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The Metanarrative Paradigm
The Metanarrative Paradigm Adrian M. Nissen, B.A. (hons.) This thesis is submitted for the degree of Doctor of Philosophy of Murdoch University, 2016. i Copyright notice I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. .................................... Adrian M. Nissen ii Abstract The original contribution of this thesis is an examination of how the concept of metanarrative can be used to illuminate shifts in popular thought in the Information Age. There is disagreement over what Information Age paradigms signify, and whether a metanarrative can exist. The postmodern dismissal of metanarrative requires re-examination in the face of understandings that have accompanied contemporary technological advancements. Information technology will be used in this study to explain the movement in globalised culture towards metanarrative understandings as technology is the most broadly visible indicator of human advancement. Branching out from a core literature of media and cultural theorists and internet researchers, I also employ analogous understandings of such a phenomenon from tangential theory including philosophy, psychology and natural science. Observations have been made of a pattern of increased self-referral over recent decades occurring in various disciplines, indicating shifts in the contextualisation of understandings. Our paradigms are becoming more self- conscious as narratives. As humankind’s ideas and capacity to harness understandings of the world continue to develop, we are increasingly engaging with further levels of self-awareness that provide us with the perspective needed for epistemological shifts. This thesis explores the way in which our advancement brings us closer to a meta-textual awareness. -
Exploring the Hip-Hop Culture Experience in a British Online Community
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2010 Virtual Hood: Exploring The Hip-hop Culture Experience In A British Online Community. Natalia Cherjovsky University of Central Florida Part of the Sociology of Culture Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Cherjovsky, Natalia, "Virtual Hood: Exploring The Hip-hop Culture Experience In A British Online Community." (2010). Electronic Theses and Dissertations, 2004-2019. 4199. https://stars.library.ucf.edu/etd/4199 VIRTUAL HOOD: EXPLORING THE HIP-HOP CULTURE EXPERIENCE IN A BRITISH ONLINE COMMUNITY by NATALIA CHERJOVSKY B.S. Hunter College, 1999 M.A. Rollins College, 2003 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2010 Major Professor: Anthony Grajeda © 2010 Natalia Cherjovsky ii ABSTRACT In this fast-paced, globalized world, certain online sites represent a hybrid personal- public sphere–where like-minded people commune regardless of physical distance, time difference, or lack of synchronicity. Sites that feature chat rooms and forums can offer a deep- rooted sense of community and facilitate the forging of relationships and cultivation of ideologies. -
WAV / Kotori Magazine Issue 6 the Prodigy Dilated Peoples George
WWW.KOTORIMAG.COM MAGAZINE WWW.KOTORIMAG.COM MAGAZINE TM MUSIC/ART/POLITICS/CULTURE MUSIC/ART/POLITICS/CULTURE 006 / THE PRODIGY DILATED PEOPLES - GEORGE CLINTON FLIGHT COMICS - METRIC - SASHA & DIGWEED GRAM RABBIT MALKOVICH MUSIC DJ MUGGS PORTUGAL. THE MAN GOAPELE TIM FITE TWO GALLANTS USA $3.99 CANADA $4.99 ISSUE 6 SILVERSUN PICKUPS 0 6 0 74470 04910 4 BOMBAY DUB ORCHESTRA KOTORIMAG.COM RSE7!6SPRINGADPDF0- # - 9 #- -9 #9 #-9 + TABLE OF CONTENTS DILATED PEOPLES 12 They’re almost prophetic, hooking up with Kanye and Alchemist before most of the world even knew those names...now they’re back, and with 20/20, their vision is better than ever. Baby, Rakaa, and Evidence get all loose with our one and only Simonita. THE PRODIGY 40 Let the madness ensue as Maxim, Keith, and Liam reload The Prodigy cannon for another go round. Safety and sanity be damned. The electronic music world has never been the same since the Firestarter grabbed hold of us in the 90s. In this issue we explore the trials and tribs of megastardom and the never ending struggle to retain the punk rock performance belt they’ve been brandishing for years. GEORGE CLINTON 48 “Think! It ain’t illegal yet!!” That’s about the only venture outside the halls of justice that the P Funk Master has been able to afford of WOLFMOTHER late. Four score and seven lawyers later, the 08 man who fostered the groove for a nation of hip “You ever heard of Wolfmother?” ‘No.’ hop protagonists gets his pay day and let’s his “WOLFMOTHER WOLFMOTHER WOLF- story be told here in this exclusive interview. -
Patterson Hood Looks Back to Move Forward on His New Best Release, Murdering Oscar (And Other Love Songs)
ONE YEAR ISSUE! FREE! METRIC • ASHER ROTH • CYCLE OF PAIN THE GINGER ENVELOPE • ST. VINCENT • CAGE THE ELEPHANT • MATTHEW SWEET CARS CAN BE BLUE • EELS • AND MORE! FOR FANS OF MUSIC & THOSE WHO MAKE IT ISSUE 8 TEN QUESTIONS WITH...311 THE UNDYING ROCK Father OPERA GIRLS IN ATHENS ROCK... Knows LITERALLY NIC CAGE: A STAR’S Best: TREK Patterson Hood PLUS! ULTIMATE Looks Back to MUSICIAN’S Move Forward GEAR GUIDE ATHFEST TURNS 13: OUR 2009 GUIDE 13th annual 4 days of music, art, camping & loving le: Profi SWOP 13th annual No overlapping sets, 35 Headlining Bands, 40+ Hours of music, All Ages, rain or Shine, Even Better VIP section, Microbrews, Kids area, Family camping, Drum circles, Food & Craft vendors & much much more! Ad Name: Full Flavor Closing Date: 1.7.9 Trim: 8.25 x 10.75 Item #: PSE20089386 QC: RR Bleed: 8.75 x 11.25 Job/Order #:594830-199138 Pub: Athens Blur Live: 7.5 x 10 cover story Father Knows (14) Athens legend and Drive By-Truck- ers frontman Patterson Hood looks back to move forward on his new Best release, Murdering Oscar (And Other Love Songs). —Alec Wooden (41) (45) After 19 years, 311 continues Athens’ homegrown music to uplift spirits with reggae- and arts festival continues infused rock on the first to get stronger with each album in nearly four years. passing year. tenquestions with311 — Nicole Black No — Alec Wooden Mystery About it: (51) (45) Ten bands beat the new singles craze and prove the concept album is back on the rise. turns — Natalie B. -
Issue 139.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 139 February Oxford’s Music Magazine 2007 photo by Squib RichardRichardRichard Oxford’sWaltersWaltersWalters master of melancholy on his incredible ten-year musical journey - interview inside. Plus - News, reviews and six pages of local gigs NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS photo: Matt Sage Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] BANDS AND SINGERS wanting to play this most significant releases as well as the best of year’s Oxford Punt on May 9th have until the its current roster. The label began as a monthly 15th March to send CDs in. The Punt, now in singles club back in 1997 with Dustball’s ‘Senor its tenth year, will feature nineteen acts across Nachos’, and was responsible for The Young six venues in the city centre over the course of Knives’ debut single and mini-album as well as one night. The Punt is widely recognised as the debut releases by Unbelievable Truth and REM were surprise guests of Robyn premier showcase of new local talent, having, in Nought. The box set features tracks by Hitchcock at the Zodiac last month. Michael the past, provided early gigs for The Young Unbelievable Truth, Nought, Beaker and The Stipe and Mike Mills joined bandmate Pete Knives, Fell City Girl and Goldrush amongst Evenings as well as non-Oxford acts such as Buck - part of Hitchcock’s regular touring others. Venues taking part this year are Borders, Beulah, Elf Power and new signings My band, The Venus 3 - onstage for the encores, QI Club, the Wheatsheaf, the Music Market, Device. -
Ifpi.Org Recording Industry in Numbers 2009 the Definitive Source of Global Music Market Information
Recording Industry In Numbers 2009 The Definitive Source Of Global Music Market Information www.ifpi.org Recording Industry In Numbers 2009 The Definitive Source Of Global Music Market Information www.ifpi.org It all started in a café in Bristol, England in 1934, when dance musicians were replaced by vinyl records played on a phonograph. Back then, PPL had just two FOR 75 YEARS, members – EMI and Decca. Now we have over 3,400 record companies and, following a merger with the principal performer societies, 39,500 performers. In addition, our reach has extended to include international repertoire and overseas PPL HAS BEEN royalties through 42 bilateral agreements with similar organisations around the world. PPL licenses businesses playing music, from broadcasters to nightclubs, from GROWING INTO A streaming services to sports studios, from internet radio to community radio. Licensees are able to obtain a single licence for the entire PPL repertoire, a service which is seen as increasingly valuable for both rightholders and users alike as MODERN SERVICE consumption of music continues to grow. Broadcasters such as the BBC have commented that they simply would not be able to use music at such a scale, across nine TV channels, sixty radio stations, the iPlayer and numerous online services ORGANISATION without a licence from PPL. The PPL licence is equally valuable to other users, such as commercial radio stations, BT Vision, Virgin Media, Last.fm and even the fourteen oil rigs that want to keep their oil workers entertained on their tours of duty. FOR THE MUSIC For the performers and record companies who entrust their rights to PPL, the income from these new distribution outlets is becoming increasingly valuable. -
Collectivity, Capitalism, Arts & Crafts and Broken Social Scene
“A BIG, BEAUTIFUL MESS”: COLLECTIVITY, CAPITALISM, ARTS & CRAFTS AND BROKEN SOCIAL SCENE by Ian Dahlman Bachelor of Arts (Hons.), Psychology and Comparative Literature & Culture University of Western Ontario, 2005 London, Ontario, Canada A thesis presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Communication and Culture Toronto, Ontario, Canada, 2009 © Ian Dahlman 2009 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-59032-4 Our file Notre référence ISBN: 978-0-494-59032-4 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Issue 204 First Copy.Indd
nightshift @oxfordmusic.net nightshift .oxfordmusic.net Free every month NIGHTSHIFT Issue 204 July Oxford’s Music Magazine 2012 GunningGunning ForFor TamarTamar Sonic fi repower, wristwatches and keeping it indie - interview inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net CHARLBURY RIVERSIDE the club’s website, saying, he wanted FESTIVAL will take place over the to move closer to Oxford city centre. fi nal weekend of July after the original July’s line-up features Jim Suhler event in June was postponed due to & Monkeybeat on the 2nd, Bayou the risk of fl ooding. Brothers on the 9th, The Larry Miller The annual two-day free festival, Band on the 16th and Marcus Bonfanti FIXERS have released their debut album `We’ll Be The Moon’ on indie featuring a host of acts from across on the 23rd. label Dolphin Love after parting company with Mercury Records on the eve Oxfordshire, was due to take place on THE BULLINGDON will be of its intended release date. the 16th-17th June but days of heavy continuing to showcase the best blues The band had cancelled all dates on their UK tour, apart from their Oxford rain made the area alongside the sounds on a Monday however, with show at the O2 Academy, ahead of the announcement that they had left Evenlode river unsafe and further rain local blues-rock stalwart Tony Jezzard Mercury, prompting speculation about their future, but speaking to Nightshift threatened to fl ood the area. -
Type Artist Album Barcode Price 32.95 21.95 20.95 26.95 26.95
Type Artist Album Barcode Price 10" 13th Floor Elevators You`re Gonna Miss Me (pic disc) 803415820412 32.95 10" A Perfect Circle Doomed/Disillusioned 4050538363975 21.95 10" A.F.I. All Hallow's Eve (Orange Vinyl) 888072367173 20.95 10" African Head Charge 2016RSD - Super Mystic Brakes 5060263721505 26.95 10" Allah-Las Covers #1 (Ltd) 184923124217 26.95 10" Andrew Jackson Jihad Only God Can Judge Me (white vinyl) 612851017214 24.95 10" Animals 2016RSD - Animal Tracks 018771849919 21.95 10" Animals The Animals Are Back 018771893417 21.95 10" Animals The Animals Is Here (EP) 018771893516 21.95 10" Beach Boys Surfin' Safari 5099997931119 26.95 10" Belly 2018RSD - Feel 888608668293 21.95 10" Black Flag Jealous Again (EP) 018861090719 26.95 10" Black Flag Six Pack 018861092010 26.95 10" Black Lips This Sick Beat 616892522843 26.95 10" Black Moth Super Rainbow Drippers n/a 20.95 10" Blitzen Trapper 2018RSD - Kids Album! 616948913199 32.95 10" Blossoms 2017RSD - Unplugged At Festival No. 6 602557297607 31.95 (45rpm) 10" Bon Jovi Live 2 (pic disc) 602537994205 26.95 10" Bouncing Souls Complete Control Recording Sessions 603967144314 17.95 10" Brian Jonestown Massacre Dropping Bombs On the Sun (UFO 5055869542852 26.95 Paycheck) 10" Brian Jonestown Massacre Groove Is In the Heart 5055869507837 28.95 10" Brian Jonestown Massacre Mini Album Thingy Wingy (2x10") 5055869507585 47.95 10" Brian Jonestown Massacre The Sun Ship 5055869507783 20.95 10" Bugg, Jake Messed Up Kids 602537784158 22.95 10" Burial Rodent 5055869558495 22.95 10" Burial Subtemple / Beachfires 5055300386793 21.95 10" Butthole Surfers Locust Abortion Technician 868798000332 22.95 10" Butthole Surfers Locust Abortion Technician (Red 868798000325 29.95 Vinyl/Indie-retail-only) 10" Cisneros, Al Ark Procession/Jericho 781484055815 22.95 10" Civil Wars Between The Bars EP 888837937276 19.95 10" Clark, Gary Jr. -
Hyman Leaves USC for Texas A&M
University of South Carolina Scholar Commons July 2012 7-3-2012 The aiD ly Gamecock, TUESDAY, July 3, 2012 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2012_jul Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, TUESDAY, July 3, 2012" (2012). July. 1. https://scholarcommons.sc.edu/gamecock_2012_jul/1 This Newspaper is brought to you by the 2012 at Scholar Commons. It has been accepted for inclusion in July by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. dailygamecock.com UNIVERSITY OF SOUTH CAROLINA TUESDAY, JULY 3, 2012 VOL. 109, NO. 06 ● SINCE 1908 Hyman leaves USC for Texas A&M Pastides contemplates interim fi rst coaching hires, as the basketball replacement for athletic director team had a program-worst 10 wins with Darrin Horn as head coach. Isabelle Khurshudyan Hyman hired new USC coach Frank [email protected] Martin from Kansas State to replace Horn. South Carolina President Harris Under Hyman, the Gamecocks Pastides heard the rumors leading also had NCAA troubles, as an up to his meeting with Athletics investigation revealed $55,000 in Director Eric Hyman, but when the impermissible benefi ts, leading to a two met Friday afternoon, there was three-year probation, monetary fi ne nothing Pastides could do to stop and a reduction of scholarships. The Hyman from leaving for the same school’s self-imposed penalties were position at Texas A&M. accepted by the NCAA and a show- “I thanked him for his cause was added to the program. -
Music 96676 Songs, 259:07:12:12 Total Time, 549.09 GB
Music 96676 songs, 259:07:12:12 total time, 549.09 GB Artist Album # Items Total Time A.R. Rahman slumdog millionaire 13 51:30 ABBA the best of ABBA 11 43:42 ABBA Gold 9 36:57 Abbey Lincoln, Stan Getz you gotta pay the band 10 58:27 Abd al Malik Gibraltar 15 54:19 Dante 13 50:54 Abecedarians Smiling Monarchs 2 11:59 Eureka 6 35:21 Resin 8 38:26 Abel Ferreira Conjunto Chorando Baixinho 12 31:00 Ace of Base The Sign 12 45:49 Achim Reichel Volxlieder 15 47:57 Acid House Kings Sing Along With 12 35:40 The Acorn glory hope mountain 12 48:22 Acoustic Alchemy Early Alchemy 14 45:42 arcanum 12 54:00 the very best of (Acoustic Alchemy) 16 1:16:10 Active Force active force 9 42:17 Ad Vielle Que Pourra Ad Vielle Que Pourra 13 52:14 Adam Clayton Mission Impossible 1 3:27 Adam Green Gemstones 15 31:46 Adele 19 12 43:40 Adele Sebastan Desert Fairy Princess 6 38:19 Adem Homesongs 10 44:54 Adult. Entertainment 4 18:32 the Adventures Theodore And Friends 16 1:09:12 The Sea Of Love 9 41:14 trading secrets with the moon 11 48:40 Lions And Tigers And Bears 13 55:45 Aerosmith Aerosmith's Greatest Hits 10 37:30 The African Brothers Band Me Poma 5 37:32 Afro Celt Sound System Sound Magic 3 13:00 Release 8 45:52 Further In Time 12 1:10:44 Afro Celt Sound System, Sinéad O'Connor Stigmata 1 4:14 After Life 'Cauchemar' 11 45:41 Afterglow Afterglow 11 25:58 Agincourt Fly Away 13 40:17 The Agnostic Mountain Gospel Choir Saint Hubert 11 38:26 Ahmad El-Sherif Ben Ennas 9 37:02 Ahmed Abdul-Malik East Meets West 8 34:06 Aim Cold Water Music 12 50:03 Aimee Mann The Forgotten Arm 12 47:11 Air Moon Safari 10 43:47 Premiers Symptomes 7 33:51 Talkie Walkie 10 43:41 Air Bureau Fool My Heart 6 33:57 Air Supply Greatest Hits (Air Supply) 9 38:10 Airto Moreira Fingers 7 35:28 Airto Moreira, Flora Purim, Joe Farrell Three-Way Mirror 8 52:52 Akira Ifukube Godzilla 26 45:33 Akosh S. -
FACTOR Annual Report 2012-13
We acknowledge the financial support of the Government of Canada through the Department of Canadian Heritage Canada Music Fund and of Canada’s Private Radio Broadcasters. TABLE OF CONTENTS FOR THE FISCAL PERIOD COVERING APRIL 1, 2012 - MARCH 31, 2013 2 MESSAGE FROM THE CHAIR 3 MESSAGE FROM THE PRESIDENT 4 ABOUT THE FOUNDATION Our Mandate and History Our Funding Partners The Nature of Our Funding Overview of 2012-2013 13 OUR PROGRAMS Looking Ahead: Our Programs for 2013 and Beyond Our 2012-2013 Programs New Talent Development Sound Recordings Emerging Talent Sound Recordings Marketing & Promotion Tour & Showcase Support Industry Support Sponsorship Collective Initiatives 22 FUNDING PROCESS Assessment of Applications Juries Our Jurors 26 #FACTORfunded RECOGNITION Canadian Awards Canadian Certifications 33 OUR BOARD OF DIRECTORS 35 OUR TEAM 36 OUR REGIONAL REPRESENTATIVES 37 REQUESTS AND COMMITMENTS BY PROGRAM 38 APPLICATIONS SUBMITTED AND APPROVED BY PROVINCE 40 CONTRIBUTING RADIO BROADCASTERS 41 FINANCIAL RESULTS Requests and Commitments Outstanding Commitments 43 FINANCIAL STATEMENTS We acknowledge the financial support of the Government of Canada through the Department of Canadian Heritage Canada Music Fund and of Canada’s Private Radio Broadcasters. MESSAGE FROM THE CHAIR This year has been filled with significant change and considerable accomplishments, culminating with the launch of our new program and application system FACTOR 2.0 in April 2013. The goal of FACTOR 2.0 was simple: design a system and programs that award funding based on merit, are transparent and easy to use, and reflect the current business models of the Canadian independent music industry. This type of change was long overdue, as FACTOR’s previous funding model was based heavily on out-of-date business practices, which focused primarily on the physical sale of recorded music.