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Gazans Bury Dead After Bloodiest Day in Years
RAJAB 15, 1439 AH SUNDAY, APRIL 1, 2018 Max 31º 32 Pages Min 18º 150 Fils Established 1961 ISSUE NO: 17495 The First Daily in the Arabian Gulf www.kuwaittimes.net Kuwait’s new terminal project Malala visits hometown for Family and friends bid Salah strikes again as Liverpool 3 remains on course: Minister 6 first time since her shooting 23 farewell to Hawking 16 ride their luck to beat Palace Gazans bury dead after bloodiest day in years Kuwait condemns Israel’s brutal attacks on Palestinian demonstrators GAZA CITY: Gazans buried their Gaza Strip, said five of those killed Security Council, called for holding dead yesterday with calls for were its members who were partici- an emergency meeting of the UN “revenge” a day after a major pating “in popular events side-by- Security Council to discuss the demonstration led to clashes that side with their people”. “Where are ongoing Israeli attacks on the saw Israeli forces kill 16 Palestinians you, Arabs? Where are you, unarmed demonstrators and the in the bloodiest day since a 2014 Muslims?” mourners chanted at one excessive use of power. war. But while anger seethed over funeral, calling on the Arab and The source referred to the “mar- Friday’s events, only several hundred Muslim world to intervene. tyrdom” of the 16 Palestinians and protesters returned to tents erected Kuwait condemned Israel’s brutal the wounding of over 1,400 others at different sites near the Gaza attacks on unarmed Palestinian announced by Palestinian medical Strip’s border with Israel to resume demonstrators in the occupied ter- sources. -
Chapter 6. the Voice of the Other America: African
Chapter 6 Th e Voice of the Other America African-American Music and Political Protest in the German Democratic Republic Michael Rauhut African-American music represents a synthesis of African and European tradi- tions, its origins reaching as far back as the early sixteenth century to the begin- ning of the systematic importation of “black” slaves to the European colonies of the American continent.1 Out of a plethora of forms and styles, three basic pil- lars of African-American music came to prominence during the wave of indus- trialization that took place at the start of the twentieth century: blues, jazz, and gospel. Th ese forms laid the foundation for nearly all important developments in popular music up to the present—whether R&B, soul and funk, house music, or hip-hop. Th anks to its continual innovation and evolution, African-American music has become a constitutive presence in the daily life of several generations. In East Germany, as throughout European countries on both sides of the Iron Curtain, manifold directions and derivatives of these forms took root. Th ey were carried through the airwaves and seeped into cultural niches until, fi nally, this music landed on the political agenda. Both fans and functionaries discovered an enormous social potential beneath the melodious surface, even if their aims were for the most part in opposition. For the government, the implicit rejection of the communist social model represented by African-American music was seen as a security issue and a threat to the stability of the system. Even though the state’s reactions became weaker over time, the offi cial interaction with African-American music retained a political connotation for the life of the regime. -
Bratislava International School of Liberal Arts
BRATISLAVA INTERNATIONAL SCHOOL OF LIBERAL ARTS Impact of sports diplomacy on the relations between South and North Korea Bachelor Thesis Bratislava, 2018 Šimon Vacval BRATISLAVA INTERNATIONAL SCHOOL OF LIBERAL ARTS IMPACT OF SPORTS DIPLOMACY ON THE RELATIONS BETWEEN SOUTH AND NORTH KOREA BACHELOR THESIS Study program: Liberal Arts Field of study: 3.1.6 Political Science Thesis Advisor: Mgr Nicolas Palencsár Qualification: Bachelor of Arts (abbr. “BA!”) Date of submission: Feb 15, 2019 Date of defense: June 12, 2019 Bratislava, 2018 Šimon Vacval Declaration of Originality I hereby declare that this bachelor thesis is the work of my own and has not been published in part or in whole elsewhere. All used literature and other sources are attributed and cited in references Bratislava, February 19 Šimon Vacval, Signature:____________________________ The Impact of Sports Diplomacy on the Relations between South and North Korea Title: The Impact of Sports Diplomacy on the Relations between South and North Korea Author: Šimon Vacval University: Bratislava International School of Liberal Arts Supervisor: Mgr. Nicolas Palencsár Date of submission: February 15th 2019 Date of defense: June 12th 2019 Committee members: Doc. Samuel Abrahám, PhD., prof. PhDr. Iveta Radičová, prof. František Novosád, prof. Silvia Miháliková, PhD., Mgr Dagmar Kusá, PhD. Chair of Defense Committee: Prof. František Novosád Place, year, length of the thesis: Bratislava, 2019, 52 pages, 13 441 words Qualification Degree: Bachelor of Arts (abbr. “BA”) Keywords: diplomacy, South Korea, North Korea, Olympics, sport Abstract The subject of this thesis is the impact of sports diplomacy on the relations between South and North Korea. The aim of this thesis is to find out if the Olympics in 2018 played a major role in the current relationship between Koreas. -
Comp. 09 Program Layout.Cwk
T h i r t y - S e c o n d S e a s o n 2 0 0 9 - 2 0 1 0 Celebrating Lukas Tuesday, March 2, 2010, 7:30 p.m. Free admission Alea III celebrates the life and work of Lukas Foss, a great master, with an evening devoted exclusively to his music. ALEA III Echoi For Toru Elegy for Anne Frank For Aaron Plus Theodore Antoniou, Eighteen Epigrams Music Director a new work written by Lukas Foss’s students: Apostolos Paraskevas, Panos Liaropoulos, Michalis Economou, Jakov Jakoulov, Contemporary Music Ensemble Mark Berger, Frank Wallace, Ronald G. Vigue, Julian Wachner, Jeremy Van Buskirk, in residence at Mauricio Pauly, Matt Van Brink, Ivana Lisak, Ramon Castillo, Pedro Malpica, Boston University Paul Vash, Po-Chun Wang, Margaret McAllister, Sunggone Hwang. Theodore Antoniou, conductor Saxes and Horns Wednesday, April 28, 2010, 7:30 p.m. Free admission 27th International Composition Works of unusual instrumentation, featuring 18 saxophones Competition and 9 French horns. Pierre Boulez Dialogue de l’ombre double Theodore Antoniou Music for Nine Gunther Schuller Perpetuum Mobile Sofia Gubaidulina Duo TSAI Performance Center Georgia Spiropoulos Rotations October 4, 2009, 7:00 pm Eric Hewitt la grenouille Eric Ruske, horn, Tsuyoshi Honjo, Eric Hewitt and Jared Sims, saxophones Special guest: Radnofsky Saxophone Ensemble Eric Hewitt, conductor Sponsored by Boston University and the George Demeter Realty. BOARD OF DIRECTORS BOARD OF ADVISORS OUR NEXT ALEA EVENTS President George Demeter Mario Davidovsky Hans Werner Henze Generations Chairman Milko Kelemen André de Quadros Oliver Knussen Monday, November 16, 2009, 7:30 p.m. -
The Concept of Polymediality
Marios Joannou Elia The Concept of Polymediality Literary Sources as an Inherent Polymedial Element of Music Veröffentlicht unter der Creative-Commons-Lizenz CC BY-NC-ND 4.0 Marios Joannou Elia The Concept of Polymediality Literary Sources as an Inherent Polymedial Element of Music Coverstreifen: Autosymphonic – Open-air multimedia symphony (2010–11), 360-degree positioning of musical groups Quelle: Marios Joannou Elia, m:con – mannheim:congress GmbH Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. 978-3-95983-100-0 (Paperback) 978-3-95983-101-7 (Hardcover) © 2017 Schott Music GmbH & Co. KG, Mainz Alle Rechte vorbehalten. Nachdruck in jeder Form sowie die Wiedergabe durch Fernsehen, Rundfunk, Film, Bild- und Tonträger oder Benutzung für Vorträge, auch auszugsweise, nur mit Genehmigung des Verlags. Printed in Germany Abstract The commentary focuses on the predominantly applied extraneous media in my music, especially the inclusion of literary sources. The discourse begins with a succinct description of the concept of polymediali- ty, which involves two dimensions: the work-immanent compositional dimen- sion and polymediality in the process of staging (Chapter I). Chapter II considers literary sources as a constituent component of music’s polymediality. The first part is preoccupied with the implementation of textual elements and vocality in -
Abonnements 2021/22
Abonnements 2021/22 Inhalt Statements .............................................................................................................................................. 1 Hauptabonnement .................................................................................................................................. 3 abo@MUMUTH ..................................................................................................................................... 16 Abo für junges Publikum ....................................................................................................................... 25 Neue Formate der Vermittlung ............................................................................................................. 27 0 Pressekontakt: Hermann Götz E [email protected] T +43 (0) 316/ 389-1152 Abonnements 2021/22 Statements Mit den Abonnements der Kunstuniversität Graz verbinden sich zwei Angebote: Das Publikum kann erleben, wie junge Künstler*innen ihre Karrieren beginnen und sie dabei mit Ihrer Aufmerksamkeit unterstützen. Als Universität bilden wir nicht nur den künstlerischen, pädagogischen und wissenschaftlichen Nachwuchs, wir sind auch ein Ort der Entwicklung und Erschließung der Künste (EEK) sowie der Forschung. In unseren Veranstaltungen präsentieren wir Ihnen nicht zuletzt aktuelle Ergebnisse. Das macht unsere Abonnements so inhalts- und abwechslungsreich und damit einzigartig. Beide Aspekte – die Nachwuchsförderung sowie EEK – wollen wir im Programm verstärkt erlebbar machen. Bei allen -
NEW on NAXOS the World’S Leading Classical Music Label DECEMBER 2019
NEW ON NAXOS The World’s Leading Classical Music Label DECEMBER 2019 © 2019 Naxos Rights US, Inc. • Contact Us: [email protected] www.naxos.com • www.NaxosMusicGroup.com • www.naxosmusiclibrary.com • blog.naxos.com NEW ON NAXOS | DECEMBER 2019 8.573422 Playing Time: 74:25 Price Code: NXP Release Date: 7 47313 34227 3 13 Dec 2019 Balevska © V. Nayden Todorov Pancho VLADIGEROV (1899–1978) Key Features: Bulgarian Suite ● Despite being one of the most decorated composers of his generation, Pancho Vladigerov is still barely known outside Seven Symphonic Bulgarian Dances Bulgaria, his music being found here and there on recital Vardar Rhapsody recordings of music by Balkan composers. Rousse Philharmonic Orchestra Nayden Todorov ● As one of the first composers to successfully combine elements of Bulgarian folk music with the rich sonorities available to Pancho Vladigerov is considered by many to be the most influential modern symphonic orchestras, his music has much of the wit composer that Bulgaria has yet produced, gaining fame between the and freshness and touch of exotic flavor that has given popularity World Wars and earning the admiration of Shostakovich. The three to the works of Kodály, if anything with an even lighter and more works recorded here are a testament to Vladigerov’s mission to bring approachable feel. The Seven Symphonic Bulgarian Dances in Bulgarian music to international attention, successfully combining particular have a cinematic opulence that will appeal to a wide elements of folk music with European classical tradition. The Vardar audience. Rhapsody has been called ‘the Bulgarian equivalent of Chopin’s ● Conductor Nayden Todorov is among the most talented Polonaise in A’, and the lively and exotic Seven Symphonic Bulgarian Bulgarian musicians of the younger generation: ‘A musician to Dances is among the most notable of a series of works that fuse the backbone whose harmonic and smooth movements enchant joyous regional melodies with sophisticated Western orchestration. -
The Voice of Jazz Musicians in Germany
Felix Felix Falk Angelica Niescier Lucia Cadotsch Gunter Hampel Susan Weinert Shannon Barnett Robert Landfermann Olivia Trummer © Patrick Essex © Patrick Schestag © Rüdiger © Lothar Fietzek Achim Kaufmann Lillinger © Katrin Christian Lillinger Christoph Hillmann Julia Hülsmann Götz © Sven Volker Engelberth Schindelbeck © Frank Alexandra Lehmler Ulla Oster Peter Ehwald Germany MEMBERSHIP APPLICATION GERMAN JAZZ UNION - WHAT WE REPRESENT 0 Individual member 0 Sponsoring member The tasks and goals of the German Jazz Union e. V. are First name wide-ranging. The aim is to give “Jazz made in Germany” an German Jazz Union - appropriate social status within German and Europes diverse Last name cultural scene. Instrument Jazz in and from Germany is globally renowned and creates in- Institution (if applicable) novative potential in all areas of society. Public funding is just as essential for free scenes in jazz and improvised music as it is in Main occupation institutionalized music and culture. Street The German Jazz Union represents the interests of all jazz musicians in Germany and is particularly committed to the Postcode, City following goals: Tel. of Jazz Musicians in The voice 1. SPECIFIC FUNDING FOR JAZZ AND IMPROVISED Fax MUSIC Expansion of public funding, design of existing and new Mobile funding instruments at federal level. Jazz experts in relevant Email institutions. 2. VENUES Expansion of public funding for jazz and improvised music venues, creation of fully financed jazz Website centers. Stronger support from the federal states and local au- Date of birth thorities.3. FAIR COMPENSATION AND SOCIAL SECURITY Ensuring appropriate compensation. Short term minimum Annual membership fee (see back of leaflet) and long term fair fees for musicians, strengthening of social security, in particular through the expansion of the German IBAN Social Fund for Artists (Künstlersozialkasse). -
Dissertation Committee for Michael James Schmidt Certifies That This Is the Approved Version of the Following Dissertation
Copyright by Michael James Schmidt 2014 The Dissertation Committee for Michael James Schmidt certifies that this is the approved version of the following dissertation: The Multi-Sensory Object: Jazz, the Modern Media, and the History of the Senses in Germany Committee: David F. Crew, Supervisor Judith Coffin Sabine Hake Tracie Matysik Karl H. Miller The Multi-Sensory Object: Jazz, the Modern Media, and the History of the Senses in Germany by Michael James Schmidt, B.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2014 To my family: Mom, Dad, Paul, and Lindsey Acknowledgements I would like to thank, above all, my advisor David Crew for his intellectual guidance, his encouragement, and his personal support throughout the long, rewarding process that culminated in this dissertation. It has been an immense privilege to study under David and his thoughtful, open, and rigorous approach has fundamentally shaped the way I think about history. I would also like to Judith Coffin, who has been patiently mentored me since I was a hapless undergraduate. Judy’s ideas and suggestions have constantly opened up new ways of thinking for me and her elegance as a writer will be something to which I will always aspire. I would like to express my appreciation to Karl Hagstrom Miller, who has poignantly altered the way I listen to and encounter music since the first time he shared the recordings of Ellington’s Blanton-Webster band with me when I was 20 years old. -
Purchaser Guide
PURCHASER GUIDE WELCOME TO ASCENT Tucked at the base of revered Camelback Mountain, Ascent is a new private residential enclave, AT THE PHOENICIAN® adjacent to The Phoenician®—one of Arizona’s premier luxury resort destinations. This community incorporates the Sonoran Desert landscape directly into its design, at the most enviable location in Scottsdale. ASCENT AT THE PHOENICIAN AN ICONIC RESORT DESTINATION Ascent is located next to The Phoenician® — a world class hotel property on the edge of Arizona’s Sonora Desert. For decades The Phoenician has guided guests through an evolving journey distinctly designed to nurture, inspire, and rejuvenate. Offering multiple experiences on one diverse property, the resort’s award-winning Luxury Collection includes The Phoenician, The Canyon Suites, The Phoenician Suites, and a full range of world-class amenities. SERENITY NEAR THE HEART OF SCOTTSDALE Tucked against the backdrop of Camelback Mountain, Ascent is steps from the amenities of The Phoenician® and in close proximity to the boutiques, restaurants, and galleries of Old Town Scottsdale and Fashion Square. Homes highlight desert contemporary design with outdoor living spaces and a private homeowner pool and fitness amenity on the south slope of Camelback Mountains. All images, renderings and specifications on this page are for illustrative and representation purposes only and subject to change without notice. PAGE 3 ASCENT AT THE PHOENICIAN WORLD CLASS DINING J&G Steakhouse, Mowry & Cotton, Thirsty Camel, Afternoon Tea – From classic French dishes to hand-crafted cocktails and poolside snacks, The Phoenician® has many innovative dining options to satisfy every mood – and every craving. A WORLD CLASS DESERT PROPERTY An iconic resort destination, The Phoenician® recently completed an extensive renovation. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) "Our subcultural shit-music": Dutch jazz, representation, and cultural politics Rusch, L. Publication date 2016 Document Version Final published version Link to publication Citation for published version (APA): Rusch, L. (2016). "Our subcultural shit-music": Dutch jazz, representation, and cultural politics. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 "Our Subcultural Shit-Music": Dutch Jazz, Representation, and Cultural Politics ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. dr. D.C. van den Boom ten overstaan van een door het College voor Promoties ingestelde commissie, in het openbaar te verdedigen in de Agnietenkapel op dinsdag 17 mei 2016, te 14.00 uur door Loes Rusch geboren te Gorinchem Promotiecommissie: Promotor: Prof. -
Bachelorarbeit
BACHELORARBEIT Lion Pfeufer Instrumente der Hörerbindung im NS-Rundfunk an ausgewählten Beispielen Instruments of listener loyalty in NS-Broadcast on selected examples 2011 Fakultät Medien BACHELORARBEIT Instrumente der Hörerbindung im NS-Rundfunk an ausgewählten Beispielen Autor: Lion Pfeufer Studiengang: Medienmanagement Seminargruppe: MM07w2-B Erstprüfer: Prof. Dr. phil. Ludwig Hilmer Zweitprüfer: Prof. Dr. phil. Otto Altendorfer M.A. Mittweida, April 2011 Bibliographische Beschreibung und Referat Lion Pfeufer: Instrumente der Hörerbindung im NS-Rundfunk an ausgewählten Beispielen. - 2011 - 65 S. Mittweida, Hochschule Mittweida (FH), Fachbereich Me- dien, Bachelorarbeit Referat Mit der hier vorliegenden Bachelorarbeit, welche im Frühjahr 2011 angefertigt worden ist, wird der bis dato wenig beschriebene Themenkomplex der Hörerbin- dung im Rundfunk des Dritten Reiches aufgegriffen und eingehender untersucht. Im Fokus der Betrachtung liegt hierbei das „Wunschkonzert für die Wehrmacht“, welches einer der populärsten „Straßenfeger“ während des 2. Weltkrieges war. Ziel der Arbeit ist es, die einzelnen Elemente der Hörerbindung in ihrer damaligen Anwendung aufzuzeigen und ihren Wirkgehalt zu erläutern. Dabei wird auf die Sprache in der NS-Zeit ebenso eingegangen, wie auf die Sendezeiten im Rundfunk, oder den Charity-Charakter des Wehrmachtswunschkonzerts. III Inhaltsverzeichnis Bibliographische Beschreibung und Referat ...................................................... III Abkürzungsverzeichnis ...................................................................................