Paul Blaney Joseph Bowie Alvin Cornista Milt Hinton Fred Van Hove Lyn Stanley

Total Page:16

File Type:pdf, Size:1020Kb

Paul Blaney Joseph Bowie Alvin Cornista Milt Hinton Fred Van Hove Lyn Stanley THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Paul blaney joseph bowie Alvin Cornista Milt Hinton Fred Van Hove Lyn Stanley M International Jazz News Photo jazz Stories CD Reviews Book Reviews DVD Reviews Obituaries Volume 40 Number 3 Jul Aug Sept 2014 THE DIFFERENT DRUMMER... IS ON OUR LABEL WWW.INNOVA.MU 2 | CADENCE MAGAZINE | JUL AUG SEPT 2014 CORINA BARTRA & HER AZÚ PROJECT TRIBUTE TO CHABUCA GRANDA AVAILABLE ON CDBABY 4 | CADENCE MAGAZINE | JUL AUG SEPT 2014 ___ IC 1001 Doodlin’ - Archie Shepp ___ IC 1070 City Dreams - David Pritchard ___ IC 1002 European Rhythm Machine - ___ IC 1071 Tommy Flanagan/Harold Arlen Phil Woods ___ IC 1072 Roland Hanna - Alec Wilder Songs ___ IC 1004 Billie Remembered - S. Nakasian ___ IC 1073 Music Of Jerome Kern - Al Haig ___ IC 1006 S. Nakasian - If I Ruled the World ___ IC 1075 Whale City - Dry Jack ___ IC 1012 Charles Sullivan - Genesis ___ IC 1078 The Judy Roberts Band ___ IC 1014 Boots Randolph - Favorite Songs ___ IC 1079 Cam Newton - Welcome Aliens ___ IC 1016 The Jazz Singer - Eddie Jefferson ___ IC 1082 Monica Zetterlund, Thad Jones/ ___ IC 1017 Jubilant Power - Ted Curson Mel Lewis Big Band ___ IC 1018 Last Sessions - Elmo Hope ___ IC 1083 The Glory Strut - Ernie Krivda ___ IC 1019 Star Dance - David Friesen ___ IC 1086 Other Mansions - Friesen/Stowell ___ IC 1020 Cosmos - Sun Ra ___ IC 1088 The Other World - Judy Roberts ___ IC 1025 Listen featuring Mel Martin ___ IC 1090 And In This Corner… - Tom Lellis ___ IC 1027 Waterfall Rainbow - David Friesen ___ IC 1094 NY State of Mind - Ann Burton ___ IC 1028 Lew Tabackin - Dual Nature ___ IC 1097 Cybill Shepherd - Stan Getz ___ IC 1030 Golden Delicious - John Stowell ___ IC 1099 Trilogy - Tal Farlow ___ IC 1031 Satanic - Ernie Krivda ___ IC 1113 Galaxy Dust - Carlos Franzetti ___ IC 1032 These Are My Songs - ___ IC 1117 Golden Lady - Abbey Lincoln Otis Blackwell ___ IC 1119 Midnight Lullabye - Tom Gruning ___ IC 1033 The Main Man - Eddie Jefferson ___ IC 1120 Broken Wing - Chet Baker $16.95 each Free Shipping with 5 CD minimum order in USA • International Shipping 1/2 Off ___ IC 1036 Urbaniak - Michael Urbaniak ___ IC 1121 The Cat Strikes Again - ___ IC 1037 Last Sessions vol.2 - Elmo Hope Jimmy Smith ___ IC 1039 Live at Montreux - Sun Ra ___ IC 1122 Now - Ron Odrich & Arkestra ___ IC 1123 Ron Odrich - Unaccompanied ___ IC 1042 Secrets From The Sun - Suites Joe Lee Wilson ___ IC 1127 Dedicated to Bobby Darin - P. Vann ___ IC 1043 The Alchemist - Ernie Krivda ___ IC 1128 Because - Ron Odrich ___ IC 1044 This Is New - ___ IC 1138 Nights in Brazil - Judy Roberts Teddi King/Dave McKenna ___ IC 1141 Susannah McCorkle sings ___ IC 1047 Light Year - David Pritchard Harry Warren ___ IC 1048 Namyslovski ___ IC 1142 Paris Session - Earl Hines ___ IC 1052 Mantilla - Ray Mantilla ___ IC 1143 Cat Anderson - Paris Session ___ IC 1053 Hidden Treasure - Andy Narell ___ IC 1145 Toots Thielemans Live ___ IC 1055 Growing - Listen with ___ IC 1153 Fireworks - Ruby Braff Mel Martin & Dick Hyman ___ IC 1059 Cam Newton - Motive Behind ___ IC 1155 Jasmine - Tropical Breeze The Smile featuring Cassandra Wilson ___ IC 1061 Listening Glass - Friesen/Stowell ___ IC 1163 Radio - Peter Dean ___ IC 1063 Magical Elements - Dry Jack ___ IC 1165 Scrapple to the Apple - 52nd St. ___ IC 1066 Future Talk - Urszula Dudziak ___ IC 6052 Lew Tabackin - Rites Of Pan Inner City & Classic Jazz 50 Executive Blvd. • Elmsford, NY 10523-1325 ph: 914 592-1188 • fax: 914 592-3575 • www.innercityjazz.com 6 | CADENCE MAGAZINE | JUL AUG SEPT 2014 2014 New Releases on Quark Records RESolution by JOE ROSenberg ENSEMBLE WITH JOE ROSenberg (soprano SAXOPHONE), Edward Perraud (DRUms), DIDIER Petit (cello), Arnault CUISINIER (DOUBLE BAss), BRUNO ANGELINI (PIANO) “Resolution has a good chance of winning a wider audience, thanks to undeniable qualities: intelligent playing , osmosis between the musicians, and depth of expression.” Jazz Magazine, juin 2014 ROUGE et BLANC WITH JOE ROSenberg (soprano SAXOPHONE) AND FRÉDÉRIC Blondy (PIANO) “Joe Rosenberg, the hiker, works with musicians from all continents. He creates music that defies stylistic frontiers, with a propensity for total improvisation, as on “Rouge et Blanc” in duo with the excellent pianist Frederic Blondy.” Jazz Magazine, juin 2014 These two cd’s are available from CD Baby Web sites : www.quarkrecords.fr www.joerosenberg.net www.edwardperraud.com Play SUN RA by SUPERSONIC WITH THOMAS DE Pourquery (sAXOPHONEs), Edward Perraud (DRUms), FREDERICK Galiay (BAss), FABRICE Martinez (TRUMpet), Laurent Bardainne (sAXOPHONEs), Arnaud ROULIN (PIANO, Keybords), JEANNE ADDED (vocal). Who, from Sun Ra or Thomas de Pourquery, took up possesion of the other? The team, close-knit by the same love for transe, melody and improvisation, creates hysteria at each occurence. A sacred fire in sharing on the Sun Ra planet.” Libération 4 février 2014 Available from Itunes, Amazon 2014 winner of "les Victoires de la www.quarkrecords.fr Musique” - best jazz album in France. www.thomasdepourquery.com 8 | CADENCE MAGAZINE | JUL AUG SEPT 2014 Alan Broadbent and NDR Bigband America the Beautiful Compositions: Alan Broadbent Arrangements: Alan Broadbent alanbroadbent.com ndr.de/bigband eden-riverside.com JUL AUG SEPT 2014 | CADENCE MAGAZINE | 9 10 | CADENCE MAGAZINE | JUL AUG SEPT 2014 Celebrating 40 Years 1972 – 2012 We give jazz a boost in the Garden State! Education GENERATIONS OF JAZZ lively education program travels to schools ANNUAL SCHOLARSHIPS awarded to young jazz studies scholars Musical events PEE WEE RUSSELL MEMORIAL STOMP Hot Jazz party, every March JAZZFEST Indoor/outdoor festival each June, spanning the spectrum of jazz JAZZ FEAST free in Princeton each September COLLABORATIVE CONCERTS with various venues: Ocean County College, Community Theatre at Mayo Center for the Performing Arts, Bickford Theatre in Morristown, more Member benefits JERSEY JAZZ our award-winning 11x per year journal JAZZ SOCIALS informative, musical, fun, social FREE FILM SERIES ongoing ANNUAL MEETING free end of year social with entertainment DISCOUNTS AND FREEBIES from partner organizations RECORD BIN catalog of music not found elsewhere FREE LINKS musician listings on our Web site AND MORE new initiatives all the time www.njjs.org [email protected] • 1-800-303-NJJS (1-800-303-6557) New Jersey Jazz Society: Dedicated to the performance, promotion and preservation of jazz. The New Jersey Jazz Society is a 501(c)(3) registered Charitable Organization. Announcing: The Jazz Discography CD-ROM Version 14.0 Access detailed information on over 400,000 jazz releases from 1896 to today. Lord Music Reference, Inc. 12 | CADENCE MAGAZINE | JUL AUG SEPT 2014 THE DIMINISED WHOLE TONE CONCEPT BY MICKEY BASS World-renown Bassist, Composer, Arranger, Producer, Author Mickey has worked and toured with such luminaries as Gloria Lynne, Carmen McCrae, Billy Eckstine, Freddie Hubbard, Bobby Timmons, Sonny Rollins, Charles Mingus, and Miriam Makeba. This publication is the “Bebop Prayerbook”, the written culmination of what once was learned through years of apprenticeship with masters of the craft. Apprenticeship was the tradition by which a musician came up. This was the road to development for a unique sound and voice. This book presents a journey along that path - which has the footprints of history written all over it. As time moves on, more of those Icons, and pieces of this music are dropping away. So, the passing on of this vital knowledge has become increasingly rare. That is my reason for writing this book, I hope it might also be your reason for buying this book..... The real 'insider' stuff, told to you by someone who can, via his real life experience show you - Bassist Mickey Bass. This is a book, written by a working Musician, for Musicians - who want to WORK! Order your copy TODAY: http://rainbowjazz.com/buy-the-book "In the true tradition of the jazz vernacular, that has been passed down through the generations; this method offers an opportunity for a composer to shape his music in a very personal style Dr. Billy Taylor 14 | CADENCE MAGAZINE | JUL AUG SEPT 2014 New release!!!! Antonio Adolfo Rio, Choro, Jazz… (a tribute to legendary Brazilian pianist & composer Ernesto Nazareth) Produced and arranged by Antonio Adolfo Antonio Adolfo: piano Marcelo Martins (soprano sax and flute) Claudio Spiewak (guitars) Jorge Helder (double bass) Rafael Barata (drums & percussion) Marcos Suzano (percussion) Available at all major websites More information: www.aammusic.com www.antonioadolfomusic.com FREEDOM OF MUSIC “TRIBUTE TO COLTRANE” SLAMCD 292 Paul Dunmall, Tony Bianco. The duo’s second Coltrane set. “LIVE AT THE METROPOLITAN ROOM NYC” SLAMCD 545. 10 great jazz standards by Giancarlo Mazzu guitar and Luciano Troja piano. “THANK YOU TO JOHN COLTRANE” SLAMCD 290 Dunmall/Bianco, the original Coltrane collection. “RENEGADE” DOUBLE SLAMCD 291 Esmond Selwyn Guitar, Paul Sawtell Keyboards, Bill Coleman Bass, Tony Richards Drums. then completing each one before moving on to some further new idea. This is an important aspect of his work - unlike many lesser contemporaries he regularly resists before a bright ‘Yardbird Suite’ showcases the temptation to replace ideas with notes just one more time all the solo talents of for their own sake - and the same applies his quartet. equally to up-tempo selections like ‘Just One "DAY FOR NIGHT At JACK STRAW"Of Those Things’, S ‘ChinaLA Boy’MCD (a very hip And541 what a trio of talents completes it! Paul choice from the Traditional canon, producing Sawtell (whose dynamic piano is featured an outstandingly joyful solo statement) and here on a trio exploration of ‘Cheek To ‘All The Things You Are’ , where the phrases Cheek’) emerged from years as musical David Haney piano, Julian Priester trombone,of his opening eight bars hover like clouds Bdirectoruell to singer Salena N Joneseidlinger onto Britain’s above the rhythm section before dancing off fulltime jazz scene, revealing himself in the in a complex crazy-quilt of fast-moving lines process as one of our music’s most gifted and challenging polyrhythmic tone-clusters.
Recommended publications
  • Alvin Ailey American Dance Theater Announces Programming for New York City Center Season December 4, 2019 – January 5, 2020
    ALVIN AILEY AMERICAN DANCE THEATER ANNOUNCES PROGRAMMING FOR NEW YORK CITY CENTER SEASON DECEMBER 4, 2019 – JANUARY 5, 2020 Artistic Director Robert Battle Leads the Company in Five-Week Holiday Engagement Featuring More than Two Dozen Dynamic Works and a Series of Special Programs Opening Night Gala Benefit on Wednesday, December 4th Honors Elaine Wynn and the Elaine P. Wynn & Family Foundation World Premieres by Donald Byrd and Ailey’s First Resident Choreographer Jamar Roberts Company Premieres of Aszure Barton’s BUSK and Camille A. Brown’s City of Rain and New Productions of Judith Jamison’s Divining and Lar Lubovitch’s Fandango Special Evenings Celebrate The Ailey School’s 50th Anniversary on Tuesday, December 10th and Associate Artistic Director Masazumi Chaya on Sunday, December 22nd Tickets starting at $29 are on sale now! NEW YORK – UPDATED October 24, 2019 — Alvin Ailey American Dance Theater, New York City Center’s Principal Dance Company, returns to the theater’s stage from December 4, 2019 – January 5, 2020. Artistic Director Robert Battle leads Ailey’s 32 extraordinary dancers during this annual five-week engagement, which has become a joyous holiday tradition. The repertory features more than two dozen diverse works by some of the world’s preeminent choreographers, including world premieres by Donald Byrd and Ailey dancer and newly announced Resident Choreographer Jamar Roberts, company premieres by Aszure Barton and Camille A. Brown, and new productions by Judith Jamison and Lar Lubovitch. “I’m not only excited about this season’s topical works and the range of choreographers, but also that Jamar Roberts is now Ailey’s first-ever Resident Choreographer” stated Artistic Director Robert Battle.
    [Show full text]
  • Grist Only on Soundcult Extreme Album Review
    2/22/2018 Drumcorps – Grist only on Soundcult Extreme Album Review article quote Wanna find something? Drumcorps – Grist September 12, 2007 Fiend Leave a comment electronic, review breakcore, electronic, grindcore Album Reviews Music News Where to Send Promos Become a Editor About Us Copyright Policy Post Types Article Image Link Audio Video Quote Categories electronic metal news review rock Amazon Music Deals! Popular I could say i have a sort of love/hate relationship with grindcore, mostly because when its well made, it’s Kingcrow ‑ Insider completely and utterly awesome, but most of the times its just an amalgam of noise and not in the good sense, December 20, 2013 also i could say i have the same feeling with electronic music in general, so when Aaron Specter‘s Drumcorps no comments pulls this “Grist” saying it’s a mixing of grindcore and breakcore… i tend to take it with a grain of salt. It all starts up with “Botch Up and Die” and it’s pretty grindcore, kinda of a homage to Botch, with the eccentric Dark Tranquility and Sonata guitars over a grind blast beat, its not only amusing but quite groovy, nicely done, “Down” is kinda dance meets Arctica joined forces for Heavy noisecore with distorted samples and guitars into the mix, okkk, “Pig Destroyer Destroyer” has some nice Metal Poker Tournament drumming building to a slowed down chopped distorted noise filled beat … are we making fun of Pig Destroyer?, December 12, 2013 is this supposed to be a compliment or a satire, anyway it all builds up to a distorted guitar breakcore fest, no comments mixing real life drumming with beats and distortion….
    [Show full text]
  • Printcatalog Realdeal 3 DO
    DISCAHOLIC auction #3 2021 OLD SCHOOL: NO JOKE! This is the 3rd list of Discaholic Auctions. Free Jazz, improvised music, jazz, experimental music, sound poetry and much more. CREATIVE MUSIC the way we need it. The way we want it! Thank you all for making the previous auctions great! The network of discaholics, collectors and related is getting extended and we are happy about that and hoping for it to be spreading even more. Let´s share, let´s make the connections, let´s collect, let´s trim our (vinyl)gardens! This specific auction is named: OLD SCHOOL: NO JOKE! Rare vinyls and more. Carefully chosen vinyls, put together by Discaholic and Ayler- completist Mats Gustafsson in collaboration with fellow Discaholic and Sun Ra- completist Björn Thorstensson. After over 33 years of trading rare records with each other, we will be offering some of the rarest and most unusual records available. For this auction we have invited electronic and conceptual-music-wizard – and Ornette Coleman-completist – Christof Kurzmann to contribute with some great objects! Our auction-lists are inspired by the great auctioneer and jazz enthusiast Roberto Castelli and his amazing auction catalogues “Jazz and Improvised Music Auction List” from waaaaay back! And most definitely inspired by our discaholic friends Johan at Tiliqua-records and Brad at Vinylvault. The Discaholic network is expanding – outer space is no limit. http://www.tiliqua-records.com/ https://vinylvault.online/ We have also invited some musicians, presenters and collectors to contribute with some records and printed materials. Among others we have Joe Mcphee who has contributed with unique posters and records directly from his archive.
    [Show full text]
  • Jazzflitsmedewerker Herman Te Loo, Die Ook “Dat Moesten We Wel Doen
    1 16de JAARGANG, NR. 301 25 JULI 2018 IN DIT EXTRA DIKKE ZOMERNUMMER: 1 NIEUWS 5 JAZZ OP PAPIER 6 JAZZ OP DE PLAAT Dexter Gordon, Daan Kleijn, Roelofs/Bennink, Jin Jim, Marius Beets, Ad Colen e.a. 11 NORTH SEA JAZZ FESTIVAL 16 GENT JAZZ FESTIVAL 18 JAZZ OP DE PLANKEN EN VERDER: 22 Bestsellers en tips Jazzcenter 24 Downbeat Critics Poll 2018 winnaars 26 Bijlage: Jazz in Beeld JAZZ FLITS 302 KOMT 20 AUGUSTUS UIT ONAFHANKELIJK JAZZPERIODIEK SINDS 2003 NIEUWS BOY EDGAR PRIJS 2018 VOOR JASPER VAN ‘T HOF Fay Claassen op Nederlandse tournee met Dutch Songbook Samen met het Jazz Orchestra of the Concertgebouw maakt zangeres Fay Claassen in het najaar een tournee door Nederland met haar programma ‘Dutch Songbook’. Dat is een ode aan het Ne- derlandse lied met werk van onder ande- ren Herman van Veen, Doe Maar, Ram- ses Shaffy en Rogier van Otterloo. In totaal twaalf concerten staan op de rol. De première met gasten is op 1 oktober in het Concertgebouw A’dam. Claassen voerde het ‘Songbook’ twee jaar geleden al uit in Duitsland – in het Nederlands - met de WDR Big Band. In september komt daar een live-cd van uit. Fay Claassen in Henny Vrientens ‘Is dit alles’: https://bit.ly/2ISdzfo Jasper van ‘t Hof bij de bekendmaking van de Boy Edgar Prijs in LantarenVenster, Rotterdam. (Foto: Joke Schot) Jazzmozaïek wordt Jazz & Mo’ Het Vlaamse blad Jazzmozaïek gaat Toetsenist Jasper van ’t Hof (70) krijgt de Boy Edgar Prijs voortaan door het leven als Jazz & Mo’. 2018. Dit werd 29 juni bekendgemaakt tijdens het eve- Het blad werd vorig jaar herfst volledig nement inJazz in LantarenVenster, Rotterdam.
    [Show full text]
  • New York Meets Vienna
    Magazin der Gesellschaft der Musikfreunde in Wien März 2005 New York meets Vienna Dave Liebman: Zu Wien pflegt er zweifellos eine partikuläre Beziehung. Nicht nur weil er hier – beginnend mit „Lookout Farm“ 1974 im Jazzland – bereits häufig gastiert hat, nein: Wien beherbergt mit dem Porgy & Bess auch jenen Club, von dem er erst kürzlich, im letzten seiner dreimal jährlich verschickten E-Mail-Newsletter, erneut bekannte, dieser sei sein weltweiter Favorit unter den Jazzetablissements. Nun gastiert Dave Liebman mit mehreren Programmen im Magna Auditorium des Musikvereins. Der Mann, der solcherart eine besondere Wien-Affinität zum Ausdruck bringt, ist weit herumgekommen: Dave Liebmans Name hat Rang und Klang in der internationalen Jazz- Community. Als Saxophonist, Komponist und auch als Pädagoge hat er Spuren in der Geschichte hinterlassen, um noch in der Gegenwart Akzente zu setzen. Dave Liebman, das ist jener New Yorker Haudegen, der noch bei den Giganten des Jazz gelernt hat. John Coltrane war es, der den Jugendlichen für jene Musik begeisterte und ihm im persönlichen Kontakt Anregungen mit auf den Weg gab. Zum gemeinsamen Spiel reichte es freilich nicht: Denn als jene Lichtgestalt der sechziger Jahre, Konsensfigur für Avantgardisten und gemäßigte Modernisten, 1967 im Alter von nicht einmal 41 Jahren starb, war Liebman gerade 20 Jahre alt. Lehrling bei Miles Davis Höhere Weihen sollte der in einer liberalen jüdischen Familie in Brooklyn Aufgewachsene durch sein Engagement in der Band des ehemaligen Coltrane-Schlagzeugers Elvin Jones (den er in seinem Nachruf 2004 als eigentlichen musikalischen „Vater“ bezeichnete) erhalten, wie auch durch Miles Davis himself: 1972 als Ersatz für den kurzfristig ausgefallenen Carlos Garnett zu einem Aufnahmetermin für das Meisterwerk „On The Corner“ ins Studio gerufen, gehörte Liebman 1973/74 der Band des genial-schwierigen Trompeters nach dessen Umorientierung hin zum Rock-Jazz an – und erlebte in diesen knapp eineinhalb „Lehrlingsjahren“ (Liebman), die u.
    [Show full text]
  • Alvin Ailey American Dance Theater's Ailey Ascending
    FOR IMMEDIATE RELEASE Ailey Contacts: Christopher Zunner: [email protected] / 212-405-9028 Lauren Morrow: [email protected] / 212-405-9079 ALVIN AILEY AMERICAN DANCE THEATER’S AILEY ASCENDING 60th ANNIVERSARY CELEBRATION INCLUDES A LANDMARK SEASON AT NEW YORK CITY CENTER NOVEMBER 28 – DECEMBER 30 Five-Week Holiday Engagement Features World Premieres of Ronald K. Brown’s The Call and Rennie Harris’ Lazarus, Company Premiere of Wayne McGregor’s Kairos, New Production of Robert Battle’s Juba, and Timeless Ailey Program of Rarely Seen Works by Alvin Ailey Multimedia Work Becoming Ailey Brings Presence of Legendary Founder Back to the Stage Tickets starting at $29 are on sale now! November 6, 2018 (NEW YORK CITY) — Alvin Ailey American Dance Theater, New York City Center’s Principal Dance Company, returns to the theater’s stage from November 28 – December 30, 2018 for a milestone season. During the Company’s Ailey Ascending 60th Anniversary celebration, Artistic Director Robert Battle leads Ailey’s 32 extraordinary dancers during this five-week holiday engagement that will elevate a legacy of excellence in artistry with premieres by some of today’s most revered and prolific choreographers, including world premieres by Rennie Harris and Ronald K. Brown; a company premiere by Wayne McGregor; a new production of by Robert Battle; the return of a recent premiere by Jessica Lang, and special performances of rarely seen works by Alvin Ailey himself. The New York City Center season launches on Wednesday, November 28th with a 60th Anniversary Opening Night Gala benefit performance, followed by a party at the New York Hilton Grand Ballroom.
    [Show full text]
  • Le Festival EAR IT LIVE Jacques Daigle
    Document generated on 10/01/2021 2:32 p.m. Intervention Le festival EAR IT LIVE Jacques Daigle Number 14, February 1982 URI: https://id.erudit.org/iderudit/57493ac See table of contents Publisher(s) Intervention ISSN 0705-1972 (print) 1923-256X (digital) Explore this journal Cite this article Daigle, J. (1982). Le festival EAR IT LIVE. Intervention, (14), 46–48. Tous droits réservés © Les Éditions Intervention, 1982 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Les pires questions peuvent apparaître: Le festival EAR IT LIVE une première facilité? hasard? fumisterie? Telles sont les salles, appréhensions inhérentes à l'improvisation spontanée qui pourraient ouvrir la porte à un douloureux manifestation de musique improvisée à Québec débat... Kubota nous salue bien bas et repart orné d'un sourire oriental mystérieux. dans les années '80 TRIO LERICHE-ST-JEAN-HOULE (dimanche 1er novembre) Encore engourdi par cette longue disette Parler du jazz québécois ne constitue qui datait de plusieurs années, l'auditoire guère un sujet réjouissant pour un amateur potentiel se présenta en nombres très mo­ de cette musique presque réduit, du côté deste, malgré le prix d'entrée très aborda­ disques, à pleurer sur de rares reliques in­ ble et une publicité assez visible dans les trouvables, d'un passé voisin du grand derniers jours.
    [Show full text]
  • Echo Beatty – 'Tidal Motions' (Icarus Records & Vynilla Vinyl) (Album
    Echo Beatty – ‘Tidal Motions’ (Icarus Records & Vynilla Vinyl) (Album release: 28/01/2013 – Single ‘Tidal Motions’: 12/12/2012) The new Ghent-based label Icarus Records aims to be a platform for music that is undefined by musical borders. Antwerp-based duo Echo Beatty’s debut album ‘Tidal Motions’ is the first release on the label, a cooperation with Vynilla Vinyl. The album will be presented in Antwerp (Friday 18/01/13 - Salle Jeanne) and Ghent (Saturday 19/01/13 - Minardschouwburg). Echo Beatty Hailing from Antwerp, Echo Beatty are multi-instrumentalist Jochem Baelus and singer Annelies Van Dinter. It is February 2011, and Echo Beatty is the first-ever band to record an Icarus.fm livesession for Ghent-based radio station Urgent.fm. Consciously and continuously exploring their own musical limits, they use a wide array of homemade instruments, ranging from knitting needles and haircombs to musicboxes, to create their unpredictable and subtle trademark sound. Fragile yet sometimes aggressive. Light in some places, dark in others. Following the release of their first EP ‘Tiny Organs Of Trust’, and a small tour playing venues in Germany, The Netherlands and the Czech Republic, they temporarely move to Montreal in the spring of 2011 to work on new songs. There they join forces with producer Jeff Mc Murrich, known for prior collaborations with artists as Sandro Perri, Owen Pallett and Tindersticks. Tidal Motions Mc Murrich succesfully manages to capture Echo Beatty’s characteristical sound, that can be described as electric folk drenched in a subtle ‘Twin Peaks’’ atmosphere. ‘Tidal Motions’ is Echo Beatty’s very first full album.
    [Show full text]
  • Liebman Expansions
    MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world.
    [Show full text]
  • David Liebman Papers and Sound Recordings BCA-041 Finding Aid Prepared by Amanda Axel
    David Liebman papers and sound recordings BCA-041 Finding aid prepared by Amanda Axel This finding aid was produced using the Archivists' Toolkit November 30, 2018 Describing Archives: A Content Standard Berklee Archives Berklee College of Music 1140 Boylston St Boston, MA, 02215 617-747-8001 David Liebman papers and sound recordings BCA-041 Table of Contents Summary Information ................................................................................................................................. 3 Biographical/Historical note.......................................................................................................................... 4 Scope and Contents note............................................................................................................................... 4 Arrangement note...........................................................................................................................................4 Administrative Information .........................................................................................................................5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 Scores and Charts...................................................................................................................................
    [Show full text]
  • Peter Brötzmann | We Thought We Could Change the World
    PETER BRÖTZMANN | WE THOUGHT WE COULD CHANGE THE WORLD brotzmann.. we thought we could change the world Conversations with gerard rouy ´ wolke First edition 2014 © 2014 Peter Brötzmann and Gérard Rouy © Photos: Gérard Rouy © Artworks: Peter Brötzmann All rights reserved by the publisher Wolke Verlag, Hofheim Printed in Germany Cover design: Peter Brötzmann, Wuppertal ISBN 978-3-95593-047-9 www.wolke-verlag.de Content 7 Foreword 13 Conversations The early years 13 The international connections 29 The FMP years 41 Friendships 55 The art 66 The family 81 Getting older 88 The horns 96 The future 103 113 Photos | Artworks 171 Epilogue 175 List of Photos and Artworks 179 Discography 187 Index “Freedoms are not given, they are taken” “Words of a Rebel” (Pyotr Kropotkin) 1885 “Early this mornin’ when you knocked upon my door Early this mornin’ ooh when you knocked upon my door And I said, ‘Hello, Satan I believe it’s time to go.’ Me and the Devil was walkin’ side by side Me and the Devil, ooh was walkin’ side by side And I’m goin’ to beat my woman until I get satisfied. She say you don’t see why that you will dog me ’round (spoken: Now, babe, you know you ain’t doin’ me right, don’cha) She say you don’t see why, ooh that you will dog me ’round It must-a be that old evil spirit so deep down in the ground. You may bury my body down by the highway side (spoken: Baby, I don’t care where you bury my body when I’m dead and gone) You may bury my body, ooh down by the highway side So my old evil spirit can catch a Greyhound bus and ride.” “Me and the Devil Blues” (Robert Johnson) 1937 Foreword One day in 2008 an old friend of mine came to me and said, “I want to make a film about Peter Brötzmann, do you want to be part of it?” What a question! He didn’t know that much about (free) jazz and freely impro- vised music but from the late 70s on, he had been very much attracted — as we all were — by the graphic work of most of the Free Music Produc- tion records, a lot of them being worked out by Brötzmann.
    [Show full text]
  • Drew Gress, Artistic Integrity, and Some Kind of Accep- Portunity to Engage Visiting Artists and Craig Taborn, Tim Berne Tance, Even Within Its Own Mainstream
    Welcome to the 2006 Earshot Jazz Festival This year, “Seattle’s most important in three-day residency with the Seattle Roosevelt High School Band shares a bill annual jazz event” includes more than Repertory Jazz Orchestra that includes with the Ted Nash Quintet. 60 events over 18 days between October open rehearsals and workshops as well Th e Earshot Jazz Festival is by far the 19 and November 5. With more than as two concerts. biggest undertaking of the Earshot Jazz 200 artists participating, from around Once again, we’ll feature Seattle’s award- organization, but it is far from our only the world and around our city, this year’s winningest high-school jazz ensembles in activity. We present our own concerts event off ers as much as any of its prede- mainstage concerts with special guest throughout the year, collaborate on con- cessors to music lovers of the Seattle area. artist. Guest artists who have rehearsed cert presenting initiatives like SAM’s Art Th e festival includes main stage concerts, and performed with Garfi eld and Roos- of Jazz, the Anacortes Jazz Festival, and, club dates, meet-the-artist receptions, evelt High School Bands in the past have coming up, EMP’s Jazz in January. We jazz fi lms, and plenty of opportunities included saxophonists Ravi Coltrane publish the monthly Earshot Jazz news- for all fans of all ages to learn a bit more and Joshua Redman and New Orleans letter, and work to provide educational about the music and the musicians. trumpeter Nicholas Payton. Th is year, opportunities and advancements to the We’re excited about this festival.
    [Show full text]