Africana Criminal Justice: a Working Annotated Bibliography
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The History of the Black Panther Party 1966-1972 : a Curriculum Tool for Afrikan American Studies
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1990 The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies. Kit Kim Holder University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Holder, Kit Kim, "The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies." (1990). Doctoral Dissertations 1896 - February 2014. 4663. https://scholarworks.umass.edu/dissertations_1/4663 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE HISTORY OF THE BLACK PANTHER PARTY 1966-1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES A Dissertation Presented By KIT KIM HOLDER Submitted to the Graduate School of the■ University of Massachusetts in partial fulfills of the requirements for the degree of doctor of education May 1990 School of Education Copyright by Kit Kim Holder, 1990 All Rights Reserved THE HISTORY OF THE BLACK PANTHER PARTY 1966 - 1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES Dissertation Presented by KIT KIM HOLDER Approved as to Style and Content by ABSTRACT THE HISTORY OF THE BLACK PANTHER PARTY 1966-1971 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES MAY 1990 KIT KIM HOLDER, B.A. HAMPSHIRE COLLEGE M.S. BANK STREET SCHOOL OF EDUCATION Ed.D., UNIVERSITY OF MASSACHUSETTS Directed by: Professor Meyer Weinberg The Black Panther Party existed for a very short period of time, but within this period it became a central force in the Afrikan American human rights/civil rights movements. -
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
Biography Etheridge Knight Was a Man of Mystery. According To
Biography Etheridge Knight was a man of mystery. According to Sanford Pinsker, “Knight is the kind of poet who gives poetry a good name.”1 Fran Quinn, a close friend of Knight’s said that Knight is “the kind of person that a lot of rumors are going to gather around.”2 One thing that is certain is the he managed to produce a body of work that is to this day considered some of the finest of American poetry. Etheridge Knight was born on April 19, 1931, in Corinth, Mississippi. He grew up in Paducah, Kentucky. Knight only attended school until he had finished the eight grade. It was during this period that his problems with drug and alcohol use began, although this was also when he was introduced to the art of toasting. Toasts are traditional oral forms of narratives, often focusing on “drugs, sex, illegal activities, and violence.” After he dropped out, he ended up joining the army in 1947. Knight saw active duty in Korea and served until he was discharged in 1951 after suffering a shrapnel wound.3 In 1960 he was arrested for what was officially called armed robbery.4 Knight had distracted a clerk at a convenience store and taken $12 out of the register. When the police picked him up a few blocks away, he was found to have a knife in his pocket. The whole incident had been caught on the store’s security camera, and despite never having drawn the weapon, Knight was convicted of armed robbery and made into an example by the judge; who sentenced him to one year in prison for each dollar taken. -
DOC510 Prisons the Freedom Archives [email protected]
DOC510 Prisons Organizational Body Subjects ABC Anarchist Black Cross; Anarchist Prisoners' Legal Aid Network; Critical Resistance; Green Anarchy; Barricada Collective; Attica Committee to Free Black Liberationl Civil Rights; Dacajeweiah; Attica Defense Committee; National Lawyers Guild; Women of Youth Against War & Fascism; National Coalition of Concerned Legal Drugs; Human Rights; Professionals; Black Cat Collective, Nightcrawler ABC; Paterson anarchist Collective; Arm the Spirit; Bulldozer; Buffalo Chip; California Prison focus; Break Indiginous Struggle; Native The Chains Collective; Human Rights Research Fund; National Task Force for COINTELPRO Litigation & Research; Youth Law News; American Friends Service American; Political Prisoners; Committee; Prisoners Rights Union; Brothers for Awareness; Committee to Close MCU; Amnesty International; Health Committee of the Campaign to Prison; Women; Anti- Abolish Lexington Control Unit; Spear & Shield; International concerned Family and Friends of Mumia Abu Jamal; Pacifica Campaign; Free the Five Imperialism; Anti-Racism; Committee; Miami Coalition Against the US Embarcargo of Cuba; Free the Five Committee; New Orleans Time Pcayuue; Organizatio in Solidarity with the COINTELPRO; Resistance; Peoples of Africa, Asia and Latin America; Western Region United Front to Free All Political Prisoners; Tear down the Walls; The Jericho Movement; Unions; Torture California Coalition for Women Prisoners; Legal Services for Prisoners with Children; Families Against Mandatory Minimums, Lindesmith Center-Drug -
The Black Plumb Line: Re-Evaluating Race and Africanist Images in Non-Black Authored American Texts
The University of Southern Mississippi The Aquila Digital Community Dissertations Summer 8-2011 The Black Plumb Line: Re-evaluating Race and Africanist Images in Non-Black Authored American Texts LaShondra Vanessa Robinson University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Literature in English, North America Commons, and the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation Robinson, LaShondra Vanessa, "The Black Plumb Line: Re-evaluating Race and Africanist Images in Non- Black Authored American Texts" (2011). Dissertations. 663. https://aquila.usm.edu/dissertations/663 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi THE BLACK PLUMB LINE: RE-EVALUATING RACE AND AFRICANIST IMAGES IN NON-BLACK AUTHORED AMERICAN TEXTS by LaShondra Vanessa Robinson Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2011 ABSTRACT THE BLACK PLUMB LINE: RE-EVALUATING RACE AND AFRICANIST IMAGES IN NON-BLACK AUTHORED AMERICAN TEXTS by LaShondra Vanessa Robinson August 2011 This study evaluates Africanisms (representations of racialized or ethnicized blackness) within three contemporary non-black authors’ texts: Jewish American Saul Bellow’s novel Henderson the Rain King, white southerner Melinda Haynes’ novel Mother of Pearl, and Nyurican poet Victor Hernández Cruz’s works “Mesa Blanca” and “White Table.” Though not entirely unproblematic, each selection somehow redefines black identity and agency to challenge denigrated representations of Africanist people and culture. -
Adelphi University Magazine, Adelphi University, Opening Were Dr
ADELPHI UNIVERSITY M A G A Z I N E Fall 2005 Ruth S. Harley Remembered A New Adelphi.edu Preparing for the Real-Life E.R. 30 Years of Women’s Athletics Bob Hartwell Honored Adelphi’s making First-Generation their College Students andM Alumni ARK President Scott laughs with Chairman of the Board of Trustees Mike Campbell ’65 and Congressman Gregory W. Meeks ’75 at Matriculation 2005. A Message From the President 5 A Matter of President Scott presents the Ruth S. Harley President Scott dances with Distinguished Alumni Award to Jonathan Larson’s Jessica Montgomery ’05 at father at Commencement. the President’s Gala. Provost and Senior Vice President Marcia G. Welsh and President Scott Choice spend time with Ruth S. Harley ’24, ’50 (Hon.) Adelphi is a dream factory, where students’ dreams and ambitions are encour- aged and nurtured. Yet, like other institutions, Adelphi faces choices. We must balance priorities while remaining true to our heritage and traditions. I frequently hear from alumni and friends about how important it is that Adelphi continues to create opportunities for those who are the first in their families to attend college. As you will read in this issue, this historic charge remains a prior- ity for the University and a cornerstone of our longevity and success. We also consider ourselves successful if those who were the first in their fami- lies to attend college decide to send their children here. Such generational ties Chairman of the Board of Trustees Mike Campbell ’65 emphasize that a university instills pride in its graduates and offers an education worthy of their children and grandchildren. -
This Is Mumia Abu-Jamal Milton Wood Mcgriff Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1998 Live from death row: this is Mumia Abu-Jamal Milton Wood McGriff Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Creative Writing Commons, and the English Language and Literature Commons Recommended Citation McGriff, Milton Wood, "Live from death row: this is Mumia Abu-Jamal" (1998). Retrospective Theses and Dissertations. 16142. https://lib.dr.iastate.edu/rtd/16142 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Live from death row: This is Mumia Abu-Jamal by Milton Wood McGriff A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Creative Writing) Major Professor: Joseph Geha Iowa State University Ames,Iowa 1998 Copyright © Milton Wood McGriff, 1998. All rights reserved. ii Graduate College Iowa State University This is to certify that the Master's thesis of Milton Wood McGriff has met the thesis requirements of Iowa State University Signatures have been redacted for privacy 111 This work is dedicated to Joan Colvard Lambright, who is my inspiration on a daily basis IV TABLE OF -
Guide to African American History Materials in Manuscript and Visual Collections at the Indiana Historical Society
Guide to African American History Materials in Manuscript and Visual Collections at the Indiana Historical Society Originally compiled as a printed guide (Selected African-American History Collections) by Wilma L. Gibbs, 1996 Revised and updated by Wilma L. Gibbs as an online guide, 2002 and 2004 Introduction Personal Papers Organizations, Institutions, and Projects Communities Education Race Relations Religious Institutions 15 July 2004 Manuscript and Visual Collections Department William Henry Smith Memorial Library Indiana Historical Society 450 West Ohio Street Indianapolis, IN 46202-3269 www.indianahistory.org Introduction This guide describes manuscript and visual collections in the William Henry Smith Memorial Library of the Indiana Historical Society (IHS) that document the experiences of African Americans in Indiana. In 1982, a collecting effort was formalized at the Historical Society to address the concern for the paucity of records available for doing research on the history of African Americans in the state. The purpose of that effort continues to be to collect, process, preserve, and disseminate information related to the history of black Hoosiers. The Archivist, African American History is available to answer and direct research questions from the public. Indiana Historical Society members can receive Black History News & Notes, a quarterly newsletter that publicizes library collections, relevant historical events, and short papers pertaining to Indiana’s black history. Preserving Indiana’s African American heritage is a cooperative venture. The Society needs your help in providing information about existing records in attics, basements, and garages that can be added to the library’s collections. As more records are collected and organized, a more accurate and complete interpretation of Indiana history will emerge. -
Still Black Still Strong
STIll BLACK,STIll SfRONG l STILL BLACK, STILL STRONG SURVIVORS Of THE U.S. WAR AGAINST BLACK REVOlUTIONARIES DHORUBA BIN WAHAD MUMIA ABU-JAMAL ASSATA SHAKUR Ediled by lim f1elcher, Tonoquillones, & Sylverelolringer SbIII01EXT(E) Sentiotext(e) Offices: P.O. Box 629, South Pasadena, CA 91031 Copyright ©1993 Semiotext(e) and individual contributors. Printed in the United States of America. ISBN 978-0-936756-74-5 1098765 ~_.......-.;,;,,~---------:.;- Contents DHORUDA BIN W"AHAD WARWITIllN 9 TOWARD RE'rHINKING SEIl'-DEFENSE 57 THE CuTnNG EDGE OF PRISONTECHNOLOGY 77 ON RACISM. RAp AND REBElliON 103 MUM<A ABU-JAMAL !NrERVIEW FROM DEATH Row 117 THE PRIsON-HOUSE OF NATIONS 151 COURT TRANSCRIPT 169 THE MAN MALCOLM 187 P ANIllER DAZE REMEMBERED 193 ASSATA SHAKUR PRISONER IN THE UNITED STATES 205 CHRONOLOGY OF THE BLACK PANTHER PARTY 221 FROM THE FBI PANTHER FILES 243 NOTES ON CONTRIBUTORS 272 THE CAMPAIGN TO FREE BLACK POLITICALPRISONERS 272 Contents DHORUBA BIN "W AHAD WAKWITIllN 9 TOWARD REnnNKINO SELF-DEFENSE 57 THE CurnNG EOOE OF PRISON TECHNOLOGY 77 ON RACISM, RAp AND REBEWON 103 MUMIA ABU-JAMAL !NrERVIEW FROM DEATH Row 117 THE PRIsoN-HOUSE OF NATIONS 151 COURT TRANSCRIPT 169 THE MAN MALCOLM 187 PANTHER DAZE REMEMBERED 193 ASSATA SHAKUR PJusONER IN THE UNITED STATES 205 CHRONOLOGY OF THE BLACK PANTHER PARTY 221 FROM THE FBI PANTHER FILES 243 NOTES ON CONTRmUTORS 272 THE CAMPAIGN TO FREE BUCK POLITICAL PRISONERS 272 • ... Ahmad Abdur·Rahmon (reIeo,ed) Mumio Abu·lomol (deoth row) lundiolo Acoli Alberlo '/lick" Africa (releosed) Ohoruba Bin Wahad Carlos Perez Africa Chorl.. lim' Africa Can,uella Dotson Africa Debbi lim' Africo Delberl Orr Africa Edward Goodman Africa lonet Halloway Africa lanine Phillip. -
AUDRE LORDE: Dream of Europe 90000> SELECTED SEMINARS and INTERVIEWS 1984–1992
ISBN 978-0-9997198-7-9 AUDRE LORDE: dream of europe 90000> SELECTED SEMINARS AND INTERVIEWS 1984–1992 9780999 719879 AUDRE LORDE AUDRE : dream of europe dream of AUDRE LORDE: dream of europe elucidates Lorde’s methodology as a poet, mentor, and activist during the last decade of her life. This volume compiles a series of seminars, interviews, and conversations held by the author and collaborators across Berlin, Western Europe, and The Caribbean between 1984-1992. While Lorde stood at the intersection of various historical and literary movements in The United States—the uprising of black social life after the Harlem Renaissance, poetry of the AIDS epidemic, and the unfolding of the Civil Rights Movement-- this selection of texts reveals Lorde as a catalyst for the first movement of Black Germans in West Berlin. Lorde’s intermittent residence in Berlin lasted for nearly ten years, a period where she inspired many important local and global initiatives, from individual poets to international movements. The legacy of this “Black, lesbian, mother, warrior, poet” has been well persevered by her colleagues in Germany. It is an erotics of friendship that allowed Lorde and her collaborators EDITIONSKENNING to develop a strong sense of political responsibility for each other, transforming alliance and love Edited, with an afterword between women into tools for social change. These selected writings lay bare struggles, bonds, and by Mayra A. Rodríguez Castro Preface by Dagmar Schultz hopes shared among Black women in a transnational political context. POETRY | POLITICS KENNING EDITIONS POETRY | POLITICS KENNING EDITIONS AUDRE LORDE Lorde_Dream-draft.indd 2-3 11/14/19 8:39 AM DREAM OF EUROPE SELECTED SEMINARS AND INTERVIEWS: 1984-1992 Edited, with an afterword, by Mayra A. -
Empowering a New Generation
| 1 Tuesday, January 29, 2019 Empowering a New Generation From Black Panther and convict to writer, poet, producer, college professor, Academy Award nominee, and youth advocate, Jamal Joseph’s life has taken a circuitous path to the present. His is a story of perennial social activism, advancing lessons from his Black Panther days to empower a new generation. Excuse Me, Young Brother, I Just Did In the late 1960s, Eddie Joseph was a high school honor student, slated to graduate early and begin college. That path took a detour. A long one. Impassioned to resolve the social, economic, and political wrongs he saw in his Bronx community and the nation, 15-year-old Eddie was drawn to the ideology of the Black Panther Party, which was just gaining a national presence. He remembers riding the subway to the Panther office in Harlem with two friends to offer his services, enraged by the recent assassination of Dr. Martin Luther King Jr. He was ready to fight, even kill if necessary, to serve the cause. At the Panther office, a leader called the earnest teen up front. As Joseph stood by his side, the leader pulled open a desk drawer and reached far into it. Joseph’s heart pounded. He was prepared to be handed a gun—the power for social change. Instead, he was handed a stack of books, such as The Autobiography of Malcolm X and The Wretched of the Earth, Frantz Fanon’s 1961 work on the cultural foundations of social movements. Taken aback, Joseph said, “Excuse me, brother, I thought you were going to arm me.” The Panther’s reply: “Excuse me, young brother, I just did.” By 16, Eddie—now called Jamal—learned that the militant group the FBI declared to be “the greatest threat to America” was a multifaceted entity. -
St. Peter Claver's Parish (Brooklyn) : African American Mission, Way
ST. PETER CLAVER'S PARISH (BROOKLYN): AFRICAN AMERICAN MISSION, WAY-STATION, OR HOME? Victoria Marie Davies B.A. , Simon Fraser University, 1991 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of Sociology and Anthropology @Victoria Marie Davies 1994 SIMON FRASER UNNERSITY SEPTEMBER, 1994 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL , .. NAME: Victoria Marie Davies DEGREE: Master of Arts (Anthropology) TITLE OF THESIS: ST. PETER CLAVER'S PARISH (BROOKLYN): AFRICAN AMERICAN MISSION, WAY-STATION, OR HOME? Examining Committee Chair Dr. Gary Teeple Dr. Michael G. Kemy Senior Supervisor Professor of Anthropology Dr. h/lZiilyn Gates Associate Professor of Anthropology Dr. Don Grayston Lecturer Humanities Program External Examiner Date Approved September 8th, 1994 I hereby grant to Simon Fraser University the right to lend my thesis, project or extended essay (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission. Title of ThesislProjectlExtendedEssay "St. Peter Claver's Parish (Brooklyn): African American Mission, Way-Station, -- - or Home? " Author: (Signature) Victoria Marie Davies (Name) September 8th, 1994 (Date) ABSTRACT This is an anthropological study of an &can American Catholic parish in the inner-city of Brooklyn, New York.