YOUNG VOICES 2005/6 Prose: Age 12–14
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The BG News December 12, 2003
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 12-12-2003 The BG News December 12, 2003 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News December 12, 2003" (2003). BG News (Student Newspaper). 7211. https://scholarworks.bgsu.edu/bg-news/7211 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Bowling Green State University FRIDAY December 12, 2003 HOCKEY: BG hockey takes on PARTLY CLOUDY Findlay, looking to break HIGH: 31 I LOW: 18 their winless streak www.hgnews.com A daily independent student press VOLUME 98 ISSUE 71 before holiday; PAGE 5 NEWS Third Ohio 'Pif open on Wooster By Monica Frost then choose between a selection a.m. to 3 a.m. Thursday through University. "It's a healthy alter- . REPORICO of fresh meat or vegetarian Saturday from 11 a.m. to 4 a.m. native to fast food," Paglio said. Watch out local sandwich options. Customers can also and Sunday from noon until 3 "Everything is so fresh - I just shops — there's a new kid on the customize their pita selection a.m. love them." block. with cheeses, vegetable top- Stein said he believes The Pita The Pita Pit has 11 pitas under ". -
Dj Issue Can’T Explain Just What Attracts Me to This Dirty Game
MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS E-40, TURF TALK OZONE MAGAZINE MAGAZINE OZONE FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE CAN’T EXPLAIN JUST WHAT ATTRACTS ME TO THIS DIRTY GAME ME TO ATTRACTS JUST WHAT MIMS PIMP C BIG BOI LIL FLIP THREE 6 MAFIA RICK ROSS & CAROL CITY CARTEL SLICK PULLA SLIM THUG’s YOUNG JEEZY BOSS HOGG OUTLAWZ & BLOODRAW: B.G.’s CHOPPER CITY BOYZ & MORE APRIL 2007 USDAUSDAUSDA * SCANDALOUS SIDEKICK HACKING * RAPQUEST: THE ULTIMATE* GANGSTA RAP GRILLZ ROADTRIP &WISHLIST MORE GUIDE MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS REAL, RAW, & UNCENSORED SOUTHERN RAP E-40, TURF TALK FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE MIMS PIMP C LIL FLIP THREE 6 MAFIA & THE SLIM THUG’s BOSS HOGG OUTLAWZ BIG BOI & PURPLE RIBBON RICK ROSS B.G.’s CHOPPER CITY BOYZ YOUNG JEEZY’s USDA CAROL CITY & MORE CARTEL* RAPQUEST: THE* SCANDALOUS ULTIMATE RAP SIDEKICK ROADTRIP& HACKING MORE GUIDE * GANGSTA GRILLZ WISHLIST OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly CHIEF OPERATIONS OFFICER // N. Ali Early MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric Perrin ART DIRECTOR // Tene Gooden ADVERTISING SALES // Che’ Johnson PROMOTIONS DIRECTOR // Malik Abdul MARKETING DIRECTOR // David Muhammad LEGAL CONSULTANT // Kyle P. King, P.A. SUBSCRIPTIONS MANAGER // Destine Cajuste ADMINISTRATIVE // Cordice Gardner, Kisha Smith CONTRIBUTORS // Alexander Cannon, Bogan, Carlton Wade, Charlamagne the God, Chuck T, E-Feezy, Edward Hall, Felita Knight, Iisha Hillmon, Jacinta Howard, Jaro Vacek, Jessica INTERVIEWS Koslow, J Lash, Jason Cordes, Jo Jo, Joey Columbo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, Kenneth Brewer, K.G. -
Arbiter, March 15 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 3-15-2007 Arbiter, March 15 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. ,..,.,.-----------~-------------------------....--..------------:------~------~--------,-~-~--~-~~~~- THE INDEPENDENT STUDENT VOICE OF BOISE STATE SINCE 1933 THURSDAY. MARCH 15, 2007 arhiteron Iine•.i.lill ISSUE 50, VOLUME 19. FIRST ISSUE FREE. BIZTECH Looking ahead: Hans Blix lectures on diplomacy PAGE 4 BY SONIA TREVIZO Energy Agency in 1981.Blix led ef- say nuclear weapons should be Researchers say some video News Writer forts to uncover stockpiles ofweap- used on terrorists, Blix said, may actually be helpful for child ons of mass destruction during the "Using nuclear weapons on ter- development. The new daylight The Distinguished Lecture Series build-up to the U.S.-led invasion rorists is like shooting mosquitoes savings time affects technology at Boise State University moves for' March 20, 2003. with a cannon." and Viacom merges with Joost. the first time to the Morrison Center Blix advocated setting an ex- "I felt that he was very fair-mind- for a lecture by Hans Bllx, the for- ample by moving away from weap- ed. He gave us credit were credit OPINION mer chief U.N. -
The ONE and ONLY Ivan
KATHERINE APPLEGATE The ONE AND ONLY Ivan illustrations by Patricia Castelao Dedication for Julia Epigraph It is never too late to be what you might have been. —George Eliot Glossary chest beat: repeated slapping of the chest with one or both hands in order to generate a loud sound (sometimes used by gorillas as a threat display to intimidate an opponent) domain: territory the Grunt: snorting, piglike noise made by gorilla parents to express annoyance me-ball: dried excrement thrown at observers 9,855 days (example): While gorillas in the wild typically gauge the passing of time based on seasons or food availability, Ivan has adopted a tally of days. (9,855 days is equal to twenty-seven years.) Not-Tag: stuffed toy gorilla silverback (also, less frequently, grayboss): an adult male over twelve years old with an area of silver hair on his back. The silverback is a figure of authority, responsible for protecting his family. slimy chimp (slang; offensive): a human (refers to sweat on hairless skin) vining: casual play (a reference to vine swinging) Contents Cover Title Page Dedication Epigraph Glossary hello names patience how I look the exit 8 big top mall and video arcade the littlest big top on earth gone artists shapes in clouds imagination the loneliest gorilla in the world tv the nature show stella stella’s trunk a plan bob wild picasso three visitors my visitors return sorry julia drawing bob bob and julia mack not sleepy the beetle change guessing jambo lucky arrival stella helps old news tricks introductions stella and ruby home -
Columbia Chronicle (05/03/2010) Columbia College Chicago
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 5-3-2010 Columbia Chronicle (05/03/2010) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (5/3/2010)" (May 3, 2010). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/788 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. Summer students need more accommodating transportation options x PAGE 28 Youth Programs Aim to THE COLUMBIA Combat Chicago Violence hronicle WEB-EXCLUSIVE VIDEO c ON ColumbiaChronicle.com The Official News Source of Columbia College Chicago May 3, 2010 Volume 45 Number 29 THEWEB Hold the Salt Call to federally regulate sodium added to processed foods by Ivana Susic Assistant Health & Fitness Editor ACCORDING TO the American Heart Association, the recommended daily sodium intake is less than 2,400 mg. On average, Americans consume 4,000 mg of sodium daily, with 75 percent of that intake coming from the processed foods consumed on a regular basis. In an effort to lower sodium intake, the American Heart Association is collaborating with New York City to create a nationwide campaign, the National Salt Reduction Initiative. The goal is part of a plan that aims to improve cardiovascular health and help people reduce the sodium they eat to fewer than 1,500 mg per day by the year 2020. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
A Thesis Presented to the Faculty of Alfred University Clowning
A Thesis Presented to The Faculty of Alfred University Clowning as an Act of Social Critique, Subversive and Cathartic Laughter, and Compassion in the Modern Age by Danny Gray In Partial Fulfillment of the Requirements for The Alfred University Honors Program May 9th, 2016 Under the Supervision of: Chair: Stephen Crosby Committee Members: M. Nazim Kourgli David Terry “Behind clowns, sources of empathy, masters of the absurd, of humor, they who draw me into an inexplicable space-time capsule, who make my tears flow for no reason. Behind clowns, I am surprised to sense over and over again humble people, insignificant we might even say, stubbornly incapable of explaining, outside the ring, the unique magic of their art.” - Leandre Ribera “The genius of clowning is transforming the little, everyday annoyances, not only overcoming, but actually transforming them into something strange and terrific. It is the power to extract mirth for millions out of nothing and less than nothing.” - Grock 1 Contents Introduction 3 I: Defining Clown 5 II: Clowning as a Social Institution 13 III: The Development of Clown in Western Culture 21 IV: Clowns in the New Millennium 30 Conclusion 39 References 41 2 The black and white fuzz billowed across the screen as my grandmother popped in a VHS tape: Saltimbanco, a long-running Cirque du Soleil show recorded in the mid-90’s. I think she wanted to distract me for an hour while she worked on a pot of gumbo, rather than stimulate an interest in circus life. Regardless, I was well and truly engrossed in the program. -
By Sandra Anne Daly
POP YOUR PARADIGM! Neutralize your “programming” and start LIVING your life! By Sandra Anne Daly Scottsdale Arizona www.inkwellproductions.com Copyright © 2009 By Sandra Anne Daly First printing 2009 All rights reserved No part of this book may be reproduced in any form or by any means without the permission in writing from the publisher. ISBN: 978-0-9814648-7-9 Library of Congress Control Number: 2009931294 Published by Inkwell Productions 10869 N. Scottsdale Road # 103-128 Scottsdale, AZ 85254-5280 Tel. 480-315-3781 E-mail [email protected] Website www.inkwellproductions.com Printed in the United States of America Cover illustration by Timothy Wood This book is dedicated to Carol Elaine Bachelor, my mom. She lived her entire life at the mercy of her “programming,” and she died without ever discovering that her life did not have to be the way it was. I know that she’s looking happily on from her place on a higher plane—both proud of me, and excited for me, because I did make that discovery, and then I changed my whole life. iii iv Table of Contents Introduction . vii Chapter 1: Surviving My Life . 3 Chapter 2: The Life and Times of a Paradigm . 13 Chapter 3: The Adventure Begins. 27 Chapter 4: Peace Begins With Me . 53 Chapter 5: Goodbye, Old Life . 67 Chapter 6: The (Bus) Ride of My Life! . 81 Chapter 7: A Brand New Me . 117 Chapter 8: Hello, New Life!. 139 Chapter 9: One Step (in Faith) at a Time . 155 Chapter 10: Freedom, Fear, and Letting Go . -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Out of Sight, out of Mind Propose Resolution
Eastern Illinois University The Keep March 2014 3-21-2014 Daily Eastern News: March 21, 2014 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2014_mar Recommended Citation Eastern Illinois University, "Daily Eastern News: March 21, 2014 " (2014). March. 10. http://thekeep.eiu.edu/den_2014_mar/10 This Article is brought to you for free and open access by the 2014 at The Keep. It has been accepted for inclusion in March by an authorized administrator of The Keep. For more information, please contact [email protected]. LOCAL CONCERT PREVIEW 'SOUTH PARK' VIDEO GAME REVIEW PAGE 2 PAGE 3 ON THE VERGE SOUTH BOUND Check out On the Verge of the After having its Ohio Valley March 21, 2014 The Daily Eastern News' weekly arts and entertainment section BEHIND THE SCENES: 'Gone with theWind' Weekend to nd out about the latest Conference opener canceled, the Eastern softball production from the Charleston team will play Jacksonville State starting Community eatre. Page 1B Saturday. Page 8 WWW.DAILYEASTERNNEWS.COM DION MCNEAL | THE DAILY EASTERN NEWS Matt Mattingly as Ben Hecht and Richard Jones Jr. as David Selznick act out a scene Tuesday for the "Moonlight and Magnolias" play in the Tarble Arts Center. The play will begin at 7:30 p.m. Friday and Saturday and 2 p.m. Sunday in the Tarble. Community theater to share movie production story “Gone With e Wind” centers on a love story screenwriter Ben Hecht. BY KALYN HAYSLETT in the South and was initially thought of as “anoth- Two weeks into the production of the lm “Gone VERGE REPORTER er chick-ick” by several producers, which is how the With e Wind,” Selznick red the former screen- play was given the name “Moonlight and Magnolias,” writer and director and hired Flemming and Hecht in Bananas, peanuts and three talented men trapped director Gail Mason said. -
Metric Ambiguity and Flow in Rap Music: a Corpus-Assisted Study of Outkast’S “Mainstream” (1996)
Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast’s “Mainstream” (1996) MITCHELL OHRINER[1] University of Denver ABSTRACT: Recent years have seen the rise of musical corpus studies, primarily detailing harmonic tendencies of tonal music. This article extends this scholarship by addressing a new genre (rap music) and a new parameter of focus (rhythm). More specifically, I use corpus methods to investigate the relation between metric ambivalence in the instrumental parts of a rap track (i.e., the beat) and an emcee’s rap delivery (i.e., the flow). Unlike virtually every other rap track, the instrumental tracks of Outkast’s “Mainstream” (1996) simultaneously afford hearing both a four-beat and a three-beat metric cycle. Because three-beat durations between rhymes, phrase endings, and reiterated rhythmic patterns are rare in rap music, an abundance of them within a verse of “Mainstream” suggests that an emcee highlights the three-beat cycle, especially if that emcee is not prone to such durations more generally. Through the construction of three corpora, one representative of the genre as a whole, and two that are artist specific, I show how the emcee T-Mo Goodie’s expressive practice highlights the rare three-beat affordances of the track. Submitted 2015 July 15; accepted 2015 December 15. KEYWORDS: corpus studies, rap music, flow, T-Mo Goodie, Outkast THIS article uses methods of corpus studies to address questions of creative practice in rap music, specifically how the material of the rapping voice—what emcees, hip-hop heads, and scholars call “the flow”—relates to the material of the previously recorded instrumental tracks collectively known as the beat.