Tulsakids-October-2020.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Japanese Animation Guide: the History of Robot Anime
Commissioned by Japan's Agency for Cultural Affairs Manga, Animation, Games, and Media Art Information Bureau Japanese Animation Guide: The History of Robot Anime Compiled by Mori Building Co., Ltd. 2013 Commissioned by Japan's Agency for Cultural Affairs Manga, Animation, Games, and Media Art Information Bureau Japanese Animation Guide: The History of Robot Anime Compiled by Mori Building Co., Ltd. 2013 Addition to the Release of this Report This report on robot anime was prepared based on information available through 2012, and at that time, with the exception of a handful of long-running series (Gundam, Macross, Evangelion, etc.) and some kiddie fare, no original new robot anime shows debuted at all. But as of today that situation has changed, and so I feel the need to add two points to this document. At the start of the anime season in April of 2013, three all-new robot anime series debuted. These were Production I.G.'s “Gargantia on the Verdurous Planet," Sunrise's “Valvrave the Liberator," and Dogakobo and Orange's “Majestic Prince of the Galactic Fleet." Each was broadcast in a late-night timeslot and succeeded in building fanbases. The second new development is the debut of the director Guillermo Del Toro's film “Pacific Rim," which was released in Japan on August 9, 2013. The plot involves humanity using giant robots controlled by human pilots to defend Earth’s cities from gigantic “kaiju.” At the end of the credits, the director dedicates the film to the memory of “monster masters” Ishiro Honda (who oversaw many of the “Godzilla” films) and Ray Harryhausen (who pioneered stop-motion animation techniques.) The film clearly took a great deal of inspiration from Japanese robot anime shows. -
Anime/Games/J-Pop/J-Rock/Vocaloid
Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi -
Gesamtkatalog Japan DVD Zum Download
DVD Japan (Kurzübersicht) Nr. 33 Juli 2004 Best.Nr. Titel Termin Preis** Animation 50009604 .Hack // Sign (DD & PCM) 25.08.2002 109,90 € 50011539 .Hack//Legend Of Twilight Bracelet Vol. 1 25.04.2003 94,90 € 50010369 .Hack//Sign Vol. 5 (PCM) 25.11.2002 109,90 € 50010725 .Hack//Sign Vol. 6 (PCM) 21.12.2002 109,90 € 50011314 .Hack//Sign Vol. 9 (PCM) 28.03.2003 109,90 € 50002669 1001 Nights 25.08.2000 60,90 € 50001721 1001 Nights (1998) 18.12.1999 154,90 € 50003015 101 Dalmatians 18.10.2000 78,90 € 50010612 101 Dalmatians 2: Patch's London Adventure 06.12.2002 64,90 € 50008214 11 Nin Iru! 22.03.2002 79,90 € 50010894 12 Kokuki 8-10 Vol. 4 (DD) 16.01.2003 79,90 € 50007134 24 Hours TV Special Animation 1978-1981 22.11.2001 281,90 € 50009578 3chome No Tama Onegai! Momochan Wo Sagashite! (DD) 21.08.2002 49,90 € 50011428 3x3 Eyes DVD Box (DD) 21.05.2003 263,90 € 50008995 7 Nin Me No Nana 4 Jikanme 03.07.2002 105,90 € 50008431 7 Nin No Nana 2jikanme 01.05.2002 89,90 € 50008430 7 Nin No Nana 4jikanme 03.07.2002 127,90 € 50008190 7 Nin No Nana Question 1 03.04.2002 89,90 € 50001393 A.D. Police 25.07.1999 94,90 € 50001719 Aardman Collection (1989-96) 24.12.1999 64,90 € 50015065 Abaranger Vs Hurricanger 21.03.2004 75,90 € 50009732 Abenobasi Maho Syotengai Vol. 4 (DD) 02.10.2002 89,90 € 50007135 Ace Wo Nerae - Theater Version (DD) 25.11.2001 94,90 € 50005931 Ace Wo Nerae Vol. -
When Did British Wrestling Get So Big? Ben Carass
Cubed Circle Newsletter – Best of 2015 Issue With the 2015 Cubed Circle Yearbook and end of the year fast approaching, we have decided to put together a Cubed Circle Recap issue this week, encapsulating some of the best content the newsletter had to offer in 2015 ahead of our biggest issue of the year coming up in less than two weeks. This special issue will be released alongside the new, and hopefully improved, cubedcirclewrestling.com. The site has been made dramatically easier to navigate, and the content is far more organised, which should make for a better user experience. The site logo has also changed, as visitors of the website will quickly notice. As always, any feedback is very much appreciated, particularly as far as the new website is concerned, as, realistically speaking, we should have some growing pains, although the old-site, one could argue, was the manifestation of three or so years of growing pains. But, for now, we hope you enjoy this special issue, and we will be back with another issue in approximately ten days – what will be, if not the biggest, hopefully the best issue we have ever published. Merry Holidays and Happy New Year, everyone! – Ryan Clingman, Cubed Circle Newsletter Editor When Did British Wrestling Get So Big? Ben Carass On November 13th 2004, FWA (Frontier Wrestling Alliance) ran the biggest post-World of Sport era show the British Wrestling scene had ever seen. A reported 1,785 fans saw such names as Terry Funk, Drew McDonald, AJ Styles, Colt Cabana, Paul Burchill, Spud and Doug Williams on the card at the Coventry Skydome that night for British Uprising III. -
Lista Cartoni Animati Anni80
RICHIEDI LA TUA WWW.UNIKASHOPPING.IT ! Titolo italiano Titolo originale Numero Anno di In Italia episodi produzione A tutto gas Yorishiku 30 1984 1989 Mechadoc Addio Giuseppina! Kujira no 23 1979 1981 Josephina Albertone Fat Albert and the 86 1972 – 1975 Cosby kids – 1984 Alf Alf, 2a serie: Alf 26 – 21 1987/89 – tales 1988/89 Alice nel paese Fushigi no kuni 26 1984 1987 delle meraviglie no Alice Alla scoperta di Mori no Tonto 23 1984 1986 Babbo Natale tachi Alvin Show / Alvin The Alvin Show, 26 – 103 1961/62 – 1980 rock’n’roll 2a serie: Alvin & – 19 1983/87 – the Chipmunks, 1987/88 3a serie: The Chipmunks Angie girl Joe heika no 26 1977 1982 petite Ange Anna dai capelli Akage no Anne 50 1979 1980 rossi Annie Go on running 13 1988 Hodori Arrivano i Piccoli The Littles 29 1983/85 1988 Arrivano i Akakichi no 52 1970 1982 Superboys eleven !1 RICHIEDI LA TUA WWW.UNIKASHOPPING.IT ! Attenti a Luni Fangface, 2a 16 – 16 1978 – 1979 serie: Fangface & Fangpuss Automodelli – Mini Dash! Yonkuro 25 1990 1991 4WD Babar Babar 78 1989/94 1990 Babil Junior Babel nisei 39 1973 1980 Barbapapà Barbapapa 52 – 150 1974 – 1979 1975 Barney Google Snuffy Smith and 50 1962/64 1981 Barney Google Beany and Cecil Beany and Cecil 26 1962 Belfy e Lillibit Mori no yogi na 26 1980 1982 shojintachi Belfy to Lilbit Belle e Sebastien Meiken Jolie 52 1980 1982 Bem Yokai ningen Bem 26 1968 1982 Bentornato Topo Topo Gigio, 2a 34 1988 1992 Gigio serie: Yume miru Topo Gigio Bia, la sfida della Majokko Meg- 72 1974 1981 magia chan Blackstar Blackstar 13 1981 Blue Noah Uchu kubo -
PONY CANYON Presents【Kengan Ashura - World Premiere & Guest Talk】At the ANIME EXPO 2018
FOR IMMEDIATE RELEASE PONY CANYON presents【Kengan Ashura - World Premiere & Guest Talk】at the ANIME EXPO 2018 TOKYO, JAPAN – June 25, 2018 – Audio-visual entertainment company PONY CANYON is pleased to announce the event【Kengan Ashura - World Premiere & Guest Talk】scheduled on Saturday (7/7) at Anime Expo 2018 (Los Angeles, CA) between 2:30pm – 4:00pm in Main Events/ Hall B. Seiji Kishi (Director), Makoto Uezu (Series Composition) Yasuharu Takanashi (Music) and Yuji Higa (producer), will participate in the event and do autograph sessions (details TBA). Originally written by Yabako Sandrovich and drawn by Daromeon, “Kengan Ashura” is an action packed manga series that is getting an anime adaptation for release scheduled in 2019. “Kengan Ashura” has been serialized in Shogakukan's digital manga website, Ura Sunday and Manga One app. The story features hired gladiators that join fights called “Kengan Matches” that battle for rights between businesses. Twenty-two books are on sale currently and have sold over a total 2,200,000 copies. It has been nominated as the best comic in the “Web comic selected by a million readers that is really fun to read” awards. 【Story】 Fifty-six-year-old Kazuo Yamashita was an ordinary salaryman who was one day suddenly summoned by the chairman of his company. What he saw was not the chairman, but the dark side of the Japanese economy. Representing the company, hired gladiators to fight for rights between corporate businesses in violent battles called the “Kengan Matches!” Kazuo is assigned to a mysterious Kengan fighter, Ohma Tokita. They both join the “Kengan Zetsumei Tournament” in order to win the seat as the chairman of the Kengan Organization and decide Japan's best business and fighter.What will become the fate of Kazuo and Ohma? 【Seiji Kishi Profile】 For more than a decade, prolific director Seiji Kishi has built a name for himself helming critically acclaimed and popular animation. -
Toei Animation Youtube Links, 1963–2011
Toei Animation YouTube Links, 1963–2011 狼少年ケン (Ken, the Wolf Boy) 1963-65 http://www.youtube.com/watch?v=oLUJ0OgrpQI http://www.youtube.com/watch?v=u7sUcRuZTnM 少年忍者風のフジ丸 (Fujimaru of the Wind, the Boy Ninja), 1964-65 http://www.youtube.com/watch?v=n8RBIH1T9gU http://www.youtube.com/watch?v=vHlutoN5pfA 宇宙パトロールホッパ (Space Patrol Hopper),1965 http://www.youtube.com/watch?v=eiWrPjuUPLM レインボー戦隊ロビン 1966-67 http://www.youtube.com/watch?v=V-XCPdVAnuE 魔法使いサリー (Sally the Witch),1966-68 http://www.youtube.com/watch?v=6Bis8sD7AYc ピュンピュン丸 (Pyunpyunmaru), 1967, 1969-70 http://www.youtube.com/watch?v=5lFNi4VOLM4 ゲゲゲの鬼太郎 (Ge Ge Ge no Kitaro), 1968-69, 71-72 http://www.youtube.com/watch?v=At2FdwQd4rI サイボーグ 009 (Cyborg 009), 1968 http://www.youtube.com/watch?v=OnXfTEjCqG4 あかねちゃん (Akane Chan), 1968 http://www.youtube.com/watch?v=u6nLpIfgE8c ひみつのアッコちゃん (Akko-chan's Secret), 1969-70 http://www.youtube.com/watch?v=ki7F2YR6Wyw http://www.youtube.com/watch?v=5kcZ3n_GMws もーれつア太郎 (Moretsu Ataro), 1969-70 http://www.youtube.com/watch?v=rpAJVMB1lwo タイガーマスク (Tiger Mask), 1969-71 http://www.youtube.com/watch?v=GlV7LDIHyqE キックの鬼 (The Kick Demon), 1970-71 http://www.youtube.com/watch?v=8Of4uD9MvgA 魔法のマコちゃん (Mako-chan's Magic), 1970-71 http://www.youtube.com/watch?v=ZSVn_6SBrOU さるとびエッちゃん (Sarutobi Ecchan), 1971-72 http://www.youtube.com/watch?v=EmFVqggDc5A アパッチ野球軍 (Appachis' Baseball Team), 1971-72 http://www.youtube.com/watch?v=AMycwLB3T1E 原始少年リュウ (Genshi Shonen Ryu) , 71-72 http://www.youtube.com/watch?v=QyxRDLfEmgs 魔法使いチャッピー (Mahou Tsukai Chappy) , 1972 http://www.youtube.com/watch?v=RpINnLTxvEA -
Soul of Anime
the soul of anime experimental futures Technological Lives, Scientific Arts, Anthropological Voices A series edited by Michael M. J. Fischer and Joseph Dumit the soul of anime Collaborative Creativity and Japan’s Media Success Story ian condry Duke University Press Durham and London 2013 ∫ 2013 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ! Designed by Jennifer Hill Typeset in Garamond Premier Pro by Keystone Typesetting, Inc. Library of Congress Cataloging-in- Publication Data appear on the last printed page of this book. This work is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivs 3.0 Unported License. To view a copy of this license, visit http:// creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Com- mons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. ‘‘Noncommercial’’ as defined in this license specifically excludes any sale of this work or any portion thereof for money, even if the sale does not result in a profit by the seller or if the sale is by a 501(c)(3) nonprofit or ngo. For Nick, Jackson, and Alec contents ix Note on Translations and Names 1 introduction * Who Makes Anime? 35 one * Collaborative Networks, Personal Futures 54 two * Characters and Worlds as Creative Platforms 85 three * Early Directions in Postwar Anime 112 four * When Anime Robots Became Real 135 five * Making a Cutting-Edge Anime Studio: The Value of the Gutter 161 six * Dark Energy: What Overseas Fans Reveal about the Copyright Wars 185 seven * Love Revolution: Otaku Fans in Japan 204 conclusion * Future Anime: Collaborative Creativity and Cultural Action 218 Acknowledgments 221 Notes 227 References 237 Index note on translations and names All interviews and sources in Japanese were translated by the author. -
Japanese Animation Guide: the History of Robot Anime by Japan's
Commissioned by Japan's Agency for Cultural Affairs Manga, Animation, Games, and Media Art Information Bureau Japanese Animation Guide: The History of Robot Anime Compiled by Mori Building Co., Ltd. 2013 Addition to the Release of this Report This report on robot anime was prepared based on information available through 2012, and at that time, with the exception of a handful of long-running series (Gundam, Macross, Evangelion, etc.) and some kiddie fare, no original new robot anime shows debuted at all. But as of today that situation has changed, and so I feel the need to add two points to this document. At the start of the anime season in April of 2013, three all-new robot anime series debuted. These were Production I.G.'s “Gargantia on the Verdurous Planet," Sunrise's “Valvrave the Liberator," and Dogakobo and Orange's “Majestic Prince of the Galactic Fleet." Each was broadcast in a late-night timeslot and succeeded in building fanbases. The second new development is the debut of the director Guillermo Del Toro's film “Pacific Rim," which was released in Japan on August 9, 2013. The plot involves humanity using giant robots controlled by human pilots to defend Earth’s cities from gigantic “kaiju.” At the end of the credits, the director dedicates the film to the memory of “monster masters” Ishiro Honda (who oversaw many of the “Godzilla” films) and Ray Harryhausen (who pioneered stop-motion animation techniques.) The film clearly took a great deal of inspiration from Japanese robot anime shows. The separate “Survey and Report on Japanese Tokusatsu,” which was prepared in parallel with this report, explained the deep connection between “monster-versus-hero" (tokusatsu) productions and robot anime shows. -
Presentation Materials
May 15, 2017 TOEI ANIMATION CO., LTD For FY Ended March 31, 2017(April 1, 2016 to March 31, 2017) KADO: The Right Answer Airing on TOKYO MX, MBS and BS Fuji from April, 2017 TOEI ANIMATION ©TOEI ANIMATION,KINOSHITA GROUP,TOEI 1 FY2017.3 Results -Consolidated A significant increase in sales and profit resulted in record high net sales and income. The tie-up campaign with the movie ONE PIECE FILM GOLD had a positive impact. Online distribution rights and app game development rights increased and large orders for overseas merchandising rights MG were received. Net Sales (Million Yen) Income 50,000 15,000 40,000 12,000 30,000 9,000 20,000 6,000 10,000 3,000 0 0 % v.s. FY2013.3 FY2014.3 FY2015.3 FY2016.3 FY2017.3 prior year Net Sales 33,644 31,027 30,313 33,612 40,747 21.2% Cost of Sales 24,114 22,270 20,741 20,809 25,204 21.1% SG&A 4,759 5,155 5,576 5,167 5,409 4.7% Operating Income 4,770 3,602 3,996 7,635 10,133 32.7% Ordinary Income 5,259 3,940 3,978 7,995 10,362 29.6% Net Income 3,290 2,333 2,437 5,145 7,203 40.0% TOEI ANIMATION 2 FY2017.3 Results Segment Breakdown -Consolidated % v.s. FY2016.3 FY2017.3 (Million Yen) prior year Net Sales 14,005 15,939 13.8% FILM Segment Income 3,298 3,491 5.8% Net Sales 13,803 18,192 31.8% Licensing Segment Income 6,157 8,682 41.0% Net Sales 4,654 5,531 18.8% Sales of Goods Segment Income 6 186 2917.9% Net Sales 1,320 1,315 -0.4% Others Segment Income 34 41 21.2% Net Sales 33,612 40,747 21.2% TOTAL Operating Income 7,635 10,133 32.7% *Numbers for each segment includes intra-company sales. -
Japanese Animation: Thailand's Perspective
International Journal of Arts & Sciences, CD-ROM. ISSN: 1944-6934 :: 08(02):129–137 (2015) JAPANESE ANIMATION: THAILAND’S PERSPECTIVE Niracharapa Tongdhamachart Suan Sunandha Rajabhat University This paper referenced the ongoing popularity of Japanese animation and provided some insights and benefits for animators, entrepreneurs and government organizations based on historical and cultural perspectives as well as their impact on Thai culture and society. This study examined and identified the factors affecting the popularity of Japanese animation by tracing the historical development from the late 1960s until the present. Through analyzing characteristics of Japanese animation, data was collected from related research, articles, websites and interviews of some Thai fans ranging from young children to adults. The global success of Japanese animation includes diverse art styles, methods of animation and its production and processes such as character design, comic books, story-telling and 2D techniques. More key factors adding to the success of Japanese animation include marketability, moral messages or knowledge latency, cultural proximity, partnership and government support. Keywords : Anime, Characters, Japanese Animation, Manga. Introduction The size of the global animation industry was about USD 222 billion in 2013, where major animation markets were the United States, Canada, Japan, China, France, Britain, Korea and Germany growing around 7% year on year. The animation production market is increasingly being outsourced by North American and European film and television program producers. Animation history in Asia embarked upon its journey in the 1940s which was remarkably influenced by Western studios, Disney in particular. Exposure to foreign production, training abroad, and foreign assistance were pivotal factors for such countries as China, Japan, Korea, and India. -
Mukuo Takamura 椋尾篁
MUKUO TAKAMURA 椋尾篁 1938-1992 Editions du Yamato 1 ANIMOGRAPHIE DE MUKUO TAKAMURA Par Ludovic GOTTIGNY et Jacques ROMERO Introduction Ce dossier s’attarde longuement et de manière exhaustive sur celui qui est encore considéré comme l’un des plus grands décorateurs et directeurs artistiques de l’histoire de l’animation japonaise, MUKUO Takamura. Treize ans après sa disparition en 1992 nous avons voulu revenir sur l’héritage incontournable de cet immense artiste trop tôt disparu. Mukuo Takamura p.2 L’alchimiste de l’ombre p.3 La fièvre du départ p.4 Naissance d'une étoile p.7 Un nouveau départ p.11 A bâbord toute ! p.21 MUKUO se fait pirate p.24 A nouveau sur le ring p.29 La vie en grand p.31 Les dernières grandes expériences de « L’alchimiste » p.37 Une décennie bien trop courte p.38 Annexe p.40 Animus Anima p.41 La table à dessin de Mukuo p.42 Le processus art/décors p.42 Le Studio Mukuo (composition) p.43 Les Soleils de MUKUO Takamura p.46 2 MUKUO TAKAMURA (1938-1992) Parmi les réalisateurs et autres character designer, il existe un poste qui est tout aussi influent sur la qualité finale d'un dessin animé, mais qu'on ne retrouve jamais sous les projecteurs. Le directeur artistique, traditionnellement en charge, notamment, de la réalisation des décors d'une oeuvre, remplit souvent le rôle primordial d'intermédiaire entre l'artiste de storyboard et celui du layout, en créant de véritables peintures symbolisant l'ambiance de scènes spécifiques, avec leurs couleurs, leurs arrière-plans et leurs personnages dans des poses clés.