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Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
The Curse of Eve - Or, What I Learned in School Margaret Atwood
The Curse of Eve - Or, What I Learned in School Margaret Atwood Margaret Atwood and less Graeme Gibson La Malediction d'Eve ou - Ce que j'ai appris aI'ecole. knowledge, like all other knowledge, by virtue of gender. The tables have turned and now it's women who are supposed to Dans cet aper~u des stereotypes de femmes ecrivai ns et possess this knowledge, simply by birthright. I can only assume de leur impact sur notre tradition litteraire, Atwood nous that's the reason I've been invited to speak to you, since I'm demande de permettre aux femmes - personnages et not an authority on women, or indeed on anything else. personnes - d'avoir leurs imperfections sans etre I escaped from academia and bypassed journalism - which was categorisees comme types. the other career I considered, until I was told that women journalists usually ended up writing obituaries or wedding announcements for the women's page, in accordance with their Once upon a time, I wou Id have not been invited to speak to ancient roles as goddesses of life and death, deckers of nuptial you today. That time isn't really very long ago. In 1960, when beds and washers of corpses. Finally, I became a professional I was attending university, it was widely known that the writer. I've just finished a novel, so it's as a working novelist University College English department did not hire women, no that I'd li ke to approach this general area. matter what their qualifications. My own college did hire . -
2017 | 2018 Season
2017 | 2018 SEASON Unforgettable characters. Extraordinary stories. Since 1947. A CHRISTMAS STORY, 2014 THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE, 2014 Honoring our 70 year history as San Luis Obispo Little Theatre while building our future as San Luis Obispo Repertory Theatre, a professional, nonprofit, regional theatre. Repertory (re-pə(r)-ˌtȯr-ē) 1. a company that performs different plays in the course of a season 2. a theatre in which such a company performs 3. the production and presentation of plays by a repertory company BYE BYE BIRDIE, 2016 THE DROWSY CHAPERONE, 2016 A New Name for Live Theatre This organization was created in the summer of 1947 by a small group of people who wanted to “put on a show.” These 10-15 theatre-lovers, swept up in the last wave of the larger Little Theatre movement across the country, recognized the need for an organized drama troupe in San Luis Obispo. Late in 1947, they decided on the name San Luis Obispo Little Theatre and began rehearsal for their first production – Noel Coward’s Blithe Spirit – which opened at the San Luis Obispo High School Auditorium in early 1948. Since that first show, the San Luis Obispo Little Theatre has produced a full season of plays each year, every year, in 27 different locations around the county. We have had an incredible history as a nonprofit community theatre: 70 years, over 900 plays, hundreds of board members, thousands of volunteers. Now it is time for us to officially become the premier live theatre in San Luis Obispo, and continue the growth we have experienced for the last 5, the last 30, the last 70 years. -
Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
$39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation. -
Feed Is High
CENTS SMOKE THE C. & M. AND LITTLE JOE CIGARS. 6 CENTS NOVEMBER - Hun i Tuu I Thu Fn r8»l 1 i3 1 3 I One Buys Carpets bocal :i| 4 ft « 7 H W ] 101 11 13 l:t 14 15 to (special When J^ews J 17 ih 19, :o u >t 3a j notice. 341 35 3« 37, iH 3»l SO J Curtains, Shades and other home furnishings, it’s l>est to I and most fashionable ideas, especially when Beginning Oct. 1, 1901, secure latest I’d leave my happy home and cross the What? Fair and supper. When? | we will issue cash In our stock it means no greater outlay. you’ll find the deep blue sea, Thursday evening, Dec. 5. Where ? | sales with all purchases. All customers fashionable ideas, priced be slips neW fall styles -the but along Rather than without Charley and At First Presbyterian church. All my Rocky the same reasonable lines that always characterizes such Mountain Tea. right! I shall shall be there. I buying $25.00 worth of goods or over during —A. L. Bin ford. offerings here. The members of the junior college the balance of tins year lie cash football eleven and of the city high | will entitled to a CARPETS” SeveraI rolls just in at the Morgan Wood, Thanksgiving night. LOWELL school indulged in a pleasant social rebate of 5 percent i same price that you pay for inferior goods. Sherwin sells dry corn cobs. 26t4 time at Woodmen hall on Monday 1 evening. Music and dancing consti- iii our misfit de- Castlewood has organized a business upon presentation exceptional values men's association. -
One-Of-A-Kind Lots
AUGUST 2021 U.S. & FOREIGN ONE-OF-A-KIND LOTS We appreciate you taking the time to hunt through this list and hope you’ll find something interesting and profitable. As there is only one of most of these lots, alternate choices are always appreciated and not used unless necessary. When ordering please refer to the lot #. These lots are not in any particular order. As material is found or comes into stock, it is given a lot # and added to the bottom of the list. nh=never hinged, lh=lightly hinged, h=hinge remnant, ng=no gum, xf=extremely fine, vf=very fine, f=fine, ave=average, s/d=small defect, s/f=space filler(stamps with heavy damage, heavy cancels, tears, missing pieces), s/s=souvenir sheet. LOT# DESCRIPTION PRICE LOT# DESCRIPTION PRICE (A-18807) U.S. #406 mint vf never hinged right margin plate #6972 (ME-18851) U.S. #768a f-vf single on First Day Cover with orange & single ................................................................................................. 15.00 black P.O. Dept. cachet ..................................................................... 6.50 (A-18808) U.S. #J7 used lightly canceled JUMBO margins, a beauty! ........... 150.00 (ME-18852) U.S. #736 used vf block of four .......................................................... 1.00 (AD-18809) U.S. #5297 mint vf never hinged plate #B111 single ....................... 10.00 (ME-18853) U.S. #736-39 used f-vf plate # singles ............................................... 1.00 (AD-18810) U.S. #5554 mint vf never hinged plate #P1111 single ..................... 16.00 (ME-18854) U.S. #735 vf souvenir sheet on First Day Cover, Feb 10, 1934 New York, NY .......................................................................... 40.00 (A-18811) U.S. -
The Inventory of the Harold Gray Collection #100
The Inventory of the Harold Gray Collection #100 Howard Gotlieb Archival Research Center Gray, Harold #100 Gifts of Mrs. Harold Gray and others, 1966-1992 Box 1 Folder 1 I. Correspondence. A. Reader mail. 1. Fan mail re: “Little Orphan Annie.” a. 1937. b. 1938. c. 1939. d. Undated (1930s). Folder 2 e. 1940-1943. Folder 3 f. 1944. Folder 4 g. 1945. Folder 5 h. 1946. Folder 6 i. 1947. Folder 7 j. 1948. Folder 8 k. 1949. 2 Box 1 cont’d. Folder 9 l. Undated (1940s). Folder 10 m. 1950. Folder 11 n. 1951. Folder 12 o. 1952. Folder 13 p. 1953-1955. Folder 14 q. 1957-1959. Folder 15 r. Undated (1950s). Folder 16 s. 1960. Folder 17 t. 1961. Folder 18 u. 1962. Folder 19 v. 1963. 3 Box 1 cont’d. Folder 20 w. 1964. Folder 21 x. 1965. Folder 22 y. 1966. Folder 23 z. 1967. Folder 24 aa. 1968. Folder 25 bb. Undated (1960s). Folder 26 2. Reader comments, criticisms and complaints. a. TLS re: depiction of social work in “Annie,” Mar. 3, 1937. Folder 27 b. Letters re: “Annie” character names, 1938-1966. Folder 28 c. Re: “Annie”’s dress and appearance, 1941-1952. Folder 29 d. Protests re: African-American character in “Annie,” 1942; includes: (i) “Maw Green” comic strip. 4 Box 1 cont’d. (ii) TL from HG to R. B. Chandler, publisher of the Mobile Press Register, explaining his choice to draw a black character, asking for understanding, and stating his personal stance on issue of the “color barrier,” Aug. -
TRUCK DRIVERS STRIKE; STILL in DEADLOCK] WHOLE STATE TIED up President Gran Awaiti Arriv DR
/ A v n u a a d a i u cuouLATioif for tiM Moatt tt hwgm, INI Oooenlly tair sal ilgMIy 5 . 1 5 4 •r toaifht oad ToMiogr. IlMBbW Of tto A n«t BONM ' of Wt OOOVO O f f (TWELVE PAGES) PRICE THRSP CENTS Adrortfitag oa fa ft iOb) MANCHESTER, CONN^ MONDAY, SEPTEMBER 25, 1988. VOL. U L, NO. 804 FACTIONS IN CUBA Twjce Around The W orld—To ThiB! TRUCK DRIVERS STRIKE; STILL IN DEADLOCK] WHOLE STATE TIED UP President Gran Awaiti Arriv DR. DOLANS WORK Labor Official Eitimatoi al of Cuban Leader — Son TO RE aiRTAKEDI Local Trucking Firms 2,000 Tmeks Staii^ Declares Hii Father Not Have Autos Tied Up Idle — Employer! Say Against Government. imiot Wagner to Have Only 400 Men Quit But Tba general walkout of truokAStopped yesterday but wan allowed New Agency Settle Labor | driven throughout tba state, which to nturn Manchester. HtVUA, lopt. 26— (AP) —ItUl Psirett * Glenney are under con That They Had Stripped dtadleokcd with Ita polltioal oppoa* Dif putes fa) the State. occurred with startling suddenness tract with rhansy Brothers and tbe •Dti, tba fovtrnmoBt of lUmoB late last night, left local trucking three trucks bald in New Haven are Hnndreds of Others op O rtu Baa MarUn awaltad tba ar* ooncern- wondering what it was all carrying the silk firm’s merchan rival today of tba Habal laadar, Juan about, acooiding tc tbs reports from dise. company announced this WMblBfton, Bapt. 26— (AP) — 1 afternoon that bolding up of the Blaa Harmandaa, wbo waa axpaotad leading companies here, ell of whom the Reads. -
George Mcmanus Papers, 1912-1954
http://oac.cdlib.org/findaid/ark:/13030/tf0870033f No online items Finding Aid for the George McManus papers, 1912-1954 Processed by UCLA Library Special Collections staff; machine-readable finding aid created by Caroline Cubé, online finding aid edited by Josh Fiala, August 2002. UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2000 The Regents of the University of California. All rights reserved. Finding Aid for the George 322 1 McManus papers, 1912-1954 Descriptive Summary Title: George McManus papers Date (inclusive): 1912-1954 Collection number: 322 Creator: McManus, George, 1884-1954 Extent: 3 boxes (1.5 linear ft.) 12 oversize boxes Abstract: George McManus (1884-1954) was a cartoonist and created the comic strips Rosie's Beau and his most famous strip, Bringing up Father. Bringing up Father became internationally known, appearing in 750 newspapers throughout the world and a play based on the strip toured the country in the 1920s. The collection contains 16 folio volumes of proof sheets of McManus' comic strip Bringing up Father (1918-39) and one folio volume of proof sheets of his comic strip Rosie's Beau (1917-18). Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Department of Special Collections Reference Desk for paging information. -
Dilbert": a Rhetorical Reflection of Contemporary Organizational Communication
UNLV Retrospective Theses & Dissertations 1-1-1998 "Dilbert": A rhetorical reflection of contemporary organizational communication Beverly Ann Jedlinski University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Jedlinski, Beverly Ann, ""Dilbert": A rhetorical reflection of contemporary organizational communication" (1998). UNLV Retrospective Theses & Dissertations. 957. http://dx.doi.org/10.25669/3557-5ql0 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS Uns manuscript has been reproduced from the microfilm master. UMI fifans the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter free, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afifrct reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these wiH be noted. -
Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection 2018.001
http://oac.cdlib.org/findaid/ark:/13030/c8nc66v5 No online items Guide to the Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection 2018.001 Ann Galvan Historic Collections, J. Paul Leonard Library 2018 1630 Holloway Ave San Francisco, California 94132-1722 URL: http://library.sfsu.edu/historic-collections asc.2018.001 1 Contributing Institution: Historic Collections, J. Paul Leonard Library Title: Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection Source: Rue, Thomas Bentley, 1937-2016 Accession number: asc.2018.001 Extent: 18 Cubic Feet (17 boxes, 1 oversize box) Date (inclusive): 1938-1956 Abstract: The Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection features comics and adventure strips ranging from the 1930s to the 1950s. Language of Material: English Conditions Governing Access Collection is open for research. Preferred Citation [Title], Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Archive, Historic Collections, J. Paul Leonard Library. Separated Materials A number of comic book reprints and compilations have been added to the J. Paul Leonard Library's general collection. A collection of Big Little Books are housed in Historic Collections within Special Collections. Immediate Source of Acquisition Gift of Virginia D.H. Rue In Memory of Thomas Bentley Rue, Accession number 2018/001. Conditions Governing Use Copyrighted. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner. In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. -
Stamp News Canadian
www.canadianstampnews.ca An essential resource for the CANADIAN advanced and beginning collector Like us on Facebook at www.facebook.com/canadianstampnews Follow us on Twitter @trajanpublisher STAMP NEWS Follow us on Instagram @trajan_csn Volume 44 • Number 02 May 14 - 27, 2019 $4.50 ‘Must have’ 1870 Rise of non-traditional themes Small Queen die corresponds with lettermail’s decline By Jesse Robitaille 1851, the Province of Canada issued its This is the first story in a two-part se- first stamp, which was also the world’s proof to highlight ries highlighting the transition away first thematic stamp, this depicting the from traditional philatelic themes and industrious beaver; however, until about towards thematic collecting. the turn of this century, thematic issues Sparks sale Only recently earning the consider- were few and far between. ation of serious philatelists as a legitimate Aside from the first U.S. stamps, By Jesse Robitaille collecting niche, thematic stamps trav- which, unsurprisingly, depict former Described by auctioneers as a elled a hard-fought road before coming presidents Benjamin Franklin and George “must have for any serious to the philatelic forefront with the com- Continued on page 22 Small Queen collector” and a mercialization of the U.S. Postal Service boon to exhibitors of the long- (USPS) about 20 years ago. running series, an 1870 one-cent Of course, Canada is no stranger to Small Queen large die proof is thematic issues. Nearly 170 years ago, in expected to bring $10,000 at auction this May. Traditional themes of U.S. stamps To be offered as Lot 67 of include important historical events Sparks Auctions’ four-session like the American, the 200th “Sale 30,” the black die proof is anniversary of which was marked sunken in and pasted to a card An 1870 one-cent Small Queen large on a 13-cent stamp from the 1977 measuring 51 millimetres by 77 black die proof is expected to bring ‘Bicentennial’ series.