Best Museums in Tallinn"
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The Soviet Woman in Estonian Art Jürgen Habermas
1 2010 1 Let’s refuse to be what we are (supposed to be)! Let’s Refuse to Be What We Are (Supposed to Be)! Airi Triisberg 5 Eva gives birth to earth Airi Triisberg Johannes Saar 7 Around the Golden Soldier Agne Narusyte 10 An artist and his double Anu Allas Based on the title Let’s Talk About Nationalism!, of identity is almost exclusively addressed as an it would be tempting to look at this exhibition* instrument for engendering normativity rather 13 Work-based solidarity is killed Interview with Eiki Nestor in relation to theories of public space, as it than a potential tool of empowerment that I is precisely the medium of talk that consti- find problematic in this context. At the same 16 Forum Marge Monko tutes a core notion in the liberal concept of time, it should also be noted that even the the public sphere, most notably elaborated by Habermasian definition of the public sphere 18 Art and Identity: The Soviet Woman in Estonian Art Jürgen Habermas. The curatorial statement by appears to be quite operative, insofar as it Michael Schwab Rael Artel seems to support the parallel with allows a conceptual distinction from the state 21 The queue as a social statement Habermas, insofar as it stresses the importance which has effectively been put to use in the Maria-Kristiina Soomre of contemporary art as a site for holding public framework of Let’s Talk About Nationalism! in 24 Five pictures of Flo Kasearu discussions. Nevertheless, the curator’s preoc- order to criticize the ideological and institu- Kaido Ole cupation with conflict actually indicates a dif- tional manifestations of the state. -
Estonian Art 1/2013 (32)
Estonian 1/2013Art 1 Evident in Advance: the maze of translations Merilin Talumaa, Marie Vellevoog 4 Evident in Advance, or lost (and gained) in translation(s)? Daniele Monticelli 7 Neeme Külm in abstract autarchic ambience Johannes Saar 9 Encyclopaedia of Erki Kasemets Andreas Trossek 12 Portrait of a woman in the post-socialist era (and some thoughts about nationalism) Jaana Kokko 15 An aristocrat’s desires are always pretty Eero Epner 18 Collecting that reassesses value at the 6th Tallinn Applied Art Triennial Ketli Tiitsar 20 Comments on The Art of Collecting Katarina Meister, Lylian Meister, Tiina Sarapu, Marit Ilison, Kaido Ole, Krista Leesi, Jaanus Samma 24 “Anu, you have Estonian eyes”: textile artist Anu Raud and the art of generalisation Elo-Hanna Seljamaa Insert: An Education Veronika Valk 27 Authentic deceleration – smart textiles at an exhibition Thomas Hollstein 29 Fear of architecture Karli Luik 31 When the EU grants are distributed, the muses are silent Piret Lindpere 34 Great expectations Eero Epner’s interview with Mart Laidmets 35 Thoughts on a road about roads Margit Mutso 39 The meaning of crossroads in Estonian folk belief Ülo Valk 42 Between the cult of speed and scenery Katrin Koov 44 The seer meets the maker Giuseppe Provenzano, Arne Maasik 47 The art of living Jan Kaus 49 Endel Kõks against the background of art-historical anti-fantasies Kädi Talvoja 52 Exhibitions Estonian Art is included All issues of Estonian Art are also available on the Internet: http://www.estinst.ee/eng/estonian-art-eng/ in Art and Architecture Complete (EBSCO). Front cover: Dénes Farkas. -
Suur Tõll 100 – Muuseumlaev Või Laevmuuseum
Eesti Meremuuseum Eesti Meremuuseumi XIV teaduskonverents Suur Tõll 100 – muuseumlaev või laevmuuseum Tallinn 2014 Christian Ostersehlte (1959) Lõpetanud Kieli Ülikooli ajaloo erialal (PhD). Töötanud muuseumides, arhiivides ja merendusettevõtetes arhivaarina. Ehitajad: Vulcan-Werke laevatehas Stettinis 20. sajandi algul Stettinis asunud Vulcani laevatehast peetakse üheks 19. sajandi lõpu ja 20. sajandi alguse Saksamaa üheks tehnoloogiliselt arenenuimaks laevatehaseks. 1851.aastal asutasid Hamburgi töösturid Franz Friedrich Dietrich Früchtenicht ja Franz Wilhelm Brock ühtse laevatehase, inseneriettevõtte ja valukoja Bredowis (alates 1900. aastast Stettini äärelinnaosa). Algusest peale oli neil kavas ehitada teraskerega aurulaevu, sellega oli tehas üks esimesi omataolisi Saksamaal. Kuni 1870. aastateni moodustasid põhiosa laevatehase toodangust väikese ja keskmise suurusega alused: seal ehitati puksiire, parvlaevu ning kuni 60 meetri pikkusi kauba- ja reisilaevu; samuti hakati ehitama sõjalaevu Saksamaa jaoks. Laevatehase esimene välisklient oli Hiina, kellele ehitati aastatel 1883 kuni 1887 viis soomuslaeva. See oli Saksa laevatööstuse suur läbimurre välisturul. Hiljem said Vulcani laevatehase klientideks veel Jaapan, Kreeka, Uruguay ja Venemaa. 20. sajandi algul hakkas laevatehas ehitama suuri ja keskmisi kauba- ja reisilaevu. Enamasti oli tegemist Saksa firmade tellimusega, kuid täideti ka välisriikide tellimusi. Laevatehase koostöö Venemaaga algas sõjalaevade ehitamisest 19. sajandil, hiljem importis Venemaa tehases valmistatud tehnosüsteeme -
The Soviet Union
10 9 11 12 Pirita Yacht Harbour 1. VIRU SQUARE 2. TOOMPEA CASTLE, OLD TOWN Estonian History Museum / Noblessner 8 Maarjamäe War Memorial 16 15 NEW! MUST SEE! Cruise Ship Terminal DOWN JACKETS, DUVETS 3. FREEDOM SQUARE 4. ESTONIAN NATIONAL OPERA 14 AND PILLOWS D-terminal, 7 BALTI JAAMA TURG 13 Port Of Tallinn 17 Baltic Station Market - Unique universal market Kadriorg Palace / 6 KUMU Art Museum 6. ART MUSEUM OF ESTONIA KUMU JOUTSEN SHOP&OUTLET Kaarli pst.1 – TALLINN 1 TOUR TAKES ABOUT 90 MINUTES! Next(Next toto ORANGERED LINE LINEstop numberstop number 3 - Freedom 3 - Freedom Square) Square 6. KADRIORG PALACE ENSEMBLE 7. SONG FESTIVAL GROUND 14 13 8. MAARJAMÄE WAR MEMORIAL 8. ESTONIAN HISTORY MUSEUM 9. TALLINN BOTANIC GARDEN 10. TV TOWER Kadriorg Palace / KUMU Art Museum 6 11. PIRITA CONVENT 12. PIRITA YACHT HARBOUR 16. NOBLESSNER 17. ESTONIAN MARITIME MUSEUM END - VIRU SQUARE most of Tallinn's hotels or online www.citytour.ee online or hotels Tallinn's of most ticket 1 bus stops bus 7 1 languages 0 1 in City Tour buses, buses, Tour City in AVAILABLE ARE PACKAGES MUSEUMS & BUS www.botaanikaaed.ee defending the Soviet Union. Soviet the defending fallen had This monument was erected to those who who those to erected was monument This Cafeteria open only weekends 11 a.m – 4 p.m 4 – a.m 11 weekends only open Cafeteria FREE CHILDREN 0-6 YEARS 0-6 CHILDREN FREE Greenhouses 11 a.m – 4 p.m 4 – a.m 11 Greenhouses 8 Outdoor gardens 11 a.m – 5 p.m 5 – a.m 11 gardens Outdoor 3 children children 3 Maarjamäe War Memorial War Maarjamäe Ticket oce 11 a.m – 4 p.m 4 – a.m 11 oce Ticket 80 EUR 80 90 EUR 90 2 parents and up to to up and parents 2 Tallinn Botanic Garden is open every day! every open is Garden Botanic Tallinn FAMILY TICKET FAMILY plant items. -
Eesti Kunstimuuseumi Toimetised Proceedings of the Art Museum of Estonia
4 [9] 2014 EESTI KUNSTIMUUSEUMI TOIMETISED PROCEEDINGS OF THE ART MUSEUM OF ESTONIA 4 [9] 2014 Naiskunstnik ja tema aeg A Woman Artist and Her Time 4 [9] 2014 EESTI KUNSTIMUUSEUMI TOIMETISED PROCEEDINGS OF THE ART MUSEUM OF ESTONIA Naiskunstnik ja tema aeg A Woman Artist and Her Time TALLINN 2014 Esikaanel: Lydia Mei (1896−1965). Natalie Mei portree. 1930. Akvarell. Eesti Kunstimuuseum On the cover: Lydia Mei (1896−1965). Portrait of Natalie Mei. 1930. Watercolour. Art Museum of Estonia Ajakirjas avaldatud artiklid on eelretsenseeritud. All articles published in the journal were peer-reviewed. Toimetuskolleegium / Editorial Board: Kristiāna Ābele, PhD (Läti Kunstiakadeemia Kunstiajaloo Instituut, Riia / Institute of Art History of Latvian Academy of Art, Riga) Natalja Bartels, PhD (Venemaa Kunstide Akadeemia Kunstiajaloo ja -teooria Instituut, Moskva / Research Institute of Theory and History of Arts of the Russian Academy of Arts, Moscow) Dorothee von Hellermann, PhD (Oxford) Irmeli Hautamäki, PhD (Helsingi Ülikool ja Jyväskylä Ülikool / University of Helsinki and University of Jyväskylä) Sirje Helme, PhD (Eesti Kunstimuuseum, Tallinn / Art Museum of Estonia, Tallinn) Ljudmila Markina, PhD (Riiklik Tretjakovi Galerii, Moskva / State Tretyakov Gallery, Moscow) Piotr Piotrovski, PhD (Adam Mickiewiczi Ülikool, Poznan / Adam Mickiewicz University, Poznan) Kadi Polli, MA (Tartu Ülikool / University of Tartu) Peatoimetaja / Editor-in-chief: Merike Kurisoo Koostaja / Compiler: Kersti Koll Toimetajad / Editors: Kersti Koll, Merike Kurisoo Keeletoimetaja -
Art and Beauty
Kadi Polli AUTUMN SCHOOL OF THE UNIVERSITY OF TARTU’S DEPARTMENT OF ART HISTORY: ART AND BEAUTY The traditional Autumn School of the University of Tartu’s Department of Art History was conducted on 16 and 17 October 2014 in cooperation with the Tartu University Art Museum and Tartu Art Museum, under the provocatively grand name of “Art and Beauty”. On the one hand, the objective of the undertaking was to introduce the development and modification of the concept of beauty in the history of aesthetics and art; and on the other hand, to examine the problematic relationship that contemporary art and theory has with beauty. Thus, the first day of the Autumn School was devoted to the classical tradi- tions of beauty and their peak at the turn of the 19th century, when the University of Tartu was reopened, its ensemble of buildings built and the art museum established. The topic of ideal masculine beauty in the classical art tradition was covered as a separate topic. In addition to the presentations, the interest of the Enlightenment in the human body and antique sculpture was associated with the art project created specially for the Autumn School by Jaanus Samma, a respected and well-known young Estonian artist. He made an “incursion” into the environment of the first day at the Autumn School – into the exposition at the University of Tartu Art Museum – and viewed the period of re-discovering of the antique era from his unique artist’s perspective. DOI: http://dx.doi.org/10.12697/BJAH.2014.8.06 Translation by Juta Ristsoo. -
Tallinn Guide Tallinn Guide Money
TALLINN GUIDE TALLINN GUIDE MONEY The Estonian currency is the euro = 100 cents. 4* hotel (average price/night) – €100 Essential Information Car-hire (medium-sized car/day) – €120 Money 3 The majority of larger restaurants, hotels and shops accept credit cards, but always have some Tipping Communication 4 Tallinn, the capital of Estonia and a seaport cash on you, especially for taxis and bus tickets. Tipping in Estonia is voluntary and tips are never with nearly 420,000 inhabitants, is a vibrant Smaller shops, some petrol stations and B&Bs included in the bill. You are not obliged to leave Holidays 5 city mixing old and new. Its charming histor- may not accept card payments, so always check a tip, but a common practise is to leave 10% in in advance. ATMs are scattered around the city Transportation 6 ical center is listed as a UNESCO World Her- restaurants if the service was satisfactory. itage Site, but Tallinn is also often referred to and it should never be a problem finding one. You Food 8 as the Silicon Valley of the Baltic Sea, rank- can exchange money at any bank or exchange of- ing as one of the top 10 digital cities in the fice. Try to avoid the exchange booths in the Old Events During The Year 9 world. On one hand, it is the birthplace of Town, the rates are not very good there. You can Skype and home to a big Ericsson production also just withdraw money from the ATM if you 10 Things to do plant for Europe; on the other hand, it is home want to save yourself trouble. -
Estonian Cultural Heritage. Preservation and Conservation Vol
VOL. 1 2005–2012 ESTONIAN CULTURAL HERITAGE PRESERVATION AND CONSERVATION CITYSCAPE / PUBLIC AND RESIDENTIAL BUILDINGS / CHURCHES / MANORS INDUSTRIAL HERITAGE / TECHNOLOGY / ARCHAEOLOGY INTERNATIONAL COOPERATION1 / MISCELLANY VOL. 1 2005–2012 ESTONIAN CULTURAL HERITAGE. PRESERVATION AND CONSERVATION AND CONSERVATION PRESERVATION HERITAGE. CULTURAL 1 ESTONIAN VOL. 2005–2012 Editors-in-chief: MARI LOIT, KAIS MATTEUS, ANNELI RANDLA ESTONIAN Editorial Board: BORIS DUBOVIK, LILIAN HANSAR, HILKKA HIIOP, MART KESKKÜLA, JUHAN KILUMETS, ILME MÄESALU, MARGIT PULK, CULTURAL HERITAGE TÕNU SEPP, OLEV SUUDER, KALEV UUSTALU, LEELE VÄLJA PRESERVATION AND CONSERVATION Translated by SYNTAX GROUP OÜ Graphic design and layout by TUULI AULE Published by NATIONAL HERITAGE BOARD, TALLINN CULTURE AND HERITAGE DEPARTMENT, DEPARTMENT OF CULTURAL HERITAGE AND CONSERVATION AT THE ESTONIAN ACADEMY OF ARTS Supported by THE COUNCIL OF GAMBLING TAX Front cover: The main stairway of the former Estländische adelige Credit-Kasse. Photo by Peeter Säre Fragment of the land use plan of the comprehensive plan of the old town of Narva 15 Seaplane hangars. Photo by Martin Siplane 29 Detail from a coat-of-arms epitaph in Tallinn Cathedral. Photo by the workshop for conserving the coats-of-arms collection of Tallinn Cathedral 65 Laupa Manor. Photo by Martin Siplane 93 Carpentry workshop of the Rotermann Quarter. 7 Rosen Str, Tallinn. Photo by Andrus Kõresaar 117 Lead sheet on the lantern at the façade of the Tallinn Great Guild Hall. Photo by Martin Siplane 133 13th c. merchant’s -
CONTEMPORARY ART from ESTONIA 28 June – 26 October 2018
CONTEMPORARY ART FROM ESTONIA 28 June – 26 October 2018 CONTEMPORARY ART FROM ESTONIA 28 June – 26 October 2018 Foreword Ardo Hansson Introduction Mario Draghi and Benoît Cœuré Thoughts on home Writing from Tallinn to Frankfurt Kati Ilves ContentsContents Foreword Katja Novitskova 38 Ardo Hansson 7 Kaido Ole 40 Kristina Õllek & Kert Viiart 42 Introduction Laura Põld 44 Mario Draghi and Benoît Cœuré 11 Taavi Suisalu 46 Sigrid Viir 48 Thoughts on home Writing from Tallinn to Frankfurt Biographies 51 Kati Ilves 15 Imprint 56 Contemporary art from Estonia Merike Estna 22 Flo Kasearu 24 Kristi Kongi 26 Paul Kuimet 28 Kris Lemsalu 30 Marko Mäetamm 32 Marge Monko 34 Krista Mölder 36 ForewordForeword The Republic of Estonia is celebrating its 100th anniversary this year, as the republic was first declared on 24 February 1918. Many different cultures and peoples have passed across the relatively small territory of our state during the centuries, and all have left their traces in some form or another. The twists of history are an eternal subject for artists and writers, and although our country is small in its population, it is great and rich in its art, literature and culture. These recount the story of our people and so help to tell it to the wider world. We are proud to be able to say that art in Estonia continues to develop in many ways. The range of exhibitions at home and the international efforts of Estonian artists and curators shape the contemporary face of Estonian art. It should also be noted that Estonia has had a national pavilion at the Venice Biennale since 1997, one of the great events of cultural affairs and the oldest and best- known of art exhibitions. -
JAANIKA ANDERSON Reception of Ancient
DISSERTATIONES JAANIKA ANDERSON JAANIKA STUDIORUM GRAECORUM ET LATINORUM UNIVERSITATIS TARTUENSIS 7 Reception of Ancient Art: the Cast Collections of the University of Tartu Art Museum of Ancient Art: of Tartu the Cast Collections of University Reception JAANIKA ANDERSON Reception of Ancient Art: the Cast Collections of the University of Tartu Art Museum in the Historical, Ideological and Academic Context of Europe (1803–1918) Tartu 2015 ISSN 1406-8192 ISBN 978-9949-32-768-3 DISSERTATIONES STUDIORUM GRAECORUM ET LATINORUM UNIVERSITATIS TARTUENSIS 7 DISSERTATIONES STUDIORUM GRAECORUM ET LATINORUM UNIVERSITATIS TARTUENSIS 7 JAANIKA ANDERSON Reception of Ancient Art: the Cast Collections of the University of Tartu Art Museum in the Historical, Ideological and Academic Context of Europe (1803–1918) Faculty of Philosophy, University of Tartu This dissertation was accepted for the commencement of the decree of Doctor of Philosophy (Classical Philology) on January 30, 2015 by the Committee of the College of Foreign Languages and Cultures of the University of Tartu. Supervisors: Kristi Viiding, Professor of Classical Philology, Department of Classical Philology, University of Tartu Epi Tohvri, Associate Professor, Department of Technology, Tartu College of Tallinn University of Technology Opponents: Prof. Dr. Lorenz Winkler-Horaček, curator, Institut für Klassische Archäologie der Freien Universität Berlin und Abguss-Sammlung Antiker Plastik, Berlin Dr. Aira Võsa, researcher, Tartu University Library Commencement: on March 20, 2015 at 12.15, in the Senate room of the Uni- versity of Tartu (Ülikooli 18). ISSN 1406-8192 ISBN 978-9949-32-768-3 (print) ISBN 978-9949-32-769-0 (pdf) Copyright: Jaanika Anderson, 2015 University of Tartu Press www.tyk.ee ACKNOWLEDGEMENTS I am very grateful to the people who have directly or indirectly contributed to the completion of this dissertation. -
Estonian Maritime Museum] Estonia Commission Vesilennuki 6 1916 Harju (State) 10415 Talinn Completion 1917
Rapporteur InnovaImage not foundConcrete or type unknown 2019 Fundación DOCOMOMO Ibérico [email protected] Image not found or type unknown Lennusadam | Eesti Meremuuseum [Estonian Maritime Museum] Estonia Commission Vesilennuki 6 1916 Harju (State) 10415 Talinn Completion 1917 Original name Lennusadam [Seaplane Harbour] Original use Current use Transportation and infrastructure/hangar Culture/leisure/tourism/museum Architects PLC Christiani & Nielse Engineers Herluf Forchhammer (chief engineer), Sven Schults, Knud Højgaard Concrete by reinforcement Reinforced concrete Construction method Architectural concrete Cast-in-place concrete, in-situ concrete Architectural concrete Structural types One-dimensional/concrete frame, Two- dimensional/shell structure Description The Estonian Maritime Museum is an institution with a long history in Tallinn. Its origins date back to 1920, when a group of sailors began to collect valuable nautical material. A century later, it is the most visited museum in the country and occupies several buildings, including the old hangar in Seaplane Harbor. This new use made it possible to recover one of the most important 20th- century buildings in the Baltic region in terms of constructive and technological relevance. Built between 1916 and 1917, these three hangars were pioneering designs in the introduction of concrete to the region. Because of their size, typology and, above all, their age, they are of international relevance in the development of construction technologies using reinforced concrete. The design consists of three very thin shells, only 12 cm thick, with a square floor plan of 40 meters per side, supported only by the corner pillars. Despite this enormous value, in 2009, the poor condition of the building meant that its integrity was at risk. -
Useful Information for Living in Tallinn/Estonia
1 1 USEFUL INFORMATION FOR LIVING IN TALLINN /ESTONIA 2 3 GENERAL INFORMATION .........................................................4 ✘ CLIMATE ...................................................................................................................... 5 ✘ HOLIDAYS AND CUSTOMS ................................................................................................. 5 ✘ ARRIVING & SETTLING IN .................................................................................................. 6 ✘ EMERGENCY SERVICES ..................................................................................................... 7 ✘ USEFUL INFORMATION SITES, NUMBERS & NEWSPAPERS .......................................................... 8 MEDICAL SERVICES & E MERGENCIES ........................................ 11 TRANSPORT & COMMUNI CATIONS .......................................... 16 ESTONIA WITH CHILDRE N ...................................................... 22 ✘SCHOOLS & PRE-SCHOOLS .............................................................................................. 22 ✘ WHERE TO GO WITH KIDS ............................................................................................... 23 TOUR IST INFORMATION ........................................................ 27 C U L T U R E & ENTERTAINMENT .................................................. 30 ✘ EVENT & PLACE INFORMATION ....................................................................................... 30 ✘ CULTURAL EVENTS MONTHLY ........................................................................................