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GE020 HERITAGE CONSERVATION 05 for Hong Kong by Sami Hasan | CBCC CIHE Heritage Discussing Heritage PRE-HISTORIC IMPERIAL COLONIAL MODERN RECENT AGE VINTAGE AGE 700BC - 19th c 1810’s-1950’s 1960’s – 1990’s 2000’s - Distant Past Recent Past From To History Heritage Distant Past Recent Past History > < Heritage How do you see this relation ? http://moodle.cihe.edu.hk/moodle/mod/feedback/view.php?id=18547/ [ Building ] HERITAGE Historic? ? ? ? Heritage? ? ? ? CULTURAL HERITAGE INTANGIBLE HERITAGE LIVING CULTURE Discussing BUILT Heritage HERITAGE NATURAL HERITAGE LIVING CULTURE EVERYDAY IMAGE/ SHARED LIVING EXPERIENCE MENTAL PICTURE MEMORY HERITAGE LONG SHARED SIGNIFICANCE TERM BY MANY MEMORY PART 1 HONG KONG’s INTANGIBLE CULTURAL HERITAGES http://www.heritagemuseum.gov.hk/en_US/web /hm/cultural/inventory.html TASK PART 1 HONG KONG’s INTANGIBLE CULTURAL HERITAGES A Oral Traditions and Expressions B Performing Arts C Social Practices, Rituals and Festive Events D Knowledge and Practices Concerning Nature and the Universe E Traditional Craftsmanship + Popular Culture/ Living Culture A Oral Traditions and Expressions Language & Dialects Riddles Cantonese Chanting Oral Legends of lineages A Oral Traditions and Expressions A Oral Traditions and Expressions 1 Hakka Dialect 2 Wai Tau Dialect 3 Cantonese 4 Four-character idiomatic expressions 5 Fishermen’s Dialect 6 Fujian Dialect 7 Fujian's Hokkien (Minnan) Dialect 8 Fujian's Fuzhou Dialect 9 Chiu Chow Dialect 10 Hoi Luk Fung / Hoklo Dialect A Oral Traditions and Expressions 11 Riddles Riddle creators establish forums of riddles, and make use of geographical names, historical figures to produce riddles. Participants solve the riddles through deleting words, adding words and switching pronunciations. A Oral Traditions and Expressions 12 Cantonese Chanting Chanting is a traditional teaching and study method. The Cantonese dialect is used for chanting classic poems and literature in tonal patterns. http://www.worldcat.org/wcpa/servlet/DCARead?standardNo=0520081048 &standardNoType=1&excerpt=true A Oral Traditions and Expressions 13-23 Oral Legends of Lineages Sheung Shui : LIU Tuen Mun: TO Chuk Yuen: LAM Ho Sheung Heung: HAU Tai Hang: MAN San Tin: MAN Fanling: PANG Kam Tin: TANG Lung Yeuk Tau :TANG Ha Tsuen: TANG Sheung Shui : LIU Tuen Mun: TO Chuk Yuen: LAM Ho Sheung Heung: HAU Tai Hang: MAN San Tin: MAN Fanling: PANG Kam Tin: TANG Lung Yeuk Tau :TANG + Ha Tsuen: TANG Oral Legends of Lineages Your Thoughts on Oral Tradition Discussion 6.2 http://moodle.cihe.edu.hk/moodle/mod/feedback/edit.php?id=18548 B Performing Arts Dance Music Opera Puppetry B Performing Arts B Performing Arts 24 Lion Dance 25 Dragon Dance 26 Pixiu (an imaginary beast) Dance 27 Unicorn Dance Punti unicorn dance; Hakka unicorn dance; Hoi Luk Fung/ Hoklo unicorn dance 31 Engor (Dance of Heroes) B Performing Arts 24 Lion Dance B Performing Arts 24 Lion Dance Male Northern Lion Female Northern Lion The Southern Cantonese Lion Fut shan Lion Hoksan Lion B Performing Arts 32 Cantonese Opera Singing of Excerpts; Opera Music; Opera for Appeasing Gods; Opera Vocals; Episodic Acts of Cantonese Opera 38 Fujian Opera B Performing Arts 51 Chiu Chow Music 52 Nanyin (Southern Tunes 53 Fujian Nanyin 55 Hakka Folk Song 62 Fishermen's Ballads 54 Zhuzhici Poems/Village Names in a Song 57 Wedding Laments (a Hakka ritual) 58 Fishermen’s Laments Wedding laments for both ordinary fishermen Hoklo fishermen; 56 Funeral Laments 46 Ritual MusicTaoist and Buddhist Ritual Music 49 Rite Music 58 Fishermen’s Laments Death Rites B Performing Arts 45 Eight Categories of Instrumental Music (a type of music in Guangdong) Eight Categories of Instrumental Music in Gongs & Drums B Performing Arts 50 Cantonese Music (flourished 1920s-50s) Cantonese music is popular in the Pearl River Delta region. Flourishing between the 1920s and the 1960s, Cantonese music has been widely accepted among the general public. https://www.youtube.com/watch?v=twV8deBOMwI B Performing Arts 39 Puppetry Shadow Puppetry, Rod Puppetry; Glove Puppetry; String Puppetry; Hand Puppets in Cantonese Opera C Social Practices, Rituals and Festive Events Rituals Customs/ Practices Festivals Marshal Art C Social Practices, Rituals and Festive Events C Social Practices, Rituals and Festive Events 63 Che Kung (General Che) Festival 64 Tai Wong Yeh (Great Lord) Festival Local iterations of the festival in Sam Mun Tsai and Yuen Chau Tsai in Tai Po, as well as Mui Wo 68 Tin Kung Yuk Wong Tai Tai (Jade Emperor) Festival 128 Man Cheong (God of Literature and Bureaucracy) Festival 143 Guang Ze Zun Wang (Revered King of Broad Blessings) Festival 144 Sam Shan Kwok Wong (Kings of Three Mountains) Festival 148 Offering Sacrifices to White Tiger during Insects Awakening Day 149 Chun Kwan Emperor Festival 181 Feast Day 347 Cantonese Rite of Liberating the Flaming-mouths (Feeding the Hungry Ghosts) 307 Jiao / Da Chiu C Social Practices, Rituals and Festive Events C Social Practices, Rituals and Festive Events 69 Kwan Tai (God of War)* 72 Lantern Lighting Ritual* 89 Tai Ping Hung Chiu (ceremony for purification)* 94 Pa Tin Gei (ceremony for purification)* 97 To Tei (Earth God)* 107 Spring and Autumn Ancestral Worship of Lineage* 129 Hung Shing (God of the Sea) Festival* 139 Kwun Yum (Goddess of Mercy) Festival* 145 Pak Tai (Supreme Emperor of the North) Festival* 150 Tin Hau (Empress of Heaven) Festival* 176 Tam Kung (Lord Tam) Festival* 179 LiLing Divine Festival 180 Kam Fa (Lady Golden Flower) Festival 182 Dragon Boat Festival* 291 Fire Dragon Dance* C Social Practices, Rituals and Festive Events 324 International Mother Language Day 325 Diwali (Festival of Lights), a Hindu tradition 326 Teej (Festival of Women), a Nepalese celebration 327 Poem Reciting Function, a Pakistani tradition 328 Holi (Hindu Festival of Colours) 329 Dussehra (Hindu Festival of Victory of Good over Evil) 330 Annakut (New Year’s Day in Hindu) C Social Practices, Rituals and Festive Events 348 Traditional Funeral Rites 349 Traditional Wedding Ceremonies* Boat People Hakka Walled Villages 356 Vegetable Tea during festivals (Hoklo) C Social Practices, Rituals and Festive Events 360 Tai Shing Pek Kwar Moon Style (Monkey and Axe Hammer Style) – wushu 361 Tai Chi Chuan* Tai Chi 366 Northern Shaolin Tay Tong Pak Kar 367 Weng Chun Fist* Wushu 370 Pak Hok Pai (White Crane) Fist Shaolin 371 Southern Shaolin Ng Cho Kun (Five Ancestors Fist) Tiebigong Fists (Iron Arm Skill) 372 Hung Gar Kuen Style Tanglangquan 373-377 Lam Family Hung Kyun; Kung Chi Fuk Fu Fist; Fu Hok Seung Ying Fist; Dan Tau Kwan; Tit Sin Fist 378 Fu Style Bagua Quan (Fu Style Eight Trigrams Fist) 379 Hua Yue Xin Yi Liu He Ba Fa Chuan (Six Harmonies Eight Methods Boxing) 380 Wing Chun Fist 381- 383 Pao Fa Lien Wing Chun; Snake Crane Wing Chun; Yip Man Wing Chun 384 Cangzhou Wushu* 387 Choi Lee Fat Fist* 390 Lung Ying Fist (Dragon Sign Fist) 391 Tanglangquan (Northern Praying Mantis) 392 – 395 Its variations D Knowledge and Practices Concerning Nature and the Universe Ip Man's son, Ip Chun, practices wing chun. Photo: Dickson Lee Medicine Fisherman’s Knowledge Jade Stone Knowledge Chinese Almanac D Knowledge and Practices Concerning Nature and the Universe Ip Man's son, Ip Chun, practices wing chun. Photo: Dickson Lee D Knowledge and Practices Concerning Nature and the Universe 396 Culture of Traditional Chinese Medicine Herbal Tea; Snake Wine; Bone Setting D Knowledge and Practices Concerning Nature and the Universe Photo: Martin Chan D Knowledge and Practices Concerning Nature and the Universe 400 Fishermen’s knowledge about the universe and the nature Fishermen in the Pearl River estuary have developed a body of knowledge and skills related to the distribution and migration of particular types of fish, fishing seasons and fishing methods. D Knowledge and Practices Concerning Nature and the Universe 401 Traditional Jade Stone Knowledge 402 Traditional Chinese Almanac E Traditional Craftsmanship Food Culture Crafts for Household Crafts for Rituals Crafts for Living E Traditional Craftsmanship E Traditional Craftsmanship 402 Making Soy Sauce 403 Fermented Black Soybean 404 Bean Curd 405 Seafood Sauce 416 Dried Oyster and Oyster Sauce 417 Fermented Soybean Sauce 408 Soy Sauce by local factories 433 Hakka Cuisine 413 Soy Sauce (Fujian Sauce Factories) 434 Cantonese Cuisine 406 Preserved Fruit 414 Preserved Meat 418 Salted Fish 412 Pickled Vegetable 407 Fei Gei Lam (Aeroplane Olive) 409 Sesame Oil 410 Fish Maw 411 Shrimp Paste Blocks and Shrimp Paste 415 Brewing Glutinous Rice Wine E Traditional Craftsmanship 419 Moon Cake 421 Betrothal Cakes 439 Egg Tart 420 Melon Seed (the snack) 440 Pineapple Bun 422 Chiu Chow Sugar Loaf 441 Wonton 423 Chiu Chow Style Sweets and Cakes 442 Hong Kong Style Milk Tea 424 Chiu Chow Five Assorted Betrothal Cakes 443 Yuan Yang Mixed Milk 432 Sweet Potato Cake Tea and Coffee 444 Ding Ding Candy 425 Glutinous Rice Dumpling 445 Blown Sugar (small 437 Dumpling balloon can be made from 428 Sau Fan syrup) 429 Shek Lau Tsai 430 Cha Kwo (Steamed Sticky Rice Dumpling) 431 Ching Ming Tsai (Paederia scandens Sticky Rice Dumpling) 438 Noodles 435 Chinese Dim Sum 436 Chiu Chow Marinated Food E Traditional Craftsmanship Cantonese food. Photo: K.Y. Cheng E Traditional Craftsmanship Mooncakes. Photo: Xinhua Egg tarts. Photo: EPA E Traditional Craftsmanship Mooncakes. Photo: Xinhua Egg tarts. Photo: EPA 446 Paper Crafting 447- 455 Ghost Master; Sky Lantern; Flower- Traditional Craftsmanship E canon; Flower-lantern; Paper Offerings; etc 456 Drawn Work Figurine
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  • Hong Kong's Old Villages

    Hong Kong's Old Villages

    METUPLACES JFA FROM 2018/2 THE PAST LOST IN NEW TOWNS: DOI:METU 10.4305/METU.JFA.2017.2.5 JFA 2018/2 197 (35:2)HONG 197-220 KONG’S OLD VILLAGES PLACES FROM THE PAST LOST IN NEW TOWNS: HONG KONG’S OLD VILLAGES Terry Van DIJK*, Gerd WEITKAMP** Received: 24.02.2016; Final Text: 06.03.2017 INTRODUCTION Keywords: Heritage; new town; master plan; planning; urbanisation. Awareness of Hong Kong’s built heritage and its value is considered to have begun to increase around the time of the end of British rule. The change in Hong Kong’s sovereignty in 1997 prompted a search for its own identity, because while no longer under British rule, and not being nor becoming entirely Chinese, it was not immediately obvious what the emerging Hong Kong should put forward as its cultural identity. The question since that time has also become economically pertinent, as Hong Kong has developed into a major Asian tourist destination. As cultural tourism could be developed into one of the pillars of Hong Kong’s leisure economy, debate emerged on its identity and the built heritage it reflects. This article addresses the popular assumption that before 1997, heritage had been of little interest to Hong Kong’s governments, as articulated by Yung and Chan (2011), Henderson (2001) and Cheung (1999). This negligence was explained by the fact that Hong Kong’s population was growing exponentially through several waves of large-scale immigration, while being under an obviously temporary British government. This resulted in a heterogeneous population (Henderson, 2001) which had just migrated there and was more concerned about access to housing, employment and transportation than the history of the lands they were about to inhabit (Yung and Chan, 2011, 459).