A PROJECT DESIGN of T:Ie COSTUH.SS for TFE MERRY
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Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear Through the Ages FCC TP V2 930 3/5/04 3:55 PM Page 3
FCC_TP_V2_930 3/5/04 3:55 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V2_930 3/5/04 3:55 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 2: Early Cultures Across2 the Globe SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos. -
Costume Crafts an Exploration Through Production Experience Michelle L
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 Costume crafts an exploration through production experience Michelle L. Hathaway Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Hathaway, Michelle L., "Costume crafts na exploration through production experience" (2010). LSU Master's Theses. 2152. https://digitalcommons.lsu.edu/gradschool_theses/2152 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. COSTUME CRAFTS AN EXPLORATION THROUGH PRODUCTION EXPERIENCE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Theatre by Michelle L. Hathaway B.A., University of Colorado at Denver, 1993 May 2010 Acknowledgments First, I would like to thank my family for their constant unfailing support. In particular Brinna and Audrey, girls you inspire me to greatness everyday. Great thanks to my sister Audrey Hathaway-Czapp for her personal sacrifice in both time and energy to not only help me get through the MFA program but also for her fabulous photographic skills, which are included in this thesis. I offer a huge thank you to my Mom for her support and love. -
Broadway Costumes 2012 Rental List
Broadway Costumes Costume Rentals How-To’s, Contract Terms & Conditions Rental Rates & Deposits: The basic rental period is 2 nights. We do not charge for any days that Broadway Costumes is closed. Additional days rent at the rate of 20% per day plus tax. Special weekly rates and “play” rates may apply. Just inquire as to your special needs. Deposits are required and are usually twice the amount required as the stated rental rate up to and including the current retail value. Minimum deposit is $20. Deposits are not refundable for any cancellations unless 1 (one) week or more in advance, then 50% refunded. The deposit is NOT part of the rental balance. The entire rental balance is due when the costume is picked up. Deposits may be made by credit card (Visa, MasterCard, American Express) or by cash. Deposits are refunded after costume return and any applicable fees are paid. Rental Return: You must return all rented items by the date stated on the contract. Items not returned on the specified date are subject to a late fee of 20% of the basic rental rate per day late plus tax. Alterations by Broadway Costumes: Alterations and cleaning are normally included in the rental price. However, alterations may take up to two weeks at peak seasons; faster service may require an additional service charge. Alterations by Customer: NO ALTERATIONS are allowed by the customer. Any alterations done outside of Broadway Costumes will be considered as damage and will result in assessed fees. Smoking and Eating While in Costume: Be very cautious. -
A Live Woman in the Mines
» 1534 )13 L.5 857 opy ^ No. CXXX. I HE IVIINOR DRAMA. LIVE ¥OMAI n THE MINES PIKECOUNTY AHEAD! g.Iotal|Ugina;(ao^tts. BY "OLD BLOCK. WITH CAST OP CHARACTERS, STAGE BUSINESS, COSTUMES, RELATIVE POSITIONS, &c., &c. ..'*^- NEW YORK: SAMUEL FRENCH, 122 Nassau Street, (Up Stairs.) PRICE,] []2i CENTS. Monograph, 1 . L FHIiiMIII'S ST\.\DAIID 1)11 \]l.f. 1'kice 12^ Cents kacii.—Bound VOLt'MES $L , • . — " "i \ OL. IL I VOL. VOL. I. IIL ! '1 .••-r. OcbUciiub, [ 1. Ion. «. Pa«u>, I< 1 WhilrhraJ II 1 1 Tii« I.nly of Lyent, . 1.. ..u. :r»«r»nl. 1 4 1 <'>,TI«> : n»ymaon. ; iucfHTbool fwcijcan; 8 Moaer -' ! Wah» I'orlriil »cJ Mm .f 1 ..: Mc. A MOWATT. w[ Mr <'ll.\~^ Kl..\N, I .M< W 1 111 Klo.N. VOL. IV. VOL. V. VOL. VL 33. A .NViv \V»rU) l'»y (»:.; ; ,h, >innioB», l».biv <•«. 1 r.inc*. 11 r..-.:; I!. C,r» Yo.l Ia^»| a:< Ti.-: Jt'-nl L>iy. X. 1, riflk. Tvro (ianlUiuva o[ Vf>- .1 r, . N.Clll. \Vif«. 17 '1 :i 48.1 srfWon til 'JlOff. Willi 1 jiif ' Mil .Moiuotr Will, .r 1 ^V.iUilVr;,i.t»!»<< Memoir 1 of -Mr J. 11. IIAi:KE-|T. of «J < o|,M AN iho Killer. .,f»: N-. VOL. VIL VOL. VI I '* Wi.. i A. r^ l.<iT«, 40. Hold to Rui?i. i7. Tlie \p<~lair, 1 51) M.. l.th. .V. T v.inli \.„-!ii. r.*". .«.' Viii Like li. rf Brulber. ] ;;' 1 il. Ih. Uu.alli. 7' '! > M :>iiil CouBlrgr, , 71 l.e(«r. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
Numismatics—An Ancient Science
conttributions from The Museum of History AxVd Technologv: Paper 32 Numismatics—an Ancient Science A Survey of its History EIvn\i EIr\j CLini-Stcj\t)iiHi INTRODUCTION 2 evolution ol- a sciknch .3 beginnings oe coin coi.i.ec'l'inc s middle aces and early renaissance ii renaissan(.:e and CINQLECENTO I5 SEN'ENTEENTH CEN lEIRV 22 EICHIEENTH CENTURY 25 EARLY NINETEENTH CENTURY 34 -11 MODERN TRENDS AND ACCOMI'LISI I M EN TS NUMISMAITCS IN HIE UNI I ED STATES 60 LITERATURE CITED 6S NUMISMATICS-AN ANCIENT SCIENCE A Survey of its History By Elvira EUt^i Clain-Stefaiielli INTRODUCTION This study has been prompted l)y the author's within specific areas. Citations of their books and observation that many people resjard nuinismaties articles are given in shortened form in the footnotes, simply as coin coUectins;, a pleasant hobby for young- willi full references appearing at the end of the paper. sters or retired persons. The holder of siicii a view- Because coin collections have supplied the raw point is unaware of the sco[)e and accomplishments of material for much in\estigation, the histories of some a historical investi<;ation that traces cultural evolution of the major private and public collections also have throus^h one of the basic aspects of everyday human been included in this survey. life: money. Seen as a reflection of past aspirations In my research, I have had an excellent guide in and accomplishments, coins are invaluable sources Ernest Babelon's chapter "l.a nutnismati(]ue et son for scholarly research, but few people are aware of histoire," published in 1901 as part of the first volume the tremendous amount of work done in this field by of his Trailf des monnaies grecques et romaines: Theorie past generations. -
The History of Fashion in France, Or, the Dress of Women from the Gallo
r\ U Ly c r ^ -=4^-^ r J^^^ y^ ^^ ^->^ THE HISTORY OF FASHION IN FRANCE. 3-\MML THE HISTORY OF FASHION IN FRANCE; OR. THE DRESS OF WOMEN FROM THE GALLO-ROMAN PERIOD TO THE PRESENT TIME, FROM THE FRENCH OF M. AUGUSTIN CHALLAMEL. nv Mrs. CASHEL HOEY and Mr. JOHN LILLIE. S C R I R N E R A N IJ \V K L I' O k 1 J. I»»2. LONDON : PRINTED BY GILBERT AND RIVINGTON, LIMITED, ST. John's square. —— CONTENTS. INTRODUCTION. Various definitions of fashion—The grave side of its history—Quotations from the poets —Character of Frenchwomen—The refinement of their tastes and fancies — Paris the temple of fashion —The provinces ^Mdlle. Mars' yellow gown— The causes of fashion —A saying of Mme. de Girardin's —A remark of Mrs. TroUope's — The dress of actresses— Earliest theories of fashion— The Gyna;ceum of Amman First appearance of the "Journal des Dames et des Modes "—Lamesangere Other pubhcations—An anecdote concerning dolls— Plan of the History of Fashion in France CHAPTER I. THE GALLIC AND GALLO-ROMAN PERIOD. Gallic period—Woad, or the pastel—Tunics and boulgetes—"Mavors"and "Palla" — Cleanliness of the GaUic women -The froth of beer or "kourou"—The women of Marseilles; their marriage-portions — Gallo-Roman period — The Roman garment—The " stola "— Refinement of elegance—Extravagant luxury of women Artificial aids—A " vestiaire" or wardrobe-room of the period—Shoes—^Jewels and ornaments—The amber and crj'stal ball—Influence of the barbarians . -13 CHAPTER II. THE MEROVINGIAN PERIOD. Modifications in female dress after the Invasion of the Franks—Customs of the latter The Merovingians —Costumes of skins and felt ; cloaks and camlets—The coif, the veil, the skull-cap, the " guimpe," the cape—Fashionable Merovingian ladies adorn themselves with flowers — Various articles of dress— The "suint" —Young girls dress their hair without omamenis— St. -
Fashion and Transgressive Dressing in the Mid-To-Late Eighteenth Century British North Atlantic Brenna Buchanan Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2017 "To Dress Against Nature and Reason": fashion and transgressive dressing in the mid-to-late eighteenth century British North Atlantic Brenna Buchanan Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the History Commons Recommended Citation Buchanan, Brenna, ""To Dress Against Nature and Reason": fashion and transgressive dressing in the mid-to-late eighteenth century British North Atlantic" (2017). Graduate Theses and Dissertations. 15267. https://lib.dr.iastate.edu/etd/15267 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. “To dress against nature and reason”: Fashion and transgressive dressing in the mid- to-late eighteenth century British North Atlantic by Brenna Holly Buchanan A dissertation submitted to the graduate faculty in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Major: Rural Agricultural Technological and Environmental History Program of Study Committee: John Monroe, Co-major Professor Julie Courtwright, Co-major Professor Kathleen Hilliard Margaret LaWare Pamela Riney-Kehrberg The student author and the program of study committee are solely responsible for the content of this dissertation. The Graduate College will ensure this dissertation is globally accessible and will not permit alterations after a degree is conferred. Iowa State University Ames, Iowa 2017 Copyright © Brenna Holly Buchanan, 2017. -
Les Coiffures
Semaine 14 – ORTHOGRAPHE ET VOCABULAIRE Les coiffures 1. Trouvez les 30 fautes d’orthographe cachées dans ce teste extrait de la revue Animagine : Louis XIII perdit ses cheveux à trente ans et inaugura le porc port de la perruque. L’usage de ces postiches faits de faux cheveux était fréquent pour les vieillards des classes privilégiées, par contre un jeune noble aurait eu honte de porter cet attribut. Mais ce que le Roi fait devient coutume et la nouvelle coife coiffe royale faite de cheveux artificiels fut adoptée par la Cour. Louis XIV possédait une perruque différente pour chaque occupation de la journée, cette mode perdurat perdura sous Louis XV. Pendant le règne de Louis XVI, toute la bonne société portait perruque et les perruquiers pouvaient vivre heureux. A cette époque, on comptait environ douze cents perruquiers qui tenaient leur privilège(s) de Saint Louis et employaient six mille personnes. La poudre à perruque était un amidon vendu à prix d’or. Les parfumeurs assuraient détenir un extraordinaire secret de fabrication, alors qu’il ne s’agissait que d’un amidon réduis réduit en poudre et passer passé au travers d’un tamis de soie très serrée. Les boutiques de perruques n’étaient pas réputées pour leur hygiène… C’est la révolution de 1789 qui sonna le glas des perruques, le symbole d’une noblesse vieillissante. Alors, l’expression « tête a à perruque » désignait les vieillards obstinés et nostalgiques qui conservaient l’habitude des faux cheveux, et plus généralement toute personne démodée et vieillotte. Il fallut attendre la fin du XIXème siècle pour voir ressurgir resurgir une profession qui avait quasiment disparu(e). -
The History of Fashion in France;
:J**T i-HOl RARE BOOK COLLECTION fM THE LIBRARIES The University of Georgia ~i?<j>tf . - THE HISTORY OF FASHION IN FRANCE. P- „,-.</<'•', I THE HISTORY OF FASHION IN FRANCE; OR, THE DRESS OF WOMEN FROM THE GALLO-ROMAN PERIOD TO THE PRESENT TIME. FROM THE FRENCH OF M. AUGUST] X CH.\LL.\MEI. EY MRS. CASHEL HOEY AND MR. JOHN LILLIE. jgclu |9orh : S C R T J5 V £ K A N LJ V V, L V • ) 1< U 1882. w\&r T2SO CONTENTS. INTRODUCTION. Various definitions of fashion—The grave side of its history—Quotations from the poets—Character of Frenchwomen—The refinement of their tastes and fancies— Paris the temple of fashion—The provinces—Mdlle. Mars' yellow gown—The causes of fashion—A saying of Mme. de Girardin's—A remark of Mrs. Trollope's— The dress of actresses—Earliest theories of fashion—The Gynseceum of Amman— First appearance of the "Journal des Dames et des Modes"—Lamesangere— Other publications—An anecdote concerning dolls—Plan of the History of t"sJ,oriBOK Fashion in France ............ PRINTED BY GILBERT AND RIVINGTON, LIMITED, ST. JOHN©S SQUARE. CHAPTER I. THE GALLIC AND GALLO-ROMAN PERIOD. Gallic period—Woad, or the pastel—Tunics and boulgetes—"Mavors" and "Palla" —Cleanliness of the Gallic women -The froth of beer or "kourou"—The women of Marseilles ; their marriage-portions — Gallo-Roman period — The Roman garment—The'' stola "—Refinement of elegance—Extravagant luxury of women— Artificial aids—A " vestiaire" or wardrobe-room of the period—Shoes—Jewels and ornaments—The amber and crystal ball—Influence of the barbarians CHAPTER II. -
Fashion,Costume,And Culture
FCC_TP_V2_930 3/5/04 3:55 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V2_930 3/5/04 3:55 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 2: Early Cultures Across2 the Globe SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos. -
Hats and Headdresses
Hats and Headdresses WN 704 $17.00 WN 701 $10.00 14th-15th Century Hennin Wimple Hat Two styles of Hennin Includes Wimple, Hood, coif, and veil Two styles of Hennin. Popular for a variety of medieval looks. WN 702 $10.00 th th Templer Hat during the 14 and 15 century, Features padded roll with false many noble women shaved their coxcomb, templer back and head so that the Hennin would false liripipe. This hat wear properly. High foreheads reminiscent of medieval Dutch were considered beautiful. Modern headwear. hair can be pulled under the Hennin for a period look. WN 703 $10.00 FF 02 $17.00 Men’s Hats and Caps Headwear Extraordinaire Pattern includes a variety of Contains patterns for 3 bag hats, flat men’s headwear from 14th-16th cap, mob cap, Robin Hood hat, century as shown. PP 52 $22.00 jester’s hood, wizard hat, th Tudor Era Headdresses Renaissance cap, and two 19 A variety of headdresses as century crowned bonnets suitable for pictured covering the time period Dickens event. 1490-1580 AD MR GB $6.00 MR RH $10.00 Glengarry Bonnet Randulf’s The Glengarry is a Scottish MR Coif $4.00 Round Hats bonnet with a military flair. This Randulf's Arming Coif This pattern contains many hats cap is said to have been Sizes: Multisized popular at Renaissance faires and invented by McDonnell of This is a simple pattern for a two- Highland games: flat cap, muffin Glengarry for King George IV’s panel, stretchy, close-fitting hood. It cap, Beret, Tam O’Shanter, 1828 visit to the highlands.