A Childhood in Brittany Eighty Years Ago by ANNE DOUGLAS SEDGWICK

Total Page:16

File Type:pdf, Size:1020Kb

A Childhood in Brittany Eighty Years Ago by ANNE DOUGLAS SEDGWICK A Childhood in Brittany Eighty Years Ago By ANNE DOUGLAS SEDGWICK Author of "A Fountain Sealed," etc. This little sheaf of childish memories has been put together from many talks, in her own tongue, with an old French friend. The names of her relatives have, by her wish, been changed to other names, taken from their Breton properties, or slightly altered while preserving the character of the Breton original. CHAPTER I QUIMPER AND BONNE MAMAN WAS born at Quimper in Brit­ be parted from it, gave this child, to re­ tany on the first of August, place it, a handsome doll. It had legs 1833, at four o'clock in stuffed with sawdust and a clumsily the morning, and I have painted cardboard head, and on this head been told that I looked it wore a bourrelet. The bourrelet was about me resolutely and a balloon-shaped cap made of plaited fixed a steady gaze on the people in the wicker, and was worn by young children room, so that the doctor said, "She is not to protect their heads when they fell. We, blind, at all events." too, wore them in our infancy, and I re­ The first thing I remember is a hideous member that I was very proud when wear­ doll to which I was passionately attached. ing mine and that I thought it a very It belonged to the child of one of the ser­ pretty head-dress. vants, and my mother, since I would not I could not have been more than three 293 PRODUCED BY UNZ.ORG ELECTRONIC REPRODUCTION PROHIBITED 294 THE CENTURY MAGAZINE years old when I was brought down held before my father on his saddle as we to the grand salon to be shown to a friend rode through woods. He wore an easy of my father's, an Englishman, on his way Byronic collar and always went bare­ ^ to England from India, headed. He spent most of his time on and a pink silk dress I horseback, visiting his farms or hunting. then wore, and my in­ My father was of a wealthy bourgeois tense satisfaction in it, is family of Landerneau, and it must have my next memory. It had been his happy character and love of sport a stiff little bodice and rather than his wealth—he was master of skirt, and there were pink hounds and always kept the pack — that rosettes over my ears. But made him popular in Quimper, for the I could not have been a pretty child, for gulf between the bourgeois and the nob­ my golden hair, which grew abundantly lesse was almost impassable. Yet not only in later years, was then very scanty, and was he popular, but he had married my my mouth was large. I was stood upon mother, who was of an ancient Breton a mahogany table, of which I still see the family, the Rosvals. One of the Rosvals vast and polished spaces beneath me, and fought in the Combats des Trente against Mr. John Dobray, when I was introduced the English, and the dying and thirsty to him by my proud father, said, "So this Beaurnanoir to whom it was said on that is Sophie." historic day, "Bois ton sang, Beauman- Mr. Dobray wore knee-breeches, silk oir," was a cousin of theirs. stockings, and a high stock. I see my My mother was a beautiful woman father, too, very tall, robust, and fair, with black hair and eyes of an intense with the pleasantest face. But my fath­ dark blue. She was unaware of her own er's figure fills all my childhood. I was loveliness, and was much amused one day his pet and darling. When I cried and when her little boy, after gazing intently was naughty, my mother would say: at her, said, "Matnan, you are very beau­ "Take your daughter. She tires me and tiful." She repeated this remark, laugh­ is insufferable." Then my father would ing, to my father, on which he take me in his arms and walk up and said, "Yes, my dear, you are." down with me while he sang me to sleep My mother was extremely with old Breton songs. One of these ran: proud, and not at all flattered that she should be plain Mme. Jesus peguen brasve, Kerouguet, although she was de­ Plegar douras nene; voted to my father and it was the Jesus peguen brasvc, happiest menage. I remember one day see­ Ad ondar garan te! ing her bring to my father looking, for all her feigned brightness, a little conscious, This, as far as I remember, means, "May some new visiting-cards she had had Jesus be happy, and may His grace make printed, with the name of Kerouguet re­ us all happy." duced to a simple initial, and followed by At other times my father played strange, several of the noble ancestral names of her melancholy old Breton tunes to me on a own family. violin, which he held upright on his knee, "What's this?" said my father, laughing. using the bow across it as though it were "We needed some new cards," said my a cello. He was, though untaught, ex­ mother, "and I dislike so much the name ceedingly musical, and played by ear on of Kerouguet." the clavecin anything he had heard. It But my father, laughing more than must have been from him that I inherited ever, said: my love of music, and I do not remember "Kerouguet you married and Kerouguet the time that I was not singing. you must remain," and the new cards had I see myself, also, at the earliest age, to be relinquished. PRODUCED BY UNZ.ORG ELECTRONIC REPRODUCTION PROHIBITED •%^^ i V^, k.A..A. r'r^^'Vvj-i 'MI f!i T -j ' " z h :i^U.'. "WE PLATjaj IN THE GABDEN" My mother, with her black hair and fond of them. Fruit-tress grew against blue eyes, had a charming nose of the sort the walls, and beyond the groves and called "un nez Roxalane." It began very flower beds and winding gravel paths was straight and fine, but had a flattened little an orchard, with apricot-, pear-, and plateau on the tip which we called "la apple-trees, and the clear little river promenade de maman." My memory of Odel, with its washing-stones, where the her then is of a very active, gay, authori­ laundry-maids beat the household linen in tative young woman, going to balls, pay­ the cold, running water. ing and receiving visits, and riding out It was pleasant to hear the clap-clap-clap with my father, wearing the sweeping on a hot summer day. Is it known that habit of those days and an immense beaver the pretty pied water-wagtail is called la hat and plume. lavandiere from its love of water and its Quimper is an old town, and the hotels manner of beating up and down its tail of the noblesse, all situated in the same as our washerwomen wield their wooden quarter and on a steep street, were of beaters ? ' blackened, crumbling stone. From portes- Beyond the river, were the woods where cocheres .one entered the courtyards, and I often rode with my father, and beyond the gardens behind stretched far into the the woods distant ranges of mountains. I country. looked out at all this from my nursery- In the courtyard of our hotel was windows, with their frame of climbing- a stone staircase, with elaborate carv­ roses and heliotrope. Near my window ings, like those of the Breton churches, was a great lime-tree of the variety known leading to the upper stories; but for use as American. The vanilla-like scent of there were inner staircases. My mother's its flowers was almost overpowering, and boudoir, the petit salon, the grand salon, all this fragrance gave my mother a head­ the salle-a-manger, and the billiard-room ache, and she had to have her room moved were on the ground floor and gave out away from the garden to another part of upon the garden. the house. How clearly I see this room The high walls that ran along the of my mother's, with its high, canopied street and surrounded the garden were four-poster bed and the pale-gray paper concealed by plantations of trees, so that on the walls covered with yellow fleurs- one seemed to look out into the country. de-lis ! Flower-beds were under the salon-win­ The wall-paper in my father's room dows, and there were long borders of wild was one of the prettiest I have ever seen, strawberries that had been transplanted black, all bespangled with bright butter­ from the woods, as my mother was very flies. Of the grand salon I remember 295 PRODUCED BY UNZ.ORG ELECTRONIC REPRODUCTION PROHIBITED 296 THE CENTURY MAGAZINE most clearly the high marble mantelpiece, Brittany of those days had a pretty cus­ upheld by hounds sitting on their tom of always using the thou when ad­ haunches. On this mantelpiece was a dressing their masters or the Deity, thus huge boule clock, two tall candelabra of inverting the usual association of this Venetian glass, and two figures in vieux mode of address; for to each other they Saxe of a marquis and a marquise that said yoUj and on their lips this was the filled us with delight. On each side of familiar word, and the thou implied re­ the fireplace were two Louis XV court spect.
Recommended publications
  • Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear Through the Ages FCC TP V2 930 3/5/04 3:55 PM Page 3
    FCC_TP_V2_930 3/5/04 3:55 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V2_930 3/5/04 3:55 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 2: Early Cultures Across2 the Globe SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos.
    [Show full text]
  • Numismatics—An Ancient Science
    conttributions from The Museum of History AxVd Technologv: Paper 32 Numismatics—an Ancient Science A Survey of its History EIvn\i EIr\j CLini-Stcj\t)iiHi INTRODUCTION 2 evolution ol- a sciknch .3 beginnings oe coin coi.i.ec'l'inc s middle aces and early renaissance ii renaissan(.:e and CINQLECENTO I5 SEN'ENTEENTH CEN lEIRV 22 EICHIEENTH CENTURY 25 EARLY NINETEENTH CENTURY 34 -11 MODERN TRENDS AND ACCOMI'LISI I M EN TS NUMISMAITCS IN HIE UNI I ED STATES 60 LITERATURE CITED 6S NUMISMATICS-AN ANCIENT SCIENCE A Survey of its History By Elvira EUt^i Clain-Stefaiielli INTRODUCTION This study has been prompted l)y the author's within specific areas. Citations of their books and observation that many people resjard nuinismaties articles are given in shortened form in the footnotes, simply as coin coUectins;, a pleasant hobby for young- willi full references appearing at the end of the paper. sters or retired persons. The holder of siicii a view- Because coin collections have supplied the raw point is unaware of the sco[)e and accomplishments of material for much in\estigation, the histories of some a historical investi<;ation that traces cultural evolution of the major private and public collections also have throus^h one of the basic aspects of everyday human been included in this survey. life: money. Seen as a reflection of past aspirations In my research, I have had an excellent guide in and accomplishments, coins are invaluable sources Ernest Babelon's chapter "l.a nutnismati(]ue et son for scholarly research, but few people are aware of histoire," published in 1901 as part of the first volume the tremendous amount of work done in this field by of his Trailf des monnaies grecques et romaines: Theorie past generations.
    [Show full text]
  • The History of Fashion in France, Or, the Dress of Women from the Gallo
    r\ U Ly c r ^ -=4^-^ r J^^^ y^ ^^ ^->^ THE HISTORY OF FASHION IN FRANCE. 3-\MML THE HISTORY OF FASHION IN FRANCE; OR. THE DRESS OF WOMEN FROM THE GALLO-ROMAN PERIOD TO THE PRESENT TIME, FROM THE FRENCH OF M. AUGUSTIN CHALLAMEL. nv Mrs. CASHEL HOEY and Mr. JOHN LILLIE. S C R I R N E R A N IJ \V K L I' O k 1 J. I»»2. LONDON : PRINTED BY GILBERT AND RIVINGTON, LIMITED, ST. John's square. —— CONTENTS. INTRODUCTION. Various definitions of fashion—The grave side of its history—Quotations from the poets —Character of Frenchwomen—The refinement of their tastes and fancies — Paris the temple of fashion —The provinces ^Mdlle. Mars' yellow gown— The causes of fashion —A saying of Mme. de Girardin's —A remark of Mrs. TroUope's — The dress of actresses— Earliest theories of fashion— The Gyna;ceum of Amman First appearance of the "Journal des Dames et des Modes "—Lamesangere Other pubhcations—An anecdote concerning dolls— Plan of the History of Fashion in France CHAPTER I. THE GALLIC AND GALLO-ROMAN PERIOD. Gallic period—Woad, or the pastel—Tunics and boulgetes—"Mavors"and "Palla" — Cleanliness of the GaUic women -The froth of beer or "kourou"—The women of Marseilles; their marriage-portions — Gallo-Roman period — The Roman garment—The " stola "— Refinement of elegance—Extravagant luxury of women Artificial aids—A " vestiaire" or wardrobe-room of the period—Shoes—^Jewels and ornaments—The amber and crj'stal ball—Influence of the barbarians . -13 CHAPTER II. THE MEROVINGIAN PERIOD. Modifications in female dress after the Invasion of the Franks—Customs of the latter The Merovingians —Costumes of skins and felt ; cloaks and camlets—The coif, the veil, the skull-cap, the " guimpe," the cape—Fashionable Merovingian ladies adorn themselves with flowers — Various articles of dress— The "suint" —Young girls dress their hair without omamenis— St.
    [Show full text]
  • Les Coiffures
    Semaine 14 – ORTHOGRAPHE ET VOCABULAIRE Les coiffures 1. Trouvez les 30 fautes d’orthographe cachées dans ce teste extrait de la revue Animagine : Louis XIII perdit ses cheveux à trente ans et inaugura le porc port de la perruque. L’usage de ces postiches faits de faux cheveux était fréquent pour les vieillards des classes privilégiées, par contre un jeune noble aurait eu honte de porter cet attribut. Mais ce que le Roi fait devient coutume et la nouvelle coife coiffe royale faite de cheveux artificiels fut adoptée par la Cour. Louis XIV possédait une perruque différente pour chaque occupation de la journée, cette mode perdurat perdura sous Louis XV. Pendant le règne de Louis XVI, toute la bonne société portait perruque et les perruquiers pouvaient vivre heureux. A cette époque, on comptait environ douze cents perruquiers qui tenaient leur privilège(s) de Saint Louis et employaient six mille personnes. La poudre à perruque était un amidon vendu à prix d’or. Les parfumeurs assuraient détenir un extraordinaire secret de fabrication, alors qu’il ne s’agissait que d’un amidon réduis réduit en poudre et passer passé au travers d’un tamis de soie très serrée. Les boutiques de perruques n’étaient pas réputées pour leur hygiène… C’est la révolution de 1789 qui sonna le glas des perruques, le symbole d’une noblesse vieillissante. Alors, l’expression « tête a à perruque » désignait les vieillards obstinés et nostalgiques qui conservaient l’habitude des faux cheveux, et plus généralement toute personne démodée et vieillotte. Il fallut attendre la fin du XIXème siècle pour voir ressurgir resurgir une profession qui avait quasiment disparu(e).
    [Show full text]
  • The History of Fashion in France;
    :J**T i-HOl RARE BOOK COLLECTION fM THE LIBRARIES The University of Georgia ~i?<j>tf . - THE HISTORY OF FASHION IN FRANCE. P- „,-.</<'•', I THE HISTORY OF FASHION IN FRANCE; OR, THE DRESS OF WOMEN FROM THE GALLO-ROMAN PERIOD TO THE PRESENT TIME. FROM THE FRENCH OF M. AUGUST] X CH.\LL.\MEI. EY MRS. CASHEL HOEY AND MR. JOHN LILLIE. jgclu |9orh : S C R T J5 V £ K A N LJ V V, L V • ) 1< U 1882. w\&r T2SO CONTENTS. INTRODUCTION. Various definitions of fashion—The grave side of its history—Quotations from the poets—Character of Frenchwomen—The refinement of their tastes and fancies— Paris the temple of fashion—The provinces—Mdlle. Mars' yellow gown—The causes of fashion—A saying of Mme. de Girardin's—A remark of Mrs. Trollope's— The dress of actresses—Earliest theories of fashion—The Gynseceum of Amman— First appearance of the "Journal des Dames et des Modes"—Lamesangere— Other publications—An anecdote concerning dolls—Plan of the History of t"sJ,oriBOK Fashion in France ............ PRINTED BY GILBERT AND RIVINGTON, LIMITED, ST. JOHN©S SQUARE. CHAPTER I. THE GALLIC AND GALLO-ROMAN PERIOD. Gallic period—Woad, or the pastel—Tunics and boulgetes—"Mavors" and "Palla" —Cleanliness of the Gallic women -The froth of beer or "kourou"—The women of Marseilles ; their marriage-portions — Gallo-Roman period — The Roman garment—The'' stola "—Refinement of elegance—Extravagant luxury of women— Artificial aids—A " vestiaire" or wardrobe-room of the period—Shoes—Jewels and ornaments—The amber and crystal ball—Influence of the barbarians CHAPTER II.
    [Show full text]
  • Fashion,Costume,And Culture
    FCC_TP_V2_930 3/5/04 3:55 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V2_930 3/5/04 3:55 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 2: Early Cultures Across2 the Globe SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos.
    [Show full text]
  • Hats and Headdresses
    Hats and Headdresses WN 704 $17.00 WN 701 $10.00 14th-15th Century Hennin Wimple Hat Two styles of Hennin Includes Wimple, Hood, coif, and veil Two styles of Hennin. Popular for a variety of medieval looks. WN 702 $10.00 th th Templer Hat during the 14 and 15 century, Features padded roll with false many noble women shaved their coxcomb, templer back and head so that the Hennin would false liripipe. This hat wear properly. High foreheads reminiscent of medieval Dutch were considered beautiful. Modern headwear. hair can be pulled under the Hennin for a period look. WN 703 $10.00 FF 02 $17.00 Men’s Hats and Caps Headwear Extraordinaire Pattern includes a variety of Contains patterns for 3 bag hats, flat men’s headwear from 14th-16th cap, mob cap, Robin Hood hat, century as shown. PP 52 $22.00 jester’s hood, wizard hat, th Tudor Era Headdresses Renaissance cap, and two 19 A variety of headdresses as century crowned bonnets suitable for pictured covering the time period Dickens event. 1490-1580 AD MR GB $6.00 MR RH $10.00 Glengarry Bonnet Randulf’s The Glengarry is a Scottish MR Coif $4.00 Round Hats bonnet with a military flair. This Randulf's Arming Coif This pattern contains many hats cap is said to have been Sizes: Multisized popular at Renaissance faires and invented by McDonnell of This is a simple pattern for a two- Highland games: flat cap, muffin Glengarry for King George IV’s panel, stretchy, close-fitting hood. It cap, Beret, Tam O’Shanter, 1828 visit to the highlands.
    [Show full text]
  • The Complete Costume Dictionary
    The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.
    [Show full text]
  • Fancy Dresses Described;
    :5^ 1 : Fancy dresses described; OR, WHAT TO WEAR AT FANCY BALLS. By ARDERN holt. FIFTH EDITION. LONDON DEBENHAM & FREEBODY, WIGMORE STREET AND WELBECK STREET ; WYMAN & SONS, 74-76, GREAT QUEEN STREET AND ALL BOOKSELLERS. ENTERED AT STATIONERS HALL. '^/f"] 1 hit DEBENHAM & FREEBODY Invite an inspection of their Novelties and Specialties in COURT DRESSES AND TRAINS, PRESENTATION DRESSES, BALL, EVENING, AND VISITING DRESSES, COSTUMES, TAILOR-MADE JACKETS AND GOWNS, TEA-GOWNS, DRESSING-GOWNS, MANTLES, MILLINERY, AND WEDDING TROUSSEAUX. s:p'ecia;i. o.'Esre'NS in NA TIONAL, ilf/Srp^^GJlL. '^ANDjFAJk'f V COSTUMES jF<:^i?J fli'Bi^&Aj}^xya''tiEkigijzAi.s, and * FANcYBALLS. DEBENHAM & FREEBODY, WIGMORE STREET c^' WELBECK STREET, LONDON, W. aiFT OF PREFACE HE Fourth Edition of Ardern Holt's "Fancy Dresses Described" being exhausted, we have made arrange- ments for the publication of the Fifth Edition with such corrections as experience dictates, and a very large addition to the number of characters detailed. The suggestions we have received have been carefully noted, and the result is a larger and more comprehensive work than any hitherto published. The inquiry for Coloured Plates has induced us to select sixteen favourite Models for Illustration in Colours, of a completely new character, as well as a new series of smaller Illustrations, and we trust they will add greatly to the usefulness of the book. The Author's name is a guarantee for the correctness of the descriptions and accuracy of details; and we have endea- voured (as in former editions) to maintain such simplicity as will enable many ladies to produce the costumes at home.
    [Show full text]
  • A Hat for a Fair Damsel of Camelot by Rachelle Spiegel
    A Hat for a Fair Damsel of Camelot by Rachelle Spiegel While history seems to place the historical King Arthur, a legendary British leader who, according to Medieval histories and romances, led the defense of Britain against Saxon invaders, in the early sixth century (a period of very basic and fairly primitive costuming), the fantasy of Camelot was truly developed in the Later Middle Ages. The romance of chivalry and the elaborate court styles of the times have great possibilities in the realm of miniature design and costuming. Throughout the Medieval Period all women, with the exception of young girls, kept their hair completely covered in public. The style included a very high forehead, often achieved by shaving or plucking the hairline above the forehead. In earlier periods the head covering was generally a wimple or veil. Later styles of headdress fall into severa main categories: the reticulated (having a net-like pattern), the horned, the heart shaped, the turban and the hennin. Reticulated headdresses were basically cauls (a close fitting cap, usually of net-work, enclosing the hair) of silver or gold wire, often set with jewels, forming side pillars to the face, in which the hair was concealed. Originally the mesh was formed into two cylinders which fitted on either side of the head in front of the ears which enclosed plaits or unbound tresses of hair which were inserted through the open tops.These side cauls were attached to a circlet or fillet which had a semicircular projection on either side, forming the tops of the cauls.
    [Show full text]
  • Aunt Flossie's Hats: and Crab Cakes Later Elizabeth Fitzgerald Howard and James E
    Aunt Flossie's Hats: and Crab Cakes Later Elizabeth Fitzgerald Howard and James E. Ransome Two little girls visit their Aunt Flossie and, while trying on some of her many hats, listen to the memories that each hat brings. Each reminiscence paints a portrait of some aspect of African- American history, but the girls' favorite is the day the wind blew Aunt Flossie's best hat into the river. • Spark student’s interest by asking them to think about something special that they did or that happened to them. Ask students: What were you wearing during this special time? Encourage children to tell what happened and what they were wearing at that time. o Write the question on chart paper and record children's responses below it. Then explain to children that the story they are going to listen to is about Aunt Flossie. When her two nieces come to visit, Aunt Flossie tells them stories. Each story comes to mind because she remembers the particular hat she was wearing at that time. Aunt Flossie shares her memories with her nieces as she shares her hats. • Do you have any memories (pictures, mementos, journals, etc.) that you can share with your students? o Encourage students to share their memories in small groups or with the whole class. Be aware that students might choose to bring in items from home that might be valuable. • Discuss the importance of preserving memories with your students. o Why do we want to have something to hand down to the next generation, to our children and grandchildren? .
    [Show full text]
  • Backwoods Home Magazine Index of Back Issues Issues 1 - 175
    Backwoods Home Magazine Index of Back Issues Issues 1 - 175 Author Title Subject/Category Subcategory Issue Anthology Solar cell improvements make solar modules desirable Weiss, David as home electricity source Alternative energy Solar 1 Best of the First Two Years A little knowledge and sweat can build a home for under Duffy, Dave $10,000 Building 1 Best of the First Two Years Aaltonen, Leo The beaver pond Country living 1 Best of the First Two Years Silveira, John The perfect defense Fiction 1 Best of the First Two Years Coyne, Alasdair Become self sufficient with raised vegetable beds Gardening Raised beds 1 Solar cell inventor Tony Lamb made his breakthrough in Fox, Maureen 1931 Profile 1 Best of the First Two Years Can a woman alone make a life in the backwoods? Ask O'Hara, Kathleen Cecilia Taylor Barry! Profile 1 Best of the First Two Years Cook, Jan Backwoods home recipes Recipes 1 Best of the First Two Years Weiss, David The facts of life Science 1 Best of the First Two Years Wolcott, Diamond Joe Hard woods are the best but pine has its place Self-sufficiency Heating 1 Best of the First Two Years Gray, Lisa The do's and don’ts of buying backwoods property Self-sufficiency Buying property 1 Best of the First Two Years Duffy, Dave A telephone for Vailsburg Americana Old days 1 Best of the First Two Years Jagow, Liz Resources: getting the most out of your water Water 1 Willey, Steve Solar power - is it the answer for your electric needs? Alternative energy Solar 2 Best of the First Two Years Edwards, Wes Solar cells, inverters, and your personal computer Alternative energy Solar 2 Best of the First Two Years 3 Missouri quakes of 1811-12 rang church bells in Silveira, John Boston, toppled 150,000 acres of forest Americana Old days 2 Best of the First Two Years From domes to yurts, home ideas get their inspiration Barth, Tom from the past Building Dome/yurts 2 Best of the First Two Years Duffy, Dave Steal a porch from the forest Building Porch 2 Best of the First Two Years Young, R.
    [Show full text]