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JUNE 1966 60c H BGH FI 0 ELITY SPea kers WHAT TO LOOK FOR IN THE STORE -HOW TO PLACE THEM IN THE HOME 111100=- B ernstein HIS FIRST OPERA RECORDING: VERDI'S FALSTAFF, WITH FISCHER -DIESKAU Prokofiev AN APPRAISAL OF HIS OPERAS BY A DISTINGUISHED ITALIAN CRITIC www.americanradiohistory.com because it is the next best speakers, or $299.50 with 10- thing to our grand grands. At inch speakers. a small fraction of the size The 85 includes a powerful and cost. The 95 baby grand transistor amplifier, an auto- is only $369.50 with standard matic turntable and a mag- speakers, or $399.50 with op- netic cartridge to match. The tional larger speaker systems 95 has a sensitive FM- stereo for even finer bass. The 85 is tuner in addition. Everything only $269.50 with 8 -inch you need for fine stereo. The Fisher baby grand. CIRCLE 27 ON READER -SERVICE CARD www.americanradiohistory.com OVESSES N140 CNM101NMMESiDENTS wl !If TOEIlNENMAP. iNTElN.TiONNI,iNC., LONG 1l1.NNOEITT,M.r. .. r PLACE 4¢ STAMP ucl+v HERE At Fisher we don't equate .oeä"4.>. performance with size. Every 'TF =Ç system must ° ¿_^¡ á Fisher stereo ClCjkly ó LI of fnmcR FISHER RADIO CORPORATION be capable producing {S.8 1:1 2,c N sound as big as the music. Y "N. 11-35 45th Road O > ÿ Y °= "_A 3.4 wE Long Island City, N. Y. 11101 Without compromise. And OCAON mC Ht ÉEao it on. IA.' p every time you turn O m iEi°vttuDl a, mre-°a E 9 ..> The Fisher baby grand is C p a,,C' 9 z < J the most recent proof of this. We call it our baby grand www.americanradiohistory.com How to get big sound out of a small Fisher: www.americanradiohistory.com CIRCLE 27 ON READER -SERVICE CARD JUNE 1966 1 www.americanradiohistory.com Nine out of ten musicians prefer the natural sound of Pickering. Microgroove discs are recorded by magnetic processes. Naturally they sound better when reproduced with a Pickering Micro- MagneticTM; there's a natural compatibility. From the tiniest peep of a piccolo to the mightiest roar of an organ, Pickering produces sound as natural as the original performance. That's why musicians prefer Pickering. And so does everyone else who can hear the difference. Pickering makes it easy to get natural sound in any stereo installation. There are four Pickering Micro- Magnetic pickups, each designed for a specific application. The V- 15AC -2 is for conventional record changers, where high o-ltput and heavier tracking- forces are required. The V- 15AT -2 is for lighter tracking in the newer automatic turntables. The even more compliant V- 15AM -1 is ideal for professional-type manual turntables. And the V- 15AME -1 with elliptical stylus is the choice of the technical sophisticate who demands the last word in tracking ability. No other pickup design is quite like the Pickering Micro -Magnetic. The cartridge weighs next to nothing (5 grams) in order to take full advantage of low -mass tone arm systems. Pickering's exclusive Floating Stylus and patented replaceable V -Guard stylus assembly protect both the record and the diamond. But the ultimate test of a cartridge is the human ear. Find out for yourself. Listen caref lly to a Pickering. You'll hear the difference. For those who Can hear the difference. Pickering & Co. Plainview, L.I., N.Y. CIRCLE 46 ON READER -SERVICE CARD 2 HIGH FIDELITY MAGAZINE www.americanradiohistory.com Page 40 Page 51 HIGH FIDELITY Music and Musicians 14 Notes from Our Correspondents: Vienna, New York, Paris 39 Contemporary Opera and the Foundations: an editorial 40 The Shed at Norfolk: New England's oldest summer festival Harris Goldsmith 44 The Unknown World of Prokofiev's Operas Giuseppe Pugliese Sound Reproduction 32 News & Views: audio, audio everywhere... 35 Equipment in the News 51 Loudspeakers -Their Choice and Installation Norman Eisenberg 61 Equipment Reports Ampex PR -10 -4 Tape Recorder Dynaco PAS -3X Preamplifier Audio Dynamics ADC 404 Speaker System Hcathkit AR -13A Receiver Kit Reviews of Recording 22 The Sonic Showcase 24 Jazz 69 Feature Record Reviews Britten: Curlew River (Peter Pears, et al.; instrumentalists; Benjamin Britten, Viola Tunnard, musical directors) Ives: Orchestral Works (Chicago Symphony Orchestra, Morton Gould, cond.; New York Philharmonic, Leonard Bernstein, cond.) 74 Other Classical Reviews 94 Repeat Performance 97 The Lighter Side 101 The Tape Deck J U N E 1 9 6 6 VOLUME 16 NUMBER 6 Published at Great Barrington, Mass. 01230, by The Billboard Publishing Co. Copyright 0 1966 by The Billboard Publishing Co. The design and contents of Nigh Fidelity Megarine am fully protected by copyright and must not be reproduced in any manner. Second -class postage paid at Great Barrington end t additional mailing offices. Authorized as second -clan mail by the Pest Office Department, sOttawa, and for payment of postage in cash. Nigh Fidelity 'Musical America Edition published monthly soc.pl December when it isi published semi- monthly. Subscription Anywhere on Earth 39. National and other Editions published monthly. Subscription Anywhere on Earth $7. Ind.aed in the "Reader's Guide to Ultra- fun." Change of address notices and undelivered copies (Form 3579) should be addressed to Nigh Fidelity, Subscription Department, 2160 Patterson Street, Cincinnati, Ohio 45211. www.americanradiohistory.com For your sound approach to quality... HIGH FIDELITY look! listen! Cover Design: Roy Lindstrom Roland Gelatt Editor in Chief Joan Griffiths Executive Editor Norman Eisenberg Audio Editor compare! Sue Severn Managing Editor Peter G. Davis 'I' /NA, Assistant Editor Shirley Fleming Managing Editor Musical America Section Leonard Marcus Special Projects Editor Roy Lindstrom Art Director Nathan Broder R. D. Darrell ro III 1 911. 9fi 98 TO 'OZ Ipd 116 1:11 Alfred Frankenstein `. ... Conrad L. Osborne 11 I I .1 .1 a Robert C. Marsh Contributing Editors Claire N. Eddings e Director of Advertising Sales :e esse esse Walter F. Grueninger Circulation Director KENWOOD SOLID STATE STEREO RECEIVERS Warren B. Syer Publisher Once you've seen and heard the wonderful SOUNDS OF KENWOOD you'll want to make comparisons with other units. Listen to the unusual quality of KENWOOD. A D V E R T I S I N G Compare total music power...sensitivity...wide frequency range produced by Main Office: Claire N. Eddings, The Publishing House, Great Barrington, Mass. 01230. Tele- silicon power transistor amplifiers... and many more important engineering fea- phone: 413 -528 -1300 tures that add up to outstanding musical performance and trouble -free reliability. New York: 165 W. 46th St., New York, N. Y. 10036. Telephone: 212- 757 -2800. Seymour Only by making comparisons for quality, features and price will you find that Resnick, Andrew Sponberger. Chicago: Taylor /Friedman, 333 N. Michigan KENWOOD provides a truly superior selection of hi -fi stereo receivers. Visit your Ave., Suite 314, Chicago, Ill. 60601. Tele- phone: 312- 332 -7683 nearest KENWOOD franchised dealer, and he'll be glad to demonstrate your sound Los Angeles: The Billboard Publishing Co., 9000 approach to quality. Or write us for free, colorful brochure. Sunset Blvd., Suite 710, Los Angeles, Calif. 90069. Telephone: 213-273-1555. Pete Heine, Dick Blase London: 15 Hanover Square, London W.I. sound approach to quality ..the KENWOOD Telephone: Hyde Park 3659. 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    THE TUNES OF DIPLOMATIC NOTES Music and Diplomacy in Southeast Europe (18th–20th century) *This edited collection is a result of the scientific projectIdentities of Serbian Music Within the Local and Global Framework: Traditions, Changes, Challenges (No. 177004, 2011–2019), funded by the Ministry of Education, Science and Technological Development of the Republic of Serbia, and implemented by the Institute of Musicology SASA (Belgrade, Serbia). It is also a result of work on the bilateral project carried out by the Center for International Relations (Faculty of Social Sciences, University of Ljubljana) and the Institute of Musicology SASA (Belgrade, Serbia) entitled Music as a Means of Cultural Diplomacy of Small Transition Countries: The Cases of Slovenia and Serbia(with financial support of ARRS). The process of its publishing was financially supported by the Ministry of Education, Science and Technological Development of the Republic of Serbia. THE TUNES OF DIPLOMATIC NOTES MUSIC AND DIPLOMACY IN SOUTHEAST EUROPE (18th–20th CENTURY) Edited by Ivana Vesić, Vesna Peno, Boštjan Udovič Belgrade and Ljubljana, 2020 CONTENTS Acknowledgements ������������������������������������������������������������������������������������������������������ 7 1. Introduction ����������������������������������������������������������������������������������������������������������������������������9 Ivana Vesić, Vesna Peno, Boštjan Udovič Part I. Diplomacy Behind the Scenes: Musicians’ Contact With the Diplomatic Sphere 2. The European Character of Dubrovnik and the Dalmatian Littoral at the End of the Enlightenment Period: Music and Diplomatic Ties of Luka and Miho Sorkočević, Julije Bajamonti and Ruđer Bošković ��������������������������������������������������������������������������������17 Ivana Tomić Ferić 3. The Birth of the Serbian National Music Project Under the Influence of Diplomacy ���������37 Vesna Peno, Goran Vasin 4. Petar Bingulac, Musicologist and Music Critic in the Diplomatic Service ������������������53 Ratomir Milikić Part II.
  • Download the Clarinet Saxophone Classics Catalogue

    Download the Clarinet Saxophone Classics Catalogue

    CATALOGUE 2017 www.samekmusic.com Founded in 1992 by acclaimed clarinetist Victoria Soames Samek, Clarinet & Saxophone Classics celebrates the single reed in all its richness and diversity. It’s a unique specialist label devoted to releasing top quality recordings by the finest artists of today on modern and period instruments, as well as sympathetically restored historical recordings of great figures from the past supported by informative notes. Having created her own brand, Samek Music, Victoria is committed to excellence through recordings, publications, learning resources and live performances. Samek Music is dedicated to the clarinet and saxophone, giving a focus for the wonderful world of the single reed. www.samek music.com For further details contact Victoria Soames Samek, Managing Director and Artistic Director Tel: + 44 (0) 20 8472 2057 • Mobile + 44 (0) 7730 987103 • [email protected] • www.samekmusic.com Central Clarinet Repertoire 1 CC0001 COPLAND: SONATA FOR CLARINET Clarinet Music by Les Six PREMIERE RECORDING Featuring the World Premiere recording of Copland’s own reworking of his Violin Sonata, this exciting disc also has the complete music for clarinet and piano of the French group known as ‘Les Six’. Aaron Copland Sonata (premiere recording); Francis Poulenc Sonata; Germaine Tailleferre Arabesque, Sonata; Arthur Honegger Sonatine; Darius Milhaud Duo Concertant, Sonatine Victoria Soames Samek clarinet, Julius Drake piano ‘Most sheerly seductive record of the year.’ THE SUNDAY TIMES CC0011 SOLOS DE CONCOURS Brought together for the first time on CD – a fascinating collection of pieces written for the final year students studying at the paris conservatoire for the Premier Prix, by some of the most prominent French composers.