw, drink rice liquor and offer rice to their gods. The growth stage of the rice crop marks the passage of time and season. In the languages of China, Japan and many others, the day begins with "morning rice" and ends with "evening rice." In this part of the world, rice is not just a cereal; it is the root of civilization. In Thailand, rice is the essence of life. It permeates all aspects of the life of people from all walks of life. Rice is in music, particularly folk songs. It is in various forms of the arts – from poems to paintings to sculptures. It is in tradition, folklore, ritual and even language. For most of us, life without rice is simply unthinkable. Yet rice is almost always taken for granted. As societies become more affluent, they are becoming less attached to rice. The rich rice cultural heritage is fast disappearing, and we need to do something before there is nothing left to preserve. This paper discusses some of the more significant aspects of the rice culture of Thailand, and describes some projects of the Thai Rice Foundation that is designed to preserve this rich rice cultural heritage. -
Community Planning with Religious Sites: Understanding The
Community Planning with Religious Sites Understanding the Relationship of Theravada Buddhist Temples in Khon Kaen, Thailand, and their Surrounding Community A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Community Planning of the College of Design, Architecture, Art, and Planning Defense: February 28, 2018 by Sarah L Galbreath B.S. The Ohio State University May 2015 Committee Chair: David Edelman, Ph. D, FAICP FSU Eur Ing SIA/KIVI University of Cincinnati, Faculty Member: Lin Liu, Ph. D, co-director of GIS Abstract In a rapidly globalizing world, it is important to become aware of different religions and cultures in other regions of the world. This study focuses on communities with religious sites. Although there are many factors that contribute to communities with religious sites, this study is written with a strong consideration of the social capital and development that occurs in the community in relation to their religious sites. The province of Khon Kaen, Thailand was selected as a case study because it is a developing region with a history of devout Theravada Buddhist. As generational shifts occur, and the region becomes developed, the role of temples within the community has shifted. In this thesis, the researcher takes a ‘boots-on-the-ground’ approach to understand the relationship between the communities and temples in Khon Kaen. To analyze the effects of temples in communities, fieldwork was conducted at various Theravada Buddhist Temples in a range of neighborhood typologies, differing levels of tourism promotion, and in two different styles of practice. -
Contemporary Socio-Cultural and Political Perspectives in Thailand
Contemporary Socio-Cultural and Political Perspectives in Thailand Pranee Liamputtong Editor Contemporary Socio- Cultural and Political Perspectives in Thailand Editor Pranee Liamputtong School of Public Health La Trobe University Bundoora , VIC , Australia ISBN 978-94-007-7243-4 ISBN 978-94-007-7244-1 (eBook) DOI 10.1007/978-94-007-7244-1 Springer Dordrecht Heidelberg New York London Library of Congress Control Number: 2013958225 © Springer Science+Business Media Dordrecht 2014 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifi cally for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. Permissions for use may be obtained through RightsLink at the Copyright Clearance Center. Violations are liable to prosecution under the respective Copyright Law. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifi c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.