Mobile Video Production "Flypack" SPECIFICATIONS

Total Page:16

File Type:pdf, Size:1020Kb

Mobile Video Production SPECIFICATIONS Mobile Video Production "Flypack" CONFIDENTIAL DESIGN INFORMATION - Unauthorized use, reproduction or dissemination of this document is strictly prohibited. TABLE OF CONTENTS 1. VIDEO DESIGN AND SUPPORT A. HD Recorder B. HD Rack Monitoring C. Utility Monitor D. Program and Multiview Monitors E. HD Switching and Routing a. Video Control 2 ME Surface b. Video Switcher 2 ME c. Redundant Power Supply for Switcher d. Rack Mount System for Switcher and Control Surface e. Aux 16x1 Control Panels F. HD Scan convergence 2. CAMERAS A. HD PTZ Video Cameras B. HD PTZ Video Controller 3. TRIPODS A. Camera Support B. Heads and Arms C. Tripod Legs and Accessories 4. AUDIO DESIGN AND SUPPORT A. Audio and Mixer Processing B. Production Speakers & Processing C. Audio Embedder D. Audio Distribution E. Intercom Systems a. Wired Specs b. Wireless Specs c. UHF 2-Audio Channel Wireless Synthesized Base Station d. UHF 2-Audio Channel Wireless Synthesized Transceiver 2 CONFIDENTIAL DESIGN INFORMATION - Unauthorized use, reproduction or dissemination of this document is strictly prohibited. 5. CUSTOM REMOTE CASE SYSTEM A. Fly Pack Case B. Fly Pack Accessory Case C. Tripod Cases D. Utility Support E. Other Rackmount Items 6. CABLE MANAGEMENT A. Specialty Cables 7. POWER MANAGEMENT A. Power Distro B. UPS Backup 8. ENGINEERING A. Networking B. IO Panels C. Sub IO Panel D. Intercom Diagram E. Video Diagram F. Audio Diagram G. Switcher Dimensions H. Flypack Model I. Assembly 3 CONFIDENTIAL DESIGN INFORMATION - Unauthorized use, reproduction or dissemination of this document is strictly prohibited. 1. VIDEO DESIGN AND SUPPORT A. HD Recorder Blackmagic HyperDeck Studio Pro Quantity: 4 SSD recorder is a broadcast HD based solid state deck that includes 3G-SDI and HDMI connections so you can work in all SD and HD formats up to 1080p30. You get familiar VTR style controls so it’s just like using a traditional broadcast deck, along with compressed or uncompressed 10-bit 4:2:2 broadcast quality recording. The SSD recorder must have dual SSD record capability with automatic switchover. CONNECTIONS SDI Video Input 1 x 10-bit SD/HD/3G-SDI Switchable. SDI Video Output 4 CONFIDENTIAL DESIGN INFORMATION - Unauthorized use, reproduction or dissemination of this document is strictly prohibited. 2 x 10-bit SD/HD/3G-SDI Switchable. 1 x 10-bit SD/HD/3G- SDI switchable loop output. 1 x 10b-bit SD/HD/3G-SDI switchable monitor. HDMI Video Input 1 x HDMI type A Connector SDI Audio Input 16 channels embedded in SD and HD in QuickTime files. 2 Channels in Avid DNxHD MXF files. SDI Audio Output 16 channels embedded in SD and HD in QuickTime files. 2 Channels in Avid DNxHD MXF files. HDMI Audio Input 8 channels embedded in SD and HD in QuickTime files. 2 Channels in Avid DNxHD MXF files. HDMI Audio Output 2 channels in Avid DNxHD MXF files. Media 2 x SSD for SD and HD recording. Media Type SATA-II OR SATA-III solid state disc. Media Format Can format discs to ExFAT (windows/Mac) or HFS + (Mac) file systems. Reference Input Tri-Sync or Black burst. External Control RS-422 deck control, SDI start/stop. Timecode run. Includes Ethernet control protocol. 5 CONFIDENTIAL DESIGN INFORMATION - Unauthorized use, reproduction or dissemination of this document is strictly prohibited. Built-in Control Panel 12 buttons for transport and menu control, 2.2 color display. Recorder Configuration Front Panel configurable or USB 2.0 high speed interface. Computer interface 1 x type B USB 2.0 port for initial setup, software updates utilities. SSD REORDER STANDARDS SD Video Standards 525i59.94 NTSC, 625i50 Pal HD Video Standards 720p50, 720p59.94, 720,60 1080p23.98, 1080p24, 1080p25 1080p29.97, 1080p30 1080PsF23.98, 1080PsF24, 1080PsF25 1080PsF29.97, 1080PsF30 1080i50, 108059.94, 1080i60 SDI Compliance SMPTE 259M, SMPTE 292M SDI Meta Support HD RP188 and closed captioning. Audio Sampling Television standard sample rate of 48KHZ and 24-bit Video Sampling 4:2:2 6 CONFIDENTIAL DESIGN INFORMATION - Unauthorized use, reproduction or dissemination of this document is strictly prohibited. Color Precision 10-bit Color Space REC 601, REC 709 SDI Rates 270Mb, 1.5G-SDI, 3G-SDI Copy Protection HDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content. Codec Support Uncompressed QuickTime, Apple ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime, ProRes 422 Proxy QuickTime, Avid DNxHD QuickTime, Avid DNxHD MXF up to 1080160 Display Built-in LCD for video, audio and timecode monitoring and menu settings. B. HD Rack Monitoring – Slide Out Unit Datavideo TLM-170GM Quantity: 1 Broadcast monitor has an on-screen menu which allows control and setup of brightness, contrast, saturation, hue, sharpness, color temperature, and picture in picture. The menus can also be used to display onscreen overlays for frame marker, 4:3 marker, 16:9 marker, Cinema Zone marker, Center Point, embedded SDI Timecode and monitor title. The front panel buttons allow selection of source input as well as PIP, Aspect ratio, Blue only, Pattern (Color Bars), menu and audio controls. In HD/SD sources via the rear panel SDI, HDMI, component (Y, Pb, Pr) and composite connections as well as monitoring RCA phone or embedded SDI/HDMI audio. 7 CONFIDENTIAL DESIGN INFORMATION - Unauthorized use, reproduction or dissemination of this document is strictly prohibited. FEATURES • 17.3” (1600x900 LCD TFT Display • Digital Video Inputs: SD/HD-SDI with loop thru and 2X HDMI • Digital Audio Inputs: via SDI or HDMI inputs • Analogue Video Inputs: Component (Y.Pb,Pr), Composite x2 with loop thru • Mono Audio Inputs: Single RCA phono socket for analogue • Head Phone 3.5 stereo jack socket for discrete audio monitoring • Front Panel Buttons allow quick and easy selection of source input as well as PIP, Aspect ratio, Blue Only, Pattern (Color Bars), Menu and audio controls • Color temperature menu option has 3 modes (6500k, 9300K, and user defined) • OSD audio level peak meter for SDI and HDMI based • On screen overlays for frame marker 80%, 90%, 4:3 marker, 16:9 marker, Cinema zone marker, center point, embedded SDI Timecode and monitor title • 8 Ch-Audio level display Mute Button • Bi-color Tally light (Red or Amber) and 3.5mm Jack Tally input socket • Analogue audio external speaker outputs L-, L+ and R-, R+, max 5V p- p (2w) • Supports Pixel Zoom up to 8X • RJ-45 TCP/IP connection allows remote set up of the monitor using a PC/Mac based browser • USB 2.0 port for easy update of firmware C. Utility Monitor Ikan VXF7 Monitor with Deluxe Kit Quantity: 1 Kit includes 2 Sony DV batteries, DV battery charger, Sony DV battery plate, hard case, AC adapter and a SM201 shoe mount. MONITOR SPECIFICATIONS Aspect Ratio 16:10 Backlight LED 8 CONFIDENTIAL DESIGN INFORMATION - Unauthorized use, reproduction or dissemination of this document is strictly prohibited. Brightness 300 cd/m2 Build Material Heavy Duty Plastic Color Depth 16.7 Million Color System PAL/NTSC/SECAM (Auto-Detected) Contrast Ratio 800:1 Diagonal (inch) 7” Dimensions 7.36 x 5.6 x 1.3” Dimensions (Metric) 187 x 142 x 33mm Display Technology IPS Input Voltage DC 6V – 24V Inputs 3G-SDI, HDMI, Component, Composite Outputs 3G-SDI, HDMI, Component, Composite Pixel Pitch 0.07875x0.07875 (mm) 9 CONFIDENTIAL DESIGN INFORMATION - Unauthorized use, reproduction or dissemination of this document is strictly prohibited. Power Consumption 11w Resolution 1920 x 1200 Response Time 20ms Weight 1 lbs. Viewing Angel 178 horizontal/178 Vertical D. Program and Multiview Monitors Samsung 32” UD970 UHD Monitor Quantity: 2 The program and multiview monitors are an essential component to the operation of the video system. The 32” UHD monitor is an outstanding choice when accurate content production is critical. A 32" panel provides about 40% more screen real estate than a standard 27" display, while UHD (3840 x 2160) ultra high resolution provides four times the resolution of standard 1920 x 1080 FHD monitors. Designed for color critical applications, this monitor delivers 100% sRGB color compliance, along with 11 color space calibration options. Experience a truly best-in-class display for professional content use and creation. You must have 2 monitors. 1 monitor is for the program/preview and 1 monitor is for the multiview. MONITOR SPECIFICATONS Screen Size 31.5” 10 CONFIDENTIAL DESIGN INFORMATION - Unauthorized use, reproduction or dissemination of this document is strictly prohibited. Screen Resolution UHD 3840 x 2160 (4K) Display Type LED Aspect Ratio 16:9 Brightness 350cd/m2 (Highest Brightness Setting) Static Contrast Ratio 1000:1 (Typ) Viewing Angle (Horizontal/Vertical) 178/178 Response Time 8 (GTG)ms Color Support 1B(True 10bit) Power Supply Type AC100-240V (50/60 Hz) Refresh Rate 60Hz Product Dimensions w/o Stand 28.7” x 16.8 x 2.4” Product Weight w/o Stand 22.7 lb. 11 CONFIDENTIAL DESIGN INFORMATION - Unauthorized use, reproduction or dissemination of this document is strictly prohibited. INPUTS HDMI 1 x 1.4 Display Port 2 x 1.2 E. HD Switching and Routing a. Video Control 2 ME Surface FOR-A HVS-392ROU 2 M/E 12 Button Quantity: 1 The control surface is necessary to operate the video switcher. The control surface is easy to operate, safe and reliable for live operations. FEATURES • 12 Button Control per M/E • 2 M/E • 2 M/E bars • DVE and Key abilities DIMENSIONS Length 1.4’ Width 1.3’ Height 5” Switcher and surface must be linked to Arcnet. 12 CONFIDENTIAL DESIGN INFORMATION - Unauthorized use, reproduction or dissemination of this document is strictly prohibited. HVS-39PSO redundant power supply needed. b.
Recommended publications
  • Annual Report Permittee Name: City of Daly City
    FY 2017-2018 Annual Report Permittee Name: City of Daly City Table of Contents Section Page Section 1 – Permittee Information ................................................................................................................................. 1-1 Section 2 – Provision C.2 Municipal Operations ......................................................................................................... 2-1 Section 3 – Provision C.3 New Development and Redevelopment ....................................................................... 3-1 Section 4 – Provision C.4 Industrial and Commercial Site Controls ......................................................................... 4-1 Section 5 – Provision C.5 Illicit Discharge Detection and Elimination ..................................................................... 5-1 Section 6 – Provision C.6 Construction Site Controls .................................................................................................. 6-1 Section 7 – Provision C.7 Public Information and Outreach .................................................................................... 7-1 Section 9 – Provision C.9 Pesticides Toxicity Controls ................................................................................................ 9-1 Section 10 – Provision C.10 Trash Load Reduction ................................................................................................... 10-1 Section 11 – Provision C.11 Mercury Controls ..........................................................................................................
    [Show full text]
  • Menu! with in New Orleans
    HOW DO YOU WANT YOUR STEAK? FEATURED DESSERT Weekly Specials Steak Lovers Uptown Entrees Semper Fi SouthsideCafe.net SOUTHSIDE HOMEMADE BREAD PUDDING All made with our tender, shredded ribeye steak! SOUTHERN FRIED STEAK 3154 Pontchartrain Dr. / Slidell, LA 70458 This classic New Orleans dessert is a Southside favorite! We STEAK NIGHT! Certified Angus Beef® Steak, breaded, golden fried and served serve it up with our rich & decadent Whiskey sauce. 4.99 BONFOUCA FRENCH DIP with your choice of country white or roast beef gravy. 13.99 ALL ENTREES SERVED WITH 2 SIDES 1/2 lb. of shredded ribeye & pepper jack cheese on toasted French Dine-In Only • COLESLAW • SWEET POTATO FRIES add 99¢ bread, with warm au jus for dipping . 12.99 Call For Carry-Out SOUTHSIDE SIRLOIN • MASHED POTATOES • STEAMED VEGGIES add 1.99 ® Our 8oz. center-cut Certified Angus Beef Sirloin is aged 21 days • POTATO SALAD • FRENCH ONION SOUP add 1.99 BLACK & BLEU POBOY for maximum tenderness and flavor. 23.99 1/2 lb. of shredded ribeye steak with bleu cheese & raw red onion • HOUSE SALAD • SOUP OF THE DAY 985-643-6133 Bonfouca French Dip on toasted French bread. 13.99 • FRENCH FRIES • 4 BEAN & TURKEY SOUP VEAL PARMESAN • HUSH PUPPIES (4) • CUP OF GUMBO Our paneed veal, topped with zesty marinara sauce and melted OPEN 7 DAYS A WEEK! • MAC & CHEESE • Chicken & Sausage RIBEYE PHILLY Provolone cheese over buttered toast. 15.99 1/2 lb. of shredded ribeye, sauteed Add roast beef debris; chili; or • Seafood add 1.99 Monday - Saturday | 11am - 10pm “Peaux” Boys onion, pepper, mushrooms & OPEN FACE ROAST BEEF bacon & sour cream 99¢ ea.
    [Show full text]
  • The Training and Development of Principals in the Management of the Curriculum
    THE TRAINING AND DEVELOPMENT OF PRINCIPALS IN THE MANAGEMENT OF THE CURRICULUM by ARUNACHELLAN DAYANUNDAN PADAYACHEE THESIS submitted in partial fulfilment of the requirements for the degree DOCTOR EDUCATIONIS in EDUCATIONAL MANAGEMENT in the FACULTY OF EDUCATION AND NURSING at the RAND AFRIKAANS UNIVERSITY PROMOTER : PROF BR GROBLER CO-PROMOTER : PROF TC BISSCHOFF FEBRUARY 1999 II THE TRAINING AND DEVELOPMENT OF PRINCIPALS IN THE MANAGEMENT OF THE CURRICULUM A D PADAYACHEE THE TRAINING AND DEVELOPMENT OF PRINCIPALS IN THE MANAGEMENT OF THE CURRICULUM A D PADAYACHEE PROMOTER: PROFESSOR B R GROBLER CO-PROMOTER: PROFESSOR T C BISSCHOFF ACKNOWLEDGEMENTS I wish to express my sincere, and heartfelt thanks and gratitude to: The Creator for his Divine intervention and for granting me the strength, courage and perseverance to complete this project.. My promoter of this thesis, Professor B R Grobler. My sincere appreciation and gratitude for his constructive criticism, encouragement, valuable support, insights and assistance and guidance throughout this study. My co-promoter, Professor T C Bisschoff for his constant encouragement and positive support and guidance throughout this research. Cyril Samuels, Roy Reddy and Raj Mestry for their commitment, hardwork, dedication, assistance, support and team work throughout our studies. My parents Mr and Mrs K A Padayachee for the fountain of inspiration which they provided in directing and leading me through life. My wife Umsha and my children Avashni, Trishanta and Dasevan for their patience, understanding and encouragement throughout my studies. My In-Laws, Mr and Mrs Pillay for their support and blessing during my studies. Rand Afrikaans University for their support and Mr JA Vermeulen, deputy rector for his assistance, encouragement and support.
    [Show full text]
  • Please Scroll Down for Article
    This article was downloaded by: [University of Pennsylvania] On: 11 February 2009 Access details: Access Details: [subscription number 906869828] Publisher Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Psychotherapy Research Publication details, including instructions for authors and subscription information: http://www.informaworld.com/smpp/title~content=t713663589 The Multitheoretical List of Therapeutic Interventions (MULTI): Initial report Kevin S. McCarthy a; Jacques P. Barber a a Center for Psychotherapy Research, University of Pennsylvania, Philadelphia, PA, USA First Published:January2009 To cite this Article McCarthy, Kevin S. and Barber, Jacques P.(2009)'The Multitheoretical List of Therapeutic Interventions (MULTI): Initial report',Psychotherapy Research,19:1,96 — 113 To link to this Article: DOI: 10.1080/10503300802524343 URL: http://dx.doi.org/10.1080/10503300802524343 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.informaworld.com/terms-and-conditions-of-access.pdf This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material.
    [Show full text]
  • Liste Des Films FEMIS 2021 Par Départements Et Par Ordre Chronologique
    LISTE DES FILMS RECOMMANDÉS PAR LA FÉMIS 2021 Lors des rentrée 2017 puis 2020, il fut demandé aux Directeurs-Directrices des Départements et aux instances responsables de la Fémis de constituer une liste des 30 films considérés comme les plus indispensables : pour les élèves de leur secteur de spécialité (selon les DD) ou pour l’histoire du cinéma et des arts filmiques en général (selon les responsables administratifs et techniques). Il ne s’agit donc pas d’une liste des films favoris, mais des titres estimés parmi les plus nécessaires pour nourrir l’imaginaire formel des élèves, pour aider ceux-ci à approfondir leur connaissance de l’histoire d’une discipline, pour servir de repères communs dans le cadre d’un enseignement. Voici les résultats de la campagne 2020-2021. Ils ont vocation à évoluer chaque année en fonction des nouvelles rencontres de chacun-e avec le cinéma. Cette liste collective s’ajoute à celle des « 208 films » constituée par Alain Bergala, fondée sur le principe de la découverte de sa propre esthétique par un auteur. Ensemble, ces listes établissent une proposition pour quiconque – élèves de La Fémis, candidat-e-s, cinéphiles de tous horizons – voudrait commencer son initiation aux histoires du cinéma et des arts filmiques. I. LISTES DES DÉPARTEMENTS ET SECTEURS II. SYNTHÈSE PAR ORDRE CHRONOLOGIQUE *** 1 I. LISTES DES DÉPARTEMENTS ET SECTEURS [PAR ORDRE ALPHABÉTIQUE] - ANALYSE ET CULTURE CINÉMATOGRAPHIQUE (NICOLE BRENEZ) - DÉCOR (LAURENT OTT, ANNE SEIBEL) - DIRECTION (NATHALIE COSTE-CERDAN) - DIRECTION DES ÉTUDES (FRÉDÉRIC
    [Show full text]
  • Management's Discussion and Analysis Altice
    MANAGEMENT’S DISCUSSION AND ANALYSIS ALTICE INTERNATIONAL S.à r.l. FOR THE THREE MONTHS ENDED MARCH 31, 2020 Contents Chapter page 1 Overview 2 2 Strategy and performance 8 3 Basis of presentation 9 4 Group financial review 10 5 Revenue 14 6 Adjusted EBITDA 17 7 Operating profit of the Group 18 8 Result of the Group - items below operating expenses 19 9 Liquidity and capital resources 21 10 Capital Expenditures 23 11 Key operating measures 24 12 Other disclosures 25 13 Key Statement of Income items 26 1 1 OVERVIEW 1.1 Group Business 1.1.1 Overview of the Group’s business The Group is a multinational group operating across two sectors: (i) telecom (broadband and mobile communications) and (ii) content and media. The Group operates in Portugal, Israel and the Dominican Republic. The Group also has a global presence through its online advertising business Teads. The parent company of the Group is Altice International S.à r.l. (the “Company”). The Group had expanded internationally in previous years through several acquisitions of telecommunications businesses, including: MEO in Portugal; HOT in Israel; and Altice in the Dominican Republic. The Group’s acquisition strategy has allowed it to target cable, FTTH or mobile operators with what it believes to be high-quality networks in markets the Group finds attractive from an economic, competitive and regulatory perspective. Furthermore, the Group is focused on growing the businesses that it acquired organically, by focusing on cost optimization, increasing economies of scale and operational synergies and improving quality of its network and services.
    [Show full text]
  • LA FICTION Di SKY CINEMA: Uno Sguardo a New York Rimanendo in Italia
    Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Economia e Gestione delle Arti e delle Attività Culturali Tesi di Laurea LA FICTION di SKY CINEMA: uno sguardo a New York rimanendo in Italia Relatore Dott. Alessandro Tedeschi Turco Correlatore Prof.ssa Valentina Carla Re Laureanda Alessandra Bernardi Matricola 812482 Anno Accademico 2012 / 2013 INDICE INTRODUZIONE ................................................................................................................................. 2 CAPITOLO I DALLA PALEOTELEVISIONE ALLA NEOTELEVISIONE .................................. 4 1.1 La prima rivoluzione televisiva .............................................................................................. 7 1.2 Fininvest e il duopolio .............................................................................................................. 21 CAPITOLO II DALLA NEOTELEVISIONE AL NEO-SAT ......................................................... 32 2.1 La Neotelevisione ....................................................................................................................... 32 2.2 La regolamentazione del sistema ......................................................................................... 40 2.3 Nuovi formati televisivi............................................................................................................ 53 2.4 La televisione a pagamento in Italia.................................................................................... 59 CAPITOLO III SKY: LA RIVOLUZIONE SATELLITARE
    [Show full text]
  • Quality-TV- Und Online-Serien
    Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2011 Quality TV: Eine kurze Einführung in die Geschichte und Ästhetik neuer amerikanischer Fernsehserien Blanchet, Robert Abstract: Serien wie Six Feet Under, Lost, The Wire oder Dexter sind das Ergebnis eines markanten Wandels, der sich in den letzten Jahren in der amerikanischen Fernsehlandschaft vollzogen hat und dur- chaus mit filmhistorischen Umbrüchen wie der Nouvelle Vague verglichen werden kann. Auch hier führten gesellschaftliche, technologische und wirtschaftliche Veränderungen zu einer außergewöhnlich innovativen Schaffensperiode, in der eine neue Generation von Filmemachern die Normen der Unterhaltungsindus- trie herausforderte und nachhaltig veränderte. Der vorliegende Sammelband nimmt den bislang wenig erforschten Trend zum Anlass, um sich Phänomenen des Seriellen aus film-, medien- und kulturwis- senschaftlicher Perspektive zu nähern. Neben den sogenannten Qualitätsserien aus den USA werden Fallbeispiele aus anderen Ländern und Kulturkreisen wie Lateinamerika beleuchtet. Historisch reicht das Spektrum von den Anfängen des Films bis hin zu den Remakes und Sequels des zeitgenössischen Blockbusterkinos. Mit einem Beitrag über Online-Serien ist neben Film und Fernsehen auch das Internet vertreten. Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-52468 Book Section Originally published at: Blanchet, Robert (2011). Quality TV: Eine kurze Einführung in die Geschichte und Ästhetik neuer amerikanischer Fernsehserien. In: Blanchet, Robert; Köhler, Kristina; Smid, Tereza; Zutavern, Julia. Serielle Formen: Von den frühen Film-Serials zu aktuellen Quality-TV- und Online-Serien. Marburg: Schüren, 37-70. 36 Zur Einführung Pearson, Roberta (2007) «LOST in Transition: From Post-Network to Post-Televi- Robert Blanchet sion».
    [Show full text]
  • Chapter 14 the Idea of Love in the TV Serial Drama in Treatment
    1 Chapter 14 The Idea of Love in the TV Serial Drama In Treatment Christine Lang I felt from the beginning that mental problems can be very universal, which is why we deal with archetypical problems. —Hagai Levi, creator of BeTipul1 As the history of film and film theory has repeatedly shown, the relationship between cinema and psychoanalysis is a fruitful one. However, the Israeli TV serial drama BeTipul (2005–2008)2 and its American adaptation In Treatment (2008–2010) are the first TV series to be entirely restricted to the conversation between therapist and patient.3 This chapter will discuss how the narrative of In Treatment focuses on the patient–doctor relationship as a forbidden trope and on how the therapist, Dr. Paul Weston (played by Gabriel Byrne), is caught up in conflicts as a result of his incipient transference love. He feels something for his patient, but he knows that he shouldn’t. This “dark” love story constitutes the linchpin and principal subject of the first season of In Treatment. At first this essay gives a definition of a TV serial drama as an auteur film; then it outlines the story lines of In Treatment. The essay examines In Treatment from a specific perspective, with an eye to its structure and its filmic and aesthetic means and with special attention to its dramaturgy and the communicative constellation of its narrative. The last two sections of the essay address the subject of transference love and how it is represented in In Treatment. 1 2 Auteur Series Like the Israeli original series BeTipul, the first season of In Treatment, which is the primary focus of this essay, was broadcast five times a week, with a single episode each day from Monday through Friday.
    [Show full text]
  • Worldwide Equipment Guide
    OPFOR WORLDWIDE EQUIPMENT GUIDE TRADOC DCSINT Threat Support Directorate DISTRIBUTION RESTRICTION: Approved for public release; distribution unlimited. Worldwide Equipment Guide Introduction This Worldwide Equipment Guide (WEG) serves as an interim guide for use in training, simulations, and modeling until the publication of FM 100-65, Capabilities-Based Opposing Force: Worldwide Equipment Guide. The WEG is designed for use with the FM 100-60 series of capabilities-based opposing force field manuals. It provides the basic characteristics of selected equipment and weapons systems readily available to the capabilities-based OPFOR, and generally listed in either FM 100-61, Armor- and Mechanized-Based Opposing Force: Organization Guide or FM 100-63, Infantry-Based Opposing Force: Organization Guide. Selected weapons systems and equipment are included in the categories of infantry weapons, infantry vehicles, reconnais- sance vehicles, tanks/assault vehicles, antitank, artillery, air defense, engineer and logistic systems, and rotary-wing aircraft. The pages in this WEG are designed for insertion into loose-leaf notebooks. Since this guide does not include all possible OPFOR systems identified in the OPFOR field manuals, equipment sheets covering additional systems not contained in this initial issue will be published periodically. Systems selected will be keyed directly to the baseline equipment contained in the 100-60 series and substitute systems found in the appropriate substitution matrix. The WEG is scheduled for eventual publication on the worldwide web for use by authorized government or- ganizations. WORLDWIDE OPFOR EQUIPMENT Due to the proliferation of weapons through sales and resale, wartime capture, and li- censed or unlicensed production of major end items, distinctions between equipment as friendly or OPFOR have blurred.
    [Show full text]
  • Activating Grammar Key.Pdf
    Angela Gallagher Fausto Galuzzi ActivatingActivating Grammar DIGITAL EDITION Grammar Key Grammar­kEy EssEntial elEmEnts 1­ Plural­of­nouns 2­ 1 ’re 2 ’s 3 ’s 4 Is 5 ’s 6 ’s 7 are 8 are 9 ’m 1­ televisions boys cities knives lives tomatoes potatoes 3­ 1 Is he from Warsaw? Yes, he is. 2 Is his videos watches sandwiches classes English good? No, it isn’t. 3 Are his parents kisses foxes photos universities in England? No, they aren’t. 4 Is Polish food toys schools offices roofs nice? Yes, it is. 5 Is it cold in Poland? It’s cold in winter. 6 Are you happy? Yes, I am. 2­ Sostantivi con plurale irregolare: women people teeth feet children 4­ 1 aren’t 2 ’re 3 ’s 4 ’s 5 ’s 6 aren’t 7 isn’t 8 aren’t 9 isn’t 3­ 1 b) - potatoes - patate 2 a) - radios - radio 3 b) - shelves - scaffali 4 a) - secretaries - segretarie 5 b) - beaches - spiagge 4­ Qualifying­adjectives 6 b) - plays - commedie 7 b) - brushes - spazzole 8 a) - cliffs - scogliere 1­ 1 revolutionary design 2 small 9 a) - pencils - matite car 3 spacious vehicle 4 leather seats 5 powerful engine 6 mega stereo system 4­ sunglasses shoes two T-shirts two dresses two scarves my photos my keys two 2­ 1 Is the train late? 2 I am not tired! 3 It brushes isn’t a new project. 4 Are you happy? 5 Sue is angry. 6 You are a nice intelligent 5­ 1 buzzes 2 zoos 3 roofs 4 faxes 5 flies boy.
    [Show full text]
  • Financial Documentation
    MANAGEMENT’S DISCUSSION AND ANALYSIS ALTICE LUXEMBOURG S.A. FOR THE SIX MONTH PERIOD ENDED JUNE 30, 2019 Contents 1 OVERVIEW 2 2 STRATEGY AND PERFORMANCE 10 3 KEY FACTORS AFFECTING THE GROUP's RESULTS OF OPERATIONS 12 4 BASIS OF PRESENTATION 14 5 GROUP FINANCIAL REVIEW 15 6 REVENUE 19 7 ADJUSTED EBITDA 22 8 OPERATING PROFIT OF THE GROUP 24 9 RESULT OF THE GROUP - ITEMS BELOW OPERATING EXPENSES 26 10 LIQUIDITY AND CAPITAL RESOURCES 28 11 CAPITAL EXPENDITURES 30 12 KEY OPERATING MEAUSURES 32 13 OTHER DISCLOSURES 33 14 KEY INCOME STATEMENT ITEMS 37 1 The Group is a multinational group operating across three sectors: (i) telecom (broadband and mobile communications), (ii) content and media and (iii) advertising. The Group operates in Western Europe (comprising France and Portugal), Israel, the Dominican Republic and the French overseas territories (comprising Guadeloupe, Martinique, French Guiana, La Réunion and Mayotte (the “French Overseas Territories”)). The parent company of the Group is Altice Luxembourg S.A. (the “Company”). The Group had expanded internationally in previous years through several acquisitions of telecommunications businesses, including: SFR and MEO in Western Europe; HOT in Israel; and Altice Hispaniola and Tricom in the Dominican Republic. The Group’s acquisition strategy has allowed it to target cable, FTTH or mobile operators with what it believes to be high-quality networks in markets the Group finds attractive from an economic, competitive and regulatory perspective. Furthermore, the Group is focused on growing the businesses that it acquired organically, by focusing on cost optimization, increasing economies of scale and operational synergies and improving quality of its network and services.
    [Show full text]