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Digitális Fényképezőgépek Összefoglalója -2021 Március

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Digitális Fényképezőgépek Összefoglalója -2021 Március DIGITÁLIS FOTOKAMERÁK 2021. március blzs ver. 1.4 TARTALOMJEGYZÉK 1. A digitális kameragyártás általános helyzete…………………………...3 2. Középformátum………………………………………………………...6 2.1 Hátfalak……………………………………………………………..9 2.2 Kamerák…………………………………………………………...17 3. Kisfilmes teljes képkockás formátum………………………………….21 3.1 Tükörreflexesek……………………………………………………22 3.2 Távmérősek………………………………………………………...30 3.3 Kompaktok…………………………………………………………32 3.4 Tükörnélküli cserélhető objektívesek………………………………34 4. APS-C formátum……………………………………………………….41 4.1 Tükörreflexesek…………………………………………………….42 4.2 Kompaktok…………………………………………………………48 4.3 Tükörnélküli cserélhető objektívesek………………………………51 5. Mikro 4/3-os formátum………………………………………………...57 5.1 Olympus……………………………………………………………58 5.2 Panasonic…………………………………………………………...61 6. „1 col”-os formátum……………………………………………………65 6.1 Cserélhető objektívesek…………………………………………….65 6.2 Beépített objektívesek………………………………………………67 7. „Nagyszenzoros” zoom-objektíves kompaktok……………………….. 70 8. „Kisszenzoros” zoom-objektíves kompaktok…………………………. 72 8.1 Bridge kamerák……………………………………………………. 73 8.2 Utazó zoomos ( szuperzoomos ) kompaktok……………………….76 8.3 Strapabíró ( kaland- víz- ütés- porálló ) kompaktok………………..78 9. A kurrens kamerák összefoglalása……………………………………...81 9.1 Technológia szerint…………………………………………………81 9.2 Gyártók szerint…………………………………………………….. 82 10. Gyártók és rendszereik……………………………………………….... 84 10.1 Canon……………………………………………………………...84 10.2 Sony……………………………………………………………….87 10.3 Nikon……………………………………………………………...91 10.4 Olympus - OM Digital Solutions………………………………… 93 10.5 Panasonic………………………………………………………….97 10.6 Fujifilm………………………………………………………….. 99 10.7 Ricoh Imaging…………………………………………………... 101 10.8 Leica Camera…………………………………………………….103 10.9 Hasselblad………………………………………………………..106 11. Helyzetértékelés……………………………………………………….108 12. Memóriakártyák……………………………………………………….113 12.1 Compact Flash és utódai…………………………………………113 12.2 Memory Stick……………………………………………………116 12.3 SD kártyák……………………………………………………….117 1 13. Vezetékes digitális kapcsolatok…………………………………… 121 13.1 USB…………………………………………………………….121 13.2 HDMI…………………………………………………………..123 14. Vezetéknélküli digitális kapcsolatok………………………………...125 14.1 WLAN (WiFi)………………………………………………….125 14.2 Bluetooth……………………………………………………….126 15. Fókusztényezők……………………………………………………...129 16. Tükörrel – tükör nélkül……………………………………………...135 17. Trendek……………………………………………………………...146 18. Prognózis 2021-re…………………………………………………...152 2 1. A DIGITÁLIS KAMERAGYÁRTÁS ÁLTALÁNOS HELYZETE A digitális fényképezőgépek a ’90-es évek második felétől jelentek meg tömegesen a fotós boltok polcain, és többségében szkeptikus szakvélemények fogalmazódtak meg arról, hogy képminőségben és árban valaha is versenyképesek lesznek-e a filmes kamerákkal. Tíz évvel később már a filmes technika teljes kihalásáról és egy korlátlan nagyságú digitális piacról értekeztek. A 2011-ig tartó töretlen optimizmus azonban a mobiltelefonok képalkotási képességeinek fejlődését és a sok, azonos paraméterű, részben pixel- és árversennyé fajult, a képminőséget vagy a szolgáltatások választékának bővítését nem szolgáló kompakt kamerák feleslegességét figyelmen kívül hagyta. A szükségszerű kijózanodás és a fényképezőgépek nagy piaczsugorodása következtében jutottunk el a mai, realista képhez, mely szerint a tömeges képalkotás mobiltelefonnal történik, az igényes és professzionális fotózás és videózás eszközeiként a digitális kamerákat mintegy tucatnyi gyártó egymással versengő és egymást kiegészítő választéka alkotja, és az analóg technika is talált magának piaci rést a hobby- és művészi fényképezés terén. A 2010-es évek első felére a digitális kamerák gyártása fokozatosan japán belüggyé vált. A saját márkával folyamatosan a piacon lévő „nem-japán” gyártók közül a Kodak 2012-ben, a Samsung 2015-ben dobta be a törülközőt, a (kínai-svéd-német) Hasselblad, az (osztrák-amerikai-német) Leica Camera, a (dán-svéd-izraeli-japán) Phase One / Leaf / Mamiya és a (Kodak márkát licenszelő amerikai) JK Imaging pedig együttesen sem rendelkeznek 1%-os piaci részesedéssel. A japán digitális kameragyártás éves statisztikáit a CIPA (Camera & Imaging Products Association) 1999-től tartja nyilván, és ez a világpiacra is jó közelítéssel használható. (A 2012 előtti számokat Kodak miatt meg lehet ugyan emelni, Samsung azonban – bár nagy tervekkel indult, de számokat soha nem publikált - nem befolyásolta számottevően a világpiacot.) A konkrét mennyiségek a nyilvántartási időszakban: év 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 millió 5,09 10,34 14,75 24,55 43,4 59,77 64,76 78,98 100,37 119,76 db 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 105, 121, 115, 98,14 62,84 43,43 35,39 24,19 24,98 19,42 15,22 8,89 87 47 52 Az 1999-től tartó dinamikus növekedés 2009-es és 2011-es megbicsaklását először a gazdasági világválságnak (2009), ill. a kelet-japáni nagy földrengésnek és katasztrofális thaiföldi árvíznek (2011) tulajdonították (több gyártónak van Thaiföldön alkatrészgyártó és/vagy összeszerelő üzeme), a 2008-as és 2010-es csúcs azonban többé már nem volt megismételhető, és a 2012-től bekövetkezett zsugorodást nyilvánvalóan nem eseti, hanem szerkezeti problémák okozták. Megjegyzés: A 2020. évi adatokat a COVID-világjárvány elmúltával lehet majd a trendvonalba illeszteni vagy abból kiemelni. 2012-t követően megtörtént néhány szükséges korrekció – kivonulás (Kodak, Samsung, Casio), felvásárlás (Ricoh – Pentax, Phase One – Mamiya és Leaf, Leica Camera - Sinar), leválasztás (Olympus – OMD Digital), valamennyi gyártónál (főleg az amatőr kompakt kategóriákban) a termékskála racionalizálása, belső átszervezési hullámok. Ennek eredményeképpen - a 2010-es csúcsévet követően - a meghatározó gyártók évente kibocsátott új modelljeinek (a határterületnek tekinthető drón-, lencse-, akció-, 360°-os, instant kamerák, középformátumú digitális vázak + hátfalak nélküli) száma az alábbiak szerint változott: 3 évek gyártók 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 Canon 16 18 23 15 16 17 13 9 6 8 6 Casio* 13 6 7 4 3 3 2 1 - - - Fujifilm 17 21 21 19 8 7 7 5 7 5 5 Hasselblad - - - - - - - 1 - 1 - Kodak* 5 6 4 - - - - - - - - Leica 3 3 7 2 6 4 2 3 5 4 5 Nikon 15 17 22 21 18 16 11 3 4 4 5 Olympus 18 19 15 11 6 6 5 2 1 4 3 Panasonic 22 21 17 15 8 9 7 5 6 6 2 Ricoh/Pentax 15 11 11 10 10 4 3 2 2 3 1 Samsung* 19 15 12 10 10 2 - - - - - Sigma 4 1 3 1 3 1 2 - - 1 - Sony 24 22 23 18 15 8 7 4 5 7 3 YI* - - - - - - 1 - - - - Zeiss - - - - - - - - - - 1 Összesen 171 160 165 126 103 77 60 35 36 43 31 *Kodak 2012-ben, Samsung 2015-ben, Casio és YI 2018-ban szüntette meg a fényképezőgép- gyártást. Licencelt Kodak márkanéven a mai napig jelennek meg modellek, ezek nem szerepelnek a táblázatban. A 2010-2012-es csúcsidőszakban átlagosan csaknem kétnaponként jelent meg új kamera modell, ami 2020-re átlagosan kb. 12 napra nőtt, azonban a csak 2 - 4 évente megújuló felsőbb kategóriás (és sok esetben az „eggyel korábbi”, még párhuzamosan gyártott) típusokat is figyelembe véve még mindig mintegy 150-féle „aktuális” modell van egyidejűleg forgalomban. Ennek ellenére a mostani megjelenési gyakoriság és modellválaszték már nyomon követhető, a kamerák piaca áttekinthető, könnyebben rendszerezhető és értékelhető. Az értékesítési statisztikákban a beépített objektíves (kompakt) és cserélhető objektíves (ILC) vázak mennyiségét és arányának változását mutatja a 2003-tól vezetett japán számsor: év 2003 2004 2005 2006 2007 2008 2009 2010 ILC 0,84 2,48 3,79 5,26 7,47 9,69 9,91 12,89 millió db ILC (%) 1,94 4,15 5,85 6,66 7,44 8,09 9,36 10,61 kompakt 42,56 57,29 60,97 73,72 92,9 110,07 95,96 108,58 millió db kompakt 98,06 95,85 94,15 93,34 92,56 91,91 90,64 89,39 (%) 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 15,69 20,16 17,13 13,84 13,05 11,61 11,68 10,76 8,46 5,31 13,58 20,54 27,26 31,87 36,87 48,00 46,76 55,40 55,58 59,73 99,83 77,98 45,71 29,59 22,34 12,58 13,30 8,66 6,76 3,58 86,42 79,46 72,74 68,13 63,13 52,00 53,24 44,6 44,42 40,27 4 Megjegyzés: - Kodak modelljeit is beleszámolva 2012-ig a kompaktok valójában a fentieknél is nagyobb mennyiséget és részarányt képviseltek - a kompaktok és cserélhető objektívesek közötti arány elmúlt évekbeli felgyorsult változásának fő oka, hogy míg a cserélhető objektívesek eladásai 2012-ig növekedtek (kb. 20 millió db/év-nél érve el a csúcsértéküket) majd 2020-ra csaknem a negyedükre estek, addig a kompaktok értékesítése már 2011-től zuhanásszerűen (a 2010-es kb. 110 millió db/év-ről 2020-ra kb. 3,3 millió db/év-re), azaz 9 év alatt kevesebb mint egy harmincad (!) részére esett - a cserélhető objektíves (ILC) kategória a DSLR-eket (tükörreflexesek), a MILC-eket (tükörnélküliek) és DRF-eket (távmérős tükörnélküliek) foglalja magában. Canon „Rebel” digitális tükörreflexesének 2003-as megjelenése (és szélesebb kör részére megfizethetővé válása – ezért kapta az árszintjére utalva a „rebellis” nevet) indította el a DSLR-ek tömeges terjedését, míg 2008-tól (a tükörreflexes piacról kiszorult gyártók kezdeményezésére) megkezdődött a tükörnélküli cserélhető objektíves digitális vázak (MILC) forgalmazása. A DRF- kategóriába egyedül Seiko Epson RD-1 távmérős digitális gépcsaládja tartozott, melyet 2004-2014 között kis darabszámban gyártottak. (A másik távmérős – Leica M-sorozatot - a japán statisztika nem tartalmazza, de ennek volumene is elhanyagolható.) A cserélhető objektíves (ILC) kamerákon belül a tükörreflexesek (DSLR) és tükörnélküliek (MILC) megoszlását csak 2012 (Canon MILC-einek megjelenése) óta tartják nyilván: év 2012 2013 2014 2015 2016 2017 2018 2019 2020 DSLR 16,20 13,83 10,55 9,71 8,45 7,60 6,62 4,50 2,38 (mill. db) DSLR 80,36 80,74 76,23 74,41 72,78 65,07 61,52 53,19 44,82 (%) MILC 3,96 3,30 3,29 3,34 3,16 4,08 4,14 3,96 2,93 (mill. db) MILC 19,64 19,26 23,77 25,59 27,22 34,93 38,48 46,81 55,18 (%) Tehát a 2012-es kb. 4:1 DSLR/MILC gyártási arány 2015-re kb. 3:1-re, 2017-re kb. 2:1-re módosult, 2020-ban pedig átbillent a MILC-ek javára (értékben a MILC-ek 2019-ben már meg- előzték a DSLR-eladásokat). Megjegyzés: A fenti statisztika azt a folyamatot nem mutatja ki, hogy a MILC-ek kezdeti terjedését főleg az olcsó, kisszenzoros (Pentax 1/2,3” és 1/1,7” ill.
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