Gareth Roberts

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Gareth Roberts Agent Katie Haines ([email protected]) Television: THE LIBRARIANS (Electric Entertainment/TNT) Series 3 JEKYLL & HYDE (ITV) Series 1, Episode 9 GERVASE FEN (BBC) FAMOUS FIVE (Kindle Entertainment Limited) Bible and Pilot Script ALIENS VS WIZARDS (CBBC) 2012 2 x 30' SARAH JANE ADVENTURES (BBC Wales) Series V 4 x 30' 2011 Series IV 1x60' Special, 2x30' 2010 Series III 4x30' 2009 Series 1 4x30’ Episodes & Series II 4x30' Episodes 2007/8 Pilot Episode 45’ (co-written with Russell T Davies) 2006 BBC Wales DR WHO Series V, 2 Episodes 2010 Easter Specia TX 09l 2008 Series IV, 1 Episode 2007 Series III, 1 Episode 2006 THE MINISTRY 2008-09 (Red Planet/BBC) Series Bible & Script Commission Co-created with Tony Jordan & Stephen Greenhorn THE BORROWERS 2008 (Big Tree Productions / BBC) Series Treatment BRIEF FOR MURDER 2006 Treatment and Pilot for Original Series (60’) Granada Manchester Co-written with Rebecca Levene TORCHWOOD Mobisodes (BBC Interactive) 2005 DR WHO Tardisodes: Attack of The Graske 2005 Nominated for Bafta Cymru Craft Awards SWINGING 2005 Sketches Monkey Kingdom/Five Co-written with Rebecca Levene MINISTRY OF TIME (BBC Comedy) 2004 Original Pilot Co-written with Mark Gatis THREADS (Tiger Aspect Productions) 2004 Original Pilot & Episode 2 Script Co-written with Rebecca Levene SWISS TONI (Tiger Aspect / BBC) 2004 Series II, 2 Episodes Series II, 1 Episode and Series Storylining 2002 WHAT WAS ALL THAT ABOUT (BBC Comedy & BBC Radio) 2003 Original Pilots RANDALL & HOPKIRK (DECEASED) 2001 Series I, 2 Episodes Co-written with Charlie Higson BROOKSIDE (Mersey Television / Channel 4) 1999-2000 EMMERDALE (YTV/ITV) 1999 Theatre: DOCTOR WHO LIVE TOUR (BBC Worldwide) 2010 UK Arena Tour, October – November Venues include London Wembley Arena, Manchester Evening News Arena and Glasgow SECC Books: DOCTOR WHO: SHADA Novelisation of Script by Douglas Adams BBC Books / Random House Group Limited Gareth has also worked as a Story Editor and Script Editor on EMMERDALE and as a Storyline Writer on CORONATION STREET and Granada’s SPRINGHILL. He has written several novels for Virgin Publishing, including seven original DR WHO novels, as well as novelising two Scripts from Granada’s TV Series CRACKER. © Copyright The Agency (London) Ltd. 2016 Not to be reproduced in any form without permission of the Copyright holder. .

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Doctor Who 4 Ep.18.GOLD.SCW
DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated.
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Tom Baker Is Back As the Doctor for the Romance of Crime and the English Way of Death
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“My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
“My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4.
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A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr.
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Doctor Who “ Season 2, Episode12-13, “Army of Ghosts” “Doomsday” DOCTOR: You, You've Heard of Me, Then? (你們聽說
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DOCTOR WHO: ONLY HUMAN Online
O4sCc [Mobile book] DOCTOR WHO: ONLY HUMAN Online [O4sCc.ebook] DOCTOR WHO: ONLY HUMAN Pdf Free Gareth Roberts audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #416594 in Books imusti 2013-06-18 2013-04-23Original language:EnglishPDF # 1 7.70 x .80 x 5.00l, .52 #File Name: 1849905193240 pagesBBC Books | File size: 57.Mb Gareth Roberts : DOCTOR WHO: ONLY HUMAN before purchasing it in order to gage whether or not it would be worth my time, and all praised DOCTOR WHO: ONLY HUMAN: 0 of 0 people found the following review helpful. Das the TravelerBy SpikeLoverAt a dress-up party, one guest is a REAL Neanderthal. How he got to twenty first century England is a puzzle. Unfortunately, the time machine that brought him to our time was not so hot and so he couldn't go back (way back) home because he would die on the way. What good luck that Captain Jack was available to tutor Das in the ways of the modern world! He didn't volunteer for the job, but it turned out well. Das began looking for a mate nearly as soon as he learned English. The Doctor and Rose went into the past and met incredibly weird group of "researchers". They will do ANYTHING their leader tells them, even go into a cave where a large monster eats them one per day. The primitive Humans and the Neanderthals live close to each other. Rose gets engaged to one the natives and later loses her head in a literal sense.
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Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
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Five Goes Mad in Stockbridge Fifth Doctor Peter Davison Chats About the New Season
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Liverpool-Village-Walking-Tour-II
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Doctor Who and the Creation of a Non-Gendered Hero Archetype
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Digital Booklet
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