Laughter in Johannes Magnus Nilsson, Astrid M. H

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Laughter in Johannes Magnus Nilsson, Astrid M. H. 2019 Document Version: Publisher's PDF, also known as Version of record Link to publication Citation for published version (APA): Nilsson, A. M. H. (2019). Laughter in Johannes Magnus. Abstract from Colloquium Balticum XVI Lundense: De Risu, Lund, Sweden. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Abstract Colloquium Balticum XVI Lundense, November 2018 Laughter in Johannes Magnus Astrid M. H. Nilsson, Lund A majority of Johannes Magnus’ greatest work, the Historia de omnibus Gothorum Sueonumque regibus, is taken up by biographies of good and daring Gothic kings and heroes and their chevaleresque exploits, as well as of evil tyrants and their villainous deeds. Little room is left for humourous comments and stories, or other features that amuse the reader (unless, of course, he or she finds the mere idea of a Gothic exodus from Sweden laughable). There are, however, a few occurrences of laughter in the work, and they will be discussed in this paper. I shall aim to answer the questions of why someone laughs, and to what effect, as well as delve into the question of why there is so little laughter in the work and what that tells us about portrayal in historiography. .

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