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James Kent Director
James Kent Director Agents Natasha Galloway Associate Agent Talia Tobias [email protected] + 44 (0) 20 3214 0860 Credits Film Production Company Notes THE AFTERMATH Scott Free/Fox Producers: Jack Arbuthnott, Ridley Scott, Malte 2019 Searchlight/BBC Films Grunert Starring: Keira Knightley, Alexander Skarsgard, Jason Clarke TESTAMENT OF Heyday Films Prods: Rosie Alison, David Heyman YOUTH Starring Alicia Vikander, Kit Harington, Taron 2014 Egerton, Emily Watson, Dominic West, Hayley Atwell and Miranda Richardson Documentaries Production Company Notes ONE STRANGE ROCK Nutopia Producer: Darren Aronofsky, Starring: Will Smith 2018 Television Production Company Notes THE CAPTURE II Heyday/BBC/NBC Lead Director. Producers: Rosie Alison, 2021 Kristian Dench, Ben Chanan. Starring: Holliday Grainger, Paapa Essiedu, Ron Perlman. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes MOTHER FATHER SON BBC Studios Lead director. 2019 Producers: Hilary Salmon, Lisa Osborne, Alan Poul, Sharon Bloom Starring: Richard Gere, Helen McCrory, Sarah Lancashire, Billy Howle SPARK ABC Pilot 2016 Prods: Ian Sander, Kim Moses Starring Lena Olin, Rege-Gene Page, Tracy Ifeachor AMERICAN CRIME II ABC Prods: John Ridley, Michael MacDonald 2015 Starring Felicity Huffman, Timothy Hutton Regina King 11/22/63 Bad Robot / Warner Prods: JJ Abrams, Bridget Carpenter 2015 Bros TV Starring: James Franco, Chris Cooper, Sarah Gadon THE THIRTEENTH TALE Heyday Films Director. 90min film for BBC2. 2013 Written by Christopher Hampton. Starring Vanessa Redgrave and Olivia Colman *Winner, C21 Media awards 'Best Miniseries'. THE WHITE QUEEN BBC/Starz Lead Director. -
Casting Announced for the Uk Premiere of the Realistic Joneses
PRESS RELEASE - Monday 16 December 2019 IMAGES CAN BE DOWNLOADED here Twitter/ Facebook / website CASTING ANNOUNCED FOR THE UK PREMIERE OF THE REALISTIC JONESES ▪ WILL ENO’S AWARD-WINNING THE REALISTIC JONESES, CITED IN NUMEROUS BEST PLAY LISTS FOLLOWING ITS BROADWAY PREMIERE, WILL BE STAGED AT THEATRE ROYAL BATH’S USTINOV STUDIO FOR SPRING 2020 ▪ FULL CAST INCLUDES COREY JOHNSON, SHARON SMALL, JACK LASKEY AND CLARE FOSTER ▪ THE REALISTIC JONESES WILL RUN FROM 6 FEBRUARY TO 7 MARCH 2020 AND IS DIRECTED BY SIMON EVANS Theatre Royal Bath Productions has today announced casting for the UK premiere of Will Eno’s Drama Desk Award winning play The Realistic Joneses which will be staged in the Ustinov Studio from Thursday 6 February to Saturday 7 March 2020 with opening night for press on Wednesday 12 February 2020. The full cast includes Corey Johnson as Bob, Sharon Small as Jennifer, Jack Laskey as John and Clare Foster as Pony. The production is directed by Simon Evans. The Realistic Joneses is a hilarious, quirky and touching portrait of marriage, life and squirrels, by American playwright Will Eno. Seen on Broadway in 2014, the play received a Drama Desk Special Award, was named one of the ‘25 best American plays since Angels in America’ by the New York Times, Best Play on Broadway by USA Today and best American play of 2014 by the Guardian. In a suburban backyard, one bucolic evening, Bob and Jennifer Jones and their new neighbours John and Pony Jones find they have more in common than their identical homes and last name. -
Competition Issues in the UK TV Advertising Trading Mechanism
Redacted version for publication Competition issues in the UK TV advertising trading mechanism ITV plc response to Ofcom Consultation of 10 June 2011 REDACTED VERSION FOR PUBLICATION REDACTIONS ARE MARKED BY A [] SYMBOL 3 August 2011 508948521 CONTENTS EXECUTIVE SUMMARY 1 1. Introduction 1 2. Industry Background 1 3. No reasonable grounds for reference 2 4. Discretion not to refer 6 PART A - NO REASONABLE GROUNDS FOR SUSPECTING COMPETITIVE HARM 9 5. The market for TV advertising cannot be viewed in isolation 9 6. The TV advertising market is highly competitive 18 7. No evidence of harm to advertisers 21 8. No evidence of harm to consumers – as viewers 25 9. No evidence of harm to consumers – as purchasers of advertised goods 28 10. The current trading model 30 11. International comparison 40 PART B - OFCOM SHOULD IN ANY EVENT EXERCISE DISCRETION NOT TO REFER 46 12. Ofcom discretion 46 13. Scale of the problem 47 14. No reasonable chance that remedies will be available 48 15. Prolonged uncertainty 52 16. Disproportionate impact on advertising funded broadcasters 53 17. Timing is wholly inappropriate – market is changing anyway 56 18. Conclusions 61 Annex A – Cross reference table to responses to Ofcom questions 63 Annex B – The Growth of Digital Marketing 65 1. Introduction 65 2. Technological changes 66 3. Key features of consumer usage of online and mobile technology and information services 70 4. Key implications of these changes 76 Annex C – The Markets for Viewers and Content 84 1. The UK market for viewers is highly competitive 84 2. Viewers particularly value original UK TV content 85 3. -
BIO - October 2015
THE PROCLAIMERS - BIO - October 2015 April 2015 saw the release of The Proclaimers 10th studio album ‘Let’s Hear it For The Dogs’ (Cooking Vinyl) produced by Dave Eringa (Manic Street Preachers, Wilko Johnson & Roger Daltrey, Idlewild, The Who). The Proclaimers then returned to the road, touring throughout the UK from May through to December with a mammoth run of 70 shows, playing to over 270,000 people. Festivals included Wychwood, T In The Park, Glastonbury, Cambridge Folk Festival, Carfest North, Belladrum, Cropredy, V Festivals and Jersey Live. October sees them embark on their main major city 35-date UK & Ireland tour. Live plan’s for 2016 include tours of Australia/New Zealand, Europe, USA and Canada. April 2013 saw The Proclaimers out on a three week USA acoustic tour before joining up with their live band for a host of UK festivals and concerts over the summer. The Proclaimers final concert this year saw them become the first Scottish band to play at the newly opened Hydro Arena in Glasgow in early October. July saw the release of a thirty-track compilation selected by Craig and Charlie from their 9 studio albums to date. ‘The Very Best of The Proclaimers’ (25 Years - 1987 to 2012). Following on from the theatre success of the musical drama featuring songs by The Proclaimers ‘Sunshine On Leith’, the movie version had its UK release in October (Entertainment Film Distributors) and was hugely popular, opening at number 3, moving up to 2 in it’s second and spending another month in the top ten, generating over £4.8 million at the UK Box office. -
Kurt Weill Newsletter SPRING 2016
VOLUME 34 NUMBER 1 Kurt Weill Newsletter SPRING 2016 FEATURES Not Your Grandfather’s Threepenny Opera at the National Theatre Lost in the Stars at Washington National Opera IN THIS ISSUE VOLUME 34 Kurt Weill Newsletter NUMBER 1 3 In the Wings - Upcoming Performances SPRING 2016 Editor’s Note NEH Awards Grant for Weill Concert Series ISSN 0899-6407 FEATURES © 2016 Kurt Weill Foundation for Music 7 East 20th Street 4 Not Your Grandfather’s Threepenny Opera New York, NY 10003-1106 A Daring New Production at the National tel (212) 505-5240 fax (212) 353-9663 9 Sponsorship for Weill Festival in Twin Cities Published twice a year, the Kurt Weill Newsletter features articles and reviews REVIEWS (books, performances, recordings) that center on Kurt Weill but take a broader Performances look at issues of twentieth-century music and theater. With a print run of 5,000 copies, the Newsletter is distributed worldwide. Subscriptions are free. The editor 10 Lost in the Stars welcomes the submission of articles, reviews, and news items for inclusion in Washington National Opera future issues. Susan Galbraith A variety of opinions are expressed in the Newsletter; they do not necessarily represent the publisher’s official viewpoint. Letters to the editor are welcome 11 Lessons from a Fellowship ([email protected]). Adam Turner Staff 12 Die Dreigroschenoper Theater an der Wien Dave Stein, Editor Norbert Mayer Elizabeth Blaufox, Staff Writer Veronica Chaffin, Production 13 L’opera da tre soldi Natasha Nelson, Editorial Assistant; Production and Circulation Piccolo Teatro Strehler Stephen Hastings Kurt Weill Foundation Trustees André Bishop 14 Symphony No. -
Transforming ITV ITV Plc Report and Accounts 2010 117
ITV plc ITV 2010 accounts and Report ITV plc The London Television Centre Upper Ground London SE1 9LT www.itv.com investors: www.itvplc.com Transforming ITV ITV plc Report and accounts 2010 117 Financial record 2010 2009 2008 2007 2006 ITV today Broadcasting & Online ITV Studios £m £m £m £m £m ITV is the largest commercial ITV content is funded by advertising and ITV Studios comprises ITV’s UK production Results Revenue 2,064 1,879 2,029 2,082 2,181 television network in the UK. sponsorship revenues as well as viewer operations, ITV’s international production competitions and voting. ITV1 is the largest companies and ITV Studios Global Earnings before interest, tax and amortisation (EBITA) before exceptional items 408 202 211 311 375 It operates a family of channels commercial channel in the UK. It attracts Entertainment. Amortisation of intangible assets (63) (59) (66) (56) (56) including ITV1, and delivers the largest audience of any UK commercial ITV Studios produces programming for Impairment of intangible assets – – (2,695) (28) (20) broadcaster and has the greatest share of content across multiple platforms ITV’s own channels and for other UK and Share of profits or (losses) of joint ventures and associated undertakings (3) (7) (15) 2 8 the UK television advertising market at via itv.com and ITV Player. international broadcasters. 45.1%. ITV’s digital channels continue to Investment income – – 1 1 3 ITV Studios produces and sells grow their audiences and most recently A wide range of programme genres are Exceptional items 19 (20) (108) (9) 4 programmes and formats in saw the launch of high definition (HD) produced, including: drama, soaps, Profit/(loss) before interest and tax 361 116 (2,672) 221 314 the UK and worldwide. -
1 2 June 2016 an Unrivalled Season This Summer and Autumn at The
2 June 2016 An unrivalled season this summer and autumn at the National Theatre Amadeus by Peter Shaffer with Lucian Msamati as Salieri The Red Barn, a new play by David Hare Stuff Happens, a rehearsed reading of David Hare's landmark play, staged to coincide with the publication of the Chilcot report Peter Pan, a Bristol Old Vic co-production directed by Sally Cookson with Sophie Thompson as Captain Hook/Mrs Darling and Paul Hilton as Peter Our Ladies of Perpetual Succour, a National Theatre of Scotland and Live Theatre co-production A Pacifist’s Guide to the War on Cancer, a Complicite Associates co-production with the National Theatre, in association with HOME Manchester River Stage, the National Theatre’s outdoor arts and music festival, returns to present a host of free weekend entertainment from 29 July to 29 August. The festival hosts takeover weekends from Latitude Festival, Rambert Dance Company, Bristol’s Mayfest, East London’s The Glory and the NT. Each weekend will stage the very best in live music, dance, performance, DJs and family workshops Connections 21, celebrating 21 years of the world’s largest youth arts festival. This autumn, Peter Shaffer’s classic play Amadeus makes a long-awaited return to the National after 37 years. Wolfgang Amadeus Mozart is a rowdy young prodigy who arrives in Vienna determined to make a splash. Awestruck by his genius, Court Composer Antonio Salieri has the power to promote his talent or destroy it. Seized by obsessive jealousy he begins a war with Mozart, with music and, ultimately, with God. -
MEMO: Licensing Unit
APPENDIX B MEMO: Licensing Unit To Licensing Unit Date 22 April 2019 Copies From Jayne Tear Telephon 020 7525 0396 Fax e Email [email protected] Subject Re: Mountview Academy of Theatre Arts, 120 Peckham Hill Street, London SE15 5JT - Application for a premises licence I write with regards to the above application for the grant of a premises licence submitted by Mountview Academy of Theatre Arts Ltd under the Licensing Act 2003 which seeks the following licensable activities: • Late night refreshment (indoors ) on Sunday to Thursday from 23:00 to 00:00 and on Friday and Saturday from 23:00 to 01:00 the following day • The supply of alcohol (on and off the premises) on Sunday to Thursday from 10:00 to 00:00 and on Friday and Saturday from 10:00 to 01:00 the following day • Overall opening times shall be on to Monday to Thursday from 10:00 to 00:30 the following day; Friday and Saturday from 10:00 to 01:30 the following day and on Sunday from 10:30 to 00:30 the following day The premises is described as a ‘the application is Mountview Academy of Theatre Arts, which is an independent drama school situated on the border of the Peckham Cumulative impact Area. The application relates to a proposed food and beverage facility at rooftop level on the fourth floor of the drama school building’ My representation is based on the Southwark Statement of Licensing policy 2016 – 2020 and relates to the licensing objectives for the prevention of crime and disorder and the prevention of public nuisance This premises is situated in Peckham Major Town Centre Area and under the Southwark Statement of Licensing policy 2016 - 2020 the appropriate closing times are as follows: • Restaurants and cafes on Sunday to Thursday is 00:00 hours and for Friday and Saturday is 01:00 hours • Public houses, wine bars or other drinking establishments on Sunday to Thursday is 23:00 hours and for Friday and Saturday 00:00 hours. -
Prospectus 2021/22 We Welcome: All Races All Religions All Nationalities All Sexual Orientations All Genders All Abilities All Age Groups We Stand with You, Welcome
PROSPECTUS 2021/22 WE WELCOME: ALL RACES ALL RELIGIONS ALL NATIONALITIES ALL SEXUAL ORIENTATIONS ALL GENDERS ALL ABILITIES ALL AGE GROUPS WE STAND WITH YOU, WELCOME YOU ARE WELCOME HERE As President of Mountview it gives me real pleasure to introduce you to this fine drama school which enjoys a IN OUR COMMUNITY. worldwide reputation for excellence. This is the first step on your stimulating journey to entering a complex and exciting industry. Of course there is no easy route to success and there can be no guarantees, but professional training will prepare you for the start of what I hope will be a long, fulfilling and fruitful career. If you come to Mountview you will attend a world-class Mountview Academy of Theatre Arts drama school where the staff is dedicated to helping 120 Peckham Hill Street, London SE15 5JT you get the very best out of your training no matter 020 8881 2201 · [email protected] · mountview.org.uk your background. This prospectus beautifully details the courses available to you whether you want to train for performance or the production arts. With very best wishes, DAME JUDI DENCH CH, DBE President Mountview is amazing. To succeed in this industry you need talent, dedication and a broad range of skills. You CONTENTS We think it’s one of the best places you could need to learn to be adaptable and prepared possibly train if you want to work in theatre – for anything. whether it’s onstage or backstage. A diverse and detailed training is vital and at Mountview’s staff is a group of passionate Mountview you will benefit from experienced specialists with years of professional and inspiring teachers as well as from regular experience who are committed to making sure visits by working professionals. -
Theater in England Syllabus 2010
English 252: Theatre in England 2010-2011 * [Optional events — seen by some] Monday December 27 *2:00 p.m. Sleeping Beauty. Dir. Fenton Gay. Sponsored by Robinsons. Cast: Brian Blessed (Star billing), Sophie Isaacs (Beauty), Jon Robyn (Prince), Tim Vine (Joker). Richmond Theatre *7:30 p.m. Mike Kenny. The Railway Children (2010). Dir. Damian Cruden. Music by Christopher Madin. Sound: Craig Veer. Lighting: Richard G. Jones. Design: Joanna Scotcher. Based on E. Nesbit’s popular novel of 1906, adapted by Mike Kenny. A York Theatre Royal Production, first performed in the York th National Railway Museum. [Staged to coincide with the 40 anniversary of the 1970 film of the same name, dir. Lionel Jefferies, starring Dinah Sheridan, Bernard Cribbins, and Jenny Agutter.] Cast: Caroline Harker (Mother), Marshall Lancaster (Mr Perks, railway porter), David Baron (Old Gentleman/ Policeman), Nicholas Bishop (Peter), Louisa Clein (Phyllis), Elizabeth Keates Mrs. Perks/Between Maid), Steven Kynman (Jim, the District Superintendent), Roger May (Father/Doctor/Rail man), Blair Plant(Mr. Szchepansky/Butler/ Policeman), Amanda Prior Mrs. Viney/Cook), Sarah Quintrell (Roberta), Grace Rowe (Walking Cover), Matt Rattle (Walking Cover). [The production transforms the platforms and disused railway track to tell the story of Bobby, Peter, and Phyllis, three children whose lives change dramatically when their father is mysteriously taken away. They move from London to a cottage in rural Yorkshire where they befriend the local railway porter and embark on a magical journey of discovery, friendship, and adventure. The show is given a touch of pizzazz with the use of a period stream train borrowed from the National Railway Museum and the Gentlemen’s saloon carriage from the famous film adaptation.] Waterloo Station Theatre (Eurostar Terminal) Tuesday December 28 *1:45 p.m. -
Gareth Roberts
Gareth Roberts Agent Katie Haines ([email protected]) Television: THE LIBRARIANS (Electric Entertainment/TNT) Series 3 JEKYLL & HYDE (ITV) Series 1, Episode 9 GERVASE FEN (BBC) FAMOUS FIVE (Kindle Entertainment Limited) Bible and Pilot Script ALIENS VS WIZARDS (CBBC) 2012 2 x 30' SARAH JANE ADVENTURES (BBC Wales) Series V 4 x 30' 2011 Series IV 1x60' Special, 2x30' 2010 Series III 4x30' 2009 Series 1 4x30’ Episodes & Series II 4x30' Episodes 2007/8 Pilot Episode 45’ (co-written with Russell T Davies) 2006 BBC Wales DR WHO Series V, 2 Episodes 2010 Easter Specia TX 09l 2008 Series IV, 1 Episode 2007 Series III, 1 Episode 2006 THE MINISTRY 2008-09 (Red Planet/BBC) Series Bible & Script Commission Co-created with Tony Jordan & Stephen Greenhorn THE BORROWERS 2008 (Big Tree Productions / BBC) Series Treatment BRIEF FOR MURDER 2006 Treatment and Pilot for Original Series (60’) Granada Manchester Co-written with Rebecca Levene TORCHWOOD Mobisodes (BBC Interactive) 2005 DR WHO Tardisodes: Attack of The Graske 2005 Nominated for Bafta Cymru Craft Awards SWINGING 2005 Sketches Monkey Kingdom/Five Co-written with Rebecca Levene MINISTRY OF TIME (BBC Comedy) 2004 Original Pilot Co-written with Mark Gatis THREADS (Tiger Aspect Productions) 2004 Original Pilot & Episode 2 Script Co-written with Rebecca Levene SWISS TONI (Tiger Aspect / BBC) 2004 Series II, 2 Episodes Series II, 1 Episode and Series Storylining 2002 WHAT WAS ALL THAT ABOUT (BBC Comedy & BBC Radio) 2003 Original Pilots RANDALL & HOPKIRK (DECEASED) 2001 Series I, 2 Episodes Co-written with Charlie Higson BROOKSIDE (Mersey Television / Channel 4) 1999-2000 EMMERDALE (YTV/ITV) 1999 Theatre: DOCTOR WHO LIVE TOUR (BBC Worldwide) 2010 UK Arena Tour, October – November Venues include London Wembley Arena, Manchester Evening News Arena and Glasgow SECC Books: DOCTOR WHO: SHADA Novelisation of Script by Douglas Adams BBC Books / Random House Group Limited Gareth has also worked as a Story Editor and Script Editor on EMMERDALE and as a Storyline Writer on CORONATION STREET and Granada’s SPRINGHILL. -
Annual Report 2010–2011 Annual Report 2010–2011 ‘…The National Theatre Must… Bulk Large in the Social and Intellectual Life of London
National Theatre Theatre National Annual Report 2010–2011 Report Annual Annual Report 2010–2011 ‘…theNationalTheatremust…bulklargeinthesocial andintellectuallifeofLondon...Itmustnotevenhave theairofappealingtoaspeciallyliteraryandculturedclass. Itmustbevisiblyandunmistakablyapopularinstitution, makingalargeappealtothewholecommunity. ItwillbeseenthattheTheatreweproposewouldbe aNationalTheatreinthissense,thatitwouldbefrom thefirstconditionally–and,intheeventofsuccess, wouldbecomeabsolutely–thepropertyofthenation.’ Preface(1904)to A National Theatre: Scheme and Estimates byWilliamArcherandHarleyGranvilleBarker,London1907 ‘It’sagreattimetobeanationaltheatre,andtorisetothe challengeoflivinguptoourname.Wewanttotellthestories thatchartthewaythenationischanging.Wewanttobring front-linereportsfromnewcommunitiesandgenerations, andwewanttoseethepresentredefinedinthecontext ofthepast.’ NicholasHytner,DirectoroftheNationalTheatre,2010 Annual Report For the 52 weeks ended 27 March 2011 03 Board and Advisers 05 Purpose, Vision and Objectives 06 John Makinson, Chairman 09 Nicholas Hytner, Director 10 Introduction 12 National Theatre Future 16 Artistic Review 19 National Theatre Productions 2010–11 23 Awards 24 NT Studio 26 Audiences 29 National Theatre Live 30 Public Engagement 34 NT Learning 38 Digital Innovation 41 Leadership 42 Sustainability 44 Development and Fundraising 46 Supporters 2010-11 56 Performers 2010-11 59 NT Associates and Committee Membership 60 NT Heads of Department; photograph captions In this document, The Royal National Theatre