DOCSLIB.ORG

This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. The Literary Intervention in Architecture- The Making of Burns Cottage as a Writer’s House Te-Ju Chen MPhil – The University of Edinburgh – 2016 Declaration of Authorship By signing this declaration, I confirm that this thesis has been composed by me, the work is my own and has not been submitted for any other degree or professional qualification except as specified. The Author Te-Ju Chen i Abstract The concept of writers’ houses is a modern invention. Along with the growth of literacy popularity and the rise of modern writers, whose origins are no more of privileged class, their houses start to be pilgrimage destinations and places of interest. Most writers’ houses are protected for their connections with the writers rather than their architectural significance. Hence it is common to see that the presentation of the house emphasises this aspect more than other, although in some cases the writer’s history with the house is relatively short. Through the making of writers’ houses, we see how people’s expectation towards a place is affected by their perception of favoured history. This research aims to discover/ reflect on what the expectation towards a writer’s house has been made of, and how the expectation has led to spatial operations on the house in different times. Burns Cottage, the birthplace of the eighteenth-century poet Robert Burns in Alloway, is the earliest writer’s house developed in Scotland. As the development of the Cottage has undergone a long span of more than two and half centuries, it is a great example to demonstrate how people’s perception of a writer’s life and works has been transformed into their understanding of the house, and how the understanding has led to spatial operations developed with the spirit of Enlightenment, that of Romanticism, and that of modern era. ii Lay Summary The development of writers’ houses in Britain was initiated incidentally by the Jubilee celebration held in Stratford upon Avon in 1769. Along with the significant development of literary tourism in the nineteenth century, writers’ houses came to be a variety of pilgrimage destinations. Most writers’ houses are protected for their connections with the writers rather than their architectural significance. Hence it is common to see that the presentation of the house emphasises this aspect more than other, although in some cases the writer’s history with the house is relatively short. Through the making of writers’ houses, we see how people’s expectation towards a place is affected by their perception of favoured history. This research aims to investigate the assumptions and attributions of writers’ houses, and how they have led to spatial operations on the house in different periods of time. The eighteenth- century poet Robert Burns’ birthplace in Alloway, Burns Cottage, is the earliest writer’s house developed in Scotland and a great example to demonstrate how people’s perception of a writer has been transformed into their understanding of the house, and how the understanding has led to spatial operations on the house developed with the spirit of times. iii Table of Contents 1 Introduction .......................................................................................................... 1 1.1 Poetry and Architecture- Writers’ Houses .................................................... 1 1.2 Research Framework ................................................................................... 10 2 A Modern Writer in the Age of Enlightenment ................................................. 14 2.1 A Ploughman and a Poet ............................................................................. 16 2.1.1 Literacy and Enlightenment ................................................................. 20 2.1.2 The Ossian Vacancy ............................................................................. 31 2.2 The Development of Literary Tourism in the Eighteenth Century ............. 34 2.3 The Development of Burns Cottage in the Eighteenth Century .................. 45 2.3.1 The Auld Clay Biggin .......................................................................... 50 2.3.2 The Cottage Reform and the Effect of the Development of Picturesque Aesthetics ........................................................................................................... 58 2.4 Conclusion ................................................................................................... 63 3 The Cottage in the Age of Romanticism ............................................................ 67 3.1 The Development of Burns Cottage in the Nineteenth Century.................. 71 3.1.1 The Burns’ Head Inn ........................................................................... 72 3.1.2 Under the Trustees ............................................................................... 96 3.2 The Perception of Burns in the Nineteenth Century ................................. 120 3.2.1 The Publication of Life and Works .................................................... 121 3.2.2 Monuments, Statues, and Festivals .................................................... 129 3.2.3 Relics .................................................................................................. 152 4 The Presentation of Burns Cottage in the Age of Exhibitions ......................... 158 4.1 The Emergence of Replicas ....................................................................... 159 4.2 The Creation of Robert Burns Birthplace Museum/ Conclusion .............. 177 iv Bibliography ............................................................................................................. 196 Figures Fig 1 P. Taylor, ‘Robert Burns’, 1786-7, “a striking resemblance of the poet” (Scott), National Galleries Scotland .......................................................................................... 28 Fig 2 A. Nasmyth, ‘Robert Burns’, 1787, Scottish National Portrait Gallery ....................... 28 Fig 3 A. Reid, ‘Robert Burns’, 1795-6, “the best likeness” (Burns), Scottish National Portrait Gallery ............................................................................................................. 28 Fig 4 A. Skirving, ‘Robert Burns’, 1796-8, based on Nasmyth’s version, National Galleries Scotland ........................................................................................................................ 28 Fig 5 John Beugo (engraver), ‘Robert Burns’, 1801, engraving after Skirving’s painting, which was based on Nasmyth’s, Scottish National Portrait Gallery ............................. 29 Fig 6 A. Nasmyth, ‘Robert Burns’, 1828, based on the same artist’s 1787 version, National Galleries Scotland......................................................................................................... 29 Fig 7 Portrait of Burns, ascribed to W. Anderson, 1786, showed up once in the Burns Centenary Exhibition in Glasgow in 1896 and was rediscovered in Dundee in 1920 .. 29 Fig 8 Johan J. Zoffany, ‘David Garrick and his wife by his Temple to Shakespeare at Hampton’, c. 1762, Yale Center for British Art, Paul Mellon Collection, image accessible through Wikimedia Commons ..................................................................... 40 Fig 9 ‘Ranelagh Gardens, Rotunta, &c. 1751’, image taken from London Ancestor (www.londonancestor.com) .......................................................................................... 40 Fig 10 Engraved print of ‘Sketch of Stratford Jubilee Booth or Amphitheatre, 1769’, © Victoria and Albert Museum, London .......................................................................... 43 Fig 11 James Saunders’ illustration of Shakespeare’s birthplace, 1828, collection of Shakespeare Birthplace Trust ....................................................................................... 43 Fig 12 Mauchlineware Inkwell, “made of wood grown on the banks of the Doon”, collection of RBBM (Robert Burns Birthplace Museum) ............................................................. 44 Fig 13 ‘Section from Burns’ Trysting Thorn, Mill Mannoch, near Coylton’, RBBM ........... 44 Fig 14 Pipe Case, “made of part of Burns’s Kist”, RBBM ................................................... 44 v Fig 15 Mauchlineware Spectacle Case, with a print of Burns Cottage on the front and inscription of “Souvenir of the Land of Burns” on the reverse, RBBM ........................ 44 Fig 16 ‘The House in which Burns was Born’, with the caption “drawn on the spot by W. Score”, “Aquantinted by R. Scott”, “Published by R. Chapman Printer, Glasgow”, 1801, collection of RBBM...........................................................................................
Load more

Recommended publications
  • Burns's "To a Louse"; Scott's Old Mortality
    Studies in Scottish Literature Volume 17 | Issue 1 Article 18 1982 Notes and Documents: the Carlyle Centenary; Burns's "To a Louse"; Scott's Old Mortality Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation (1982) "Notes and Documents: the Carlyle Centenary; Burns's "To a Louse"; Scott's Old Mortality," Studies in Scottish Literature: Vol. 17: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol17/iss1/18 This Notes/Documents is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. NOTES AND DOCUMENTS Thomas Carlyle in 1981 The Carlyle centenary of 1981 has been celebrated so various­ ly, and in so many parts of the world, that there seems little remaining doubt about CarlYle's importance. That he has re­ surfaced after decades of neglect or unpopularity, that his reputation has survived allegations of fascism, above all that critical interest has matured beyond squabblings about his private life to look at the man and his works, all contribute to a sense that one hundred years after his death, Thomas Carlyle can perhaps be seen more clearly as a Victorian of first rank. The repositories of Carlyle papers around the world did well to mount substantial exhibitions, at Duke, at Santa Cruz, in Edinburgh University and Public libraries as well as at the National Library of Scotland. Chelsea had a small but inter­ esting exhibition, and as these words are written the display in the National Portrait Gallery of London is attracting wide­ spread attention.
    [Show full text]
  • The Letters of Robert Burns 1
    The Letters of Robert Burns 1 The Letters of Robert Burns The Project Gutenberg EBook of The Letters of Robert Burns, by Robert Burns #3 in our series by Robert Burns Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. The Letters of Robert Burns 2 **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: The Letters of Robert Burns Author: Robert Burns Release Date: February, 2006 [EBook #9863] [Yes, we are more than one year ahead of schedule] [This file was first posted on October 25, 2003] Edition: 10 Language: English Character set encoding: ISO-8859-1 *** START OF THE PROJECT GUTENBERG EBOOK THE LETTERS OF ROBERT BURNS *** Produced by Charles Franks, Debra Storr and PG Distributed Proofreaders BURNS'S LETTERS. THE LETTERS OF ROBERT BURNS, SELECTED AND ARRANGED, WITH AN INTRODUCTION, BY J.
    [Show full text]
  • TRAVEL and ADVENTURE in the WORKS of ROBERT LOUIS STEVENSON by Mahmoud Mohamed Mahmoud Degree of Doctor of Philosophy Department
    TRAVEL AND ADVENTURE IN THE WORKS OF ROBERT LOUIS STEVENSON by Mahmoud Mohamed Mahmoud Degree of Doctor of Philosophy Department of Scottish Literature University of Glasgow. JULY 1984 ACKNOWLEDGEMENTS I wish to express my deepest sense of indebtedness and gratitude to my supervisor, Alexander Scott, Esq., whose wholehearted support, invaluable advice and encouragement, penetrating observations and constructive criticism throughout the research have made this work possible; and whose influence on my thinking has been so deep that the effects, certainly, will remain as long as I live. I wish also to record my thanks to my dear wife, Naha, for her encouragement and for sharing with me a considerable interest in Stevenson's works. Finally, my thanks go to both Dr. Ferdous Abdel Hameed and Dr. Mohamed A. Imam, Department of English Literature and Language, Faculty of Education, Assuit University, Egypt, for their encouragement. SUMMARY In this study I examine R.L. Stevenson as a writer of essays, poems, and books of travel as well as a writer of adventure fiction; taking the word "adventure" to include both outdoor and indoor adventure. Choosing to be remembered in his epitaph as the sailor and the hunter, Stevenson is regarded as the most interesting literary wanderer in Scottish literature and among the most intriguing in English literature. Dogged by ill- health, he travelled from "one of the vilest climates under heaven" to more congenial climates in England, the Continent, the States, and finally the South Seas where he died and was buried. Besides, Stevenson liked to escape, especially in his youth, from the respectabilities of Victorian Edinburgh and from family trouble, seeking people and places whose nature was congenial to his own Bohemian nature.
    [Show full text]
  • ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
    ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation.
    [Show full text]
  • 1. August Angellier in Robert Burns, La Vie, Les Oeuvres, 2 Vols (Paris
    Notes CHAPTER 1 THE EARLY PERIOD: BURNS' INTUITIVE USE OF SCOTTISH TRADITION 1. August Angellier in Robert Burns, La Vie, Les Oeuvres, 2 vols (Paris, 1983) pointed to this when he said: 'But underneath this scholarly poetry there existed a popular poetry which was very abundant, very vigorous, very racy and very original'. See especially p. 14 of Jane Burgoyne's selected translation from Angellier in the Burns Chronicle and Club Directory, 1969. Other portions of the translation appeared in 1970, 1971, 1972, 1973. 2. J. De Lancey Ferguson (ed.) The Letters of Robert Burns, 2 vols (Oxford: Clarendon Press, 1931), 1: 106, no. 125. Burns adopted a superior tone here in keeping with the accepted pose of the eighteenth-century man of letters. All references to Burns' letters are to Ferguson's edition. Only letter numbers will be given when the citation appears in the text proper. 3. Most critics and students of Burns take some stance towards his relationship with previous work. Hans Hecht, Robert Burns: The Man and His Work, 2nd rev. ed. (London: William Hodge & Company, 1950), p. 29, suggests that Burns was the culmination of a tradition, but he speaks of a literary rather than a cultural inheritance. 4. See T. S. Eliot, The Sacred Wood (London: Methuen, 1950), pp. 47-59. 5. Angellier earlier suggested this division and I agree with him that Burns' work prior to Edinburgh was dominated by depiction of the world around him. After Edinburgh, Angellier indicates that Burns relied less on the specific incidents and more on general sentiments.
    [Show full text]
  • Mauchline CARS
    Potential Mauchline CARS Public Meeting Venue: Centre Stane, Mauchline 7pm Monday 5th November 2018 Colin McKee - Heritage Projects Coordinator Mauchline CARS What is a Conservation Area Regeneration Scheme(CARS)? A five year Historic Environment Scotland programme that can offer grant of up to £2 million to support cohesive heritage-focused community and economic growth projects within Conservation Areas across Scotland. The grant scheme would be jointly funded by East Ayrshire Council and Historic Environment Scotland, with any additional external funding that can be secured for specific projects. CARS Overview Historic Environment Scotland Expect CARS to Deliver:- • A combination of larger building repair projects, • Small third-party grant schemes providing funding for repairs to properties in private ownership, • Activities which promote community engagement with the local heritage and; • Training for professionals and tradespeople in traditional building skills, All of which will contribute to sustainable economic and community development within the Conservation Area. HES Criteria for Awarding a CARS • CARS bids are assessed in competition with each other. • HES assess how well the project achieves the priority outcomes for the CARS programme • How well planned and deliverable it is • How we plan to sustain the scheme benefits in the longer term. HES Priority Outcomes The four CARS priority outcomes are listed below:- Understand • Priority outcome: Communities are empowered to take an active role in understanding and enhancing
    [Show full text]
  • Burns Supper Even Before His Death, Poet Robert Burns' Cottage At
    Burns Supper Even before his death, poet Robert Burns’ cottage at Alloway, Ayrshire, had been sold to the incorporation, or guild, of shoemakers of Ayr, one of whose members turned it into an alehouse. It was here, on 29 January 1801 (they got his birthday wrong) that soldiers of the Argyll Fencibles (militia) met to hear their band play – and to use the services of his cottage in its new role. The first recorded Burns Supper took place at Alloway in the same year, but on the anniversary of his death (21st July). It involved a speech and multiple toasts; to eat there was haggis (which was addressed) and, a mercifully lost tradition, sheep’s head; given the social status of those present, refreshment was probably wine and ale rather than whisky. Present were nine friends and patrons of Burns. Among them was a lady, though thereafter the Suppers were mostly (sometimes militantly) all-male affairs until far into the twentieth century: a curious slant on Burns’ own life as well as on the first dinner. The ‘toast to the lasses’ was traditionally thanks for the cooking and an appreciation of the women in Burns’ life, only later degenerating into a sexist (often misogynistic) rant. Celebrations were held twice yearly until 1809 when participants settled on January (25th), because this fell in a slack period of the agricultural year. Commercialisation of his birthplace did little to honour the memory of his life and work, and in 1822 the poet John Keats complained bitterly of how both the ambience and the landlord of the Alloway inn degraded Burns’ greatness.
    [Show full text]
  • 1943 the Digital Conversion of This Burns Chronicle Was Sponsored by Southern Scottish Counties Burns Association
    Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1943 The digital conversion of this Burns Chronicle was sponsored by Southern Scottish Counties Burns Association The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com THE ROBER T BURNS ANNUAL AND CHRONICLE 1943 THE BURNS FEDERATION KILMARNOCK 1943 Price Three Shillings and Nine Pence "BURNS CHRONICLE" ADVERTISER CRAIG'S RESTAURANTS for MORNING COFFEE SNACKS · LUNCHEONS AFTERNOON TEA The Rhul The Gordon 123 7-19 Sauchiehall Gordon Street Street Branches throughout the CIty JAMES CRAIG (GLASGOW). LTO •• Woodlands Road. GLASGOW "BURNS CHRONICLE" ADVERTISER JEAN ARMOUR BURNS HOUSES CASTLE STREET, MAUCHLlNE AYRSH I RE Established in 1915 by the Glasgow and District Burns Association These Houses were purchased, repaired, and gifted to the Association by the late Mr. Charles R. Cowie, J.P., of Glasgow. They comprise the Burns House (in which the poet and Jean Armour began housekeeping in 1788), Dr. John M'Kenzie's House, and "Auld Nanse Tinnock's" (the "change-house" of Burns's poem "The Holy Fair"); and provide comfortable acco~modation for nine old ladies, who live rent and rate free and receive a small pension. A portion of the Burns House has been arranged as a Museum, which now contains numerous authentic relics of Jean Armour and the poet: these include the Armour Family Bible and several manuscripts of Burns. An Endowment Fund' for the maintenance of the Houses and the provision of the pensions is being formed.
    [Show full text]
  • RBWF Newsletter July 2015
    The Robert Burns World Federation Newsletter Issue 16 July 2015 This edition of the Newsletter continues to demonstrate the wonderful work being done by the Federation in promoting the life and works of Robert Burns with the younger generation. It is particularly gratifying to see the enthusiasm of pupils involved in the Primary Schools’ Festival and in a repeat performance of the Burns musical ‘Rabbie’ at the Edinburgh Fringe by St George’s Girls School, Edinburgh. Some very welcome thoughts on promoting Burns in the classroom are presented by a secondary school teacher and hopefully it will evoke a response. The rededication ceremony for the laying of the foundation stone for the Burns Mausoleum in Dumfries, some 200 years after the original event, is deservedly given full coverage. Editor In this Issue: Page Reply to an Invitation - Primary Schools Festival 1-2 - Ellisland Youngsters 3 Sir, - Lasses Lunch 3 - Wreath Laying in Kilmarnock 4 Yours this moment I unseal, - Thornhill Burns Club Outing 4 And faith! I’m gay and hearty. - Addressing the Haggis Competition 4 - Poet William Letford Residency 5 To tell the truth and shame the Deil, I am a fou as Bartie. - John Galt Society 5 - 200 Club Results and Membership 6 - A ‘Stookie’ Comes to Life 6 But Foorsday, Sir, my promise leal, - Tom McIlwraith Poetry Competition 6 Expect me o’ your partie, - Burns Mausoleum 200th Anniversary 7-8 If on a beast I can speel - The Kirk’s Alarm 8 - Overseas Literature Report 9 Or hurl in a cartie. - RBBM Events Programme 10 - RBANA Conference Report 10 Yours, - Robert Burns - Burns Teaching in School 11 - Tartan Day 12 Primary Schools Festival The Primary Schools Festival was held in Hutchesons’ Grammar School on Saturday 30th May with over 150 enthusiastic pupils taking part.
    [Show full text]
  • RBWF Burns Chronicle 1970
    Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1970 The digital conversion of this Burns Chronicle was sponsored by Roberta Copland The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com -- - ~~ - ~. - ~- St P/ ROBERT BURNS CHRONICLE 1970 THE BURNS FEDERATION KILMARNOCK Price 7s. 6d.-Papu bound: 12& 6d.-Clotll bound: Price to Non-Members 10..-Papei' bound: lSs.-Clotb bolllld. 'BURNS CHRONICLE' ADVERTISER Scotch as it used to be 'BURNS CHRONICLE' ADVERTISER JEAN ARMOUR BURNS HOUSES MAUCHLINE, AYRSHIRE In 1959, to mark the Bicentenary of the Birth of Robert Burns, the Glasgow and District Bums Association, who man­ age the Jean Armour Bums Houses, completed the building of ten new houses on the historic farm of Mossgiel, near Mauch­ line and these are now occupied. The tenants live there, rent and rate free and receive a small pension. Funds are urgently required to complete a further ten Houses. Earlier houses, established 1915 which comprised the Bums House (in which the poet and Jean Armour began housekeeping 1788), Dr. John McKenzie's House and 'Auld Nanse Tinnock's' (the 'change-house' of Burns's poem 'The Holy Fair') were purchased, repaired and gifted to the Association by the late Mr. Charles R. Cowie, J.P., Glasgow and, until the new houses at Mossgiel were built, provided accommodation for nine ladies. They are now out-dated as homes but con­ sideration is being given to their being retained by the Association and preserved as a museum.
    [Show full text]
  • Little, Ferries Interview Transcript
    Project: Pennylands Camp 22 - WW2 POW Camp Respondent: Ferries James Little. Year of Birth: 1936. Age: 81. Connection to project: Was born and brought up on Dumfries House Estate. Date of Interview: 11th August 2017. Interviewer: Bobby Grierson. Recording Agreement: Yes Information & Content: Yes Photographic Images: Yes (Number of: 1) Location of Interview: Skype. Cumnock, Ayrshire. Full Transcript Introduction, welcome and information about respondent. Q1. What is your connection to Pennylands Camp? A1. I was born at Grimgrew one of the cottages on the Dumfries House Estate and I was aware of Pennylands from about the age of six and going round with my father who was the Shepherd on Dumfries House Estate and the camp had just been completed but was not occupied to that extent. It wasn’t a prisoner of war camp. The biggest problem they had was that the sewage treatment plant didn’t work because whoever had constructed it had only sealed the connections on top of the pipes with cement. The plant discharged into the river Lugar up river from the Lady’s Bridge. Q2 Can you tell me a little about your family, your parents and any siblings? A3. I was the only one. My mother Violet Cameron was also born and brought up on the estate and she was one of eight. Her father James Cameron was the estate joiner for 50 years as was his father before him. He lived at the Longrig, which is shown on one of the photos you have. There were two houses together at the bottom of the Longrig, one that faced onto the Longrig where John Murray lived and he had eight of a family.
    [Show full text]
  • Exceptional, Superbly Presented Victorian Merchant's House
    EXCEPTIONAL, SUPERBLY PRESENTED VICTORIAN MERCHANT’S HOUSE. glenrosa 85 loudon street, newmilns, ka16 9hq EXCEPTIONAL, SUPERBLY PRESENTED VICTORIAN MERCHANT’S HOUSE. glenrosa 85 loudon street, newmilns, ka16 9hq Reception Hall w sitting room w dining room w games room w victorian conservatory w family room w kitchen w larder w utility room w ground floor bedroom and bathroom w 4 further bedrooms w bathroom w shower room w loft room w 6 car garage w boiler house w workshop w vinery / greenhouse w wood store w enclosed walled garden w about 0.96 acres in all w EPC Rating: E Kilmarnock 7 miles, Glasgow 26 Miles, Prestwick 16 miles. Situation Glenrosa is arguably the finest house in Newmilns, occupying a prominent position, set back from the road in the East Ayrshire village of Newmilns. The property is very well located for easy access to Glasgow via the M77 (about 25 miles) and to Ayr (16 miles). Transport links within the area are excellent with a regular train service to Glasgow from Kilmarnock (7 miles) while Prestwick Airport is about 13 miles distant. Newmilns has both primary and secondary schooling with Mearns Castle High School topping the rankings. Private schooling is available at Wellington in Ayr and Belmont, Newton Mearns (14 miles). Kilmarnock has a wider range of amenities including restaurants, theatre, hospital, cinema and sports complex. The surrounding rolling countryside of the Irvine Valley offers a network of country lanes, ideal for walking, cycling and hacking. The popular Burn Anne Walk is a pleasant 5 mile circuit adjacent to the property.
    [Show full text]