The Journal of Shakespeare and Appropriation 11/14/19, 1'18 PM
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Gopher Tortoises on the Move to Tallahassee Ing Range and a Change to a Development Agree- by SCOTT DRESSEL What They Do
PAGE B1 ▲ Chamber crowns 2014 Miss and Jr. Miss Avon Park A3 EWS UN Dragons and ▲ NHighlands County’s Hometown Newspaper-S Since 1927 75¢ Devils send large group TV weatherman fl ies in to remind through to students to ‘choose sunny’ A2 regionals A11 www.newssun.com Sunday, April 13, 2014 County to Legislators talk military support air zones, SLOW & city garbage half-cent BY BARRY FOSTER school tax News-Sun Correspondent STEADY SEBRING — Revenue at Howerton, Shoop the county’s landfi ll, pro- take sales tax pitch posed Military Airport Zones around the Bomb- Gopher tortoises on the move to Tallahassee ing Range and a change to a development agree- BY SCOTT DRESSEL what they do. They’re cold-blooded, so they BY PHIL ATTINGER ment with a local RV Editor all move,” Florida Fish and Wildlife Conser- Staff Writer park are among the items vation Commission (FWC) spokesman Gary up for discussion Tues- hen the weather heats up for spring, Morse said. SEBRING — School board day morning at the High- it puts a series of things in motion. A basic need drives the tortoises to venture members had positive news from lands County Commission WThe most noticeable, of course, is the out — food. a recent trip to Tallahassee to talk meeting. snowbirds starting to make their way back “Tortoises stay under ground in their bur- up the district’s plan for a half- First on the agenda will up north. rows when its cold out and they come out cent sales tax referendum. be a board discussion of But closer to the ground, and at a much looking for food when it warms up,” Morse Board members Donna How- published reports regard- slower pace, there is another migration of said. -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
It 2.007 Vc Italian Films On
1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute. -
Handout for “Gower and #Metoo” Georgiana Donavin, Westminster College ICMS, 2019
Handout for “Gower and #MeToo” Georgiana Donavin, Westminster College ICMS, 2019 Sources for Teaching: Bertolet, Craig E. “From Revenge to Reform: The Changing Face of 'Lucrece' and Its Meaning in Gower's Confessio Amantis.” Philological Quarterly 70 (1991): 403-421. Brundage, James. A. Law, Sex, and Christian Society in Medieval Europe. Chicago: University of Chicago Press, 1987. Bullón-Fernández, María. Fathers and Daughters in Gower's Confessio Amantis: Authority, Family, State, and Writing. Publications of the John Gower Society, 5. Cambridge: D.S. Brewer, 2000. -----. “Translating Women, Translating Texts: Gower's 'Tale of Tereus' and the Castilian and Portuguese Translations of the 'Confessio Amantis'.” In John Gower: Manuscripts, Readers, Contexts. Ed. Malte Urban. Turnhout, Belgium: Brepols, 2009. 109-32. Dinshaw, Carolyn. “Rivalry, Rape and Manhood: Gower and Chaucer.” In Chaucer and Gower: Difference, Mutuality, Exchange. Ed. R.F. Yeager. Victoria, B.C.: English Literary Studies, 1991. 130-152. Dunn, Caroline. “The Language of Ravishment in Medieval England.” Speculum 86.1 (2011): 79-116. Edwards, Suzanne M. The Afterlives of Rape in Medieval English Literature. New York: Palgrave, 2016. Gravdal, Kathryn. Ravishing Maidens: Writing Rape in Medieval French Literature and Law. Philadelphia: University of Pennsylvania Press, 1991. Harbert, Bruce. “The Myth of Tereus in Ovid and Gower.” Medium AEvum 41 (1972): 208-214. Lepley, Douglas L. “The Tale of Tereus (CA, V, 5551-6048).” In John Gower's Literary Transformations in the Confessio Amantis: Original Articles and Translations. Ed. Peter G. Beidler. Washington, D.C.: University Press of America, 1982. 63-69. Mast, Isabelle. “Rape in John Gower's Confessio Amantis and Other Related Works.” In Young Medieval Women. -
View in Order to Answer Fortinbras’S Questions
SHAKESPEAREAN VARIATIONS: A CASE STUDY OF HAMLET, PRINCE OF DENMARK Steven Barrie A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2009 Committee: Dr. Stephannie S. Gearhart, Advisor Dr. Kimberly Coates ii ABSTRACT Dr. Stephannie S. Gearhart, Advisor In this thesis, I examine six adaptations of the narrative known primarily through William Shakespeare’s The Tragedy of Hamlet, Prince of Denmark to answer how so many versions of the same story can successfully exist at the same time. I use a homology proposed by Gary Bortolotti and Linda Hutcheon that explains there is a similar process behind cultural and biological adaptation. Drawing from the connection between literary adaptations and evolution developed by Bortolotti and Hutcheon, I argue there is also a connection between variation among literary adaptations of the same story and variation among species of the same organism. I determine that multiple adaptations of the same story can productively coexist during the same cultural moment if they vary enough to lessen the competition between them for an audience. iii For Pam. iv ACKNOWLEDGMENTS I would like to thank my advisor, Stephannie Gearhart, for being a patient listener when I came to her with hints of ideas for my thesis and, especially, for staying with me when I didn’t use half of them. Her guidance and advice have been absolutely essential to this project. I would also like to thank Kim Coates for her helpful feedback. She has made me much more aware of the clarity of my sentences than I ever thought possible. -
The Tragedy of Hamlet
THE TRAGEDY OF HAMLET THE WORKS OF SHAKESPEARE THE TRAGEDY OF HAMLET EDITED BY EDWARD DOWDEN n METHUEN AND CO. 36 ESSEX STREET: STRAND LONDON 1899 9 5 7 7 95 —— CONTENTS PAGE Introduction ix The Tragedy of Hamlet i Appendix I. The "Travelling" of the Players. 229 Appendix II.— Some Passages from the Quarto of 1603 231 Appendix III. Addenda 235 INTRODUCTION This edition of Hamlet aims in the first place at giving a trustworthy text. Secondly, it attempts to exhibit the variations from that text which are found in the primary sources—the Quarto of 1604 and the Folio of 1623 — in so far as those variations are of importance towards the ascertainment of the text. Every variation is not recorded, but I have chosen to err on the side of excess rather than on that of defect. Readings from the Quarto of 1603 are occa- sionally given, and also from the later Quartos and Folios, but to record such readings is not a part of the design of this edition. 1 The letter Q means Quarto 604 ; F means Folio 1623. The dates of the later Quartos are as follows: —Q 3, 1605 161 1 undated 6, For ; Q 4, ; Q 5, ; Q 1637. my few references to these later Quartos I have trusted the Cambridge Shakespeare and Furness's edition of Hamlet. Thirdly, it gives explanatory notes. Here it is inevitable that my task should in the main be that of selection and condensation. But, gleaning after the gleaners, I have perhaps brought together a slender sheaf. -
Tom Baker Is Back As the Doctor for the Romance of Crime and the English Way of Death
WWW.BIGFINISH.COM • NEW AUDIO ADVENTURES GO FOURTH! TOM BAKER IS BACK AS THE DOCTOR FOR THE ROMANCE OF CRIME AND THE ENGLISH WAY OF DEATH ISSUE 71 • JANUARY 2015 WELCOME TO BIG FINISH! We love stories and we make great full-cast audio dramas and audiobooks you can buy on CD and/or download Big Finish… Subscribers get more We love stories. at bigfinish.com! Our audio productions are based on much- If you subscribe, depending on the range you loved TV series like Doctor Who, Dark subscribe to, you get free audiobooks, PDFs Shadows, Blake’s 7, The Avengers and of scripts, extra behind-the-scenes material, a Survivors as well as classic characters such as bonus release, downloadable audio readings of Sherlock Holmes, The Phantom of the Opera new short stories and discounts. and Dorian Gray, plus original creations such as Graceless and The Adventures of Bernice www.bigfinish.com Summerfield. You can access a video guide to the site at We publish a growing number of books (non- www.bigfinish.com/news/v/website-guide-1 fiction, novels and short stories) from new and established authors. WWW.BIGFINISH.COM @BIGFINISH /THEBIGFINISH VORTEX MAGAZINE PAGE 3 Sneak Previews & Whispers Editorial HEN PLANNING ahead for this month’s issue of W Vortex, David Richardson suggested that I might speak to Tom Baker, to preview his new season of adventures, and the Gareth Roberts novel adaptations. That was one of those moments when excitement and fear hit me in equal measure. I mean, this is Tom Baker! TOM BAKER! I was born 11 days after he made his first appearance in Planet of the Spiders, so growing up, he was my Doctor. -
L'essere O NON ESSERE Nell'amleto Di Shakespeare Partendo Dal Personaggio Di Yorick
L’ESSERE o NON ESSERE nell’Amleto di Shakespeare partendo dal personaggio di Yorick è un personaggio letterario della tragedia Amleto di William Shakespeare. Questi compare per la prima volta, sotto forma di teschio, nel V atto della tragedia di Amleto. Nella rappresentazione, egli è, o meglio era (essendo rappresentato nel dramma come morto da tempo e ritrovato nel corso dello scavo della fossa di Ophelia), un buffone di corte. Nell’opera Shakespeariana viene inserito come memento mori, in riferimento all’effimera condizione dell’esistenza o, icasticamente, come vanitas. ( La vanitas, in pittura, è una natura morta con elementi simbolici allusivi al tema della caducità della vita, un forma di “carpe diem” che deriva dalla frase biblica vanitas vanitatum et omnia vanitas ("vanità delle vanità, tutto è vanità"). Di lui non vengono date precise indicazioni biografiche. Alcuni sostengono che il personaggio possa essere collegabile, in un certo qual modo, all’infanzia di Amleto. Un importante appunto da fare è che, nell’immaginario collettivo, si tende spesso ad associare il celebre monologo di Amleto “essere o non essere” alla scena in cui il protagonista lo si vede parlare al teschio di Yorick. Questa confusione ha dato origine alle varie rappresentazioni di Amleto che pronuncia «essere o non essere» mentre regge in mano un teschio. Ma Chi è Yorick? tutti conoscono Amleto, almeno per sentito dire, ma Yorick? Chi è? Eppure tutti sanno che Amleto, ad un certo punto dello spettacolo, tiene in mano un teschio, e tutti sanno che Amleto è colui che si chiede se sia più nobile "essere o non essere". -
Confessio Amantis'
The tales of Acteon and Narcissus in the 'Confessio Amantis' Article Published Version Cresswell, J. (1981) The tales of Acteon and Narcissus in the 'Confessio Amantis'. Reading Medieval Studies, VII. pp. 32-40. ISSN 0950-3129 Available at http://centaur.reading.ac.uk/84790/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: University of Reading All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online READING MEDIEVAL STUDIES The Tales of Acteo" and Narcissus in the Confessio Amantis Ovid's Metamorphoses is easily the most important of the many sources of the stories in the Confessio Amantis. 1 Although Gower shows some knowledge of all the major works of Ovid, the Metamorphoses is clear ly the one most suited to his purpose, and Gower is working in a well established tradition in using the poem as a source of exempla. Work has been done to show that Gower may have been influenced by the populor morclised versions of Ovid in both French and latin, 2 but there con be no doubt that he knew the original version well, although the name forms of the characters he takes from Ovid suggest corruptions in the text he used. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
DOCTOR WHO: ONLY HUMAN Online
O4sCc [Mobile book] DOCTOR WHO: ONLY HUMAN Online [O4sCc.ebook] DOCTOR WHO: ONLY HUMAN Pdf Free Gareth Roberts audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #416594 in Books imusti 2013-06-18 2013-04-23Original language:EnglishPDF # 1 7.70 x .80 x 5.00l, .52 #File Name: 1849905193240 pagesBBC Books | File size: 57.Mb Gareth Roberts : DOCTOR WHO: ONLY HUMAN before purchasing it in order to gage whether or not it would be worth my time, and all praised DOCTOR WHO: ONLY HUMAN: 0 of 0 people found the following review helpful. Das the TravelerBy SpikeLoverAt a dress-up party, one guest is a REAL Neanderthal. How he got to twenty first century England is a puzzle. Unfortunately, the time machine that brought him to our time was not so hot and so he couldn't go back (way back) home because he would die on the way. What good luck that Captain Jack was available to tutor Das in the ways of the modern world! He didn't volunteer for the job, but it turned out well. Das began looking for a mate nearly as soon as he learned English. The Doctor and Rose went into the past and met incredibly weird group of "researchers". They will do ANYTHING their leader tells them, even go into a cave where a large monster eats them one per day. The primitive Humans and the Neanderthals live close to each other. Rose gets engaged to one the natives and later loses her head in a literal sense.