2010 Hybrid Tournament: Ottawa Questions By: Aaron Kozak, Jeff Quan, Chris Jones
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Iris (Standard)
IRIS (STANDARD) As recorded by Goo Goo Dolls (From the 1998 Album DIZZY UP THE GIRL) Transcribed by zekeyheathy and edited by Words and Music by John Rzeznik Jarryd Conrad V Bm 4 fr. Bmadd9 4 fr. Bm/G D/F Aadd11 4 fr. Bm 5 fr. Bm/A G Dsus2/C 7 fr. Dsus2/B 5 fr. xx xx x x x xb x xx x xx x x x x x xxb x xx A Intro Slow Ballad = 80 Bm P G 1 g I g J }V }V }V }V }V }V }V }V }V }V }V }V VV VV VV VV VV VV VV V} V} V} V} V} VV VV VV VV VV VV VV VV VV VV VV VV V V V V V V V V V V V V Gtr I V} V} V} V} V} V} V} V V V V V T x x x x x x x x x x 0 0 0 0 0 x x x x x 7 7 7 7 7 6 6 6 6 6 4 4 4 4 4 (4) 2 2 2 2 2 A 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B 5 5 5 5 5 5 5 5 5 5 x x x x x 0 0 0 0 0 7 7 7 7 7 7 7 7 7 7 3 3 3 3 3 (3) 2 2 2 2 2 sl. sl. V V V V V V V V V V V V V V V V V V V V V gg J V V V V V V V V V V V I Gtr II 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 T 10 10 10 8 8 7 7 7 A 7 7 7 9 9 9 7 7 B B 1st Verse D E G Bm Asus4 3 gg 6 V V V I 8 V V V V V V V V V V V V V V V V V V V V V V V V V T V V 7 7 6 4 2 2 A 0 0 0 0 0 0 0 B 5 5 7 7 7 7 0 0 0 0 0 7 5 5 3 2 2 sl. -
AGE NO. TITLE ACTORS 12 6140 2012 J.Cusack/A.Peet/T.Newton 12
AGE NO. TITLE ACTORS 12 6140 2012 J.Cusack/A.Peet/T.Newton 12 7072 Insurgent S.Woodley/K.Winslet/T.James U 6575 Monster in Paris 15 7102 "71 J.O'Connell 12 5025 10 Things I Hate about You 12 5025 10 Things I Hate about You 12 6713 10 Years -The Reunion- L.Collins/R.Dawson/J.Dewan-Tatum/B.Geraghty 12 5907 10.000 BC S.Strait/C.Belle/C.Curtis U 6336 101 Dalmatians II -Disney- 15 6997 12 Years a Slave C.Ejiofor/M.Fassbender/B.Cumberbatch 15 6383 127 Hours J.Franco/A.Tamblyn/K.Mara 12 5195 13 Going on 30 15 7112 13 Minutes (Elser) C.Friedel/K.Schütter/B.Klausner/J.Von Bülow Oliver Hirschbiegel 15 5011 13th Warrior 15 5799 1408 -S.King- J.Cusack/S.L.Jackson 12 5570 16 Blocks 12 6027 17 Again Z.Efron/L.Mann/T.Lennon/M.Trachtenberg 15 6641 2 Days in New York J.Delpy/C.Rock 12 6965 20 Feet From Stardom U 5188 20.000 Leagues under the Sea -Jules Verne- 15 6735 21 Days:The Eineken Kidnapping R.Hauer 15 6621 21 Jump Street J.Hill/C.Tatum 12 5848 27 Dressed K.Heigl/J.MarsdonM.Akerman 18 5070 28 Days Later 15 6850 2Guns D.Washington/M.Wahlberg 12 7020 3 Days to Kill K.Costner/A.Heard/H.Steinfeld 15 5812 3:10 too Yuma R.Crowe/C.Bale 15 6646 388 Arletta Avenue N.Stahl/M.Kirsher 15 6238 4.3.2.1 E.Roberts/T.Egerton/O.Lovibond/S.Warren-Markland 12 6942 42 -the True Story of a Sprots Legend C.Boseman/H.Ford 15 6429 5 Days of War R.Friend/E.Chirqui/V.Kilmer/A.Garcia 15 6537 50/50 J.Gordon-Levitt/S.Rogen/B.Dallas Howard/A.Kendrick 12 6099 500 Days of Summer J.Gordon-Levitt/Z.Deschanel 15 5075 8 Mile 15 6796 A Good Day to Die Hard B.Willis/J.Courtney/S.Koch -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
The Voice-Over
CINEPHILE The University of British Table of Contents Columbia’s Film Journal Vol. 8 No. 1 Spring 2012 Editor’s Note 2 “The Voice-Over” Contributors 3 ISSN: 1712-9265 About a Clueless Boy and Girl: Voice-Over in Romantic 5 Copyright and Publisher Comedy Today The University of British Sarah Kozloff Columbia Film Program What Does God Hear? Terrence Malick, Voice-Over, and 15 Editor-in-Chief The Tree of Life Babak Tabarraee Carl Laamanen Design Shaun Inouye Native American Filmmakers Reclaiming Voices: Innovative 21 Artwork Voice-Overs in Chris Eyre’s Skins Soroosh Roohbakhsh Laura Beadling Faculty Advisor The Voice-Over as an Integrating Tool of Word and Image 27 Lisa Coulthard Stephen Teo Program Administrator Gerald Vanderwoude Voice-Over, Narrative Agency, and Oral Culture: 33 Graduate Secretary Ousmane Sembène’s Borom Sarret Karen Tong Alexander Fisher Editorial Board Michael Baker, Chelsea Birks, Jonathan Cannon, Robyn Citizen, Shaun Inouye, Peter Lester Public Relations Dana Keller Web Editor Oliver Kroener Cinephile would like to thank the following offices and departments Printing at the University of British Columbia for their generous support: East Van Graphics Offices of the Vice President Research & International CINEPHILE is published by the Graduate Faculty of Arts Program in Film Studies at the Depart- Department of Asian Studies ment of Theatre and Film, University of Department of Central, Eastern and North European Studies British Columbia, with the support of the Department of Classical, Near Eastern and Religious Studies Centre for Cinema Studies Department of French, Hispanic and Italian Studies centreforcinemastudies.com Department of History Department of Philosophy UBC Film Program Department of Political Science Department of Theatre and Film Department of Psychology 6354 Crescent Road School of Library, Archival & Information Studies Vancouver, BC, Canada School of Music V6T 1Z2 Editor’s Note Contributors While it is true that film has been historically considered culture. -
Arbiter, March 15 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 3-15-2007 Arbiter, March 15 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. ,..,.,.-----------~-------------------------....--..------------:------~------~--------,-~-~--~-~~~~- THE INDEPENDENT STUDENT VOICE OF BOISE STATE SINCE 1933 THURSDAY. MARCH 15, 2007 arhiteron Iine•.i.lill ISSUE 50, VOLUME 19. FIRST ISSUE FREE. BIZTECH Looking ahead: Hans Blix lectures on diplomacy PAGE 4 BY SONIA TREVIZO Energy Agency in 1981.Blix led ef- say nuclear weapons should be Researchers say some video News Writer forts to uncover stockpiles ofweap- used on terrorists, Blix said, may actually be helpful for child ons of mass destruction during the "Using nuclear weapons on ter- development. The new daylight The Distinguished Lecture Series build-up to the U.S.-led invasion rorists is like shooting mosquitoes savings time affects technology at Boise State University moves for' March 20, 2003. with a cannon." and Viacom merges with Joost. the first time to the Morrison Center Blix advocated setting an ex- "I felt that he was very fair-mind- for a lecture by Hans Bllx, the for- ample by moving away from weap- ed. He gave us credit were credit OPINION mer chief U.N. -
Reviewing Romcom: (100) Imdb Users and (500) Days of Summer
. Volume 8, Issue 2 November 2011 Reviewing Romcom: (100) IMDb Users and (500) Days of Summer Inger-Lise Kalviknes Bore Birmingham City University, UK Abstract This article contributes to academic debates around the romantic comedy genre and comedy audiences by examining IMDb user reviews of (500) Days of Summer (2009). Directed by Marc Webb for Fox Searchlight Pictures, (500) Days of Summer was promoted with the tagline ‘Boy meets girl. Boy falls in love. Girl doesn’t’. This presents the film as an unconventional romantic comedy in at least three ways: Firstly, it suggests that these two characters will not actually end up together, which challenges the idea of the romcom couple as ‘meant to be’. Secondly, it presents the possibility that audiences might not get the happy ending we usually expect from comedy. And finally, the tagline casts the boy, rather than the girl, in the role as yearning romantic, thereby challenging the traditional gender roles of heterosexual relationships. So how did audiences respond to this film? At the time of writing, it has been rated by 75,716 IMDb users, and has an average score of 8.0 out of 10. This clearly suggests a favourable reception, but the IMDb reviews also offer qualitative data that can shed further light on how the film has been evaluated. What kinds of criteria are in operation? What elements do reviewers highlight as important for their experiences of the film? How is the film seen to fail for some viewers? Drawing on previous studies of romantic comedy, the analysis will consider how these particular audience members articulated their responses to (500) Days of Summer, as well as their positions as reviewers. -
Feature Guitar Songbook Series
feature guitar songbook series 1465 Alfred Easy Guitar Play-Along 1484 Beginning Solo Guitar 1504 The Book Series 1480 Boss E-Band Guitar Play-Along 1494 The Decade Series 1464 Easy Guitar Play-Along® Series 1483 Easy Rhythm Guitar Series 1480 Fender G-Dec 3 Play-Along 1497 Giant Guitar Tab Collections 1510 Gig Guides 1495 Guitar Bible Series 1493 Guitar Cheat Sheets 1485 Guitar Chord Songbooks 1494 Guitar Decade Series 1478 Guitar Play-Along DVDs 1511 Guitar Songbooks By Notation 1498 Guitar Tab White Pages 1499 Legendary Guitar Series 1501 Little Black Books 1466 Hal Leonard Guitar Play-Along® 1502 Multiformat Collection 1481 Play Guitar with… 1484 Popular Guitar Hits 1497 Sheet Music 1503 Solo Guitar Library 1500 Tab+: Tab. Tone. Technique 1506 Transcribed Scores 1482 Ultimate Guitar Play-Along Please see the Mixed Folios section of this catalog for more2015 guitar collections. 1464 EASY GUITAR PLAY-ALONG® SERIES The Easy Guitar Play-Along® Series features 9. ROCK streamlined transcriptions of your favorite SONGS FOR songs. Just follow the tab, listen to the CD or BEGINNERS Beautiful Day • Buddy Holly online audio to hear how the guitar should • Everybody Hurts • In sound, and then play along using the back- Bloom • Otherside • The ing tracks. The CD is playable on any CD Rock Show • Use Somebody. player, and is also enhanced to include the Amazing Slowdowner technology so MAC and PC users can adjust the recording to ______00103255 Book/CD Pack .................$14.99 any tempo without changing the pitch! 10. GREEN DAY Basket Case • Boulevard of Broken Dreams • Good 1. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Out of Sight, out of Mind Propose Resolution
Eastern Illinois University The Keep March 2014 3-21-2014 Daily Eastern News: March 21, 2014 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2014_mar Recommended Citation Eastern Illinois University, "Daily Eastern News: March 21, 2014 " (2014). March. 10. http://thekeep.eiu.edu/den_2014_mar/10 This Article is brought to you for free and open access by the 2014 at The Keep. It has been accepted for inclusion in March by an authorized administrator of The Keep. For more information, please contact [email protected]. LOCAL CONCERT PREVIEW 'SOUTH PARK' VIDEO GAME REVIEW PAGE 2 PAGE 3 ON THE VERGE SOUTH BOUND Check out On the Verge of the After having its Ohio Valley March 21, 2014 The Daily Eastern News' weekly arts and entertainment section BEHIND THE SCENES: 'Gone with theWind' Weekend to nd out about the latest Conference opener canceled, the Eastern softball production from the Charleston team will play Jacksonville State starting Community eatre. Page 1B Saturday. Page 8 WWW.DAILYEASTERNNEWS.COM DION MCNEAL | THE DAILY EASTERN NEWS Matt Mattingly as Ben Hecht and Richard Jones Jr. as David Selznick act out a scene Tuesday for the "Moonlight and Magnolias" play in the Tarble Arts Center. The play will begin at 7:30 p.m. Friday and Saturday and 2 p.m. Sunday in the Tarble. Community theater to share movie production story “Gone With e Wind” centers on a love story screenwriter Ben Hecht. BY KALYN HAYSLETT in the South and was initially thought of as “anoth- Two weeks into the production of the lm “Gone VERGE REPORTER er chick-ick” by several producers, which is how the With e Wind,” Selznick red the former screen- play was given the name “Moonlight and Magnolias,” writer and director and hired Flemming and Hecht in Bananas, peanuts and three talented men trapped director Gail Mason said. -
Comment Je Suis Devenue Célèbre (En Larguant Mon Mec)
COMMENT JE SUIS DEVENUE CÉLÈBRE (EN LARGUANT MON MEC) Robin Benway Traduit de l’américain par Anne Delcourt L’édition originale de ce livre est parue aux États-Unis chez Razorbill (Penguin Group, New York, U.S.A.) sous le titre Audrey, wait ! Copyright © 2008 Robin Benway Tous droits réservés. Couverture : crédits photographiques © Shutterstock Images LLC/Jason Stitt Traduction © Éditions Nathan (Paris, France), 2009 pour la première édition, sous le titre Comment je suis devenue célèbre (malgré moi) © Éditions Nathan (Paris, France), 2012 pour la présente édition Loi n° 49-956 du 16 juillet 1949 sur les publications destinées à la jeunesse. « Cette œuvre est protégée par le droit d’auteur et strictement réservée à l’usage privé du client. Toute reproduction ou diffusion au profit de tiers, à titre gratuit ou onéreux, de tout ou partie de cette œuvre, est strictement interdite et constitue une contrefaçon prévue par les articles L 335-2 et suivants du Code de la Propriété Intellectuelle. L’éditeur se réserve le droit de poursuivre toute atteinte à ses droits de propriété intellectuelle devant les juridictions civiles ou pénales. » ISBN 978-2-09-253942-2 Pour ma mère, qui a toujours dit : « Il faut avoir la foi. » Et pour mon frère, qui l’a toujours eue. Sommaire Couverture Copyright Sommaire chapitre 1 chapitre 2 chapitre 3 chapitre 4 chapitre 5 chapitre 6 chapitre 7 chapitre 8 chapitre 9 chapitre 10 chapitre 11 chapitre 12 chapitre 13 chapitre 14 chapitre 15 chapitre 16 chapitre 17 chapitre 18 chapitre 19 chapitre 20 chapitre 21 chapitre 22 chapitre 23 chapitre 24 chapitre 25 chapitre 26 chapitre 27 chapitre 28 chapitre 29 chapitre 30 chapitre 31 chapitre 32 chapitre 33 chapitre 34 chapitre 35 chapitre 36 chapitre 37 chapitre 38 chapitre 39 chapitre 40 chapitre 41 ROBIN BENWAY « Les muses travaillent tout le jour, bien séparées.