DOCTOR WHO: ONLY HUMAN Online
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Tom Baker Is Back As the Doctor for the Romance of Crime and the English Way of Death
WWW.BIGFINISH.COM • NEW AUDIO ADVENTURES GO FOURTH! TOM BAKER IS BACK AS THE DOCTOR FOR THE ROMANCE OF CRIME AND THE ENGLISH WAY OF DEATH ISSUE 71 • JANUARY 2015 WELCOME TO BIG FINISH! We love stories and we make great full-cast audio dramas and audiobooks you can buy on CD and/or download Big Finish… Subscribers get more We love stories. at bigfinish.com! Our audio productions are based on much- If you subscribe, depending on the range you loved TV series like Doctor Who, Dark subscribe to, you get free audiobooks, PDFs Shadows, Blake’s 7, The Avengers and of scripts, extra behind-the-scenes material, a Survivors as well as classic characters such as bonus release, downloadable audio readings of Sherlock Holmes, The Phantom of the Opera new short stories and discounts. and Dorian Gray, plus original creations such as Graceless and The Adventures of Bernice www.bigfinish.com Summerfield. You can access a video guide to the site at We publish a growing number of books (non- www.bigfinish.com/news/v/website-guide-1 fiction, novels and short stories) from new and established authors. WWW.BIGFINISH.COM @BIGFINISH /THEBIGFINISH VORTEX MAGAZINE PAGE 3 Sneak Previews & Whispers Editorial HEN PLANNING ahead for this month’s issue of W Vortex, David Richardson suggested that I might speak to Tom Baker, to preview his new season of adventures, and the Gareth Roberts novel adaptations. That was one of those moments when excitement and fear hit me in equal measure. I mean, this is Tom Baker! TOM BAKER! I was born 11 days after he made his first appearance in Planet of the Spiders, so growing up, he was my Doctor. -
Doctor Who: Shada: the Lost Adventure by Douglas Adams, by Gareth Roberts, Ace, 2012
Butler University Digital Commons @ Butler University LAS Faculty Book Reviews College of Liberal Arts & Sciences 11-1-2012 Doctor Who: Shada: The Lost Adventure by Douglas Adams, by Gareth Roberts, Ace, 2012 James McGrath Butler University, [email protected] Follow this and additional works at: https://digitalcommons.butler.edu/las_bookreviews Recommended Citation McGrath, James, "Doctor Who: Shada: The Lost Adventure by Douglas Adams, by Gareth Roberts, Ace, 2012" (2012). LAS Faculty Book Reviews. 120. https://digitalcommons.butler.edu/las_bookreviews/120 This Book Review is brought to you for free and open access by the College of Liberal Arts & Sciences at Digital Commons @ Butler University. It has been accepted for inclusion in LAS Faculty Book Reviews by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. Because Ideas Matter... The faculty and staff of Butler University's College of Liberal Arts and Sciences presents Recommended Readings Doctor Who: Shada: The Lost Adventure by Douglas Adams by Gareth Roberts, Ace 2012 Reviewed by James F. McGrath I recently finished reading Doctor Who: Shada: The Lost Adventure by Douglas Adams, completed as a novel by Gareth Roberts. The novel has all the comedy you would expect from a Doctor Who episode written by Adams and starring Tom Baker. For those who may not be familiar with it, the Doctor Who episode Shada was partially filmed in 1979 when a strike brought production to a halt, so that it was never completed and thus never aired. The book's opening paragraph indicates a "theological" theme in the book which is just what one might expect from Adams: "At the age of five, Skagra decided emphatically that God did not exist. -
Genesys John Peel 78339 221 2 2 Timewyrm: Exodus Terrance Dicks
Sheet1 No. Title Author Words Pages 1 1 Timewyrm: Genesys John Peel 78,339 221 2 2 Timewyrm: Exodus Terrance Dicks 65,011 183 3 3 Timewyrm: Apocalypse Nigel Robinson 54,112 152 4 4 Timewyrm: Revelation Paul Cornell 72,183 203 5 5 Cat's Cradle: Time's Crucible Marc Platt 90,219 254 6 6 Cat's Cradle: Warhead Andrew Cartmel 93,593 264 7 7 Cat's Cradle: Witch Mark Andrew Hunt 90,112 254 8 8 Nightshade Mark Gatiss 74,171 209 9 9 Love and War Paul Cornell 79,394 224 10 10 Transit Ben Aaronovitch 87,742 247 11 11 The Highest Science Gareth Roberts 82,963 234 12 12 The Pit Neil Penswick 79,502 224 13 13 Deceit Peter Darvill-Evans 97,873 276 14 14 Lucifer Rising Jim Mortimore and Andy Lane 95,067 268 15 15 White Darkness David A McIntee 76,731 216 16 16 Shadowmind Christopher Bulis 83,986 237 17 17 Birthright Nigel Robinson 59,857 169 18 18 Iceberg David Banks 81,917 231 19 19 Blood Heat Jim Mortimore 95,248 268 20 20 The Dimension Riders Daniel Blythe 72,411 204 21 21 The Left-Handed Hummingbird Kate Orman 78,964 222 22 22 Conundrum Steve Lyons 81,074 228 23 23 No Future Paul Cornell 82,862 233 24 24 Tragedy Day Gareth Roberts 89,322 252 25 25 Legacy Gary Russell 92,770 261 26 26 Theatre of War Justin Richards 95,644 269 27 27 All-Consuming Fire Andy Lane 91,827 259 28 28 Blood Harvest Terrance Dicks 84,660 238 29 29 Strange England Simon Messingham 87,007 245 30 30 First Frontier David A McIntee 89,802 253 31 31 St Anthony's Fire Mark Gatiss 77,709 219 32 32 Falls the Shadow Daniel O'Mahony 109,402 308 33 33 Parasite Jim Mortimore 95,844 270 -
Doctor Who: Only Human
Only Human by Gareth Roberts Somebody’s interfering with time. The Doctor, Rose and Captain Jack arrive on modern‐day Earth to find the culprit – and discover a Neanderthal Man, twenty‐eight thousand years after his race became extinct. Only a trip back to the primeval dawn of humanity can solve the mystery. Who are the mysterious humans from the distant future now living in that distant past? What hideous monsters are trying to escape from behind the Grey Door? Is Rose going to end up married to a caveman? Caught between three very different types of human being – past, present and future – the Doctor, Rose and Captain Jack must learn the truth behind the Osterberg experiment before the monstrous Hy‐Bractors escape to change humanity’s history forever… Featuring the Doctor, Rose and Captain Jack as played by Christopher Eccleston, Billie Piper and John Barrowman in the hit series from BBC Television. Prologue One Two Three Four Five Six Seven Eight Nine Ten Eleven Twelve Thirteen Fourteen Acknowledgements About the Author For Clayton, as usual, and for Da My Weekend by Chantal Osterberg (aged 7) 2 October ad 438,533 On Saturday, our cat Dusty was giving the whole family too many wrong‐feelings. She weed on the upholstery again. It’s nice to have pets to stroke, and we do love Dusty, but she has been too naughty recently. She gets in the way. Later a man over the road triped over her and broke his leg. That was inconvenient and the man needed a health‐patch. That was when I took a long look at Dusty and decided she was very inefficient. -
Sophie Francis Jones Company / Organisation / Freelance Status
Name: Sophie Francis Jones Company / Organisation / Freelance status: Freelance I work in... Television Given my experience, I would be able to assist BAFTA Cymru with... - Operations and Governance - Income generation - Partnership development - Reaching new members - Learning and Events strategy Personal Statement I can bring to BAFTA my 20 years experience at all levels in the television industry in Wales, making drama for both network and local audiences. I have shown commitment to producing quality popular programming and I’d like to work with BAFTA in order to keep the organisation and the industry relevant to its audiences and to ensure that quality and integrity remain at the fore. CV Post Production and Development Producer, including the setting up of production arm Ffilmworks. This autumn Ffilmworks has produced our first commissioned project, a 15’ drama for S4C and the European Broadcast Union entitled “DAD”. 2011 - 2013 – BBC Continuing Drama Series Script Producer CASUALTY Series Producer: Nikki Wilson; Executive Producers: Johnathan Young, Oliver Kent 2008 - 2011 – Fiction Factory Ltd Series Producer GWAITH/CARTREF (HOMEWORK), 10 x 60’ drama series for S4C, series 1 and 2. I devised this series from scratch with writer Roger Williams. It is now in its 4th series. Executive Producer PERFECT SUMMER, 1 x 30’ drama for BBC Wales (nominated in the category of Best Youth Programme at this year’s BAFTA CYMRU Awards) Freelance Development Producer WAY OUT WEST, with Boomerang Ltd. One 30’ script and story bible of this 10 x 30’ -
Doctor Who Assistants
COMPANIONS FIFTY YEARS OF DOCTOR WHO ASSISTANTS An unofficial non-fiction reference book based on the BBC television programme Doctor Who Andy Frankham-Allen CANDY JAR BOOKS . CARDIFF A Chaloner & Russell Company 2013 The right of Andy Frankham-Allen to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Copyright © Andy Frankham-Allen 2013 Additional material: Richard Kelly Editor: Shaun Russell Assistant Editors: Hayley Cox & Justin Chaloner Doctor Who is © British Broadcasting Corporation, 1963, 2013. Published by Candy Jar Books 113-116 Bute Street, Cardiff Bay, CF10 5EQ www.candyjarbooks.co.uk A catalogue record of this book is available from the British Library All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder. This book is sold subject to the condition that it shall not by way of trade or otherwise be circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published. Dedicated to the memory of... Jacqueline Hill Adrienne Hill Michael Craze Caroline John Elisabeth Sladen Mary Tamm and Nicholas Courtney Companions forever gone, but always remembered. ‘I only take the best.’ The Doctor (The Long Game) Foreword hen I was very young I fell in love with Doctor Who – it Wwas a series that ‘spoke’ to me unlike anything else I had ever seen. -
Gareth Roberts
Gareth Roberts Agent Katie Haines ([email protected]) Television: THE LIBRARIANS (Electric Entertainment/TNT) Series 3 JEKYLL & HYDE (ITV) Series 1, Episode 9 GERVASE FEN (BBC) FAMOUS FIVE (Kindle Entertainment Limited) Bible and Pilot Script ALIENS VS WIZARDS (CBBC) 2012 2 x 30' SARAH JANE ADVENTURES (BBC Wales) Series V 4 x 30' 2011 Series IV 1x60' Special, 2x30' 2010 Series III 4x30' 2009 Series 1 4x30’ Episodes & Series II 4x30' Episodes 2007/8 Pilot Episode 45’ (co-written with Russell T Davies) 2006 BBC Wales DR WHO Series V, 2 Episodes 2010 Easter Specia TX 09l 2008 Series IV, 1 Episode 2007 Series III, 1 Episode 2006 THE MINISTRY 2008-09 (Red Planet/BBC) Series Bible & Script Commission Co-created with Tony Jordan & Stephen Greenhorn THE BORROWERS 2008 (Big Tree Productions / BBC) Series Treatment BRIEF FOR MURDER 2006 Treatment and Pilot for Original Series (60’) Granada Manchester Co-written with Rebecca Levene TORCHWOOD Mobisodes (BBC Interactive) 2005 DR WHO Tardisodes: Attack of The Graske 2005 Nominated for Bafta Cymru Craft Awards SWINGING 2005 Sketches Monkey Kingdom/Five Co-written with Rebecca Levene MINISTRY OF TIME (BBC Comedy) 2004 Original Pilot Co-written with Mark Gatis THREADS (Tiger Aspect Productions) 2004 Original Pilot & Episode 2 Script Co-written with Rebecca Levene SWISS TONI (Tiger Aspect / BBC) 2004 Series II, 2 Episodes Series II, 1 Episode and Series Storylining 2002 WHAT WAS ALL THAT ABOUT (BBC Comedy & BBC Radio) 2003 Original Pilots RANDALL & HOPKIRK (DECEASED) 2001 Series I, 2 Episodes Co-written with Charlie Higson BROOKSIDE (Mersey Television / Channel 4) 1999-2000 EMMERDALE (YTV/ITV) 1999 Theatre: DOCTOR WHO LIVE TOUR (BBC Worldwide) 2010 UK Arena Tour, October – November Venues include London Wembley Arena, Manchester Evening News Arena and Glasgow SECC Books: DOCTOR WHO: SHADA Novelisation of Script by Douglas Adams BBC Books / Random House Group Limited Gareth has also worked as a Story Editor and Script Editor on EMMERDALE and as a Storyline Writer on CORONATION STREET and Granada’s SPRINGHILL. -
The Final Season 1
THE DOCTOR WHO PROJECT SEASON 40: THE FINAL SEASON 1 THE DOCTOR WHO PROJECT SEASON 40: THE FINAL SEASON 2 THE DOCTOR WHO PROJECT SEASON 40: THE FINAL SEASON 3 THE DOCTOR WHO PROJECT SEASON 40: THE FINAL SEASON Copyright © Jigsaw Publications 2014 Published by Jigsaw Publications Doctor Who, TARDIS © 1963, 2014 by BBC Worldwide The Doctor Who Project © 2014 by Jigsaw Publications First Printing December 2014 Edited by Bob Furnell, Robert Mammone & Jez Strickley Cybercult © 2014 Miles Reid-Lobatto All stories reprinted by permission. The moral right of the authors have been asserted. A TDWP/Jigsaw Publications Book All rights reserved. The use of any part of this publication reproduced, transmitted in any form of by any means, electronic, mechanical, photocopying, recording, or otherwise, or stored in a retrieval system, without prior written consent of the publisher is an infringement of the copyright law. All characters in this publication are fictitious and any resemblance to any real persons, living or dead is purely co-incidental. Typeset in Calibri Cover design by John G Swogger Book design and layout by Bob Furnell Jigsaw Publications Vancouver, British Columbia, Canada 4 THE DOCTOR WHO PROJECT SEASON 40: THE FINAL SEASON Two Years Ago. “But what if I don't like her?” John rolled his eyes, not looking at Tom. “You're a basement dwelling computer nerd,” he replied with a chuckle. “I think you have to worry about her not liking you.” “That's a lie,” said Tom. “I never dwelt in a basement.” John pulled the car into the right street with a casual turn. -
The English Way of Death Free
FREE THE ENGLISH WAY OF DEATH PDF Gareth Roberts,John Dorney,Tom Baker,Lalla Ward,John Leeson | none | 31 Jan 2015 | Big Finish Productions Ltd | 9781781783436 | English | Maidenhead, United Kingdom The English Way of Death the Common Funeral Since by Litten Julian - AbeBooks His mastery of these characters voices and interplay is a pure joy to read, and both of these novels have remained bright in my memory long after most of their fellow Missing Adventures have faded. The story features two parties of interlopers who are alien to s London. What cuts have been necessary for time make sense, collapsing Orlick and the un-named Police sergeant into one character, so that the iconic image from the cover of the original Virgin Missing The English Way of Death is present and correct. The English Way of Death becoming besotted with Romana is largely removed, while the parallel sub-plot of Mrs Chater and Percy is pared back but in tact. The delivery of all the lines enhances the wonderful P. You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me The English Way of Death new comments via email. Notify me of new posts via email. Share this: Twitter Facebook. Like this: Like Loading Leave a Reply x Enter your comment here Fill in your details below or click an icon to log in:. Email Address never made public. Post to Cancel. By continuing to use this website, you agree to their use. -
Oklahoma Programme Download
RODGERS & HAMMERSTEIN’S MUSIC BY BOOK & LYRICS BY RICHARD RODGERS OSCAR HAMMERSTEIN II 11TH JUNE 2021 AT PERFORMERS COLLEGE SOUTHEND ROAD, CORRINGHAM, ESSEX SS17 8JS BASED ON THE PLAY ‘GREEN GROW THE LILACS’ BY LYNN RIGGS ORIGINAL CHOREOGRAPHY BY AGNES DE MILLE PERFORMERS COLLEGE MUSICAL THEATRE PRESENT RODGERS & HAMMERSTEIN’S Director Choreographer Musical Kieran Jae Jane McMurtrie Director James Draisey LIGHTING DESIGN SOUND DESIGN Set in farm country outside the town of Claremore, Indian Territory, in 1906, OKLAHOMA! tells the story of farm girl Laurey Williams and her courtship by two rival suitors, cowboy Curly McLain Luke Hammond Steve Billington and the sinister and frightening farmhand Jud Fry. A secondary romance concerns cowboy Will Parker and his flirtatious fiancée, Ado Annie. COSTUME DESIGN Set, Props & Emma Rogers & Stage Management OKLAHOMA! is the first musical written by composer Richard Rodgers and librettist Oscar Costume Workshop Ken Milligan Hammerstein II. The musical is based on Lynn Riggs’ 1931 play, Green Grow the Lilacs and was originally choreographed by Agnes de Mille. The original production, which premiered on Broadway in 1943, is largely credited with being the first musical to fully integrate its book, score, and choreography towards advancing the plot. THE BAND Kieran Jae, Director: “It was a risky choice to expect graduating students to be able to fulfil the roles and expectations of characters so far removed from anything they know or can relate PIANO DRUMS/ Bass GUITAR/ too, in such a mature musical. However, I am so immensely proud of the work, research and James Draisey PERCUSSION Daf Lewis BANJO the care that this cast has taken to achieve these goals and high expectations set from such a Gareth Roberts Dave Holmes demanding show.” OKLAHOMA! WITH THANKS TO Music by Book and Lyrics by Richard Rodgers Oscar Hammerstein II Head of Productions – Dougie Mills Principal – Tracey Lee This amateur production is presented by arrangement with Concord Theatricals. -
Andrew Cooper (Liverpool Hope Universityi)
Panoptikum nr 11 (18) 2012 Andrew Cooper (Liverpool Hope Universityi) Adapting to Survive: The Cultural Regeneration of Doctor Who Doctor Who is the longest running science fiction television show in history and next year celebrates its 50th anniversary. This essay will explore two key el- ements which can be attributed to the shows survival; its ability to reflect cul- tural demands and its ability to adapt works for television from other mediums. Originally designed to ensure the survival of the show after the lead actor left, regeneration has been a key part of Doctor Who. Not only has the Doctor himself regenerated, now ten times, but his enemies, T.A.R.D.I.S. and the whole design of the show have had to regenerate in order to survive. Each new actor playing the Doctor „inflect the »Doctorish« qualities in significant different ways, providing new possibilities”1 as well as refreshing the audience with different perspectives on one continuing story. The show has had to change to fit modern technology, both involving interactive technology, such as webisodes, as well as up to date special ef- fects. For Doctor Who to remain successful therefore it has to be able to regenerate to its ever changing audience. In 1963 the producers of Doctor Who needed a monster for its second serial, thus on the 21st December 1963 Terry Nation’s Daleks made their first appearance. The Daleks, created only 20 years after the Second World War were based on the Nazis. This is why in 1975’s Genesis of the Daleks the Dalek’s creator Davros draws parallels with Adolf Hitler. -
Dark Matter Doctor
dark matter zine dark matter zine dr who 50th anniversary edition Hugo Award-winner Chris Garcia on Gallifrey Melbourne’s Symphonic Spectacular Daleks done to death Archeological find story by Nalini Haynes, art by Hugo Award- Nominated Artist Alan F. Beck Review Shada by Gareth Roberts Review Coming of the Terraphiles by Michael Moorcock 1 dark matter zine Contents Contributors Contributors 2 editor Nalini Haynes About Dark Matter 2 writers Dr. Whom 3 Chris Garcia Doctor Who Symphonic Spectacular 4 Nalini Haynes Daleks Done to Death 6 IT Support Lucas McKenna Archaelogical find 7 Arthur Clover TARDIS: the Doctor’s Wife 7 Photography Andrew Trembly The Coming of the Terraphiles BBC by Michael Moorcock: a review 8 Nalini Haynes Shada by Gareth Roberts: a review 8 Artists Alan F. Beck About Dark Matter [email protected] http://www.alanfbeck.com by Nalini Haynes Ian Gunn ark Matter began life in 2010 as an independent Dfanzine exploring science fiction, fantasy, art, life, the universe and everything. A fanzine is a fan publication in a newsletter-style format. On 29 April 2012 Dark Matter‘s website was launched. Since then, Dark Matter has grown to include blogs, vlogs, interviews in MP4 (YouTube) and MP3 (audio only) formats. So that the early years’ interviews, reviews and more significant articles are searchable and easier to access, I have transferred these from the PDF zine onto the website. As these articles have been previously published, I’m pre-dating them to acknowledge the original date of publication. This is why numerous articles predate the launch of the website.